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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Think of One
Sheetmusicplus
Non classifié
321
Piano & claviers
Piano seul
232
Piano, Voix
85
Piano, Voix et Guitare
45
Piano Facile
14
Instruments en Do
10
2 Pianos, 4 mains
7
Accompagnement Piano
4
Orgue
4
Piano grosses notes
3
1 Piano, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
+ 8 instrumentations
Retracter
Guitares
Guitare
26
Guitare notes et tablatures
15
Basse electrique
4
Ligne De Mélodie, (Paroles) et Accords
3
Paroles et Accords
2
3 Guitares (trio)
1
Guitare (partie séparée)
1
Ukulele
1
Mandoline
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
97
Chorale 3 parties
21
Chorale TTBB
13
Chorale 2 parties
10
Chorale SSAA
5
Voix seule
4
Voix duo
3
Voix Soprano, Piano
2
Chorale Unison
2
Voix duo, Piano
2
Voix basse
1
Voix Baryton
1
Chorale SSATTB
1
Voix Alto, Piano
1
Voix haute
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
Saxophone (partie séparée)
37
Quintette de Saxophone: 5 saxophones
25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
20
2 Saxophones (duo)
19
Saxophone Alto
18
Saxophone Tenor
17
Ensemble de saxophones
17
Saxophone Alto et Piano
15
Flûte traversière et Piano
11
Ensemble de Clarinettes
10
Flûte, Hautbois, Clarinette, Basson
9
Flûte traversière
9
Saxophone Tenor et Piano
9
Clarinette
9
Hautbois, Piano (duo)
9
Clarinette et Piano
8
Ensemble de Flûtes
7
2 Flûtes traversières (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Saxophone, Clarinette (duo)
6
Clarinette, Trompette (duo)
6
3 Saxophones (trio)
5
Flûte à bec Soprano
5
Saxophone Soprano et Piano
5
2 Clarinettes (duo)
5
Cor Anglais
4
Clarinette, Violon (duo)
4
Flûte et Guitare
4
Quintette de Flûte : 5 flûtes
4
Hautbois (partie séparée)
3
Hautbois, Basson (duo)
3
Flûte, Violon
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Flûte, Alto (duo)
3
Hautbois, Flûte
3
Flûte, Trompette (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Saxophone (duo)
3
Clarinette et Alto
2
3 Clarinettes (trio)
2
Saxophone Baryton, Piano
2
Clarinette, Harpe (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette Basse, Piano
2
Saxophone et Orgue
1
Saxophone Soprano
1
Trio de Flûtes: 3 flûtes
1
Saxophone
1
Flute (partie séparée)
1
Cor anglais, Piano
1
Hautbois, Violon, Piano
1
Saxophone, Tuba (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette, Violon (trio)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Quatuor de Cuivres : 2 trompettes, trombone, tuba
31
Trombone (partie séparée)
19
Trombone
12
Trompette (partie séparée)
11
Trombone et Piano
10
Ensemble de Trompettes
9
Trompette
8
Ensemble de Trombones
8
Trompette, Saxophone (duo)
6
Cor Anglais
4
Cor et Piano
4
2 Trompettes (duo)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Euphoniums et 2 Tubas
3
Quatuor de Cuivres
3
Trompette, Piano
3
Trompette, Trombone (duo)
3
2 Trombones (duo)
3
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Tuba
2
Euphonium, Piano (duo)
2
Tuba et Piano
2
Euphonium, Tuba (duo)
1
Ensemble de Cors
1
Tuba et Orgue
1
Cor anglais, Piano
1
Trombone basse
1
3 Trombones (trio)
1
Quatuor de cuivres: 4 cors
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violon et Piano
17
Violon
16
Violoncelle
16
Harpe
6
Violoncelle, Piano
5
Alto, Piano
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Ensemble d'Altos
4
Ensemble de Violons
4
2 Violoncelles (duo)
4
Alto seul
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
2 Altos (duo)
2
Violon, Guitare (duo)
2
4 Violoncelles
2
Harpe, Flûte (duo)
2
Contrebasse (partie séparée)
2
Trio à Cordes: 3 violoncelles
1
Violon (partie séparée)
1
Harpe, Voix
1
4 Contrebasses
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contre Basse
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
91
Ensemble Jazz
32
Orchestre
21
Orchestre à Cordes
21
Ensemble de cuivres
14
Orchestre de chambre
11
Batterie
8
Jazz combo
7
Cloches
3
Ensemble de Percussions
3
Piano et Orchestre
2
Fanfare
1
Xylophone
1
Percussion (partie séparée)
1
Batterie (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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RAGTIME
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Vous avez sélectionné:
Think of One
SheetMusicPlus
Partitions à imprimer
1 953 partitions trouvées
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1951
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trombone Duet
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2 Trombones (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Trombone Duet Trombone - Level 3 - SKU: A0.592315 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David Mc...
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Trombone Duet Trombone - Level 3 - SKU: A0.592315 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score. 5 pages. David McKeown #6357575. Published by David McKeown (A0.592315). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for two Trombones. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trombone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone et Orgue
#
AVANCÉ
#
Contemporain
#
Judith Cloud
#
What Would Nina Simone Say? Fo
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Judith Cloud
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trumpet and Trombone Duet
#
Trompette, Trombone (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592320 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Stand...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 3 - SKU: A0.592320 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357585. Published by David McKeown (A0.592320). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Trumpet and one Trombone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Trombone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Clarinet and Tenor Saxophone
#
Saxophone, Clarinette (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.592291 Composed by David McKeown. Children,Contemporary,Standards. Scor...
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Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.592291 Composed by David McKeown. Children,Contemporary,Standards. Score and parts. 5 pages. David McKeown #6357519. Published by David McKeown (A0.592291). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Clarinet and one Tenor Saxophone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Tenor Saxophone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trumpet and Alto Saxophone Duet
#
Trompette, Saxophone (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.592318 Composed by David McKeown. Children,Concert,Contemporary,Halloween...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - SKU: A0.592318 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357581. Published by David McKeown (A0.592318). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Trumpet and one Alto Saxophone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Alto Saxophone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Clarinet and Alto Saxophone
#
Saxophone, Clarinette (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.592290 Composed by David McKeown. Children,Concert,Contemporary,Hallowee...
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 3 - SKU: A0.592290 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357517. Published by David McKeown (A0.592290). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Clarinet and one Alto Saxophone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Clarinet and Alto Saxophone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Flute and Alto Saxophone
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Flûte, Saxophone (duo)
#
INTERMÉDIAIRE
#
Halloween
#
David McKeown
#
Scott the Scatterbrained Skele
#
David McKeown
#
SheetMusicPlus
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.592299 Composed by David McKeown. Children,Concert,Contemporary,Halloween,S...
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Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - SKU: A0.592299 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357543. Published by David McKeown (A0.592299). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Flute and one Alto Saxophone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Flute and Alto Saxophone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Scott the Scatterbrained Skeleton, Spooky Halloween Duet for Trumpet and Tenor Saxophone Duet
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Trompette, Saxophone (duo)
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INTERMÉDIAIRE
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Halloween
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David McKeown
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Scott the Scatterbrained Skele
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.592319 Composed by David McKeown. Children,Concert,Contemporary,Hallowee...
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Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - SKU: A0.592319 Composed by David McKeown. Children,Concert,Contemporary,Halloween,Standards. Score and parts. 5 pages. David McKeown #6357583. Published by David McKeown (A0.592319). Scott the Scatterbrained Skeleton is a fun and original duet written by David McKeown for one Trumpet and one Tenor Saxophone. Scott the Scatterbrained Skeleton is one in a series of ten Halloween-themed duets each presenting a portrait of a different Halloween character. All ten can be bought together in one collection by searching for 10 Spooky Halloween Duets for Trumpet and Tenor Saxophone.When you think about it, it’s obvious why Scott is scatterbrained, seeing as there’s nothing to stop his brain falling out. His friends also called him scatterlunged and scatterspleened. He’s a happy chap, not a deep thinker of course, but he always has a smile for everyone.Scott the Scatterbrained Skeleton is suitable for players at an intermediate level and above. The main melody is staccato, with a more lyrical and sustained middle section. The key and range are as accessible as possible for both players. With a playing-time of just under four minutes, Scott the Scatterbrained Skeleton is a perfect fun addition to any performance program, formal or informal. Click the link above to listen to a full performance of the clarinet version of this duet on YouTube.To keep up with new titles, search for Dave McKeown Sheet Music Downloads on Facebook.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Jingle Bells for Baritone Sax & Piano
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Saxophone Baryton, Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Baritone Sax
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages....
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Baritone Saxophone,Piano - Level 1 - SKU: A0.548665 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408945. Published by jmsgu3 (A0.548665). Jingle Bells arranged for baritone sax & piano. Score: 3pg. part: 1pg. piano 3 pg. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Take the "A" Train: 2nd E-flat Alto Saxophone
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Saxophone (partie séparée)
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Methodes
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Billy Strayhorn
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Alan Baylock
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Take the "A" Train:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015720_AX2 2nd E-flat Alto Saxophone. Composed by Billy Strayhorn. Arranged by Alan Baylock. Instructional. Part. ...
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Jazz Ensemble - SKU: AX.00-PC-0015720_AX2 2nd E-flat Alto Saxophone. Composed by Billy Strayhorn. Arranged by Alan Baylock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015720_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015720_AX2). UPC: 038081353913.Think of Take the A Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass 'bone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2, and the lead trumpet range is to written D, above the staff. A modern yet superb chart of a tune everyone knows. Festival material! (5:15) This title is available in SmartMusic.
$3.00
Jingle Bells for Trombone & Piano
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Trombone et Piano
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FACILE
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Noël
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James Pierpont
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James M
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Jingle Bells for Trombone &
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3...
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Piano,Trombone - Level 2 - SKU: A0.548658 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408227. Published by jmsgu3 (A0.548658). Jingle Bells arranged for trombone & piano featuring an unusual final verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95
Take the "A" Train: 2nd Trombone
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Trombone (partie séparée)
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Methodes
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Billy Strayhorn
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Alan Baylock
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Take the "A" Train:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015720_TN2 2nd Trombone. Composed by Billy Strayhorn. Arranged by Alan Baylock. Instructional. Part. 4 pages. Alfr...
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Jazz Ensemble - SKU: AX.00-PC-0015720_TN2 2nd Trombone. Composed by Billy Strayhorn. Arranged by Alan Baylock. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015720_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015720_TN2). UPC: 038081353913.Think of Take the A Train with a contemporary flair and you have the idea behind this inventive chart by Alan Baylock. Opening up in a swing groove, then alternating with a funk feel, bari sax, bass 'bone, guitar and bass have the initial melodic statement in this terrific chart. Solo space is available for alto sax 1, trombone 1, bari sax and trumpet 2, and the lead trumpet range is to written D, above the staff. A modern yet superb chart of a tune everyone knows. Festival material! (5:15) This title is available in SmartMusic.
$3.00
Groove Zones Christmas! Eb saxophone & audio tracks (included). 5/15 ALTERNATIVE Carols!
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Saxophone Alto
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! Eb sax
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Masquerade Music
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. ...
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Alto Saxophone Solo - Level 3 - SKU: A0.1324096 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christmas,Holiday,Jazz,Ska. Individual part. 37 pages. Masquerade Music #912288. Published by Masquerade Music (A0.1324096). Groove Zones Christmas! (for that alternative Christmas!) - Eb saxophone edition (alto or baritone sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!). Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+
$14.00
Legacy of Valor, Op. 138 (Double Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Legacy of Valor, Op. 138
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicp...
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Brass Quintet - Level 4 - SKU: A0.1489511 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Patriotic,Pop. 38 pages. Https://gildedmusicpress.com/ #1066374. Published by https://gildedmusicpress.com/ (A0.1489511). In 2022 the United States Air Force celebrated 75 years of air and space dominance since its creation in 1947. The festivities and ceremonies surfaced throughout the nation all year. This composition was crafted as one of those celebratory creations. “Legacy of Valor” was originally composed for brass quintet and rock band, with two vocalists singing a stirring account of legacy handed down from one generation to another. The lyrics are here:In my youth, I knew a manWho loved to talk about his history;Unfolded his mystery!He made me laugh about some things,And we cried about some others,And we prayed as we talked about his fallen brothers.As I grew, I though a lotAbout that man who told me stories—His woes and his glories.Something firm about his voiceInspired my skill to make a choice,To recall our defenders’ valiant sacrifice.As I wanted to be like this man,As I pondered and dreamedOf becoming what I can,I hoped to see the day, without delay,To defend, like my friend!When I took the oath,I remembered that man!How proud he would beOf his brand new Airman!I answered the call.I’ll give it my all!I will not falter! I will not fail!I’m a guardian of the tradition of honor!Fly, fight, and win!When I hold my little boy,And think of freedoms he’ll enjoy,I ponder his destiny.Yes, it’s hard when I deploy!But distance cannot destroyWhat I love; what I fight so very hard to save!Generations come and go.I wish they all could knowHow it feels to serve America.The piece was difficult for the singers, but they practiced hard, and the USAF Heartland of America Band premiered it during an Independence Day concert tour in June and July 2022, including the grand patriotic concert at Mount Rushmore.A casual comment from one of the singers lingered: “You write for singers like they’re horns!” It is true that most of my compositional experience is with brass instruments. This double brass quintet instrumental rendition of “Legacy of Valor” is indeed a much more musically gratifying composition. It is the way it was supposed to be all along!Released in 2023 for the 76th birthday of the Air Force, this work and its message are appropriate for any patriotic event, including joint performances between any two brass quintets, civilian or military, American or global. Many stirring meanings can be communicated and celebrated through “Legacy of Valor”!
$29.95
Groove Zones Christmas! - Bb saxophone & audio tracks (included). 15 ALTERNATIVE Carols!
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Saxophone Tenor
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INTERMÉDIAIRE
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Noël
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Chris Lawry, Jack Lennon, and
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Groove Zones Christmas! - Bb s
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Masquerade Music
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,Jazz. Individual...
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Tenor Saxophone Solo - Level 3 - SKU: A0.1328094 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Holiday,Jazz. Individual part. 38 pages. Masquerade Music #916084. Published by Masquerade Music (A0.1328094). Groove Zones Christmas! (for that alternative Christmas!) - Bb saxophone edition (tenor or soprano sax) published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The  download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!).Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+.
$14.00
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
Spectrum Suite for Alto Saxophone and Tuba
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Saxophone, Tuba (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Spectrum Suite for Alto Saxoph
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Sy Brandon
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Tuba - Level 4 - SKU: A0.755233 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 4...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Tuba - Level 4 - SKU: A0.755233 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 45 pages. Sy Brandon #3534939. Published by Sy Brandon (A0.755233). Spectrum Suite consists of seven short movements that musically depict the seven colors of the spectrum. Red–signifies passion, vitality, enthusiasm and security. This movement is lively and passionateOrange–represents creativity, practicality, playfulness as well as equilibrium or control. This movement is moderate and playful. Yellow–represents clarity of thought, wisdom, orderliness and energy. This movement contains clear counterpoint and is energetic. Green–denotes fertility, growth, balance, health and wealth. This movement has a pastoral nature with rich harmonies. Blue–makes us think of the Unknown. The sky and the wide oceans are in this color and hence it has been associated with Spirituality and Divinity. This movement focuses on the vastness of the oceans. Indigo–Indigo is mystical as it bridges the Gap between Finite and Infinite. Indigo colored gemstones are often used for spiritual attainment, psychic abilities, self-awareness and enhancement of Intuition. This movement is mystical in nature. Violet–is considered the highest element of spirituality. This movement is hopeful and inspirational.
$14.99
The Lady Is a Tramp: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Methodes
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Dave Wolpe
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if not, just switch
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The Lady Is a Tramp: E-flat Ba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0015246_BTX E-flat Baritone Saxophone. Arranged by Dave Wolpe. Instructional. Part. 4 pages. Alfred Music - Digital...
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Jazz Ensemble - SKU: AX.00-PC-0015246_BTX E-flat Baritone Saxophone. Arranged by Dave Wolpe. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0015246_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015246_BTX). ISBN 9780757934568. UPC: 654979178613.Another outstanding jazz vocal with jazz ensemble! This chart is totally flexible---it's written in two keys! The higher key usually works for your male vocalist and the lower key for your female vocalist; if not, just switch. It's that easy! In addition to the vocal solo, this swinging Rogers and Hart song has a trombone jazz solo (or optional scat vocal solo) and written written ensemble horn lines for the vocalist, both great opportunities to integrate your vocalist with the ensemble. Dave Wolpe thinks of everything, and he writes some of the best charts in the music business. Very effective! (Female key (low): G below middle C to third line B, treble clef---Male key (high): B-flat below middle C to fourth line D, treble clef).
$3.00
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99
Take My Life and Let It Be-Xylophone
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Xylophone
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FACILE
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Zachary Damm
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Take My Life and Let It Be-Xyl
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Digital Print Publishing
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SheetMusicPlus
Xylophone Solo - Level 2 - SKU: A0.969535 Arranged by Zachary Damm. Christian,Instructional,Renaissance,Sacred. 2 pages. Digital Print Publishing #29423...
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Xylophone Solo - Level 2 - SKU: A0.969535 Arranged by Zachary Damm. Christian,Instructional,Renaissance,Sacred. 2 pages. Digital Print Publishing #2942369. Published by Digital Print Publishing (A0.969535). This arrangement blends Martin Luther’s baptismal hymn with the more familiar dedicational song Take My Life and Let It Be. The staunch tones that begin and conclude the piece transport one to the Jordan River and invite one to think on the meaning of baptism. The middle of the piece provides a pensive meditation upon Christian service. This score contains lead trumpet part. For the other parts, (including lead, 1st, and 2nd trumpet, violin, or other tuned mallet instrument, and piano) see the conductor's score or the individual parts under the same title.
$4.51
'Promenade' from Pictures at an Exhibition - easy arrangement for trombone quartet/tuba
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Quatuor de cuivres: 4 trombones
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FACILE
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Classique
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Modest Petrovich Mussorgsky
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James Brady
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'Promenade' from Pictures at a
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James Brady Music
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Stan...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.887012 Composed by Modest Petrovich Mussorgsky. Arranged by James Brady. Romantic Period,Standards. Score and parts. 7 pages. James Brady Music #5312711. Published by James Brady Music (A0.887012). This arrangement of the opening of Mussorgsky's best-known work is ideally suited as an opening or closing statement piece for a group of 4 early-intermediate trombones (1 bass trombone or tuba) or other bass clef instruments. It stays true to the original piece with adaptations in range for developing players and an adapted ending better suited for standalone performance. The estimated duration of the performance is 1m 30s.Pictures at an Exhibition is a suite of pieces for piano based on pictures by Mussorgsky's friend Viktor Hartmann, who died suddenly in 1873, aged 39. A memorial exhibition of Hartmann's works was staged in St. Petersburg the following year, and Mussorgsky's suite depicts walk around it, viewing 10 pictures in total. In addition to the pieces inspired by individual pictures, the suite contains several variations of the 'Promenade' theme, which depicts Mussorgsky roving through the exhibition, now leisurely, now briskly in order to come close to a picture that had attracted his attention, and at times sadly, thinking of his departed friend. (Vladimir Stasov). This arrangement presents the opening version of the 'Promenade', adapted to suit a group of 4 trombones (1 bass trombone or tuba) or similar group of bass clef instruments. The ranges have been reduced to accommodate young or developing players. The 1st part goes no higher than F4, and the bass part no lower than Bb1 (optionally A1). The melody is mainly in the 1st part, with passages in the 2nd and 3rd parts from time to time, but as the texture of Mussorgksy's composition is almost exclusively homophonic, all parts have equal importance. I have inserted additional dynamics and accents to aid phrasing, and adapted the ending to suit a standalone performance.
$7.99
Think Of Me (from The Phantom Of The Opera)
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Trombone
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Comédie Musicale
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Think Of Me
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.396185 This edition: Interactive Download. Broadway,Musical/Show. Trombone Solo. 1 pages. Published by Hal Leonard - Digital...
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Interactive Download SKU: HX.396185 This edition: Interactive Download. Broadway,Musical/Show. Trombone Solo. 1 pages. Published by Hal Leonard - Digital (HX.396185).
$2.99
Think Of Me (from The Phantom Of The Opera)
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Saxophone Alto
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Comédie Musicale
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Think Of Me
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Hal Leonard - Digital
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SheetMusicPlus
Alto Saxophone Solo - Interactive Download SKU: HX.392885 This edition: Interactive Download,scorch. Broadway,Musical/Show. Individual part. 1 pages. Pub...
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Alto Saxophone Solo - Interactive Download SKU: HX.392885 This edition: Interactive Download,scorch. Broadway,Musical/Show. Individual part. 1 pages. Published by Hal Leonard - Digital (HX.392885).
$2.99
Think Of Me (from The Phantom Of The Opera)
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Saxophone Tenor
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Comédie Musicale
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Think Of Me
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Hal Leonard - Digital
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SheetMusicPlus
Tenor Saxophone Solo - Interactive Download SKU: HX.396182 This edition: Interactive Download,scorch. Broadway,Musical/Show. Individual part. 1 pages. Pu...
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Tenor Saxophone Solo - Interactive Download SKU: HX.396182 This edition: Interactive Download,scorch. Broadway,Musical/Show. Individual part. 1 pages. Published by Hal Leonard - Digital (HX.396182).
$2.99
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Think of One
