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This Is the Day! - Bb Trumpet 1
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5 Christmas Songs for Trumpet Quintet plus one Bonus
Ensemble de Trompettes
Trumpet Quintet - Level 3 - Digital Download SKU: A0.1348477 Composed by Various. A…
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Trumpet Quintet - Level 3 - Digital Download SKU: A0.1348477 Composed by Various. Arranged by Ander. Chamber,Christmas. 104 pages. Woods Only, Arrangements #933254. Published by Woods Only, Arrangements (A0.1348477). We present our enchanting Collection of Christmas Arrangements for Trumpet Quintet, specially crafted for the festive Christmas season! Delight in the spirit of Christmas with these innovative interpretations of timeless classics, meticulously crafted to bring joy and magic to your musical repertoire.1 - Jingle Bells in Different Styles:Are you ready for a musical journey through various styles of Jingle Bells? Our arrangement for Trumpet Quintet takes you from a slow and gentle opening to an animated version, exploring waltz and samba styles along the way. Perfect for Christmas parties, chamber music groups, recitals, and concerts, this unique arrangement is a charming twist on a holiday favorite. Don’t miss the chance to surprise and delight your audience with this creative interpretation!2 - We Wish You a Merry Christmas:Step into the magic of Christmas with our innovative arrangement for Trumpet Quintet of We Wish You a Merry Christmas. This score breathes new life into the classic melody, creating an enchanting atmosphere while preserving the essence of the original work. Ideal for Christmas events, recitals, concerts, and educational purposes, this arrangement is a valuable addition to any musical collection. Embrace the universal language of music and charm your audience with this special interpretation.3 - Joy to the World:Immerse yourself in the beauty of our reimagined arrangement for Trumpet Quintet of Joy to the World. This classic Christmas hymn takes on a new and magical guise, exploring new rhythms, harmonies, and counterpoints without losing the original essence. Perfect for Christmas events, recitals, concerts, and music education, this arrangement highlights the beauty and creativity that will captivate every listener. Be part of the history of this wonderful song with our exclusive score.4 - Silent Night:Step into the serene magic of our arrangement for Silent Night, a beloved Christmas song translated into over 300 languages. Originally composed in 1818, this rendition captures the longing for redemption and peace, making it perfect for various Christmas occasions. Dive into the historical significance of the piece and add a touch of magic to your musical repertoire with our innovative arrangement.5 - Deck the Halls:Enter the enchanting world of our arrangement for Trumpet Quintet of Deck the Halls. This interpretation offers a fresh and magical perspective on the traditional melody, making it perfect for Christmas events, recitals, concerts, and music education. Originating from the 16th-century Welsh melody, this arrangement adds a modern touch while preserving the essence of the historical piece. Elevate your Christmas celebrations with this charming and historically rich arrangement.Bonus - God Rest Ye Merry Gentlemen:Uncover the beauty of Christmas with our arrangement for Trumpet Quintet of God Rest Ye Merry Gentlemen. This timeless English Christmas song is reborn in this innovative interpretation, maintaining the original essence while breathing new life into the melody. Whether for chamber music recitals, concerts, public shows, or educational purposes, this arrangement is a perfect blend of tradition and innovation. Capture the magic of Christmas and add this valuable piece to your repertoire today!Our Christmas Collection for Trumpet Quintet is a testament to the transformative power of music. Each arrangement is a journey, taking familiar melodies and presenting them in a new light that is both innovative and respectful of their origins. These arrangements are more than just music; they are an invitation to experience the joy, wonder, and magic of Christmas in a unique and unforgettable way. So, whether you're a seasoned musician or a beginner, we invite you to explore these arrangements and let the music fill your heart with the spirit of Christmas. Enjoy the journey!
$49.99
45.73 €
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Ensemble de Trompettes
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Various
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Ander
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5 Christmas Songs for Trumpet Quintet plus one Bonus
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Woods Only, Arrangements
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SheetMusicPlus
This Is the Day
Chorale SATB
Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-19923 A Genera…
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Choir Sacred (SATB choir) - Grade 4 - Digital Download SKU: JX.00-19923 A General or Easter Anthem. Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19923. Published by Jubilate Music Group - Digital (JX.00-19923). English. Philippians 4:4-9; 1 Chronicles 16:23-33; Psalm 96; Psalm 118; Matthew 28:1-10.This spirited, majestic praise anthem by Jay Althouse features both general and Easter texts. Driving rhythms and solid choral writing make this fun to teach and sing. Smaller choirs will enjoy performing with the solo trumpet obbligato (opt., part included). Larger choirs will thrill to Jay's brilliant brass scoring (opt. InstruPax and InstruTrax CD available separately).
$2.25
2.06 €
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Chorale SATB
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Jay Althouse
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Choral Octavo
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This Is the Day
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Jubilate Music Group - Digital
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SheetMusicPlus
Bach: Wachet auf for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann…
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549835 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554463. Published by jmsgu3 (A0.549835). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
22.82 €
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Trompette
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Trumpet & Piano
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jmsgu3
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SheetMusicPlus
Jesus Christ Is Risen Today - Trumpet (+ chords)
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1210379 Composed by Tradit…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1210379 Composed by Traditional. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Religious,Spiritual. Individual part. 1 pages. Valdir Maia #808154. Published by Valdir Maia (A0.1210379). Jesus Christ is Risen Today's sheet music can be found here with or without chords accompaniment, so you can choose the one that fits better to you.Wanna see this arrangement in another key? Check out my sales page here in Sheet Music Plus. See this video score and other ones in youtube.com/@easysheetmusic.
$1.99
1.82 €
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Trompette
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Traditional
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Valdir Maia
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Jesus Christ Is Risen Today - Trumpet
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Valdir Maia
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SheetMusicPlus
Jesus Christ Is Risen Today - Trumpet
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1210380 Composed by Tradit…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1210380 Composed by Traditional. Arranged by Valdir Maia. Christian,Easter,Praise & Worship,Religious,Spiritual. Individual part. 1 pages. Valdir Maia #808155. Published by Valdir Maia (A0.1210380). Jesus Christ is Risen Today's sheet music can be found here with or without chords accompaniment, so you can choose the one that fits better to you.Wanna see this arrangement in another key? Check out my sales page here in Sheet Music Plus. See this video score and other ones in youtube.com/@easysheetmusic.
$1.99
1.82 €
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Trompette
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Traditional
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Valdir Maia
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Jesus Christ Is Risen Today - Trumpet
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Valdir Maia
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.94 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
The Godfather (main Theme)
Trompette, Piano
Trumpet, piano - Level 3 - Digital Download SKU: A0.636121 Composed by Nino Rota. A…
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Trumpet, piano - Level 3 - Digital Download SKU: A0.636121 Composed by Nino Rota. Arranged by Fishel Pustilnik. Contemporary. Score and part. 8 pages. F & N Enterprise #6244475. Published by F & N Enterprise (A0.636121). An excellent arrangement of the famous Song The Godfather for Trumpet and Piano-Jazz/Pop Version.The video for Violin and Piano: https://youtu.be/cobeS1NZNwMThe composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from the review in The Canadian Music Teacher) Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99
4.56 €
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Trompette, Piano
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Nino Rota
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Fishel Pustilnik
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Pop Piano Paradise
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The Godfather
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F & N Enterprise
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SheetMusicPlus
Five Miniatures for the Aspiring Brass Quintet, Op. 134
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 2 - Digital Download SKU: A0.1489486 Composed by Dr. Daniel N…
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Brass Quintet - Level 2 - Digital Download SKU: A0.1489486 Composed by Dr. Daniel N. Thrower. Chamber,Classical,Contest,Festival,Instructional. 45 pages. Https://gildedmusicpress.com/ #1066349. Published by https://gildedmusicpress.com/ (A0.1489486). This collection of short compositions for brass quintet was conceived specifically to supplement a dearth of appropriate and artistic original compositions for the young aspiring brass quintet. These pieces are most fitting for a good high school quintet or a beginning college ensemble that wants a conquerable challenge. With a variety of keys, styles, and tempos, they lend themselves well for deep work on the core ensemble skills of rhythmic accuracy, intonation, and dynamic balance. These brief works are also quite enjoyable for the professional quintet to perform for ever-popular school shows, or simply to read as a warmup with the focus of improving ensemble skills. Performance time for all five pieces is approximately five minutes.“Blackhawk” (duration 0:45) was originally composed in D-sharp minor as a melody to be used in Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 39). The quintet version is in concert D minor for more manageable execution. This brisk four-four work is perhaps the most difficult in the collection, with demands of multiple tonguing for all the instruments as well as fairly advanced intervallic jumps. “Lamb of God” (duration 1:00) is one of many hymn tunes originally composed by Dr. Thrower for use in Comprehensive Trumpet Skills, Book 7: Ensemble Skills (p. 54), intended to be used to tune unisons and octaves. As a tuning study it was published in the key of F major for B-flat trumpet, or concert E-flat major. The quintet version retained the original key of concert E-flat. The reverently subdued four-four tempo makes this the easiest piece in the collection, technically, though the three core ensemble skills listed in the introductory paragraph (rhythm, intonation, and balance) must still be extensively addressed. The horn part is perhaps the most demanding in “Lamb of God,” with arpeggiated discant lines toward the end.“Summer Solstice” (duration 1:10) was started on June 21, 2023, which was the summer solstice. It is a bright, cheerful piece in concert F major with a lot of interest in all the parts. One source of the title’s inspiration came from my family’s new situation living in Tokyo, Japan, where the dawn sky brightens around 4:00 AM on the longest days of the year, which obviously coincide with the summer solstice. The 70-second piece was completed four days after conception while the long days started at their earliest.“Triumph: Children’s March” (duration 1:00) was the catalyst for this collection. It started as a cute little brass quintet piece in the key of concert B-flat major, to be performed for children, such as for school concerts. The cut-time tempo is very brisk for a march, but animated little legs (or a more manageable audience activity of clapping hands) can easily handle the task. Although the first trumpet part ends up on a high C, there is an alternate note for a more comfortable ending.“Waltzing Puma” (duration 0:30) is an evocative title for an evocative piece. Like “Blackhawk,” this melody was composed as a melody for Comprehensive Trumpet Skills, Book 9: Sightreading and Transposition (p. 36). The melodies in that series took on titles of military aircraft, and this one was the helicopter “Puma.” Since this tune is in a fast three-four, it became the “Waltzing Puma.” The quintet version retains the original key of concert F minor.
$24.95
22.82 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Five Miniatures for the Aspiring Brass Quintet, Op. 134
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https://gildedmusicpress.com/
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SheetMusicPlus
Denmark: The Two National Anthems
Orchestre d'harmonie
Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvi…
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Large Ensemble - Level 2 - Digital Download SKU: A0.522130 Composed by Ditlev Ludvig Rogert (1742-1813) and Hans Ernst Krøyer (1798 -1879). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 37 pages. Colin Kirkpatrick Publications #3428555. Published by Colin Kirkpatrick Publications (A0.522130). Denmark has two national anthems. The first, Der er et yndigt land (There is a lovely land) is the civil national anthem and the most frequently performed. When it was first published in 1819, the anthem had twelve verses but today it has been significantly shortened. The dotted rhythm in measure 15 (in Parts 1 and 2) is sometimes played as two equal eighth notes (quavers). The second anthem, Kong Christian stod ved højen mast (King Christian stood by the lofty mast) has equal status but is mainly used for royal and military occasions. At such times, it is either performed alone or the two anthems are played together. Known simply as Kong Christian it is traditionally sung in Denmark immediately after midnight every New Year's Eve. The audio sample contains the first, more popular anthem. These quick and easy national anthem arrangements are essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Note the parts in Kong Kristian go a bit too low for flute and oboe, so Parts 1a or 2a should be used instead. Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (flute, oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.
$8.99
8.22 €
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Orchestre d'harmonie
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Ditlev Ludvig Rogert
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Colin Kirkpatrick
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Denmark: The Two National Anthems
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Colin Kirkpatrick Publications
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SheetMusicPlus
Christmas Time Is Here
Trompette
B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315734 Composed by Lee Me…
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B-Flat Trumpet Solo - Level 1 - Digital Download SKU: A0.1315734 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904476. Published by Rodrigo Faleiros (A0.1315734). Embrace the enchantment of the holiday season with our special trumpet solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for trumpet players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your trumpet. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
4.56 €
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Trompette
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Lee Mendelson and Vince Guaraldi
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
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SheetMusicPlus
Hark! The Herald Angels Swing <I>(Two B Flat Trumpets)</I> Trumpet 2 part
2 Trompettes (duo)
Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.754612 Composed by Charle…
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Trumpet Duet Trumpet - Level 3 - Digital Download SKU: A0.754612 Composed by Charles Wesley Wesley, Felix Mendelssohn. Arranged by Nick Raspa. Christmas,Holiday,Jazz. Score. 1 pages. NJR Music #6440679. Published by NJR Music (A0.754612). This is the 2nd B Flat Trumpet part for Hark! The Herald Angels Swing arranged for Two B Flat Trumpets. Â The Trumpet 1 part is available separately: at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/851047/Product.aspx at Sheet Music Plus: https://www.sheetmusicplus.com/title/hark-the-herald-angels-swing-two-b-flat-trumpets-trumpet-1-part-digital-sheet-music/22050540 ASCAP.
$3.00
2.74 €
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2 Trompettes (duo)
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Charles Wesley Wesley, Felix Mendelssohn
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Nick Raspa
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Hark! The Herald Angels Swing <I>(Two B Flat Trumpets)</I> Trumpet 2 part
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NJR Music
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SheetMusicPlus
In the Evening by the Moonlight
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.27 €
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Ensemble de cuivres
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James Bland
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F
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. C…
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Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.
$20.00
18.29 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Herbert L
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Geoffrey Bergler
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Herbert L. Clarke - The Southern Cross for Solo Cornet with Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 T
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813894
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813894 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Regis Bookshar #6612837. Published by Regis Bookshar (A0.813894). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the Russian Dance (Trepak), from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the traditional Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favori.
$10.00
9.15 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813848
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813848 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612441. Published by Regis Bookshar (A0.813848). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
18.29 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
March
#
Regis Bookshar
#
SheetMusicPlus
Battle Hymn of the Republic (Trumpet 1 - Trumpet 2 - Piano)
Trompette (partie séparée)
Piano,Trumpet - Level 3 - Digital Download SKU: A0.794968 Composed by Traditional A…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.794968 Composed by Traditional American Melody. Arranged by Marty Parks. Concert,Folk,Holiday,Patriotic. Score and part. 8 pages. Martyparks.com #6251973. Published by martyparks.com (A0.794968). One of the most familiar and best-loved American patriotic melodies is presented here in a dazzling setting for 2 Trumpets and Piano. This bold arrangement is a perfect choice for concerts, holiday observances and recitals. Intermediate difficulty level. (Full score and separate Trumpet 1&2 part included.).
$5.99
5.48 €
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Trompette (partie séparée)
#
Traditional American Melody
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Marty Parks
#
Battle Hymn of the Republic
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martyparks.com
#
SheetMusicPlus
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813897 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813897 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Concert,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Regis Bookshar #6612853. Published by Regis Bookshar (A0.813897). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the Russian Dance (Trepak), from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the traditional Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance for a Brass Quintet, consisting of 3 Trumpets,1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite, The Nutcr.
$10.00
9.15 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tub
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813919
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813919 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6615131. Published by Regis Bookshar (A0.813919). Brass Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the Russian Dance from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (15 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance, for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday favorite,&n.
$16.00
14.64 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
Russian Dance ("Trepak") (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.814521 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.814521 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 9 pages. Regis Bookshar #6612851. Published by Regis Bookshar (A0.814521). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the Russian Dance (Trepak), from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance, one of the character dances, based on the traditional Russian and Ukrainian folk dance, Trepak, for a wide variety of instrumental ensembles. So, in addition to this version of the Russian Dance for a Brass Quintet, consisting of 3 Trumpets, 1 French Horn and 1 Trombone, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the Russian Dance, I would highly encourage you to also consider purchasing the arrangement of the March as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the Russian Dance from Tchaikovsky's marvelous holiday.
$10.00
9.15 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Russian Dance
#
Regis Bookshar
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813873
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813873 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 43 pages. Regis Bookshar #6612541. Published by Regis Bookshar (A0.813873). Brass Octet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (43 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$32.00
29.27 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
March
#
Regis Bookshar
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Hrn, 1 Trb)
Quatuor de Cuivres: 2 trompettes, Cor, trombone
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.814512 Co…
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.814512 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612451. Published by Regis Bookshar (A0.814512). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 3 Trumpets, 1 French Horn and 1 Trombone, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
18.29 €
#
Quatuor de Cuivres: 2 trompettes, Cor, trombone
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
March
#
Regis Bookshar
#
SheetMusicPlus
March (from "The Nutcracker Suite") (F) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813850 Co…
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Brass Ensemble Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.813850 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Christmas,Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Regis Bookshar #6612453. Published by Regis Bookshar (A0.813850). Brass Quintet - Advanced/Intermediate - Digital Download. This marvelous arrangement of the March from Peter Ilyich Tchaikovsky's extremely popular, The Nutcracker Suite, would be a fabulous addition to any music library and could be performed for concerts and recitals but would be most appropriate during the Holiday season. This selection has been arranged to keep all of the intensity and excitement of the original composition and is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.The Nutcracker is an 1892 two-act ballet with a score by Peter Ilyich Tchaikovsky. It has enjoyed enormous popularity since the late 1960's and is performed by countless ballet companies, primarily during the Christmas season, especially in North America. Tchaikovsky's score has become one of his most famous compositions. Some critics have called it astonishingly rich in detailed inspiration and from beginning to end, beautiful, melodious, original and characteristic. The ballet's first complete performance outside Russia took place in England in 1934. The first complete United States performance was on December 24, 1944, by the San Francisco Ballet. It was such an enormous success that the San Francisco Ballet has presented The Nutcracker every Christmas Eve and throughout the winter season, debuting new productions in 1944, 1954, 1967 and 2004. In Salt Lake City, it has been performed every year since 1963. The New York City Ballet gave its first annual performance in 1954. In addition to annual live stagings of the work, many productions have also been televised or released on home video.The Nutcracker continues to be one of Tchaikovsky's most popular compositions and contains some of his most memorable works. Tchaikovsky made a selection of eight of the numbers from the ballet before the ballet's December 1892 premiere, forming The Nutcracker Suite, Op. 71a, and is intended for concert performance. The suite was first performed, under the composer's direction, on March 19, 1892. The suite became instantly popular with almost every number encored at its premiere.Regis Bookshar thought that it would be wonderful if other instrumentalists could also have the opportunity to play some of these wonderful compositions, originally scored for a full orchestra, and has arranged two of the selections, the popular March and the Russian Dance for a wide variety of instrumental ensembles. So, in addition to this version of the March for a Brass Quintet, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection for various Quintets and Octets and are readily available. If you should decide to purchase this arrangement of the March, I would highly encourage you to also consider purchasing the arrangement of the Russian Dance as well. Scheduling the March followed by the Russian Dance would be a very satisfying addition to any concert or recital. Please take the time to look for other versions of these compositions. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of the March from Tchaikovsky's marvelous holiday favorite, The Nutcracker Suite, will continue to entertain both performers and audiences alike for years to come.
$20.00
18.29 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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March
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Regis Bookshar
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for BRASS QUINTET (chord symbols).
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1492146
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1492146 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christian,Classical,Wedding. 10 pages. Iury Cardoso #1068818. Published by Iury Cardoso (A0.1492146). Beautiful Easy BRASS QUINTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 10 pages) This arrangement of Bach's Aria transforms the original piece into a easy version for BRASS QUINTET and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Version with the piano available: On this site, there is also a version of this same arrangement with the piano. - BRASS QUARTET version available: On this site, there is also a version of this same arrangement for BRASS QUARTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all BRASS instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for brass quintet Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for brass quintet air bach brass quintet sheet music air bach easy brass quintet air on the G string for beginners easy brass quintet chamber music air bach but on brass quintet air on the G string bach brass quintet version air on the G string bach easy brass quintet arrangement air bach brass quintet best arrangement easy brass quintet baroque sheet music air bach for brass quintet brass quintet easy sheet music air bach easier version air on the G string brass quintet sheet music air bach best arrangement for brass quintet air on the G string arrangement for brass quintet air bach for easy brass quintet easy baroque sheet music for brass quintet easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for brass quintet easy air bach sheet music easy version of Air on the G string for brass quintet easy air bach brass quintet sheet music bach easy brass quintet air for brass quintet beginners bach for brass students air bach best easy arrangement for brass quintet air bach easy version for brass quintet easy trumpeteasy tromboneeasy tubaeasy horn in Fbach easy sheet music for brass quintet bach best easy arrangement for brass quintet bach arrangement for quintet bach for brass quintet.
$9.99
9.14 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
"Air - on the G string" (Bach) - Beautiful EASY version for BRASS QUARTET (chord symbols).
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Quartet Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1492141 Co…
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Brass Quartet Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1492141 Composed by Johann Sebastian Bach. Arranged by Iury Cardoso. Baroque,Chamber,Christian,Classical,Wedding. 8 pages. Iury Cardoso #1068815. Published by Iury Cardoso (A0.1492141). Beautiful Easy BRASS QUARTET arrangement of the piece: Air (from Orchestral Suite No.3 in D major, BWV 1068) by Johann Sebastian Bach (Score and parts: 8 pages) This arrangement of Bach's Aria transforms the original piece into a easy version for BRASS QUARTET and features easy writing. This arrangement can be played by beginners or professionals, due to the characteristics and tempo of the piece. The chord symbols are present in the sheet music, allowing the ensemble to be accompanied by another harmonic instrument, or even for a better understanding of the harmonic structure of the piece. This music is ideal for recitals, rehearsals, concerts, weddings and also suitable for musical moments during Christmas, Easter and various holidays. Get Bach's Aria sheet music now and play this masterpiece that captivates the soul with its timeless beauty. Other features of this sheet music: - Easy arrangement: made for beginner, intermediate or professionals level musicians. - Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website. - Version with the piano available: On this site, there is also a version of this same arrangement with the piano. - BRASS QUINTET version available: On this site, there is also a version of this same arrangement for BRASS QUINTET (with or without piano accompaniment). - SOLO version available: On this site, there are also easy SOLO VERSIONS of this arrangement for all BRASS instruments (with or without piano accompaniment). See more arrangements by Iury Cardoso, thank you so much! air bach for brass quartet Orchestral Suite No.3 in D major, BWV 1068 air bach sheet music air on the G string for brass quartet air bach brass quartet sheet music air bach easy brass quartet air on the G string for beginners easy brass quartet chamber music air bach but on brass quartet air on the G string bach brass quartet version air on the G string bach easy brass quartet arrangement air bach brass quartet best arrangement easy brass quartet baroque sheet music air bach for brass quartet brass quartet easy sheet music air bach easier version air on the G string brass quartet sheet music air bach best arrangement for brass quartet air on the G string arrangement for brass quartet air bach for easy brass quartet easy baroque sheet music for brass quartet easy air on the G string Orchestral Suite No.3 in D major, BWV 1068 for brass quartet easy air bach sheet music easy version of Air on the G string for brass quartet easy air bach brass quartet sheet music bach easy brass quartet air for brass quartet beginners bach for brass students air bach best easy arrangement for brass quartet air bach easy version for brass quartet easy trumpeteasy tromboneeasy tubabach easy sheet music for brass quartet bach best easy arrangement for brass quartet bach arrangement for quartet bach for brass quartet.
$7.99
7.31 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Johann Sebastian Bach
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Iury Cardoso
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"Air - on the G string"
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Iury Cardoso
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SheetMusicPlus
Jingle Bells - Trumpet Quartet
Quatuor de cuivres: 4 trompettes
Trumpet Quartet Trumpet - Level 1 - Digital Download SKU: A0.1315613 Composed by Ja…
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Trumpet Quartet Trumpet - Level 1 - Digital Download SKU: A0.1315613 Composed by James Lord Pierpont. Arranged by Scaver. Children,Christian,Christmas,Holiday,Multicultural,World. 6 pages. Scaver #904355. Published by Scaver (A0.1315613). Jingle Bells - Trumpet QuartetThis arrangment is for four trumpet playersJingle Bells is one of the most popular and enduring Christmas songs, known for its catchy melody and festive lyrics. Here are some interesting facts about this beloved holiday tune:Authorship: Jingle Bells was written by James Lord Pierpont and was originally published under the title One Horse Open Sleigh in 1857. Pierpont composed the song in Medford, Massachusetts, and it was originally intended to be a Thanksgiving song, not specifically a Christmas one.Speedy composition: Legend has it that Pierpont composed Jingle Bells in just a little more than half an hour. It's remarkable how such a short creative burst has resulted in a timeless holiday classic.First performance: The song was first performed at a Thanksgiving service at the Simpson Tavern in Medford. It was so well-received that it quickly gained popularity as a Christmas song as well.Sleigh ride imagery: The lyrics of Jingle Bells evoke the image of a fun and fast-paced sleigh ride through the snow, making it a perfect fit for the winter holiday season.Not a Christmas-specific song: Despite its association with Christmas, the song doesn't actually mention the holiday. Instead, it captures the joy and excitement of wintertime activities like sleigh rides.Multiple versions: Jingle Bells has been covered by numerous artists and musicians in various styles, making it a versatile and adaptable song that can be enjoyed in different ways.NASA's Apollo 12: Jingle Bells holds the distinction of being the first song ever broadcast from space. In December 1965, astronauts Tom Stafford and Wally Schirra played a rendition of Jingle Bells on a harmonica and sleigh bells while orbiting the Earth aboard the Gemini 6 spacecraft.Global popularity: The song is recognized and enjoyed worldwide, transcending cultural and language barriers. Its catchy tune and cheerful lyrics make it a universal favorite during the holiday season.The Jingle Bells tradition: Many people incorporate the song into their holiday celebrations by singing it while decorating the Christmas tree, during sleigh rides, or as part of festive gatherings.Part of pop culture: Jingle Bells has been featured in numerous movies, TV shows, and commercials, making it a ubiquitous part of popular culture during the holiday season.Whether you're dashing through the snow in a one-horse open sleigh or simply enjoying the festive atmosphere, Jingle Bells is a timeless and cheerful song that brings holiday spirit to people all over the world.
$4.99
4.56 €
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Quatuor de cuivres: 4 trompettes
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James Lord Pierpont
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Scaver
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Jingle Bells - Trumpet Quartet
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Scaver
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SheetMusicPlus
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