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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
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CHORALE - CHAN…
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CORNET
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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LIVRES
LUTH
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Thing Of Gold
Sheetmusicplus
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33
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18
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16
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8
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4
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
Thing Of Gold
SheetMusicPlus
Partitions à imprimer
186 partitions trouvées
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176
Thing Of Gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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Maksym Grynchuk
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Thing Of Gold
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Smiling-Chook Productions
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1167909 By Snarky Puppy. By Michael League. Arranged by Maksym Grynchuk. Contemporary,Funk,Jazz. Score a...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1167909 By Snarky Puppy. By Michael League. Arranged by Maksym Grynchuk. Contemporary,Funk,Jazz. Score and parts. 48 pages. Smiling-Chook Productions #768265. Published by Smiling-Chook Productions (A0.1167909). Instrumentation - 5 Saxophones (Soprano Lead), 4 Trumpets, 4 Trombones, Rhythm SectionSolos - Flugelhorn, Soprano SaxA big band arrangement of Snarky Puppy's earworm from their 2012 album GroundUP. This arrangement is true to the original in form and key. To view more of my big band arrangments and original compositions, please visit www.maxgrynchuk.com/sheet-music.
$80.00
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Johann Sebastian Bach
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Paul Wehage
#
Johann Sebastian Bach/Wehage G
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95
Fields Of Gold
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Harpe
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FACILE
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Sting
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Carol Kappus
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Fields Of Gold
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Carol Kappus
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SheetMusicPlus
Lever Harp - Level 2 - SKU: A0.1491248 By Sting. By Sting. Arranged by Carol Kappus. Multicultural,World. Score. 2 pages. Carol Kappus #1067987. Publish...
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Lever Harp - Level 2 - SKU: A0.1491248 By Sting. By Sting. Arranged by Carol Kappus. Multicultural,World. Score. 2 pages. Carol Kappus #1067987. Published by Carol Kappus (A0.1491248). An interesting but easy version of Sting's beautiful tune, Fields of Gold. Â Works well as an ensemble piece with beginners playing only the melody line and more advanced players playing the whole thing.
$5.99
Fields Of Gold
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Pop musique
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Sting
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Max Stannard
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Fields Of Gold
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Max Stannard Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - SKU: A0.1450395 By Sting. By Sting. Arranged by Max Stannard. Pop. Brass Band. 33 pages. Max Stannard Music #1030125. Published by Max Stannard Music (A0.1450395). This solo for flugel horn is an arrangement of the song Fields of Gold by Sting. The song was also covered by American singer and guitarist Eva Cassidy who recorded a version that first appeared on her 1996 live album Live at Blues Alley, then later on her albums Songbird (1998). In Lyrics By Sting, the singer described the view from his 16th-century Wiltshire manor house: In England, our house is surrounded by barley fields, and in the summer it's fascinating to watch the wind moving over the shimmering surface, like waves on an ocean of gold. There's something inherently sexy about the sight, something primal, as if the wind were making love to the barley. Lovers have made promises here, I'm sure, their bonds strengthened by the comforting cycle of the seasons..
$24.99
Fields Of Gold
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Sting
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Orlando Abarca Abarca
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Fields Of Gold
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Orlando Abarca
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1232101 By Sting. By Sting. Arranged by Orlando Abarca Abarca. Contemporary,Pop,Rock,Singer/Songwriter. Guitar Tab. 8 pages. ...
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Guitar - Level 3 - SKU: A0.1232101 By Sting. By Sting. Arranged by Orlando Abarca Abarca. Contemporary,Pop,Rock,Singer/Songwriter. Guitar Tab. 8 pages. Orlando Abarca #827780. Published by Orlando Abarca (A0.1232101). Experience the beauty of the guitar with my latest one-piece masterpiece. With intricate fingerpicking, soaring melodies, and beautiful interludes, this arrangement takes the original piece to new heights.Not only is this piece of music a joy to listen to, but it's also incredibly relaxing to play. And to make it even easier for you to learn, I'm offering tablature sheets that will guide you through each note and chord.Plus, I've also created a YouTube video where you can see me playing the arrangement and follow along. Whether you're a beginner or an advanced player, you'll find something to love in this guitar masterpiece.Perfect for performances, recitals, or personal enjoyment, this arrangement is a must-have for any music lover.Get it now and discover the magic of this exquisite piece of guitar music!
$6.99
Goldberg in Istanbul
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Clavecin
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fazıl Say
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Goldberg in Istanbul
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Schott Music - Digital
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SheetMusicPlus
Harpsichord - intermediate to advanced - SKU: S9.Q564200 For harpsichord (or piano). Composed by Fazıl Say. Aria - baroque - goldberg variatio...
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Harpsichord - intermediate to advanced - SKU: S9.Q564200 For harpsichord (or piano). Composed by Fazıl Say. Aria - baroque - goldberg variations - istanbul - johann sebastian bach - turkey. Downloadable, Separate edition. Duration 7 minutes. Schott Music - Digital #Q564200. Published by Schott Music - Digital (S9.Q564200). Are you a lover of classical piano music looking for something new and exciting to add to your repertoire? Look no further than Goldberg in Istanbul, the stunning op. 94 composition by Fazıl Say. This concert and encore piece takes the well-known themes of the Goldberg Variations by Johann Sebastian Bach and infuses them with Turkish maqams, jazz elements, and Istanbul rhythms. The result is a breathtaking fusion of cultures and styles that is sure to captivate any audience. Whether you're a pianist or harpsichordist, this sheet music publication is a must-have for any performer looking to add something fresh and unique to their repertoire. Get your copy of Goldberg in Istanbul today and experience the magic for yourself.
$7.99
Bach: Goldberg Variations, BWV 988: Var. 30 (as played by Víkingur Ólafsson) for Piano
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach and VÃÂ
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Flavio Regis Cunha
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Bach: Goldberg Variations, BWV
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FRC Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1371724 By Johann Sebastian Bach and VÃÂkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. ...
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Piano Solo - Level 3 - SKU: A0.1371724 By Johann Sebastian Bach and VÃÂkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. FRC Music #955951. Published by FRC Music (A0.1371724). Bach: Goldberg Variations, BWV 988: Var. 30 (as played by VÃÂkingur Ólafsson) for PianoAdvanced Intermediate.Format: Concert, 9 x 12 inches.2 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.The transcendent rendition of Goldberg Variations, BWV 988: Var. 30 by VÃÂkingur Ólafsson on the piano is nothing short of a musical masterpiece. In this sublime interpretation, Ólafsson navigates the intricate tapestry of Bach's composition with unparalleled skill and sensitivity.Var. 30, also known as the Quodlibet, is a culmination of the preceding variations, bringing together various melodic fragments in a harmonious convergence. Ólafsson's performance is characterized by a profound understanding of the emotional nuances embedded in the piece. His delicate touch and precise articulation illuminate the intricate counterpoint, allowing each note to resonate with a profound sense of purpose.The pianist's nuanced phrasing and dynamic control breathe life into the composition, creating a compelling narrative that unfolds with each passing measure. As Var. 30 progresses, Ólafsson's interpretative choices reveal a deep connection to the essence of Bach's work, capturing the essence of the Baroque era while infusing it with a contemporary flair.The juxtaposition of contrasting motifs within the Quodlibet showcases Ólafsson's virtuosity and musical insight. His ability to seamlessly transition between intricate passages and lyrical moments is a testament to his technical prowess and artistic sensitivity. The performance, under his deft guidance, transforms into a captivating journey that engages the listener on both intellectual and emotional levels.In conclusion, VÃÂkingur Ólafsson's rendition of Goldberg Variations, BWV 988: Var. 30 stands as a testament to his extraordinary skill as a pianist and his deep appreciation for the musical genius of Johann Sebastian Bach. This interpretation is a compelling and enriching experience that transcends the boundaries of time, bringing the timeless beauty of Bach's work to contemporary audiences with grace and brilliance.
$6.99
Glorious Things of Thee Are Spoken
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Orgue
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Classique
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Franz Joseph Haydn, Amos Goldi
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ECG Press, USA
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Glorious Things of Thee Are Sp
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ECG Press, USA
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SheetMusicPlus
Organ - SKU: A0.935120 Composed by Franz Joseph Haydn, Amos Goldie. Arranged by ECG Press, USA. Classical,Sacred. Score. 7 pages. ECG Press, USA #460541...
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Organ - SKU: A0.935120 Composed by Franz Joseph Haydn, Amos Goldie. Arranged by ECG Press, USA. Classical,Sacred. Score. 7 pages. ECG Press, USA #4605411. Published by ECG Press, USA (A0.935120). From Haydn's celebrated Emperor String Quartet, Op. 76 #3, the beloved hymn tune AUSTRIA is here presented in a creative and colorful arrangement for Solo Organ, perfect for church or recital.
$1.99
Jerusalem the Golden (orch)
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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David M
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Jerusalem the Golden
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David M. Sampson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.941200 Arranged by David M. Sampson. Christian,Sacred. Score and parts. 38 pages. David M. Sampson #5968503. Publishe...
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Full Orchestra - Level 3 - SKU: A0.941200 Arranged by David M. Sampson. Christian,Sacred. Score and parts. 38 pages. David M. Sampson #5968503. Published by David M. Sampson (A0.941200). This is my arrangement for orchestra of the hymn Jerusalem the Golden. The middle section is based on the hymn Glorious Things of Thee Are Spoken, from the well-known tune by Haydn.Run time: 4 minutes.
$1.99
Jerusalem, the Golden (piano)
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Alexander Ewing/Franz Joseph H
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David M
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Jerusalem, the Golden
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David M. Sampson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.941199 Composed by Alexander Ewing/Franz Joseph Haydn. Arranged by David M. Sampson. Christian,Sacred. Score. 5 pages. Da...
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Piano Solo - Level 3 - SKU: A0.941199 Composed by Alexander Ewing/Franz Joseph Haydn. Arranged by David M. Sampson. Christian,Sacred. Score. 5 pages. David M. Sampson #5899729. Published by David M. Sampson (A0.941199). This is an arrangement for piano of the hymns Jerusalem, the Golden and Glorious Things of Thee Are Spoken.
$1.99
Nothing Compares (Anthem) - Orchestration
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. C...
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Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99
There's Nothing I Wouldn't Do
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Zina Goldrich
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Dianne Goldrick
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There's Nothing I Wouldn't Do
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Dianne Goldrick
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.929419 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 10 pages. Dianne Goldrick #42...
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Choral Choir (SSAA) - Level 4 - SKU: A0.929419 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 10 pages. Dianne Goldrick #4270475. Published by Dianne Goldrick (A0.929419). A comedy song that uses all the mundanities of life to show that certain someone how much you love them. Sure to get a lot of laughs. For women's barbershop, SSAA a cappella.Purchase gives the buyer the right to make 4 copies.
$12.99
There's Nothing I Wouldn't Do
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Zina Goldrich
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Dianne Goldrick
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For women's barbershop.
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There's Nothing I Wouldn't Do
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Dianne Goldrick
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.929413 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 10 pages. Dianne Goldrick #39...
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Choral Choir (SSAA) - Level 4 - SKU: A0.929413 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 10 pages. Dianne Goldrick #3912939. Published by Dianne Goldrick (A0.929413). A comedy song that uses all the mundanities of life to show that certain someone how much you love them. For women's barbershop.
$2.62
There's Nothing I Wouldn't Do
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Zina Goldrich
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Dianne Goldrick
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There's Nothing I Wouldn't Do
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Dianne Goldrick
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.929414 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 9 pages. Dianne Goldrick #391...
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Choral Choir (SSAA) - Level 4 - SKU: A0.929414 Composed by Zina Goldrich. Arranged by Dianne Goldrick. A Cappella. Octavo. 9 pages. Dianne Goldrick #3912945. Published by Dianne Goldrick (A0.929414). A comedy song that uses all the mundanities of life to show that certain someone how much you love them. For women's SSAA a cappella.
$2.62
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127788 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127788 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages. IPMAN #728389. Published by IPMAN (A0.1127788). Arranged for 9-10 piece Band music score.
$5.00
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127786 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127786 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages. IPMAN #728386. Published by IPMAN (A0.1127786). Arranged for 9-10 piece Band music score.
$5.00
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127789 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 1 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127789 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 1 pages. IPMAN #728391. Published by IPMAN (A0.1127789). Arranged for 9-10 piece Band music score.
$2.00
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127792 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127792 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 2 pages. IPMAN #728398. Published by IPMAN (A0.1127792). Arranged for 9-10 piece Band music score.
$5.00
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127794 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 4 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127794 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 4 pages. IPMAN #728403. Published by IPMAN (A0.1127794). Arranged for 9-10 piece Band music score.
$5.00
Thing of gold
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Snarky Puppy
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IPMAN
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Thing of gold
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IPMAN
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127790 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 4 pages...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1127790 By Snarky Puppy. By Snarky Puppy. Arranged by IPMAN. Contemporary,Jazz. Score and parts. 4 pages. IPMAN #728393. Published by IPMAN (A0.1127790). Arranged for 9-10 piece Band music score.
$5.00
Thing Of Gold
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Piano seul
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Jazz
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Rock
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Snarky Puppy
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Thing Of Gold
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.437935 By Snarky Puppy. This edition: Interactive Download. Jazz,Rock. Piano Solo. 4 pages. Published by Hal Leonard - Digit...
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Interactive Download SKU: HX.437935 By Snarky Puppy. This edition: Interactive Download. Jazz,Rock. Piano Solo. 4 pages. Published by Hal Leonard - Digital (HX.437935).
$4.99
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Thing Of Gold
