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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
This Still Room
Non classifié
48
Piano & claviers
Piano seul
15
Piano, Voix
5
Piano Facile
1
Guitares
Guitare
2
Guitare notes et tablatures
1
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1
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Chorale SATB
10
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3
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2
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1
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1
Chorale SSATTB
1
+ 1 instrumentations
Retracter
Vents
Quatuor de Clarinettes: 4 clarinettes
8
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7
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6
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3
2 Flûtes traversières (duo)
2
Saxophone Alto et Piano
1
Ensemble de saxophones
1
Quintette de Flûte : 5 flûtes
1
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1
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1
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1
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1
Clarinette Basse, Piano
1
Flûte traversière et Piano
1
Trio de Flûtes: 3 flûtes
1
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Retracter
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
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4
Cor
2
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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1
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1
Trompette
1
Trombone et Piano
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Trio à Cordes: 2 violons, violoncelle
3
Violon et Piano
2
Violoncelle
2
Violoncelle, Piano
1
Harpe
1
Alto (partie séparée)
1
Alto, Piano
1
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Retracter
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Ensemble Jazz
1
Orchestre à Cordes
1
Marimba, Piano (duo)
1
Orchestre de chambre
1
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1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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OCARINA
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ORGUE
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SAXOPHONE
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Vous avez sélectionné:
This Still Room
Partitions à imprimer
168 partitions trouvées
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A Sacred Place: 2. In This Still Room (Downloadable Organ/Choral Score)
Chorale SATB
SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Dow…
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SATB choir, organ or optional string orchestra (4-4-3-2-1) - Moderately Easy - Digital Download SKU: MQ.7461-E Composed by Gwyneth W. Walker. 8 pages. E. C. Schirmer Music Company - Digital #7461-E. Published by E. C. Schirmer Music Company - Digital (MQ.7461-E). English.In This Still Room is a musical setting of the poem by Quaker poet John Greenleaf Whittier (1807-1892). Although these lyrics are inspired by the Quaker Meetinghouse, the “still room†may also refer to the moments of silent prayer and meditation within any worship service. “I find it well to come for deeper rest to this still room.â€.
$1.95
1.8 €
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Chorale SATB
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Gwyneth W
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A Sacred Place: 2. In This Still Room
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
There's Room For More
Chorale SATB
Piano, SATB choir (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5800L…
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Piano, SATB choir (With Optional Accompaniment MP3) - Digital Download SKU: LX.10-5800L Arranged by Stan Pethel. Sacred Anthem, General, Invitation, Missions. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5800L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5800L). Stan Pethel brings you this fun arrangement just in time for your next revival service! Written in an engaging Southern Gospel style, this piece is sure to bring a smile to every face. â??There's room for more, if you're willing. Still room for more, don't delay. There's room for more, He is waiting. There's room for more, trust and obey!â?.
$2.50
2.3 €
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Chorale SATB
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Stan Pethel
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There's Room For More
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Easy strings (Mixed Abilities) Ensemble Pack - extra value bundle of music for classrooms and school string ensemble
Ensemble d'École
Composed by Austin Ralphson. Blues, Repertoire, Classroom, General Instructional, Te…
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Composed by Austin Ralphson. Blues, Repertoire, Classroom, General Instructional, Technique Training. Score, Set of Parts. 60 pages. Published by Austin Ralphson
Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).<br> <br> Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.<br> <br> Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.<br> <br> The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.<br> <br> This pack includes WHAT A LOVELY STROLL (a ternary piece) and I GOT THE BLUES which has scope for improvisation.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.<br> <br> Score and all parts are included here - it is the complete package with over 50 pages, and represents a huge saving on individual purchase prices.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **<br> <br> Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):<br> www.ralphsonstrings.com Children (and adults) who learn a musical instrument will always progress at different rates. Students also develop some of the many skills involved in instrumental playing faster than other skills.<br> <br> The Mixed Abilities School Ensemble Series for Easy String Orchestra has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts).<br> <br> Each piece has a total of 5 different parts which are fully interchangeable between violins, violas and cellos (double basses can double the cello parts). So whether you have 15 violins and a viola, or 3 violins, or 4 cellos or whatever, the pieces will still work well together. All parts are provided for all instruments.<br> <br> Part 5 uses long notes on open strings. The other parts gradually increase in difficulty up to Part 1, which uses first and second positions. The teacher should select appropriate parts for the players in the group.<br> <br> The purchaser of this product may print as many copies of the parts as required in order for the piece to work successfully with the ensemble. They must not copy, print or distribute the score or parts for others who have not purchased the product independently.<br> <br> This pack includes WHAT A LOVELY STROLL (a ternary piece) and I GOT THE BLUES which has scope for improvisation.<br> <br> Please listen to the mp3 file, which is an electronic example of the piece being played with 4 violin parts and a cello on Part 5.<br> <br> Score and all parts are included here - it is the complete package with over 50 pages, and represents a huge saving on individual purchase prices.<br> <br> Printing and Copying<br> <br> The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.<br> <br> ** Also check out my Scales and Arpeggios Pack - excellent methods for learning scales and arpeggios at all levels (copy and paste into new tab) https://tinyurl.com/y8wl3qnq **<br> <br> Complete string catalogue arr. Austin Ralphson is here (copy and paste to new tab):<br> www.ralphsonstrings.com
$14.99
13.82 €
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Ensemble d'École
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Austin Ralphson
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Easy strings
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SheetMusicPlus
Still In Love
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1385881 By Brian Mc…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1385881 By Brian McKnight. By Brandon Barnes and Brian McKnight. Arranged by David Das. A Cappella,Pop,R & B,Soul,Wedding. 13 pages. Records Room Music #969824. Published by Records Room Music (A0.1385881). A soulful four-part a cappella arrangement, available for either SSAA or TTBB a cappella group or ensemble, of Brian McKnight's beautiful love ballad from his 1995 album I Remember You. This arrangement features no divisi and is easily attainable for an intermediate high school level group. It's got some beautiful close harmonies, but the voice leading is easy and makes it very singable. Suitable for concert or wedding use. Groups will love digging into the R&B/soul flavor of this romantic classic.
$3.49
3.22 €
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Chorale SSAA
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Brian McKnight
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David Das
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Still In Love
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Records Room Music
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SheetMusicPlus
Still In Love
Chorale TTBB
Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1385882 By Brian Mc…
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Choral Choir,Choral (TTBB) - Level 3 - Digital Download SKU: A0.1385882 By Brian McKnight. By Brandon Barnes and Brian McKnight. Arranged by David Das. A Cappella,Pop,R & B,Soul,Wedding. 13 pages. Records Room Music #969826. Published by Records Room Music (A0.1385882). A soulful four-part a cappella arrangement, available for either SSAA or TTBB a cappella group or ensemble, of Brian McKnight's beautiful love ballad from his 1995 album I Remember You. This arrangement features no divisi and is easily attainable for an intermediate high school level group. It's got some beautiful close harmonies, but the voice leading is easy and makes it very singable. Suitable for concert or wedding use. Groups will love digging into the R&B/soul flavor of this romantic classic.
$3.49
3.22 €
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Chorale TTBB
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Brian McKnight
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David Das
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Still In Love
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Records Room Music
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SheetMusicPlus
There Still is Room
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1256864 By ... …
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1256864 By ... By Geistliche Arien - Mühlhausen. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Holiday,Praise & Worship,World. 9 pages. Duration 110. J. Randolph Hall #CsZ1iPCpk40QFFHGZpNPS. Published by J. Randolph Hall (A0.1256864). Key: Eb major.This is from a collection of sacred arias found in Mühlhausen. The text was based on Luke 14:22-23. Section A exposits the hymn. The repeated section is played mezzo forte fisrt time, and then mezzo piano the second time. Right before Section B, a modulation to a new key occurs with the aid of a German augmented sixth chord. A descant by yours truly is then added.
$4.00
3.69 €
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Quatuor de Cuivres
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J
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There Still is Room
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J. Randolph Hall
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SheetMusicPlus
This Still Room
(Full Performance) - Digital Download SKU: HX.249534 Composed by John Greenleaf Whi…
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(Full Performance) - Digital Download SKU: HX.249534 Composed by John Greenleaf Whittier and Jonathan Adams. A Cappella,Concert,Festival,Sacred. Choral. Duration 157. Published by Hal Leonard - Digital (HX.249534).
$1.99
1.83 €
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John Greenleaf Whittier and Jonathan Adams
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This Still Room
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Hal Leonard - Digital
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SheetMusicPlus
Still The One
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.1462…
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Flute Quintet,Woodwind Ensemble Flute,Piccolo - Level 3 - Digital Download SKU: A0.1462367 By Orleans. By Johanna Hall and John Hall. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 22 pages. Sean Sullivan #1041124. Published by Sean Sullivan (A0.1462367). This arrangement, written with an optional part for piccolo, is a fresh and exciting take on the original song. The flute quintet's bright and airy sound is perfectly suited to bring out the catchy melody and harmonies, while the piccolo adds an extra layer of texture and interest. The result is a fun and upbeat performance that's sure to delight audiences of all ages. With its catchy hooks and sing-along chorus, Still the One is a crowd-pleaser that never gets old. And with our arrangement, you'll have the chance to put your own spin on this classic rock staple. Imagine the energy of your flute quintet filling the room as you play this beloved song - it's an experience your audience will never forget!
$14.99
13.82 €
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Quintette de Flûte : 5 flûtes
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Orleans
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Sean Sullivan
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Still The One
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Sean Sullivan
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SheetMusicPlus
Silent Night, Holy Night for Piano Solo (Stille Nacht, heilige Nacht)
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1210955 Composed by Franz Xaver Gru…
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Piano Solo - Level 2 - Digital Download SKU: A0.1210955 Composed by Franz Xaver Gruber & Joseph Mohr. Arranged by Christopher Miltenberger. Christian,Christmas,Religious,Sacred,Traditional. Score. 2 pages. Christopher Miltenberger #808650. Published by Christopher Miltenberger (A0.1210955). This Christmas carol is arranged as a piano solo. It is one of the most popular piano versions on youtube. Suitable for Christmas time at the fireplace in the living room for a peaceful togetherness.
$5.99
5.52 €
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Piano seul
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Franz Xaver Gruber & Joseph Mohr
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Christopher Miltenberger
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Silent Night, Holy Night for Piano Solo
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Christopher Miltenberger
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SheetMusicPlus
This Angel (backing track)
String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Downloa…
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String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
1.83 €
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
This Angel
String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digita…
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String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai ©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ‘cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
$1.99
1.83 €
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David Kai
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David Kai
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This Angel
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David Kai
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SheetMusicPlus
Classroom Performance educational pack: MELODY - Perform Compose Understand PCU Series
Large Ensemble B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,High …
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Large Ensemble B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,High Instrument,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.569832 Composed by Austin Ralphson. Instructional. Score and parts. 245 pages. Austin Ralphson #4628233. Published by Austin Ralphson (A0.569832). This pack comprises 5 performance pieces, all of which focus on melodic movement and direction. Is is part of the Perform, Compose, Understand Series, and can be enhanced by purchasing the additional worksheets which contain challenging questions, composition activities and basic music analysis in relation to these specific pieces. This pack is intended for classroom performance by a class made up of 14-16 year-old music students; it is ideal for courses such as the American High School Diploma, GCSE, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this pack by searching: Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others. The performance pieces could also be used for the performing component of your examined course as well if appropriate.** Also look out for the other packs in the PCU Series which cover melody, rhythm, structure, texture and harmony. Multi-pack deals are also available. **
$14.99
13.82 €
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Austin Ralphson
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Classroom Performance educational pack: MELODY - Perform Compose Understand PCU Series
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Austin Ralphson
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SheetMusicPlus
COMPLETE MELODY Classroom Performance educational pack (music and worksheets) - PCU
Large Ensemble B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,High …
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Large Ensemble B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,High Instrument,Treble Clef Instrument - Level 3 - Digital Download SKU: A0.569834 Composed by Austin Ralphson. Instructional. Score and parts. 295 pages. Austin Ralphson #4628399. Published by Austin Ralphson (A0.569834). This pack contains the complete set of resources in the PCU: MELODY series. It comprises 5 performance pieces, all of which focus on melodic movement and direction, and 5 accompanying workbooks with challenging questions and composition activities and basic music analysis. Is is part of the Perform, Compose, Understand Series and is intended for classroom performance by a class made up of 14-16 year-old music students; it is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: MELODY backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$19.99
18.43 €
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Austin Ralphson
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COMPLETE MELODY Classroom Performance educational pack
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Austin Ralphson
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SheetMusicPlus
Bock's Best – Volume 4
Piano seul
Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publ…
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Piano Solo Piano SKU: HL.8738370 Composed by Fred Bock. Piano solos. Fred Bock Publications. General Worship, Sacred. 148 pages. Fred Bock Music Company #BG0880. Published by Fred Bock Music Company (HL.8738370). ISBN 9780793593927. UPC: 073999383706. 9.0x12.0x0.335 inches.This volume features 50 outstanding piano arrangements, including: Another Time Another Place • Give Thanks • I Love You, Lord • There Is Strength in the Name of the Lord • We Will Glorify • and more.
Song List: In This Very Room (Ron and Carol Harris) Wedding Song (Noel Paul Stookey) Fairest Lord Jesus AMERICA, THE BEAUTIFUL (SAMUEL WARD) ANOTHER TIME, ANOTHER PLACE (GARY DRISKELL) HEAVEN CAME DOWN, AND GLORY FILLED BY SOUL (JOHN W PETERSON) JESUS, THE VERY THOUGHT OF THEE (JOHN B DYKES) I Have Decided To Follow Jesus All Creatures of Our God and King When I Survey The Wondrous Cross AMAZING GRACE (NEWTON) BATTLE HYMN OF THE REPUBLIC BE STILL AND KNOW (S. CHAPMAN) BLESSED ASSURANCE (FANNY CROSBY) CHRIST THE LORD IS RISEN TODAY (LYRA DAVIDICA) COME SHARE THE LORD (BRYAN JEFFERY LEECH) FATHER, I ADORE YOU (TERRY COELHO) FRIENDS (MICHAEL W SMITH) GIVE THANKS (HENRY SMITH) GREAT IS THE LORD (MICHAEL W SMITH) HE STARTED THE WHOLE WORLD SINGING (WILLIAM J GAITHER) HIS NAME IS WONDERFUL (AUDREY MIEIR) HOLY IS THE LORD (FRANZ SCHUBERT) HOLY, HOLY (JIMMY OWENS) HOLY, HOLY, HOLY (JOHN B DYKES) HOW GREAT THOU ART (STUART K HINE) HOW MAJESTIC IS YOUR NAME (MICHAEL W SMITH) I LOVE YOU, LORD (LAURIE KLEIN) I SING THE GREATNESS OF OUR GOD (FRED BOCK) I'VE JUST SEEN JESUS (DAN DANIELS/WILLIAM GAITHER IF MY PEOPLE (JIMMY OWENS) IT IS WELL WITH MY SOUL (PHILIP BLISS) JESUS, WE JUST WANT TO THANK YOU (WILLIAM GAITHER) JOYFUL, JOYFUL, WE ADORE THEE (LUDWIG VAN BEETHOVEN) JUST AS I AM (WILLIAM B BRADBURY) LEAD ME, LORD (SAMUEL WESLEY) LIFT HIGH THE CROSS (SYDNEY H NICHOLSON) MAJESTY (JACK HAYFORD) NO ROOM (JOHN W PETERSON) O SACRED HEAD, NOW WOUNDED (HANS LEO HASSLER) PEOPLE NEED THE LORD (GREG NELSON, PHILL MCHUGH) SEEK YE FIRST THE KINGDOM OF GOD (KAREN LAFFERTY) SOON AND VERY SOON (ANDRAE CROUCH) THE LONGER I SERVE HIM (WILLIAM J GAITHER) THERE IS STRENGTH IN THE NAME OF THE LORD (PHILL MCHUGH, GLORIA GAITHER, SANDI P HELVERING) THIS OL' HOUSE (STUART HAMBLEN) TO GOD BE THE GLORY (FANNY CROSBY) WE ARE GOD'S PEOPLE (JOHANNES BRAHMS) WE HAVE COME INTO HIS HOUSE (BRUCE BALLINGER) WE WILL GLORIFY (TWILA PARIS)
Song List
: In This Very Room (Ron and Carol Harris) Wedding Song (Noel Paul Stookey) Fairest Lord Jesus AMERICA, THE BEAUTIFUL (SAMUEL WARD) ANOTHER TIME, ANOTHER PLACE (GARY DRISKELL) HEAVEN CAME DOWN, AND GLORY FILLED BY SOUL (JOHN W PETERSON) JESUS, THE VERY THOUGHT OF THEE (JOHN B DYKES) I Have Decided To Follow Jesus All Creatures of Our God and King When I Survey The Wondrous Cross AMAZING GRACE (NEWTON) BATTLE HYMN OF THE REPUBLIC BE STILL AND KNOW (S. CHAPMAN) BLESSED ASSURANCE (FANNY CROSBY) CHRIST THE LORD IS RISEN TODAY (LYRA DAVIDICA) COME SHARE THE LORD (BRYAN JEFFERY LEECH) FATHER, I ADORE YOU (TERRY COELHO) FRIENDS (MICHAEL W SMITH) GIVE THANKS (HENRY SMITH) GREAT IS THE LORD (MICHAEL W SMITH) HE STARTED THE WHOLE WORLD SINGING (WILLIAM J GAITHER) HIS NAME IS WONDERFUL (AUDREY MIEIR) HOLY IS THE LORD (FRANZ SCHUBERT) HOLY, HOLY (JIMMY OWENS) HOLY, HOLY, HOLY (JOHN B DYKES) HOW GREAT THOU ART (STUART K HINE) HOW MAJESTIC IS YOUR NAME (MICHAEL W SMITH) I LOVE YOU, LORD (LAURIE KLEIN) I SING THE GREATNESS OF OUR GOD (FRED BOCK) I'VE JUST SEEN JESUS (DAN DANIELS/WILLIAM GAITHER IF MY PEOPLE (JIMMY OWENS) IT IS WELL WITH MY SOUL (PHILIP BLISS) JESUS, WE JUST WANT TO THANK YOU (WILLIAM GAITHER) JOYFUL, JOYFUL, WE ADORE THEE (LUDWIG VAN BEETHOVEN) JUST AS I AM (WILLIAM B BRADBURY) LEAD ME, LORD (SAMUEL WESLEY) LIFT HIGH THE CROSS (SYDNEY H NICHOLSON) MAJESTY (JACK HAYFORD) NO ROOM (JOHN W PETERSON) O SACRED HEAD, NOW WOUNDED (HANS LEO HASSLER) PEOPLE NEED THE LORD (GREG NELSON, PHILL MCHUGH) SEEK YE FIRST THE KINGDOM OF GOD (KAREN LAFFERTY) SOON AND VERY SOON (ANDRAE CROUCH) THE LONGER I SERVE HIM (WILLIAM J GAITHER) THERE IS STRENGTH IN THE NAME OF THE LORD (PHILL MCHUGH, GLORIA GAITHER, SANDI P HELVERING) THIS OL' HOUSE (STUART HAMBLEN) TO GOD BE THE GLORY (FANNY CROSBY) WE ARE GOD'S PEOPLE (JOHANNES BRAHMS) WE HAVE COME INTO HIS HOUSE (BRUCE BALLINGER) WE WILL GLORIFY (TWILA PARIS)
$29.99
27.65 €
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Piano seul
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Fred Bock
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Bock's Best – Volume 4
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Fred Bock Music Company
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.68 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Dawn in the Room for Baritone and Piano (mp3)
Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlins…
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Baritone Horn TC,Piano - Level 3 - Digital Download SKU: A0.1422864 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 243. David Warin Solomons #1004219. Published by David Warin Solomons (A0.1422864). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons
$5.00
4.61 €
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Mark Rowlinson
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Dawn in the Room for Baritone and Piano
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David Warin Solomons
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SheetMusicPlus
Dawn in the Room for Baritone and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1422862 By Mark Rowlinson (B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1422862 By Mark Rowlinson (Baritone) and Peter Lawson (piano). By David Warin Solomons. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons #1004217. Published by David Warin Solomons (A0.1422862). The bereaved lover gains some brief consolation at dawn when the blond light penetrates his (or her) lonely room and reminds him (or her) of the hair of the loved one. The mode of this song is Dorian, my favourite mode. Poem by E M Solomons - mother of the composer. Poem by E M SolomonsThe pale gold lightcreeps into my silent roomtouching my faceI know that you are here.Softly contours formas the colourstake the place of greyTranslucent gold hits the mirrorand reaches my lonely bed.Dispels the grey mist which lingerson the window paneDeepens the image and I see you.Pale blond lightwhere your hair once shone.Lonely shadow of my former selfI languish here.But then your dear voice calls with comfort, loveand saysI have not left,while your fond memories remain.I think of you andyou are herebeside and withinYour image fadesbut you are still here in me.You must you must come backif only at dawn.See through the tears of gold,you are here once moreYour ghostly presencefills my poor heart,searching my mindonce more to be as one,here is your bodyso close to my ownin this spectral worldwe share our thoughts.My soul now quiet at lastmy yearnings on hold.The golden glow brings me peaceand I might face another day(c) E M Solomons.
$10.00
9.22 €
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Piano, Voix
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Mark Rowlinson
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Dawn in the Room for Baritone and Piano
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David Warin Solomons
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SheetMusicPlus
Favorite Theme From Rachmaninoff S Second Piano Concerto
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by …
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.844248 Composed by Ray Conniff. Arranged by Gerhard Guter. A Cappella. 14 pages. Gerhard Guter #4302845. Published by Gerhard Guter (A0.844248). Voicing: SATB a cappella, with rhythm section (piano, electric bass, drums) Style: Bossa Nova This arrangement of Ray Conniff's Favorite Theme from Rachmaninoff's Second Piano Concerto will bring to mind the writing style of Clare Fischer for his 2+2 vocal groups. Though still a challenge, especially with the optional vocal soli, this Conniff-themed edition has been adapted from a more difficult version previously performed by Vocalogy on their 2005 Distilled release. The piece opens with a pulsating rhythm section figure as pianist, bassist, and drummer enter one by one. The wonderful moments of tension have been maintained beneath Rachmaninoff's soaringly romantic melody, and the wordless vocal provides an ethereal quality. With the optional soli, this is an Advanced level arrangement. There is room for improvising regardless of whether or not the soli is performed and, with no soli, this is an Advanced Intermediate arrangement.  Included individual piano, bass, and drum parts play from individual parts with chord symbols, slashes, and rhythmic notation. Drums alternate between brushes and sticks. Electric bass is preferred, but acoustic bass works. Backing tracks available from: http://tiny.cc/mpnsuz   Â
$3.99
3.68 €
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Chorale SATB
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Ray Conniff
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Gerhard Guter
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Favorite Theme From Rachmaninoff S Second Piano Concerto
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Gerhard Guter
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SheetMusicPlus
This Still Room
Chorale SATB
By John Greenleaf Whittier and Jonathan Adams. SATB. A Cappella; Concert; Festival; Sacred…
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By John Greenleaf Whittier and Jonathan Adams. SATB. A Cappella; Concert; Festival; Sacred. Choral. 5 pages. Duration 2:37. Published by Hal Leonard - Digital Sheet Music
$2.50
2.3 €
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Chorale SATB
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John Greenleaf Whittier and Jonathan Adams
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Concert
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This Still Room
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Jonathan Adams: This Still Room for choir and piano (SATB)
Chorale SATB
Instantly printable sheet music by Jonathan Adams for choir (SATB: soprano, alto, tenor, b…
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Instantly printable sheet music by Jonathan Adams for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,festival,sacred,a cappella
$5.48
5.05 €
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Chorale SATB
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Jonathan Adams
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Virtualsheetmusic
God Rest Ye Merry Gentlemen (Piano Solo)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.845871 Composed by English Traditio…
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Piano Solo - Level 4 - Digital Download SKU: A0.845871 Composed by English Traditional. Arranged by Christi Stills. Christian,Christmas,Concert,Film/TV. Score. 4 pages. Christi Stills #4747335. Published by Christi Stills (A0.845871). https://www.youtube.com/watch?v=ROXRGyOBvAg From my living room to yours! Here is a delightful piece that could be performed at a recital or church service during the Christmas season. Please consider following my ongoing music projects on facebook at this link, https://www.facebook.com/pianomusicbychristi/?modal=admin_todo_tourContact: christistillsmusic@gmail.com
$3.99
3.68 €
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Piano seul
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English Traditional
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Christi Stills
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God Rest Ye Merry Gentlemen
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Christi Stills
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SheetMusicPlus
Tritsch-Tratsch Polka for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by J. Strauss II. Arranged by Diego Marani. Romantic Period, Classical Period, Re…
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Composed by J. Strauss II. Arranged by Diego Marani. Romantic Period, Classical Period, Repertoire, Classroom, New Year's. Score, Set of Parts. 42 pages. Published by Diego Marani (S0.218687). - Score,Set of Parts - Romantic Period,Classical Period,Repertoire,Classroom,New Year's - Diego Marani
Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as "Chit-chat" and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque "Der Tritsch-tratsch" (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.Tritsch-Tratsch-Polka, Op. 214, is a polka written by Johann Strauss II in 1858 after a successful tour of Russia where he performed in the summer concert season at Pavlovsk, Saint Petersburg. The title may be interpreted as "Chit-chat" and may refer to the Viennese passion for gossip. Strauss may also have been referencing the single act burlesque "Der Tritsch-tratsch" (with music by Adolf Müller, Sr.) by the famous Austrian dramatist and actor Johann Nestroy, which premiered in 1833 and was still in the stage repertoire when the polka was written. Many point out that the title may also have meant his first wife's (Henrietta Treffz) poodle, also named Tritsch-tratsch, but this etymology remains unsubstantiated as well. The mood of the piece is jaunty and high-spirited, as were many of Strauss' polkas. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$19.90
18.35 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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J
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Diego Marani
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Tritsch-Tratsch Polka for Brass Quintet
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Diego Marani
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SheetMusicPlus
Florentiner March for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire…
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Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire, Classroom, Recital. Score, Set of Parts. 38 pages. Published by Diego Marani (S0.187983). - Score,Set of Parts - 20th Century,Classical Period,Repertoire,Classroom,Recital - Diego Marani
Julius Fucík was a Czech composer and conductor of military bands. He became a prolific composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches are still played as patriotic music in the Czech Republic. His worldwide reputation rests primarily on two works: "The Florentiner March" popular throughout much of Europe and the "Entrance of the Gladiators", which is widely recognized, often under the title "Thunder and Blazes", as one of the most popular theme tunes for circus clowns. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.Julius Fucík was a Czech composer and conductor of military bands. He became a prolific composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches are still played as patriotic music in the Czech Republic. His worldwide reputation rests primarily on two works: "The Florentiner March" popular throughout much of Europe and the "Entrance of the Gladiators", which is widely recognized, often under the title "Thunder and Blazes", as one of the most popular theme tunes for circus clowns. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.
$16.90
15.58 €
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Quatuor de Clarinettes: 4 clarinettes
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J
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Diego Marani
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Florentiner March for Clarinet Quartet
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Diego Marani
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SheetMusicPlus
Florentiner March for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire…
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Composed by J. Fucik. Arranged by Diego Marani. 20th Century, Classical Period, Repertoire, Classroom, Recital. Score, Set of Parts. 40 pages. Published by Diego Marani (S0.189517). - Score,Set of Parts - 20th Century,Classical Period,Repertoire,Classroom,Recital - Diego Marani
Julius Fucík was a Czech composer and conductor of military bands. He became a prolific composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches are still played as patriotic music in the Czech Republic. His worldwide reputation rests primarily on two works: "The Florentiner March" popular throughout much of Europe and the "Entrance of the Gladiators", which is widely recognized, often under the title "Thunder and Blazes", as one of the most popular theme tunes for circus clowns. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.Julius Fucík was a Czech composer and conductor of military bands. He became a prolific composer, with over 400 marches, polkas, and waltzes to his name. As most of his work was for military bands, he is sometimes known as the "Bohemian Sousa". Today his marches are still played as patriotic music in the Czech Republic. His worldwide reputation rests primarily on two works: "The Florentiner March" popular throughout much of Europe and the "Entrance of the Gladiators", which is widely recognized, often under the title "Thunder and Blazes", as one of the most popular theme tunes for circus clowns. This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.
$19.90
18.35 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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J
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Diego Marani
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Florentiner March for Brass Quintet
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Diego Marani
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SheetMusicPlus
Unusual Studies
Guitare
Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method…
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Guitar - Intermediate - Digital Download Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure. There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That’s why the art of playing classical guitar is not standing still.<br> <br> During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn’t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it’s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.<br> That is how the collection «Unusual Studies» appeared.<br> What is their «singularity»?<br> The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer’s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.<br> When it comes to the “singularity”, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).<br> - learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.<br> - active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.<br> - using the high positions of the guitar’s fingerboard with open strings without excessive physical effort .<br> - rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.<br> <br> I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00
13.83 €
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Guitare
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Oleg Boyko
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Unusual Studies
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Oleg Boyko
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