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Think on for clarinet and guitar
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Think on for clarinet and guitar
Clarinette, Guitare (duo)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A…
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Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.576907 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 8 pages. David Warin Solomons #512597. Published by David Warin Solomons (A0.576907). Instrumental arrangement of my song A latter-day Ronsard which is effectively a modern sonnet to a young lady, exhorting her to make the most of her youth (gather ye rosebuds while ye may). The pdf file contains the score and parts. The audio sample is an electronic preview The words of the original song (also available on this site) are: If you but think, Think on and on My little one. If you but think It will go on ... Going for ever, This time of love This time for lovers, You’re for a fall, My little girl, You’re for a fall If you maintain You will retain Fine blushing skin And waist cinched in Delicate arms Fine varnished nails Tender of thigh And fleet of foot, And if you think my sweet It will be true Going for you You're for a fall My little girl, You're for a fall. Gone the good days, Pleasure and holidays. Planets in orbit Circle around But you my sweet You will go straight Toward the unknown And overblown with sagging skin and treble chin Heavy with fat and flesh that's slack Come gather ye roses Look ye around, My little one Blossoms abound Let them repose On the slack tide Of every happiness. So, gather them all Or you'll be sure Pride comes before a fall.
$8.00
7.22 €
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Clarinette, Guitare (duo)
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David Warin Solomons
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Think on for clarinet and guitar
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David Warin Solomons
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SheetMusicPlus
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bas…
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
9.02 €
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Nathan Petitpas - Dots and Beams
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Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters
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Dots and Beams
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SheetMusicPlus
And I Love Her
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Bea…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
63.15 €
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Ensemble Jazz
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Think
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1383517 By Aretha Franklin. By Ar…
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Concert Band - Level 3 - Digital Download SKU: A0.1383517 By Aretha Franklin. By Aretha Franklin and Ted White. Arranged by Lorenzo Bocci. Broadway,Film/TV,Musical/Show,R and B,Soul. 68 pages. Lorenzo Bocci #967963. Published by Lorenzo Bocci (A0.1383517). THINK From The Motion Picture The Blues Brothersfor Concert Band (with Fanfare Band parts) - Grade 3 - Digital Download Composed by Aretha Franklin, Ted White. Arranged by Lorenzo Bocci. Soul/RandB/Film/Musical. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 2'41''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Shaker, Tambourine), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Think is a song written by American singer Aretha Franklin and Ted White, and first recorded by Aretha Franklin. It was released as a single in 1968, from her Aretha Now album. Aretha Franklin re-recorded the song in the Atlantic Records New York studio for the soundtrack of the 1980 film The Blues Brothers and in 1989 for the album Through the Storm. Pitchfork placed it at number 15 on its list of The 200 Greatest Songs of the 1960s.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
80.3 €
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Orchestre d'harmonie
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Aretha Franklin
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Aretha Franklin, Ted White
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Lorenzo Bocci
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Think
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Lorenzo Bocci
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SheetMusicPlus
Groove Zones Christmas! - Bb clarinet & audio tracks (included). 15 ALTERNATIVE Carols!
Clarinette
B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1328193 Composed by Chris…
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B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1328193 Composed by Chris Lawry, Jack Lennon, and Keri Degg. Blues,Christian,Christmas,Jazz,Reggae. Individual part. 38 pages. Masquerade Music #916183. Published by Masquerade Music (A0.1328193). Groove Zones Christmas! (for that alternative Christmas!) - Bb clarinet edition published October 2023 by www.masquerade-music.com ... a journey on three levels and a collaboration of Keri Degg, Chris Lawry, and Jack Lennon. The download includes superior quality full demonstration and accompaniment only audio tracks for all the pieces (street, town, and city variants) so 20 audio tracks in all. The audio downloads code is given in the publication.Groove Zones Christmas! (like the other titles in the Groove Zones series) are designed to grow with you as you explore from street (around grade 2-4) to town (around grade 3-5) and finally to the city (grade 5/6+) and embraces a more commercial saxophone sound that will be highly appealing and a great motivator for personal practice.The five pieces in the book (Jingle Bingle Bells, Carol from Sussex, In Dulci Jubilo, We Three Kings of Old London, and Deck the (Terry) Halls) each appear in the three difficulty levels (so really there are fifteen pieces in the book) and have been carefully notated/articulated to provide that authentic commercial sound (in many styles from Big Band, Metal/Rock, Jazz Waltz, Blues, and even Ska - think of the band Madness or The Specials and you're on the right wavelength!).Jingle Bingle Bells begins as a luscious ballad in a style inspired by some of our popular Crooners like Michael Buble (with regards to the other Crooner, the clue is in the title!) but soon launches into a joyous upbeat big band swing before finally returning from whence it came. You can almost see and smell the gently falling snow! The three versions are included: Jingle Bingle Bells (Street) - around grade 2-4, Jingle Bingle Bells (Town) - around grade 3-5, and Jingle Bingle Bells (City) - grade 5/6+Carol from Sussex is a Metal/Rock twisted arrangement of the original (Sussex Carol) and features the vocal talents of Mr Nick McCarthy with his fun interjections! This arrangement really romps along, though the Street edition is cleverly arranged to make the tune basically half the speed for lesser experienced players. Conjure up an idea of the mysterious Carol from Sussex as you enjoy this festive showpiece! The three versions are included: Carol from Sussex (Street) - around grade 2-4, Carol from Sussex (Town) - around grade 3-5, and Carol from Sussex (City) - grade 5/6+In Dulci Jubilo is a sweet and laid back number arranged in a Jazz Waltz style with oodles of space to soar on notes. Enjoy the little musical quotes at the end (how may Carols can you pick out?). The three versions are included: In Dulci Jubilo (Street) - around grade 2-4, In Dulci Jubilo (Town) - around grade 3-5, and In Dulci Jubilo (City) - grade 5/6+We Three Kings of Old London is a darker Cityscape in a Blues/alternative style. Full of sound effects such as the rumblings of the underground and an echoey sax down a deserted street (and do we hear Father Christmas somewhere in the distance?!) there are some really sleazy play offs between the sax and the guitar at the start and end (inspired perhaps 'Lily was Here' - Candy Dulfer and Dave Stewart). A really satisfying play! The three versions are included: We Three Kings of Old London (Street) - around grade 2-3, We Three Kings of Old London (Town) - around grade 3-5, and We Three Kings of Old London (City) - grade 5/6+.
$14.00
12.63 €
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Clarinette
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Chris Lawry, Jack Lennon, and Keri Degg
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Groove Zones Christmas! - Bb clarinet & audio tracks
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Masquerade Music
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SheetMusicPlus
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,…
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
9.02 €
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Nathan Petitpas - Dots and Beams
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I encourage you to use both
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Pitch and Rhythm - Treble Clef, Diatonic
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Dots and Beams
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SheetMusicPlus
The Brass Player: Fantasy on Ich bin ein Musikant
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
6.31 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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The Brass Player: Fantasy on Ich bin ein Musikant
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Sweetwater Brass Press
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SheetMusicPlus
Practice Journal for Beginning Music Students
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Pian…
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Guitar,Harp,Marimba,Oboe,Piano,Trumpet,Vibraphone,Viola,Violin,Xylophone - Level 1 - Digital Download SKU: A0.981990 Composed by Victoria Voronyansky. Children,Instructional. Score and parts. 40 pages. Volidera Musica #6451579. Published by Volidera Musica (A0.981990). The purpose of this journal is to help build a framework for practice sessions within which a young musician can thrive. By filling out a weekly planner and a daily practice journal, student is encouraged to plan, reflect, identify problems, and set goals. Included is also a progress chart for individual songs.Younger students may need help filling out the daily journal and for their teacher to assist in organizing the weekly planner, but over time student can get into a habit of writing in the journal independently.Every new song or unfamiliar skill will present different challenges, but with this practice journal a student can tackle each obstacle and celebrate every advance, while keeping track of progress, thinking about what works and what needs to change, all framed in a friendly and flexible manner.This journal is intended to allow students to follow their own path, advance at a pace which is most natural for them, and feel positive about their progress on the instrument.Keep Practicing and Enjoy your musical journey!Victoria Voronyanskywww.redviola.comhttps://www.youtube.com/redviolaVictoria
$9.99
9.01 €
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filling out a
weekly planner
and a
daily practice journal
, student is encouraged to plan, reflect, identify problems, and set goals
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Victoria Voronyansky
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Practice Journal for Beginning Music Students
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Volidera Musica
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SheetMusicPlus
Part Of Your World
Clarinette
E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.593836 Composed by Alan M…
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E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.593836 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502231. Published by David McKeown (A0.593836). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Alto Clarinet with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Clarinette
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Trompette (partie séparée)
Trumpet Solo - Level 3 - Digital Download SKU: A0.593852 Composed by Alan Menken. A…
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Trumpet Solo - Level 3 - Digital Download SKU: A0.593852 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502263. Published by David McKeown (A0.593852). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Trumpet with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Trompette (partie séparée)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Saxophone (partie séparée)
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.593847 Composed by Ala…
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.593847 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502253. Published by David McKeown (A0.593847). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Baritone Saxophone with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Saxophone (partie séparée)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Saxophone (partie séparée)
Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.593848 Composed by Alan…
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Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.593848 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502255. Published by David McKeown (A0.593848). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Soprano Saxophone with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Saxophone (partie séparée)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Hautbois (partie séparée)
Oboe Solo - Level 3 - Digital Download SKU: A0.593843 Composed by Alan Menken. Arra…
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Oboe Solo - Level 3 - Digital Download SKU: A0.593843 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502245. Published by David McKeown (A0.593843). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Oboe with chord symbols for piano or guitar accompaniment. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Hautbois (partie séparée)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
I'd Rather Be Blue Over You Than Be Happy With
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose an…
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Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewish,Standards. Score and parts. 38 pages. CHRIS HARRIS MUSIC #603763. Published by CHRIS HARRIS MUSIC (A0.1002654). I’D RATHER BE BLUE, THINKING OF YOU (than be happy with somebody else) was originally recorded by pioneering American songstress Fanny Brice in 1929. Since then it was featured in her biography “Funny Girl†when it was sung (and danced on roller-skates!) by Barbra Streisand. This is a FLEXIBLE ORCHESTRATION which implies that it is intended for community bands, bands in small schools, club bands etc. and can be played, not only by full bands or orchestras but by incomplete bands and bands that are made up of almost any mixture of instrument that you can imagine. To achieve this, the music is made up of five “Parts†or voices which are defined by pitch and key e.g. Part II Bb – Trumpet, Clarinet, Tenor saxophone etc. To those five are added additional parts for percussion, tuned percussion, piano and voice. I should mention here that, besides regular band or orchestral instruments, it is possible to include less used instruments such as harmonica, piano-accordion, ukulele, electric guitar – the list is endless! Lastly, it is possible to use flexible orchestrations for chamber groups of any size. They can be chosen by instrument family e.g. Woodwind quintet, or by particular instrument e.g. Clarinet Trio.
$49.99
45.1 €
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Orchestre d'harmonie
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Billy Rose and Fred Fisher
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Chris Harris
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I'd Rather Be Blue Over You Than Be Happy With
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CHRIS HARRIS MUSIC
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SheetMusicPlus
Part Of Your World
Cor Anglais
English Horn Solo - Level 3 - Digital Download SKU: A0.593842 Composed by Alan Menk…
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English Horn Solo - Level 3 - Digital Download SKU: A0.593842 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502243. Published by David McKeown (A0.593842). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for English Horn with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Cor Anglais
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Small Ensemble Trombone Solo - Level 3 - Digital Download SKU: A0.593850 Composed b…
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Small Ensemble Trombone Solo - Level 3 - Digital Download SKU: A0.593850 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502259. Published by David McKeown (A0.593850). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Trombone in B Flat (Treble Clef) with chord symbols for piano or guitar accompaniment in concert pitch. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Basson
Bassoon Solo - Level 3 - Digital Download SKU: A0.593835 Composed by Alan Menken. A…
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Bassoon Solo - Level 3 - Digital Download SKU: A0.593835 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Individual part. 3 pages. David McKeown #6502229. Published by David McKeown (A0.593835). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a solo for Bassoon with chord symbols for piano or guitar accompaniment. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full performance of this arrangement played on Clarinet.
$4.99
4.5 €
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Basson
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
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