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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Third Half
Non classifié
38
Piano & claviers
Piano seul
21
Piano Facile
13
Instruments en Do
2
Orgue
1
Clavecin
1
Accompagnement Piano
1
Piano, Voix et Guitare
1
2 Pianos, 8 mains
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
1
Voix
Chorale 2 parties
7
Chorale SATB
6
Chorale TTBB
2
Voix duo, Piano
2
Chorale 3 parties
2
Chorale SSAA
1
Voix Soprano, Piano
1
+ 2 instrumentations
Retracter
Vents
2 Saxophones (duo)
19
Saxophone, Clarinette (duo)
10
2 Clarinettes (duo)
9
Clarinette, Violon (duo)
8
Clarinette, Trompette (duo)
8
2 Flûtes traversières (duo)
5
2 Hautbois (duo)
5
Flûte, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Flûte, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Flûte traversière et Piano
3
Ensemble de Flûtes
3
3 Clarinettes (trio)
2
Clarinette et Piano
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
Flûte traversière
1
Saxophone Alto et Piano
1
Quatuor de Saxophones: 4 saxophones
1
Quatuor de Flûtes : 4 flûtes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Ensemble de Clarinettes
1
Saxophone Tenor et Piano
1
Hautbois, Piano (duo)
1
+ 24 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
8
2 Trombones (duo)
5
2 Trompettes (duo)
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Trombone (duo)
4
Trompette, Piano
3
Trombone et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Cors (duo)
1
2 Tubas (duo)
1
Quatuor de Cuivres
1
+ 6 instrumentations
Retracter
Cordes
2 Violoncelles (duo)
6
Quatuor à cordes: 2 violons, alto, violoncelle
5
2 Altos (duo)
5
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Harpe
3
2 Violons (duo)
3
Contrebasse, Piano (duo)
2
Violon et Piano
1
Violon
1
Alto, Piano
1
Violoncelle, Piano
1
Violoncelle
1
Trio à Cordes: 3 violoncelles
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
10
Orchestre d'harmonie
8
Orchestre
6
Cloches
3
Orchestre de chambre
2
Ensemble Jazz
2
Jazz combo
1
Ensemble de cuivres
1
+ 3 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BASSE
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BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Third Half
Partitions à imprimer
326 partitions trouvées
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326
Third Half
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Youngblood Brass Band
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Nat McIntosh
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Third Half
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Layered Music
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SheetMusicPlus
Alto Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1394533 By Youngblood Brass Band. By David Henzie-Skogen, ...
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Alto Saxophone,Bass Drum,Snare Drum,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1394533 By Youngblood Brass Band. By David Henzie-Skogen, Joseph Goltz, Matthew Hanzelka, and Nat McIntosh. Arranged by Nat McIntosh. Funk,Hip-Hop,Jazz,R & B,Soul. 90 pages. Layered Music #978020. Published by Layered Music (A0.1394533). Full score and parts for the Youngblood Brass Band song 'Third Half', by Matt Hanzelka, Nat McIntosh, David Henzie-Skogen, and Joe Goltz, taken from the Pax Volumi album recordings. This is the official, verbatim transcription from the record, i.e. 2 trumpet parts, 2 trombones, 1 tenor sax, 1 snare drum/cymbal, 1 bass drum/cymbal, and sousaphone. Transcribed and approved by the authors. This is the only YBB-sanctioned sheet music in existence for this original tune.YBB members are also available for online lessons, commissions, bespoke arrangements, and custom studio work. Contact us for details and check out our entire catalog of music, merch, and arrangements (including options to purchase the actual software notation files for sheet music) at youngbloodbrassbandofficial.bandcamp.comAll links to YBB social media/music/info: linktr.ee/youngbloodbrassbandThanks for listening.
$65.00
F Major-Stacking Thirds
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Piano seul
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INTERMÉDIAIRE
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Sheryl D
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Sheryl D
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F Major-Stacking Thirds
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Sheryl D. Shumsky
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1496906 By Sheryl D. Shumsky. By Sheryl D. Shumsky. Arranged by Sheryl D. Shumsky. 21st Century. Educational Exercises. 1 page...
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Piano - Level 3 - SKU: A0.1496906 By Sheryl D. Shumsky. By Sheryl D. Shumsky. Arranged by Sheryl D. Shumsky. 21st Century. Educational Exercises. 1 pages. Sheryl D. Shumsky #1073355. Published by Sheryl D. Shumsky (A0.1496906). A next page to compare with my first guide: C Major - Stacking Thirds to help students conceptualize how to build a chord without much concern for half steps and whole steps - but rather utilizing the major scale, it's sonic Do Re Mi structure and the THIRD as the essential building block.
$4.99
Etude 0.5 + 1.5 for Piano Solo from 25 Etudes using Symmetry, Mirroring and Intervals
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Etude 0.5 + 1.5 for Piano Solo
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862540 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034273. ...
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Piano Solo - Level 4 - SKU: A0.862540 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034273. Published by Michael Butkus-Bomier (A0.862540). The minor third offers lots of opportunities for mirroring, in contrary motion. The half-step in this piece is treated not so much as a component interval as the distance between the two minor thirds being used at any one time. Lots of crunchies that you would not expect to have much euphony have a pleasant snap, like a fresh salad or a crisp! Diminished chords and minor seventh chords are turned upside down, and combined in unusual ways throughout. There is even a major-minor section in the middle. Half-steps often take the form of major sevenths, even sometimes displaced by two octaves. Approx running time is 2 mins 30 secs, less a a slightly slower pace. Worth doing at less than the suggested tempo, as the colors still come through. MBB.
$2.50
Light and Dark
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Jon Burr
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Jon Burr
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Light and Dark
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jbQ Media
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.996418 Composed by Jon Burr. Arranged by Jon Burr. Jazz. Score and parts. 79 pages. JbQ Media #4832251. ...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.996418 Composed by Jon Burr. Arranged by Jon Burr. Jazz. Score and parts. 79 pages. JbQ Media #4832251. Published by jbQ Media (A0.996418). Light and Dark's (Grade 5) melody is derived from Messaien's Third Mode (also known as the Tcherepnin scale), a 9-tone symmetrical scale that contains 3 major seventh chords a major third apart. It's like a major diminished scale, or minor whole tone... the construction is whole-step, half-step transposed by major thirds.Despite its unusual construction, it has a familiar sound; its intervalic structure became widely used throughout the 20th Century, notably in the work of Herbie Hancock and others on the vanguard of progressive harmony.
$45.00
Carson Cooman - Sonata No. 3 for Violin and Piano (2012)
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Violon et Piano
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AVANCÉ
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Carson Cooman
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Carson Cooman - Sonata No. 3 f
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik ...
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Instrumental Solo,Piano - Level 5 - SKU: A0.775977 Composed by Carson Cooman. Contemporary,Standards. Score and individual part. 44 pages. Musik Fabrik Music Publishing #2034877. Published by Musik Fabrik Music Publishing (A0.775977). Sonata No. 3 for Violin and Piano (2012) was written for violinist Warren Davidson and pianist Donna Amato, superb musicians for whose advocacy on behalf of my music I am very grateful. The first movement, Canto, is an extended song that develops through a variety of textures. The second movement, Lamento, is a fierce lament in the tradition of an old Irish caoine. The thirdmovement, Variazioni, is structured as two presentations of the theme surrounding five free variations. The theme serves both as the basis of the musical material for each variation as well as the structural template. Each variation also contains material referring back specifically to the previous variation. The opening theme is declamatory. The first variation is fast and limber. The second variation is introspective and stratified. The third variation is fleeting. The fourth variation is distant and spare. The fifth variation is fast and driving. The final theme begins whispered and slowly regains its declamatory nature before an intense coda ends the work.
$29.85
Easy Concert Pieces
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Double bass and piano - easy - SKU: S9.Q49505 24 Easy Pieces from 5 Centuries using half to 3rd Position. This edition: Sheet music. Double bass ...
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Double bass and piano - easy - SKU: S9.Q49505 24 Easy Pieces from 5 Centuries using half to 3rd Position. This edition: Sheet music. Double bass - concert pieces - music lesson - lessons - performance pieces. Easy Concert Pieces. Downloadable. Op. 2. Schott Music - Digital #Q49505. Published by Schott Music - Digital (S9.Q49505). English • German.The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. All pieces are included on the accompanying CD, as a full version and as a piano accompaniment. Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.
$16.99
Fleeting Glimpses
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Clarinette et Piano
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INTERMÉDIAIRE
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Contemporain
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Konrad Harley
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in the second half (mm
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Fleeting Glimpses
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Konrad Harley
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1206710 Composed by Konrad Harley. Contemporary. Score and part. 8 pages. Konrad Harley #804891. Published by ...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1206710 Composed by Konrad Harley. Contemporary. Score and part. 8 pages. Konrad Harley #804891. Published by Konrad Harley (A0.1206710). This piece is inspired by an integer sequence (A053838 in the OEIS) that is self-similar at every third term. This means that if you take the first term of the sequence, then the fourth, then the seventh, and so on, you get a copy of the original sequence. The sequence begins in the clarinet melody at m. 9, while the right-hand notes of the piano part feature a slower statement of the same sequence. In the first half of the melody (mm. 9-12), the numbers 0, 1, 2 are represented by the notes B, C, D; in the second half (mm. 13-16), the scheme shifts downward by two steps to G, A, B. After an interlude (mm. 17-24), the sequence continues in mm. 25-32, now shifting the scheme downward by one step every bar. In the third section (mm. 40-47), the scheme shifts downward by two steps every two bars.
$3.00
Waterwise
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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J
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Waterwise
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J. Stringer
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1391764 Composed by J. Stringer. Contemporary. 22 pages. J. Stringer #975275. Published by J. Stringer (A0.1391764)...
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String Orchestra - Level 3 - SKU: A0.1391764 Composed by J. Stringer. Contemporary. 22 pages. J. Stringer #975275. Published by J. Stringer (A0.1391764). D Major to B Minor passages. 4/4 Eighth, occasional dotted eighth to sixteenth phrase in lower strings. quarter, half, and whole notes. Limited third position in first violin with notes indicated an octave lower in the part. Some staccato in lower parts. 2nd violin harmony offered in second half of the piece. Melody doubled in Viola second half of the piece. Easier parts Vln, Vla, Cello and Bass. Piano Part. (2:17).
$30.00
Invention No. 2 in D minor for three voices
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Piano seul
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INTERMÉDIAIRE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padg...
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Piano Solo - Level 3 - SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
String Quartet - William and Mary
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand ...
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String Quartet String Quartet - Level 5 - SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Orchestre
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Classique
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B M
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Neil Crossland
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SheetMusicPlus
Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossl...
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Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
Concerto for Trumpet with Piano Reduction
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Trompette, Piano
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AVANCÉ
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Contemporain
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Graeme Culpepper
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Concerto for Trumpet with Pian
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Graeme Culpepper
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SheetMusicPlus
Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by ...
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Piano,Trumpet - Level 5 - SKU: A0.1028166 Composed by Graeme Culpepper. Contemporary. Score and part. 47 pages. Graeme Culpepper #6866343. Published by Graeme Culpepper (A0.1028166). Concerto for Trumpet and Orchestra Composer: Graeme Culpepper Year: 2022 Program Notes: I feel that there is a time in every composer's life when they decide to write a concerto. Writing a concerto is as intriguing as it is difficult, as finding a balance between soloist and ensemble can prove to be a tricky task. What’s more, is deciding upon said ensemble. In today’s musical climate, the supporting ensemble can be a variety of different instrumental groups ranging from a chamber ensemble consisting of just a few musicians to a full symphony orchestra. In my humble opinion, with a genre as grand as a concerto, especially one involving the trumpet, I find it fitting to use the orchestra to accompany the trumpet. However, I opted to use an orchestra without a trumpet section to better support the soloist. This concerto’s first movement is built upon a couple of form-defining motifs. One in the form of an ostinato that is constantly changing meter, and another that is a simple short rhythmic cell that is able to fit in a variety of different textures throughout the movement. This movement also introduces the main motif throughout the entire concerto: a melodic sequence consisting of a minor third, a perfect fifth, followed by another minor third which resolves down by half step. This is the unifying motif of the entire concerto. I often ponder as to where the material in the second movement came from. After a long time of reflection, I have come to the conclusion that it is a subconscious expression of myself that comes from deep within. The second movement is perhaps the most vulnerable I have ever been with any of the music I have written, and the experience I personally have when listening to it is one that is very intimate. The third movement is a thrilling romp that is entirely built on the unifying motif mentioned earlier. The whole movement is essentially one big variation of itself. This movement is arguably the most technical and gives the trumpet soloist a great opportunity to show off their skill. This movement is also built upon a one-bar rhythmic ostinato so that the tension in this movement is never fully resolved until the very last bar, in hopes that this will keep the listener on their toes at all times. Performed live in Recital Hall at Indiana University Jacobs School of Music on March 1st, 2022Purchase includes Full Score + Solo Trumpet Part.
$19.99
Standing 3 late beginner hymn collection (Brethren We Have Met to Worship, I Am Resolved, Standing o
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Piano Facile
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DÉBUTANT
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Musique Sacrée
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James H
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Amanda Tero
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Standing 3 late beginner hymn
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Amanda Tero
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Re...
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Easy Piano - Level 1 - SKU: A0.1172421 Composed by James H. Fillmore, R. Kelso Carter, and William Moore. Arranged by Amanda Tero. Children,Christian,Religious,Sacred. Score. 9 pages. Amanda Tero #772646. Published by Amanda Tero (A0.1172421). Delight your late beginner students with three exciting hymns in level 2 sheet music solos. These are specifically arranged for the students who like a little bouncy touch to their hymns.Great for church services or recital for both piano students and piano teachers. This works well for the smaller church offertories that only need about 1 minute of piano playing.This piano sheet music is equivalent to most Level 2 or ABRSM Grade 2.6 pages total. 1 piece in F. 2 pieces in C. Musical elements in Brethren We Have Met to Worship Note values: whole notes, dotted half notes, half notes, half rests, quarter notes, eighth notes Note reading: bass clef C2 to F4, treble clef Bb3 to A5 8va RH reading bass clef RH over left hand Accidentals Ties Finger numbers Practice tips for Brethren We Have Met to Worship The most fun–and hardest–part of this arrangement is the right hand, measures 11-14. The right hand is not only reading bass clef, but is reading the lowest notes in the piece of music. This is a great place to start. Additionally, the left hand for the first page is an open fifth the entire time but changes on the second page. So it may be beneficial to start learning the left hand intervals on the second page first. Musical elements in I am Resolved Note values: whole notes, half notes, quarter notes, eighth notes, eighth rests Note reading: bass clef C2-E4, treble clef C4-E5 Drop-roll (slur-staccato) Staccatos Moving left hand Accidentals LH octave reach A lot of thirds Broken chords Practice tips for I am Resolved While the left hand starts with a catchy left hand pattern, it does get more complicated for the chorus, starting in measure 11. It would benefit the student to focus a little extra attention on the rapidly changing notes of the left hand for the chorus. While the chorus is harder, it does feature repetition, so have the student identify the measures that are the same. Musical elements in Standing on the Promises Note values: whole notes, half notes, half rests, quarter notes, quarter rests, eighth notes Note reading: bass clef C2-E4, treble clef C4-C6 Fermata Staccatos Accidentals Chromatic scale LH octave reach Practice tips for Standing on the Promises If your student doesn’t know their chromatic scale yet, this is the perfect piece to teach it to them! If they already know a chromatic scale, then they will be able to easily master the last two measures. There is a solid left hand pattern that will be beneficial to help the student analyze. If they figure out the pattern it will make learning easier.
$9.99
Git Along Little Doggies
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Folk
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Julie Stringer
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Git Along Little Doggies
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JFS Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1515830 Composed by Folk. Arranged by Julie Stringer. Folk. 10 pages. JFS Music #1090129. Published by JFS Music (A...
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String Orchestra - Level 1 - SKU: A0.1515830 Composed by Folk. Arranged by Julie Stringer. Folk. 10 pages. JFS Music #1090129. Published by JFS Music (A0.1515830). D major - 3/4 - quarter, half, dotted half. Dynamic contrast. Third position “D” in Bass part. Limited slurs, melody appears in Vin I, Vln II, Viola I Cello I and Bass I . (2:32).
$30.00
Dream Dance
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Orchestre à Cordes
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INTERMÉDIAIRE
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J
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Dream Dance
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JFS Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1449756 Composed by J. Stringer. Chamber. 29 pages. JFS Music #1029515. Published by JFS Music (A0.1449756).
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String Orchestra - Level 3 - SKU: A0.1449756 Composed by J. Stringer. Chamber. 29 pages. JFS Music #1029515. Published by JFS Music (A0.1449756). E Minor - 3/4 - quarter, eighth, half, dotted half. Some third position in Violin I. Slurs and ties. Syncopation in Viola, Cello and Bass. No easy parts. Piano Part. (2:21).
$30.00
Nothing But Love
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Chorale SATB
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FACILE
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Aaron Evans
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Aaron Evans
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Nothing But Love
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Aaron Evans
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1444099 By Aaron Evans. By Aaron Evans. Arranged by Aaron Evans. A Cappella,Folk,Spiritual. 1 pages....
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Choral Choir,Choral,SATB Chorus - Level 2 - SKU: A0.1444099 By Aaron Evans. By Aaron Evans. Arranged by Aaron Evans. A Cappella,Folk,Spiritual. 1 pages. Aaron Evans #1024045. Published by Aaron Evans (A0.1444099). Over recent years there have been an increasing number of movements encouraging the protection of the earth and her natural resources. One common thing amongst all of these movements is that we are in desperate need of sending her love. If, with everything we do, make or use, we do with love for the earth, we will be one step closer to building a greener future for our children.Tips for TeachingThis song has three different melodies that, when layered together, flow together as call and response. The S & A parts form one of these melodies, the T is another and the B the third.Something that my choirs have found useful to note is that in the first half, the phrases have an upward motion and in the second half a downward motion (with the exception of the tenor part).As an alternative to the words, for a performance, this could be sung through vowel sounds (ooh, ahh or hmm) with each melody offered the opportunity to ‘feature’ by singing the words over the others singing a vowel sound. For example, the S, A & B part ‘ooh' whilst the T sing their tune with the words.
$1.99
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Brian Harris
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Clarinets remain below break
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JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99
Western Skies
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Orchestre à Cordes
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FACILE
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J
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Western Skies
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JFS Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1421615 Composed by J. Stringer. Chamber. 35 pages. JFS Music #1003023. Published by JFS Music (A0.1421615).
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String Orchestra - Level 2 - SKU: A0.1421615 Composed by J. Stringer. Chamber. 35 pages. JFS Music #1003023. Published by JFS Music (A0.1421615). D Major 4/4 - quarter, dotted quarter (Bass I), eighth, half, dotted half, whole note. Melody and Counter Melody blend together for final third of the piece.  Easy Parts Vln III, Vla II, Cello II and Bass II.  Piano Part  (3:18).
$30.00
Fix You
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Coldplay
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C
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Simone Orsini
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Fix You
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1416202 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Simone Orsini. 21st Ce...
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Concert Band - Level 3 - SKU: A0.1416202 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Simone Orsini. 21st Century,Pop. 60 pages. Simone Orsini #997887. Published by Simone Orsini (A0.1416202). FIX YOU performed by ColdplayFor Concert Band - Performance Time 4:45 - Composed by C. Martin, G. Berryman, W. Champion, J. BucklandArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion (Tamb., Shaker), El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.,Fix You is a song by British rock band Coldplay. It was written by all four members of the band for their third studio album, X&Y (2005). It was released on 5 September 2005 as the second single from X&Y and reached number 4 on the UK Singles Chart. The song reached number 18 in the United States Billboard Hot Modern Rock Tracks. Promo singles were released for the UK and US.The song was started by Chris Martin to comfort his then-wife, actress Gwyneth Paltrow, whom he met in late 2002 after her father died. The track is built around an organ accompanied by piano and guitar in the first half and an alternative rock style in the second half featuring electric guitar, bass and drums. The hopeful message of the song, and its two-part acoustic/anthemic arrangement, was critically acclaimed. The song has been performed at memorials such as by Coldplay at the One Love Manchester benefit concert in 2017. In September 2021, the song was ranked number 392 on Rolling Stone magazine's list of the 500 Greatest Songs of All Time.
$84.00
Western Skies
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Orchestre à Cordes
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INTERMÉDIAIRE
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J
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Western Skies
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J. Stringer
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1409207 Composed by J. Stringer. Chamber. 37 pages. J. Stringer #991812. Published by J. Stringer (A0.1409207). ...
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String Orchestra - Level 3 - SKU: A0.1409207 Composed by J. Stringer. Chamber. 37 pages. J. Stringer #991812. Published by J. Stringer (A0.1409207). D Major 4/4 - quarter, dotted quarter (Bass I), eighth, half, dotted half, whole note. Melody and Counter Meldody blend together for final third of the piece. C sharp on the G string introduced in Violin II, Viola II and Violin III.  Easy Parts Vln III, Vla II, Cello II and Bass II.  Piano Part  (3:18).
$30.00
Setenta Anos
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Orchestre à Cordes
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INTERMÉDIAIRE
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J
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Setenta Anos
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J. Stringer
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1409211 Composed by J. Stringer. Chamber. 15 pages. J. Stringer #991817. Published by J. Stringer (A0.1409211). ...
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String Orchestra - Level 3 - SKU: A0.1409211 Composed by J. Stringer. Chamber. 15 pages. J. Stringer #991817. Published by J. Stringer (A0.1409211). B Minor 4/4 - Bolero feel, quarter, dotted quarter, eighth, half, dotted half, whole notes. Some third position in Vln I. Some syncopation in Bass I part. Hemiola throughout Vln I, Vln II and Viola and Cello. Easy Parts Vln III, Vla II, Cello II and Bass II. Â Piano Part (2:43).
$30.00
Woodland Waltz
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Orchestre à Cordes
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INTERMÉDIAIRE
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J
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Woodland Waltz
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J. Stringer
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1403663 Composed by J. Stringer. Chamber. 24 pages. J. Stringer #986841. Published by J. Stringer (A0.1403663). ...
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String Orchestra - Level 3 - SKU: A0.1403663 Composed by J. Stringer. Chamber. 24 pages. J. Stringer #986841. Published by J. Stringer (A0.1403663). D Major - 3/4 Â quarter, dotted quarter, eighth, half, dotted half, whole notes. Some third position in Bass part. Slurs, Pizzicato in Cello and Viola. Fermata nuance within the piece. Dynamic Contrast, Easy Vln III, Vla II, Cello II Parts. Piano Part.
$30.00
Swing Low, Swing Chariot, Gospel Song for Flute and Trumpet Duet
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Flûte, Trompette (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589992 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Prai...
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Instrumental Duet Flute,Instrumental Duet,Trumpet - Level 3 - SKU: A0.589992 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137513. Published by David McKeown (A0.589992). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Flute and one Trumpet. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
Swing Low, Swing Chariot, Gospel Song for Clarinet and Viola Duet
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Clarinette et Alto
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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Wallis Willis
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David McKeown
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Swing Low, Swing Chariot, Gosp
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590506 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Pra...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - SKU: A0.590506 Composed by Wallis Willis. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6137497. Published by David McKeown (A0.590506). Swing Low, Sweet Chariot is an American nineteenth century spiritual. This version is arranged as a duet for one Clarinet and one Viola. The words and music of Swing Low, Sweet Chariot are credited to Wallis Willis, a Native American freedman from Oklahoma. A local minister transcribed the song in 1865 and within a few years it became a firm gospel favourite. In recent times Swing Low, Sweet Chariot has been adopted by the Civil Rights movement on one hand, and the England rugby team on the other. Swing Low, Sweet Chariot is simply arranged in keys and range best suited to the instruments. The hymn is played three and a half times, once as a ballad, then twice in a slow rock style, before returning to the ballad at the end. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Swing Low, Sweet Chariot is suitable for players at an intermediate level and above, though some of the rhythms in the third verse may be a challenge for less experienced players. With a performance time of around three and a half minutes, this version of Swing Low, Sweet Chariot is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99
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