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This Is What Is Meant by Love
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Crtitères actifs :
This Is What Is Meant by Love
Partitions à imprimer
36 partitions trouvées
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26
This Is What Is Meant by Love - Accompaniment Download
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Musique Sacrée
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Jay Rouse
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This Is What Is Meant by Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SKU: LX.E99-3834L Composed by Jay Rouse. Easter. Sacred Anthem, Easter. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3834L. Published...
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SKU: LX.E99-3834L Composed by Jay Rouse. Easter. Sacred Anthem, Easter. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #E99/3834L. Published by Lorenz Publishing - Digital Sheet Music (LX.E99-3834L). Downloadable accompaniment track for This Is What Is Meant by Love (10/4972L) This anthem, featuring a stunning text by Rose Aspinall and music by Jay Rouse, paints vivid imagery of the resurrection and embodies the love displayed by the empty tomb. An orchestration is also available to add to the power of this anthem's message.
$14.95
This Is What Is Meant by Love - Orchestral Score and Parts
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Musique Sacrée
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Jay Rouse
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This Is What Is Meant by Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Instrumental Parts - SKU: LX.30-3548L Composed by Jay Rouse. Sacred Anthem, Easter. Orchestral Score and Parts. 80 pages. Lorenz Publishing - Digital Sh...
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Instrumental Parts - SKU: LX.30-3548L Composed by Jay Rouse. Sacred Anthem, Easter. Orchestral Score and Parts. 80 pages. Lorenz Publishing - Digital Sheet Music #e30/3548L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3548L). Boost the power of the message from “This Is What Is Meant by Love†(10/4972L) with the optional orchestration. This companion items includes the orchestral score and printable parts. The anthem, featuring a stunning text by Rose Aspinall and music by Jay Rouse, paints vivid imagery of the resurrection and embodies the love displayed by the empty tomb.
$69.95
This Is What Is Meant by Love
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Chorale SATB
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Musique Sacrée
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Jay Rouse
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This Is What Is Meant by Love
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - SKU: LX.10-4972L Composed by Jay Rouse. Full Orchestra. Sacred Anthem, Easter. Octavo. 12 pages. Lorenz Publishing - Digital Sheet M...
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SATB choir, Piano - SKU: LX.10-4972L Composed by Jay Rouse. Full Orchestra. Sacred Anthem, Easter. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4972L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4972L). ISBN 9780787759285. Text: Rose Aspinall.This anthem, featuring a stunning text by Rose Aspinall and music by Jay Rouse, paints vivid imagery of the resurrection and embodies the love displayed by the empty tomb. An orchestration is also available to add to the power of this anthem’s message.
$2.50
Love Again for solo flute (no piano)
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Flûte traversière
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Rock
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Dua Lipa, Bing Crosby, Steph
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Dennis Benning
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Love Again for solo flute
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Flute Dude Music
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SheetMusicPlus
Flute - By Dua Lipa, Bing Crosby, Stephen Kozmeniuk, Irving Wallman, Clarence Bernard Coffee, Max Wartell, Chelcee Grimes, Harry Crosby. Arranged by...
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Flute - By Dua Lipa, Bing Crosby, Stephen Kozmeniuk, Irving Wallman, Clarence Bernard Coffee, Max Wartell, Chelcee Grimes, Harry Crosby. Arranged by Dennis Benning. Individual Part. 4 pages. Published by Flute Dude Music
Love Again for solo flute is a transcription of the track from Dua Lipa's album, Future Nostalgia. This download includes only the flute part, and is meant to be played with karaoke backing tracks. Dennis Benning, the arranger, currently lives in Denver. He teaches flute and clarinet, records music for his YouTube channel (Flute Dude Music), and has recently engaged in flute repair. Check out his YouTube and Facebook (Flute Dude Music) pages to follow what he is doing, and to see exclusive videos!
$4.99
What Christmas Means
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Chorale 3 parties
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Noël
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Bryan Sharpe
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What Christmas Means
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Heritage Music Press
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SheetMusicPlus
3-part mixed choir, Piano - SKU: LX.15-3644H Composed by Bryan Sharpe. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/3644H...
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3-part mixed choir, Piano - SKU: LX.15-3644H Composed by Bryan Sharpe. Educational, Secular Christmas. Octavo. 12 pages. Heritage Music Press #e15/3644H. Published by Heritage Music Press (LX.15-3644H). ISBN 9780787764630.And what Christmas means to each of us is what makes the season bright. And our Christmas cheer is meant to be shared, and can heal a broken heart. Love will help us remember what Christmas means. Program this touching original Christmas ballad to bring light to why we celebrate this season of the year. Comfortable ranges and strong voice leading throughout help to speed up learning time.
$2.50
My Soul Is Thirsting (Psalm 63)
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Chorale Unison
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INTERMÉDIAIRE
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Musique Sacrée
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Tom Dwight
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My Soul Is Thirsting
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Tom Dwight
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.921653 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #3689741. Publis...
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Choral Choir (Unison) - Level 3 - SKU: A0.921653 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #3689741. Published by Tom Dwight (A0.921653). A brief caveat: I apologize for the quality of the attached recording. I will try to get a better one up soon! That said, you can at least get a sense of what it sounds like :)My Soul Is Thirsting is based on Psalm 63 and is meant for two singers with the choir/assembly joining in on the refrain. I would love to hear this done with some good singers, bass, guitars and drums. At some point, I'd like to write some brass parts to go along with it.As with all my music, if you would like to send me a recording of your group doing this song, I'd be happy to promote it on my website!This should be done in a steady driving tempo although, be careful not to go too fast at the beginning because verse four can get a little hairy!Feel free to contact me at tommydwightmusic@gmail.com with any questions and if you'd like to receive updates on new music, I hope you'll consider joining my mailing list at:https://mailchi.mp/bfc4f2619558/tommydwightmusicThanks for taking a look - I think this piece is a ton of fun to play and sing - I hope you do too!
$2.25
Portals
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Alan Silvestri
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Jayson Lim Hou Ee
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Portals
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Joe Hisashi
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1101319 Composed by Alan Silvestri. Arranged by Jayson Lim Hou Ee. Film/TV,Multicultural,World. Score. 5 pages. Joe Hisas...
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Piano Solo - Level 3 - SKU: A0.1101319 Composed by Alan Silvestri. Arranged by Jayson Lim Hou Ee. Film/TV,Multicultural,World. Score. 5 pages. Joe Hisashi #704712. Published by Joe Hisashi (A0.1101319). After the snap caused by Thanos himself towards the entire universe, the Avengers reassembled one last time to undo what is meant to be happening. This is a copyrighted product which is rearranged as a purpose of sharing music to all Marvel music lovers, fans and everyone else. Btw, the purpose I sell it is because I want to earn money in order to pay for my college fees..please do support!!!
$15.00
Vincent (Starry Starry Night)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Don McLean
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Timothy Stapay
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Vincent
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwrit...
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Piano Solo - Level 4 - SKU: A0.1490922 By Don McLean. By Don McLean. Arranged by Timothy Stapay. Broadway,Film/TV,Folk,Musical/Show,Rock,Singer/Songwriter. Score. 10 pages. Timothy Stapay #1067707. Published by Timothy Stapay (A0.1490922). Vincent (Starry, Starry Night) is a song by Don McLean, written as a tribute to Vincent van Gogh.McLean wrote the lyrics in 1971 after reading a book about the life of Van Gogh. It was released on McLean's 1971 American Pie album; the following year, the song topped the UK Singles Chart for two weeks, and peaked at No. 12 in the United States, where it also hit No. 2 on the Easy Listening chart. Billboard ranked it as the No. 94 song for 1972.Lyrics:StarryStarry nightPaint your palette blue and greyLook out on a summer's dayWith eyes that know theDarkness in my soul.Shadows on the hillsSketch the trees and the daffodilsCatch the breeze and the winter chillsIn colors on the snowy linen land.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey did not know howPerhaps they'll listen now.StarryStarry nightFlaming flo'rs that brightly blazeSwirling clouds in violet haze reflect inVincent's eyes of China blue.Colors changing hueMorning fields of amber grainWeathered faces lined in painAre soothed beneath the artist'sLoving hand.And now I understand what you tried to say to meHow you suffered for your sanityHow you tried to set them free.Perhaps they'll listen now.For they could not love youBut still your love was trueAnd when no hope was left in sight on that starryStarry night.You took your lifeAs lovers often do;But I could have told youVincentThis world was neverMeant for oneAs beautiful as you.StarryStarry nightPortraits hung in empty hallsFrameless heads on nameless wallsWith eyesThat watch the world and can't forget.Like the stranger that you've metThe ragged men in ragged clothesThe silver thorn of bloody roseLie crushed and brokenOn the virgin snow.And now I think I know what you tried to say to meHow you suffered for your sanityHow you tried to set them free.They would not listenThey're notList'ning stillPerhaps they never will.
$8.99
Wandering
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Devin Talluto
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Wandering
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Devin Talluto
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1030248 Composed by Devin Talluto. Christmas,Contemporary,Holiday,Love. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1030248 Composed by Devin Talluto. Christmas,Contemporary,Holiday,Love. Score and parts. 3 pages. Devin Talluto #6374073. Published by Devin Talluto (A0.1030248). This song is meant to feel like a walk through life, or a walk down a path. Meant to feel like a journey with dips and dives and one specific part where anything can happen. Starting with an opening melody you gain this beginning feel until you hit the solo. This solo is optional and completely based on what you can make of it. There will be an original solo, but music will not be released until a further date. .
$4.99
Eleanor Rigby
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Rock
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David Cook
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Odd Helge Hveding
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Eleanor Rigby
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oh2Musikk
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Piano,Trombone,Voice - Level 3 - SKU: A0.1023980 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartne...
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Small Ensemble Bass Guitar,Drum Set,Piano,Trombone,Voice - Level 3 - SKU: A0.1023980 By David Cook. By Domenico Bucchino, John Lennon, and Paul McCartney. Arranged by Odd Helge Hveding. Rock. Score and parts. 32 pages. Oh2Musikk #6685377. Published by oh2Musikk (A0.1023980). If you want a bit different version of the arrangement behind Eleanor Rigby, this is it.The vocal part is unchanged, but everything behind is a bit different. So if you have a vocalist who loves the song and you don't have a string quartet, or want another variation than piano, you should check this out.The arrangement can be used anywhere you would use Eleanor Rigby. This 3:26 long arrangement is meant to be a bit different than the original, and when you get to the last verse, it really opens up in a new way. Eleanor Rigby, the original by the Beatles, with the string quartet, is a song I've been fascinated by since my childhood. For years I wanted to do my own version, just for fun, of course. This is what I came up with.
$14.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
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Voix Soprano, Piano
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole ...
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Soprano voice,Vocal Solo - SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 page...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Richard Wagner
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Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Oper...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95
Wie Du warst (Octavian's Aria) from Der Rosenkavalier - Accessible Accompaniments Edition
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Voix Alto, Piano
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Wie Du warst
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Nicole Elyse DiPaolo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. N...
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Alto Voice,Vocal Solo - Level 5 - SKU: A0.799612 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 6 pages. Nicole Elyse DiPaolo #5022023. Published by Nicole Elyse DiPaolo (A0.799612). The first of its kind, and the third entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Wie Du warst, Octavian's famous aria from Strauss's Der Rosenkavalier (1911). Mezzos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury. This edition also includes a two-measure recomposed ending four measures after rehearsal 25, making this edition a great choice for concert and audition situations in which another singer isn't available to sing the Marschallin's lines.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Voix Soprano, Piano
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AVANCÉ
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Classique
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lass&ug
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Quatre Poemes De Guillaume Apollinaire
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Piano, Voix
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AVANCÉ
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Contemporain
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Clas...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
A Nightingale Sang In Berkeley Square
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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Jazz
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Manhattan Transfer
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Derek Hasted
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A Nightingale Sang In Berkeley
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Derek Hasted
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.797835 By Manhattan Transfer. By Manning Sherwin. Arranged by Derek Hasted. Contemp...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.797835 By Manhattan Transfer. By Manning Sherwin. Arranged by Derek Hasted. Contemporary,Jazz. Score and parts. 16 pages. Derek Hasted #6527107. Published by Derek Hasted (A0.797835). A NIGHTINGALE SANG IN BERKELEY SQUARE - STRING QUARTET/STRING ENSEMBLEDerek Hasted writes I first arranged this lovely tune for The Hampshire Guitar Orchestra, and my arrangement here produces the same big sound from an intermediate/early intermediate string quartet, but using the quartet’s sustain to make the piece really sing. School teachers will find this is an ideal piece for an end of semester concert, and adult quartets will find it makes a restful and easy-to-play interlude piece in a full-length concert. Being so well-known, this will be an audience pleaser! The key changes in the original are really sublime and enjoyable, and the lush string quartet sound makes the journey to new keys a scenic ride.Like many of my arrangements, this is meant to be accessible and fun, otherwise the music gets lost in a sea of technical worries. This uses familiar keys and positions to lock together quickly and reliably.There’s no fingering or dynamics on this score - this is your chance to make it yours! - the tune stays with Violin 1, but there are plenty of spots in the other parts which are this is my moment places - just do what makes the music sing.I hope you enjoy playing this piece!
$12.99
Monsters
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Piano, Voix
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INTERMÉDIAIRE
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Contemporain
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James Blunt
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Gavin Koh
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Monsters
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Gavin Koh
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.874487 By James Blunt. By Amy Wadge, James Blunt, James Dearness Hogarth, and Jimmy Hogarth. Arranged by Gavin Koh...
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Piano,Vocal,Voice - Level 3 - SKU: A0.874487 By James Blunt. By Amy Wadge, James Blunt, James Dearness Hogarth, and Jimmy Hogarth. Arranged by Gavin Koh. Contemporary. Score. 4 pages. Gavin Koh #5195917. Published by Gavin Koh (A0.874487). Here is my arrangement of James Blunt's Monsters. This song is meant as a eulogy to Jame's father, whose as of this arrangement's publication, has stage four chronic kidney disease. His video is a heart-rending rendition but a very noble salute to his father. I know what it is to lose someone you love dearly, so I wish James Blunt and his dad all the best.You can listen to Monsters on my Soundcloud channel at https://soundcloud.com/gavinkoh/james-blunt-monstersListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh[Updated on 30 Jan 2020]
$4.99
May The Lord Be With You / Que el Señor esté contigo
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Piano, Voix et Guitare
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Musique Sacrée
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Shaun Parry
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May The Lord Be With You / Que
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MusicforMillions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0....
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Guitar,Piano,Vocal,Voice - SKU: A0.935515 Composed by Shaun Parry. Sacred. Score. 1 pages. MusicforMillions #5754989. Published by MusicforMillions (A0.935515). THIS IS AN ORIGINAL (simple) SONG I WROTE FOR MY MOM AND SISTER To be clear, it is a prayer written in musical form. I guess that makes it a psalm. A few nights ago I was feeling the pain of so many people around the globe who are suffering due to the pandemic. I was inspired to sit down and write an simple song of comfort for them-for us. The very same evening I started writing the song, unbeknownst to me, my sister was being taken to the hospital where she collapsed of heart failure and was life-flighted to the nearest cardiovascular facility.They put her on life support (ECMO and ventilator) to let her heart and lungs rest. Two days later, due to complications with circulation in her leg she had to be rushed into emergency surgery to pull the catheter from the artery leading to her heart. This required taking her off of life support four days earlier than they had planned. We were informed she may not make it. Thanks to thousands of people praying for her, and her own indomitable spirit, she pulled through-but not without more complications.A fever kicked in and lack of circulation in her other leg caused even more concern. Her heart and body were suffering greatly. As we prayed (and thousands of you from around the world prayed with us) I kept massaging and nuancing the exact melody line I wanted, at the same time interweaving various lyrics to intuit what felt right. I wanted this to be a song anyone could sing for their beloved family member or friend who was struggling. Every note, every syllable had to land just right-as if it was meant to be.Through all this my mother was going through her own bit of personal anguish. We were basically waiting for my sister to die. Due to COVID regulations nobody, not even family, could visit her in ICU. My mother bought a plane ticket... just in case. We hoped beyond hope that, If she died, she would not die alone. I wanted to finish this song by Mother's Day to share with my mother and my dear struggling sister who is also a mother of 5. I finished it and sang it through tears on Mother's Day. I have many friends show speak Spanish who are going through very difficult times due to COVID-19 and the subsequent quarantine. The second time through is a carefully crafted Spanish translation. I hope to hear people singing this far and wide with, to and for each other.
$1.99
Tonight You Belong To Me
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Piano Facile
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DÉBUTANT
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Patience and Prudence
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Calum Wood
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Tonight You Belong To Me
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Calum Wood
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Ca...
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C Instrument - Level 1 - SKU: A0.1142820 By Patience and Prudence. By Billy Rose. Arranged by Calum Wood. Folk,Jazz. Lead Sheet / Fake Book. 2 pages. Calum Wood #736090. Published by Calum Wood (A0.1142820). Are you looking for the perfect piece of sheet music to capture the romantic essence of the classic song Tonight You Belong to Me? Look no further!Our music score for Tonight You Belong to Me is the ideal choice for anyone who wants to play or sing this beloved tune. Whether you're a beginner or an experienced musician, this sheet music is easy to follow and beautifully crafted, capturing the essence of the original song.With our music score, you'll be able to recreate the magic of the song as if you were transported back to the 1920s. The gentle melody and romantic lyrics are perfect for any occasion, from a wedding to a cozy night at home.What sets our music score apart is the attention to detail we've put into it. We've made sure that every note, every chord, and every lyric is accurate, so you can be confident that you're playing or singing the song just as it was meant to be.This music score is perfect for anyone who wants to capture the essence of a bygone era and share it with their audience. It's easy to read, easy to play, and a delight to listen to. Order your copy today and experience the romance and nostalgia of Tonight You Belong to Me like never before!Keywords: music score, sheet music, Tonight You Belong to Me, romantic, beginner, experienced musician, melody, lyrics, accurate, bygone era, nostalgia.
$1.99
My Kids
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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My Kids
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842175 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Re...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842175 Composed by Andrew Mc Donald. Christian,Contemporary,Gospel,Pop. Score. 7 pages. Andrew Mc Donald (Macka Records) #5213525. Published by Andrew Mc Donald (Macka Records) (A0.842175). My Kids is a song about my children and how they do things that drive me crazy! But even so I love them anyway and I am blessed to have them 'cause God gave them to me.This is a fun song meant for someone who knows what it is like to have kids.
$4.99
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This Is What Is Meant by Love