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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Third Story Feat
Partitions à imprimer
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Tell Me A Bedtime Story
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1343670 By Herbie …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1343670 By Herbie Hancock. By Herbie Hancock. Arranged by John Yao. Instructional,Jazz. 84 pages. Yaotones Music #916776. Published by Yaotones Music (A0.1343670). Arranged by composer, arrannger John Yao, this big band chart features the Flugel (or trumpet 4) on Herbie Hancock's  classic tune Tell Me a Bedtime Story.  This soft-spoken chart stays close to the original song with melody stated by the Flugelhorn who is supported by colorful textures in the brass and saxes.  About two-thirds of the way through when it shifts gears and is energized by a double time vamp providing additional solo space for the flugelhorn and eventually building to the climax of the chart.Tell me a Bedtime Story works well if you're looking to feature a strong solost in your band or you're looking to break up your program with a relaxing straight 8th chart.  This chart is easily adapted to feature any instrument, just contact me at john@johnyao.com to inquire.Trumpet Range - B5Trombone Range - Ab4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument and features extraordinary Trumpeter Dave Smith on Flugel.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.
$50.00
45.63 €
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Ensemble Jazz
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Herbie Hancock
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John Yao
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Tell Me A Bedtime Story
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Yaotones Music
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SheetMusicPlus
G Train
Choral Choir,Choral - Level 3 - Digital Download SKU: A0.1391041 By Third Story Fea…
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Choral Choir,Choral - Level 3 - Digital Download SKU: A0.1391041 By Third Story Feat. Pusha T. By Ben Lusher, Elliott Skinner, James Ryan Wuihun Ho, Jon Levine, Richard Saunders, Ruth Anne Cunningham, and Terrace Thornton. Arranged by Nicky Brenner. A Cappella,Pop. 10 pages. Nicky Brenner #974571. Published by Nicky Brenner (A0.1391041). A Cappella Arrangement for Mixed Voices.
$4.99
4.55 €
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Third Story Feat
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Nicky Brenner
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G Train
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Nicky Brenner
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SheetMusicPlus
I Had Some Help
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1461616 By Post …
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String Quartet String Quartet - Level 2 - Digital Download SKU: A0.1461616 By Post Malone Feat. Morgan Wallen. By Ashley Glenn Gorley, Austin Richard Post, Chandler Walters, Ernest Smith, Jonathan Hoskins, Louis Bell, Morgan Wallen, and Ryan Vojtesak. Arranged by Inacio Saldanha. Country,Pop. 14 pages. Inacio Saldanha #1040360. Published by Inacio Saldanha (A0.1461616). I Had Some Help is a song by American rapper and singer Post Malone featuring American country music singer Morgan Wallen. It was released as the lead single from Malone's upcoming sixth album, F-1 Trillion, through Republic and Mercury Records on May 10, 2024.I Had Some Help debuted atop the Billboard Hot 100 with the highest weekly sales and streams since 2020, marking Malone's sixth and Wallen's second number-one song. It has now become the longest running number-one song of 2024, holding its position for five consecutive weeks. It made history by debuting at number one on both the Billboard Hot 100 and Billboard's Hot Country Songs chart, and maintaining the top spot on each for its first five weeks, a feat never achieved before.The song also debuted at number one on the 2024 Billboard's Annual Songs of the Summer chart and concurrently tops the chart for a third week. Additionally, it debuted atop the Billboard Global 200 chart and peaked at number one on charts in Australia, Canada, Ireland and Norway.(Wikipedia)Arranged for String Quartet. Key of C.
$14.99
13.68 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Post Malone Feat
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Inacio Saldanha
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I Had Some Help
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Inacio Saldanha
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SheetMusicPlus
Party Rock Anthem
Ligne De Mélodie, (Paroles) et Accords
Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.881016 By…
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Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.881016 By Lmfao Feat. Lauren Bennett & Goonrock. By David Listenbee, Peter Schroeder, Skyler Gordy, and Stefan Gordy. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6502365. Published by MARCO POLO IGNACIO (A0.881016). Party Rock Anthem is a song by American music duo LMFAO, featuring British singer Lauren Bennett and American music producer GoonRock. It was released as the first single from their second album Sorry for Party Rocking in 2011.The single went to number one by the late summer of 2011 in Australia, Belgium, Brazil, Canada, Denmark, France, Germany, Iceland, Ireland, New Zealand, Switzerland, the United Kingdom and the United States. It also reached the top five in Finland, Italy, Norway, Poland and Sweden. It is the best-selling single of all time in Australia. Worldwide, it was the third best-selling digital single of 2011 with sales of 9.7 million copies. It is the third best-selling digital song in US history. Party Rock Anthem is currently ranked Billboard's sixth most successful song of all time. It is currently one of the 100 most viewed videos on YouTube, with over 2 billion views.
$4.99
4.55 €
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Ligne De Mélodie, (Paroles) et Accords
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Lmfao Feat
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Marco Polo C
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Party Rock Anthem
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MARCO POLO IGNACIO
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.68 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Song of Mary and Joseph
Soprano, Bass, SAB choir (With Optional Full Orchestra) - Digital Download SKU: LX.10-2…
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Soprano, Bass, SAB choir (With Optional Full Orchestra) - Digital Download SKU: LX.10-2861LA Composed by John Purifoy. Sacred Anthem, Christmas. Octavo. 8 pages. Laurel Press #e10/2861LA. Published by Laurel Press (LX.10-2861LA). UPC: 000308064872.From the new cantata Christmas Seekers,ö this anthem is replete with soaring melodies featuring two soloists and choir. It also allows for great flexibility in presentation by providing two sets of text for the story of Mary and Joseph, one in third person and the other in first. This textual feature sets it apart and greatly expands the possible performance settings.
$2.40
2.19 €
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John Purifoy
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Song of Mary and Joseph
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Laurel Press
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SheetMusicPlus
I'm Coming 'round
Chorale SSAA
Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.859644 By Thirdstor…
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Choral Choir (SATB divisi) - Level 2 - Digital Download SKU: A0.859644 By Thirdstory. By Benjamin James Lusher, Elliott Skinner, James Ryan Wuihun Ho, and Ruth Anne Cunningham. Arranged by Amanda Taylor. A Cappella. Octavo. 10 pages. Wicked Pigeon #6040027. Published by Wicked Pigeon (A0.859644). An accessible take on ThirdStory's Coming Round. Simple parts for SSATBaB Double Choir (A Cappella). Feature solo throughout! (preferably male or very comfortable alto).
$100.00
91.27 €
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Chorale SSAA
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Thirdstory
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Amanda Taylor
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I'm Coming 'round
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Wicked Pigeon
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SheetMusicPlus
The Search for Hope
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anders…
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Concert Band - Level 5 - Digital Download SKU: A0.1416191 Composed by Keiron Anderson. Classical,Contemporary. 88 pages. Songburd Music #997877. Published by Songburd Music (A0.1416191). The Search for Hope is a work for wind orchestra comprised of three distinct motifs that tell a story of looking for hope.  Beginning with a crisp and airy feeling, this intensive work gives us a sense of taking flight over a diverse human landscape in the time reflecting the global pandemic, and the ensuing personal struggles, economic problems and conflicts that continue to have lasting consequences for so many people in the world.  Opening with a “questioning phrase,†illustrated by using a rising minor third motif, the music develops into a more ominous melody that is carried by the bass instruments.  From that questioning phrase the music sharply transitions into a second motif where the music picks up the pace with its own distinctive phrase and musical features, suggesting a time of invasions and military clashes, while tugging and moving our emotions back and forth with a single impression, and raising the question:  Where is hope found? With the final motif the tempo begins to slow and express a more tempered and solemn course of thought, punctuated by the higher brass that takes the lead in carrying the phrase of the music by using a descending minor third to carry the mood.  Allowing the music to reflect and express the vocal inflections used as when a mother gently speaks the name of her child with love and support—the very essence of hope.
$115.00
104.96 €
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Orchestre d'harmonie
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Keiron Anderson
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The Search for Hope
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Songburd Music
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SheetMusicPlus
4 Preludes for the Piano - Opus 3
Piano seul
Piano Solo - Digital Download SKU: A0.1119216 Composed by Eamon Mukhopadhyay. Conte…
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Piano Solo - Digital Download SKU: A0.1119216 Composed by Eamon Mukhopadhyay. Contemporary. Score. 15 pages. Eamon Mukhopadhyay #720630. Published by Eamon Mukhopadhyay (A0.1119216). These preludes showcase certain environments that are represented by specific musical features. Prelude No. 1 in C Major The Sunrise was composed to represent the picture and environment of the sun rising. It never uses the traditional C major triad, and instead substitutes the C major mediant (the third scale degree of C major) with surrounding harmonic colors. Prelude No. 2 in C Minor Mystics in the Forest is a study of touch and melodic outlining. Only in the first measure exists the resemblance of a C minor chord (a minor thirteenth) using the mediant (the third scale-degree of a scale). Prelude No. 3 in E-Flat Major The Spring Story completely uses staccato melodic articulations with the sustain pedal to produce a colorful environment throughout the piece, representative of spring. It never resolves into the traditional E-Flat major triad (or extended E-Flat chord) after the first measure. Prelude No. 4 in A-Flat Major Childhood Memories uses accented, deep bass notes and staccato melodic articulation to create a nostalgic environment. Like Prelude No. 3, it never resolves into the traditional triad (or extended chord) based on the tonic of the key signature.
$1.99
1.82 €
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Piano seul
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Eamon Mukhopadhyay
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4 Preludes for the Piano - Opus 3
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Eamon Mukhopadhyay
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SheetMusicPlus
Lord, You Left Your Throne
Chorale SATB
Choral SATB Chorus - Digital Download SKU: H1.C5647DP Composed by Lord and You Left…
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Choral SATB Chorus - Digital Download SKU: H1.C5647DP Composed by Lord and You Left Your Throne. Arranged by Elliot and Emily E.S. Music expresses that which cannot be put into words and that which cannot remain silent. -Victor Hugo. Christmas, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5647DP. Published by Hope Publishing - Digital (H1.C5647DP). Schrader, Jack.Featuring a seamlessly updated text for the classic Thou Didst Leave Thy Throne, this new Jack Schrader setting for Christmas offers the message of the unsurpassed love of God. Featuring a seamlessly updated text for the classic Thou Didst Leave Thy Throne, this new Jack Schrader setting for Christmas offers the message of the unsurpassed love of God. It is the story of Jesus' coming to earth through humility, sorrow, joy and victory, and this warm, colorful setting, complete with a new melody for the third stanza, grows to grand proportions for the climactic final stanza, and ends with a poignant, thoughtful twist.
$2.95
2.69 €
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Chorale SATB
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Lord and You Left Your Throne
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Elliot and Emily E
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Lord, You Left Your Throne
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Hope Publishing - Digital
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SheetMusicPlus
Nessun Dorma (for tenor and symphonic band)
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Pucci…
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Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and parts. 43 pages. John Joseph #745992. Published by John Joseph (A0.1145793). Giacommo Puccini, represents the union of Italian and German opera traditions, greatly influenced by Verdi, of whom he is considered his successor, and also by Wagner, Bizet, and Debussy. The main feature of his style was the eclecticism, the incorporation and assimilation of various languages and resources in his profession. Many of the musical concepts, as well as the connection between music and the stage, were the harbinger of what would rule in film music a few decades later. Puccini tooks from the French opera, under the influence of Bizet and Massenet, the taste for the exotic and historical location of his operas. In the case of Turandot, set in ancient China, the opera tells the story of the cruel princess Turandot who, in revenge for a sullied ancestor, beheads her suitors if three riddles are not answered. An unknown prince –Calaf– postulates by answering her three enigmas and challenging her to be the one to find out her name. Turandot orders that no one sleep in Peking until the name of the prince is known, Calaf, who has issued the challenge that if his name is not discovered, princess Turandot must marry him. At the beginning of the third act, the prince sings the aria –Nessun Dorma– convinced that the princess's efforts to discover his name will be in vain. Puccini began the composition in January 1921 and in March 1924 he had already completed the opera up to the final duet. However, a few months later he would pass away, leaving unfinished sketches of the end of Turandot. Franco Alfano was commissioned to finish it, premiering it two years later, in 1926. Currently, it is the fourth most performed Puccini opera worldwide, after the well-known trio La Boheme, Tosca and Madama Butterfly.
$15.00
13.69 €
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Orchestre d'harmonie
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Giacomo Puccini
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Nessun Dorma
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John Joseph
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SheetMusicPlus
The Scientist
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.809437 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Academia Unimusica. Film/TV. Score. 3 pages. Unimusic Academy (Academia Unimusica) #6265693. Published by Unimusic Academy (Academia Unimusica) (A0.809437). The Scientist is a song by British rock band Coldplay. The song was written collaboratively by all the band members for their second album, A Rush of Blood to the Head. It is built around a piano ballad, with lyrics telling the story about a man's desire to love and an apology. The song was released in the United Kingdom on 4 November 2002 as the second single from A Rush of Blood to the Head and reached number 10 in the UK Charts. It was released in the United States on 15 April 2003 as the third single and reached number 18 on the US Billboard Modern Rock Tracks chart and number 34 on the Adult Top 40 chart. Critics were highly positive towards The Scientist and praised the song's piano ballad and falsetto. Several remixes of the track exist, and its riff has been widely sampled. The single's music video won three MTV Music Video Awards, for the video's use of reverse narrative. The song was also featured on the band's 2003 live album Live 2003 and has been a permanent fixture in the band's live set lists since 2002.
$8.00
7.3 €
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Piano, Voix
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Coldplay
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Academia Unimusica
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The Scientist
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Unimusic Academy
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SheetMusicPlus
Fanfare March for the Ark for Trumpet Ensemble
Ensemble de Trompettes
Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817145 Composed by C.…
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Trumpet Ensemble Trumpet - Level 3 - Digital Download SKU: A0.817145 Composed by C. P. E. Bach. Arranged by Charles Decker. Christian,Christmas,Classical,Contest,Easter,Festival. 17 pages. Charles Decker Music Press #4323747. Published by Charles Decker Music Press (A0.817145). Seeking an accessible and elegant work for three or four trumpets? Then these two short movements by C. P. E. Bach will enhance brass ensemble programs or ceremonies as well as provide an exciting prelude for band or orchestra concerts featuring your trumpet section. Quickly mastered and easily memorized, doubling parts can add to the brilliance and doubling the third trumpet part in particular helps to balance the two solo trumpets. Timpani is optional but a frequent partner in early trumpet ensemble works. The recording is an actual trumpet ensemble performance of the complete work and not a computer playback of the score.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.  Use this link to Kendor Music for my original composition for brass quintet with narrator of the holiday classic story ’Twas the Night Before Christmas.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$5.95
5.43 €
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Ensemble de Trompettes
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C
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Charles Decker
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Fanfare March for the Ark for Trumpet Ensemble
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Charles Decker Music Press
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SheetMusicPlus
Who Put The Bomp (in The Bomp Ba Bomp Ba Bomp)
Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,D…
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Rhythm Section,Small Ensemble Bass Clef Instrument,Bass Guitar,Bass Trombone,Double Bass,Drum Set,Drums,Keyboard,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 4 - Digital Download SKU: A0.961216 By Barry Mann. By Barry Mann and Gerry Goffin. Arranged by Robert Coil. 20th Century,Contemporary,Jazz,Pop. Score and parts. 40 pages. Polished Brass #6704317. Published by Polished Brass (A0.961216). This classic Doo-Wop song is arranged for trombone quintet with optional rhythm section. The range of the first and second trombone goes briefly up to B flat4, the third trombone goes up to G4. The range of the fourth trombone is a modest A flat2 to F4, but has the opening solo. The Bass Trombone provides the rhythmic drive and harmonic foundation, with range consistently low, from A flat1 to E flat3, thus requiring a player with solid technique and determination to keep the tempo from sagging. (ASPN pitch notation)This arrangement may be played by trombone quintet with or without the optional rhythm section. When performed without the rhythm section accompaniment, it is essential for each player to strive to keep the tempo up. A number of pieces popular in the 1940s, 50s, and 60s had lyrics that had no meaning but were nonsense syllables (non-lexical vocables) that were sung. Anyone familiar with the era will recognize songs such as: Witch Doctor (Ooo, eee, ooo ah ah, ting tang, Walla walla, bing bang), Sh-Boom (Do-roo-do-do, sh-boom), Blue Moon (Bom ba ba bom ba bom ba bom bom, Dang a dang dang, ding a dong ding). Often, the lead singer had lyrics that told a story, while a backup chorus just sang, Ooo, Aaah. The genre became known as Doo Wop. By the 1960s, the genre, with its simple chords, nonsense syllables, often sung a cappella or featuring a 4 or 5 part vocal group with simple accompaniment, was starting to fade in popularity. The song Who Put the Bomp manages to be both a part of the genre and a nostalgic reflection on its passing. This arrangement captures the essence of the era with close harmonies and a lively beat. The arranger, Bob Coil, is a graduate of the University of Cincinnati College-Conservatory of music, where he studied bass trombone with Betty Glover. Dr. Coil is the leader of the Bones of Cincinnatus trombone ensemble in Cincinnati, OH.
$16.99
15.51 €
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Barry Mann
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Robert Coil
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Who Put The Bomp
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Polished Brass
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SheetMusicPlus
Fanfares
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1516625 Composed by David Woodcoc…
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Concert Band - Level 4 - Digital Download SKU: A0.1516625 Composed by David Woodcock. 21st Century,Celtic,Classical,Contest,Festival,Irish,Medieval. 187 pages. David Woodcock #1090797. Published by David Woodcock (A0.1516625). This is an heroic piece for Concert Band in three movements. Programme Notes:From a young age, I was always interested in castles and history, and have visited many castles in my home country of Wales, which is sometimes called the “castle capital of the world”. At one time Wales had about 600 castles, of which over 100 are still standing, either as ruins or restored buildings. The remainder have been reduced to ditches, mounds and earthworks. Visiting these amazing historically significant buildings has allowed me to reflect on their importance and purpose. In their day they were the centres of thriving communities and it is through their value as the focus of the community, that the three movements have developed their individual characteristics. The first movement depicts a large formidable castle, towering over the neighbouring lands, exuding power, authority and law, complete with noblemen and knights; the second movement describes the pastoral scenes around the castle, and the commoners going about their ordinary lives; the third demonstrates the military function of the castle which was to protect: when coming under siege, the people eventually triumph, the enemy defeated.
$99.99
91.26 €
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Orchestre d'harmonie
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David Woodcock
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Fanfares
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David Woodcock
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SheetMusicPlus
Fanfares
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1394362 Composed by David Woodcock. 21st Century,Celtic,Classical,Contest,Festival,Irish,Medieval. Brass Band. 178 pages. David Woodcock #977843. Published by David Woodcock (A0.1394362). This is an heroic piece for Brass Band in three movements. It was the set piece for C Grade in the New Zealand National Band Contest in 2022. Programme Notes: From a young age, I was always interested in castles and history, and have visited many castles in my home country of Wales, which is sometimes called the “castle capital of the worldâ€. At one time Wales had about 600 castles, of which over 100 are still standing, either as ruins or restored buildings. The remainder have been reduced to ditches, mounds and earthworks. Visiting these amazing historically significant buildings has allowed me to reflect on their importance and purpose. In their day they were the centres of thriving communities and it is through their value as the focus of the community, that the three movements have developed their individual characteristics. The first movement depicts a large formidable castle, towering over the neighbouring lands, exuding power, authority and law, complete with noblemen and knights; the second movement describes the pastoral scenes around the castle, and the commoners going about their ordinary lives; the third demonstrates the military function of the castle which was to protect: when coming under siege, the people eventually triumph, the enemy defeated.
$100.00
91.27 €
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David Woodcock
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Fanfares
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David Woodcock
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SheetMusicPlus
Coventry Carol for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.979775 Composed by Anon. Arranged…
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Concert Band - Level 3 - Digital Download SKU: A0.979775 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 38 pages. Monkspath Music #6098173. Published by Monkspath Music (A0.979775). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all bands of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur wind bands / concert bands / wind orchestras.
$39.99
36.5 €
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Orchestre d'harmonie
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Anon
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Robert Luke Thompson
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Coventry Carol for Concert Band
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Monkspath Music
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SheetMusicPlus
Coventry Carol for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arrang…
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Full Orchestra - Level 3 - Digital Download SKU: A0.979772 Composed by Anon. Arranged by Robert Luke Thompson. Christmas,Contemporary,Holiday,Renaissance,Traditional. Score and Parts. 44 pages. Monkspath Music #6079181. Published by Monkspath Music (A0.979772). The Coventry Carol originates from a medieval mystery play entitled The Pageant of the Shearmen and Tailors. The play depicts the Christmas story, from the Annunciation (where the Angel Gabriel appears to Mary), to the Massacre of the Innocents (where King Herod of Judea orders the death of all male infants near Bethlehem under the age of two). It is this tale that the Coventry Carol depicts, taking the form of a lullaby sung by the mothers of the murdered children. As is appropriate, the music is in a minor key – this arrangement uses G minor and D minor as a homage to well-known harmonisations by Thomas Sharp and Henry Walford Davies. It is unknown when the words were first set to music, but a proposed date is 1591, or earlier! Other interesting musical features include the use of a ‘Picardy third’, and ‘false relations’, contributing to the haunting quality of this enduring piece, both in the heart of the English Midlands, and further afield. This arrangement is suitable for all orchestras of beginner-intermediate ability or higher. There is plenty of interest for both experienced players, and for newcomers. The instrumentation is designed to facilitate both a full sound, but also for flexibility, which is often desired by school, youth, and amateur orchestras. For further pieces, view the Monkspath Music catalogue and click here!
$39.99
36.5 €
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Orchestre
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Anon
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Robert Luke Thompson
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Coventry Carol for Orchestra
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Monkspath Music
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SheetMusicPlus
From Flutter to Flight
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028773 Composed…
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1028773 Composed by L.J Harding. Contemporary. Score and parts. 6 pages. L.J Harding #3921145. Published by L.J Harding (A0.1028773). ‘From Flutter to Flight’ is a String Quartet featuring sequencing, imitation, dynamics and a wide exploration of range. The reason I chose the name ‘From Flutter to Flight’ was because of the inspiration I gained while composing this piece. The story of a bird’s first experience of flight is something that is beautiful, however awkward it may be. The start of the piece, with the duet between Violin 1 & 2, symbolises young birds watching as their parents fly in a dance. The theme is then developed into a four part. The rhythmic pattern in the Viola part represents the fluttering and awkwardness of the young birds as they attempt to fly while the duet between the Violins is maintained and complemented by low notes from the Cello. This represents the birds as they finally begin to learn and begin flying faster and stronger. This swiftly follows by descending thirds on the Cello leading to a four-broken chord progression which creates a sense of adventure and willingness to advance forward. Violin comes in alongside the Cello as the younger birds begin to get more confident. The notes move with the movement of the birds, higher notes representing them flying higher whereas lower notes representing them flying lower. The second theme is then developed with the first theme being played in Violin 2 as a gentle reminder of the birds past and how far they have come. This ends with the return of the first theme in recapitulation followed with some new ideas including a much higher range in Violins 1 & 2 and it closes with the tonic 7th chord to symbolise an ending with the birds finally achieving flight.
$8.99
8.2 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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L
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From Flutter to Flight
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L.J Harding
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SheetMusicPlus
Lithuanian Nonet for winds & strings
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Down…
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
54.75 €
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds & strings
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Kazys Daugela
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SheetMusicPlus
Amazing Grace (for young concert band)
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.726432 Composed by Traditional. A…
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Concert Band - Level 2 - Digital Download SKU: A0.726432 Composed by Traditional. Arranged by Kenneth Baird. Christian,Folk,Gospel,Patriotic. Score and parts. 28 pages. Kenneth Baird Music #6057991. Published by Kenneth Baird Music (A0.726432). Amazing Grace - This classic hymn has played a beloved role in American history for generations and is recognizable all around the world. Here, in an inspiring new setting for young concert band, virtually every instrument gets an opportunity to play the melody. Unison clarinets (or an optional clarinet solo) open this arrangement by stating the melody in the key of concert Bb. As the arrangement unfolds, all of the low instruments are featured on the melody in the key of concert F. Following an impressive band tutti in the key of concert Eb, the music winds down as the melody is passed around from section to section and the arrangement concludes with a couple of surprise chords and then fades with a whisper. Ample cross-cuing and a rehearsal piano part are provided for smaller bands missing instrumentation. Perfect for a second or third year band, and even playable at the end of the school year by an outstanding beginning band! Approximately a Grade 1 ½ or 2.
$30.00
27.38 €
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Orchestre d'harmonie
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Traditional
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Kenneth Baird
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Amazing Grace
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Kenneth Baird Music
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SheetMusicPlus
Romance Anonimo (tremolo) for Classical Guitar
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1441944 Composed by Anon. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 7 pages. Keith Terrett #1021937. Published by Keith Terrett (A0.1441944). Romance Anonimo for Guitar.This beautiful piece, known as Romance d'Amour, Anonymous Romance, Spanish Romance, Romance de Amor, Romanza among other names are a very well know piece. The composer is unknown.Romance Anónimo (Anonymous Romance) is a piece for guitar, also known as Estudio en Mi de Rubira (Study in E by Rubira), Spanish Romance, Romance de España, Romance de Amor, Romance of the Guitar, Romanza and Romance d'Amour among other names. It is composed in the style of parlour music of the late 19th century in Spain or South America,History:The style of the piece is that of the parlour music of the late 19th century in Spain or South America. It has a closed three-part form, the first in the minor key and the second being in the major key, with the third part being a restatement of the first.The origins and authorship of the piece are unknown, hence 'anonimo'. It is thought to have been originally a solo instrumental guitar work from the 19th century, and has variously been attributed to Antonio Rubira, David del Castillo, Francisco Tárrega, Fernando Sor, Daniel Fortea, Francisco Vicaria l Llobet, Antonio Cano, Vicente Gómez, and Narciso Yepes. It has been suggested that doubts about its authorship may have been encouraged by a wish to avoid paying copyright fees and the desire of publishing companies to claim the lucrative copyright.Early recordings:The earliest recording of Romance is found on a cylinder from the Viuda de Aramburo label[3][4][5][6] featuring guitarists Luis and Simon Ramírez, which was made in Madrid sometime between 1897 and 1901. The work is titled Sort-Estudio para Guitarra por S. Ramirez. The name Sort, as it occurs on the cylinder's title, probably refers to Fernando Sor, as his surname is sometimes spelled Sort or Sorts. The recording may be heard on the Doremi CD release Tarrega, His Disciples, and Their Students (DHR-7996) and online at the UCSB Cylinder Audio Archive.Possible origins:An early publication of the work, known as Estudio para Guitarra de Rovira and attributed to Spanish guitarist Antonio Rubira,[13] was published by J.A. Medina e Hijo in Argentina before 1925 (probably in 1913, when the publisher ceased activities).Guitarist and composer Isaías Sávio (Montevideo, 1900 — São Paulo, 1977) published the work in 1959 with the title Romance de Amor (Estudo em Mi) Música de Antonio Rovira (Segunda metade do século XIX) He published information which cited Antonio Rubira as the author. (See Violào e Mestres Junio, 1966 / São Paulo, Brasil.Sávio gives information that Juan Pargas, who knew Rubira, gave the Estudio de Rovira to the guitarist Juan Valles in 1876 or 1878. Sávio mentions that the work became popular in Buenos Aires and began to be published by, among others, Spaniard Pedro Maza; and that the work appeared in the method of Pedro Mascaró y Reissig, published in Montevideo in 1919, with the title Conocido por Estudio de Rovira.Publishing company Ricordi of Argentina currently publishes the piece, and attributes authorship to Antonio Rubira.
$1.99
1.82 €
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Guitare
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Anon
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Keith Terrett
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Romance Anonimo
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Keith Terrett
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SheetMusicPlus
La Senorita (#3 from the "Alhambra Suite") - intermediate trumpet with piano accompaniment
Trompette
Piano,Trumpet - Level 3 - Digital Download SKU: A0.742256 Composed by Chrissy Ricke…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.742256 Composed by Chrissy Ricker. Contemporary,Latin,Multicultural,Standards,World. Score and part. 5 pages. Chrissy Ricker #1989355. Published by Chrissy Ricker (A0.742256). Alhambra is an Islamic palace located in the Andalusian province of Spain. This piece is the third in a set inspired by the history and beauty of Alhambra. This download includes both the full score and a separate trumpet part. The Alhambra Suite was written to provide a first collaborative playing experience for students. Both the trumpet and piano parts are written at the intermediate level. The trumpet part features techniques such as quick changes of articulation, repeated notes, and bel canto style playing. If you like this piece, please look for the rest of the set on Sheet Music Plus: I. Sunrise Over Alhambra, II. A Ghost of Battles Past, III. La Senorita, IV. Andalusian Lullaby.Composer and arranger Chrissy Ricker is a Nationally Certified Teacher of Music (NCTM) with a Master's degree in piano performance and pedagogy. Chrissy enjoys composing and arranging music to motivate and challenge students of all ages. In addition to the works she publishes through SMP Press, Chrissy's piano music is also published by Neil A. Kjos Music Company, Piano Pronto Publishing, and Musicnotes. Her music has appeared on the piano contest lists of many state and national teaching associations, including the National Federation of Music Clubs. Visit Chrissy's website at www.chrissyricker.com.
$2.50
2.28 €
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Trompette
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Chrissy Ricker
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La Senorita
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Chrissy Ricker
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SheetMusicPlus
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