Carrickfergus is a coastal town on the eastern side ofNorthern Ireland. It is well-known for its castle, as a holiday destination butmostly for the beautiful nostalgic song that shares its name. The origin of themelody goes back at least three centuries and the modern version is probably ahybrid of two songs.

This download contains:

A full score

All individual parts in notes

All individual parts in TAB

The arrangement can be heard and watched here: https://www.youtube.com/watch?v=jn-wuGNeIsE

This arrangement is part of a series I amproducing which will allow gatherings of guitarists of all levels to playtogether. As a guitarist and guitar teacher, I?ve noticed how arrangements willoften be too easy for some and too hard for others leaving many ensembleplayers frustrated or dissatisfied. This is a deficiency I am resolving.

My aim is to create arrangements which arestimulating for all. I have done this by tailoring parts to suit the differenttechnical and musical experience of each level of guitarist. This makes thearrangements particularly suitable for guitar societies, school groups andfestivals. The required levels are approximated below. As an experienced musicianand composer, I have added many points of musical interest such as modulations,chord substitutions and counterpoint. This also gives teachers and leaders tothe chance to teach their groups about these devices in the context of learninga real work. Guitars 1, 2, 3, 4, 5 & 7 all play the main melody at somepoint (Guitar 6 being for near-beginners).

Technical Requirements��

� Guitars1 & 2 will suit players of Grade 6 (intermediate/advanced) standard or above. There is somehigh-position work.

� Guitars3 & 4 are suitable for players of about Grade 4 (intermediate) standard.

� Guitar5 is suitable for a player of about Grade 2 (beginner) standard.

� Guitar6 is suitable for near-beginners. It is mainly open strings with some first-positionstopped notes. Although it is a technically-easy part, it is very motivatingfor guitarists in their early stages to play with a large ensemble. This partis optional.

� Guitar7 is suitable for players of about Grade 5 (intermediate) standard. The bass line hasornamentation, a lot of rhythmic interest and at times, the melody.

Teachers and player can also benefit fromthe fact that a recording of the arrangement, with performance notes, is alwaysavailable on-line.

Thank you so much for your purchase. Ifyou have any questions, requests or would like to send feedback, it would be apleasure to hear from you at www.danjonesguitarist.com or on my facebook page.

Dan Jones, March 2019

ISBN 9781619119529.

This unique book presents 18 of the most popular classical compositions typically performed at weddings. Rather than being written for the classic guitar, however, each piece is arranged for solo pick-style guitaraa.k.a., plectrum or flatpicking guitarain both standard notation and tablature. Like classical guitar arrangements, these settings utilize the full spectrum of the guitaras capabilities with bass lines, chords and melodies happening simultaneously. Although written for intermediate to advanced plectrum guitarists, fingerstyle players will also find these arrangements rewarding. This collection would serve as a convenient resource for pros who should be able to sight read most of this material on the job. Given that these arrangements sound complete and appropriate as plectrum guitar solos, pick-style students will also enjoy and benefit from working on these familiar melodies by Baroque, Classical and Modern masters.

ISBN 9781619117983.

Romantic Arias for Classical GuitarA is a collection of the worlds most beloved songs from the world of opera.A A An aria is a song performed during an opera that listeners are the most familiar with. These AC/a!Apop songs of opera" provide an entry point for those unfamiliar with the opera repertoire, considered by many as the most expressive genre of western music. For those who are familiar with the world of opera, you will recognize the selections here as the arias most beloved by millions of listeners around the world.This project, a labor of love by master guitarist Steve Eckels, contains the most famous melodies by composers Verdi and Puccini including the great operasA La Traviata,A Madame Butterfly,A La BohA"me,A Turandot,A Nabucco,A Tosca, andA Rigoletto. Also included are MassenetsA Meditation, DelibesA Flower Duet, OffenbachsA Barcarolle,A BizetsA HabaneraA and others. The pieces have been arranged for recreational or concert guitarists, and have been meticulously fingered and engraved for ease of learning. The author has also provided music reading warm-ups to assist in learning the pieces. Eckels performances of all the arrangements on YouTube will provide an aid in familiarizing yourself with the most beloved songs ever written.A Includes access to online audio.

Derek Hasted writes "This is a real crowd-pleaser that will suit any concert.

This arrangement is closely based on the version that the group 'Sky' played (with the electric guitar 'break') rather than the version for solo guitar. A version of my arrangement was originally performed by the Hampshire Guitar Orchestra, and the soundclip sitting alongside this score in the SheetMusicPress shop is part of a recording they made live in Concert. That soundclip features different sizes of classical guitar, but the arrangement here is for 4 ordinary guitars - or for a bigger sound, a large ensemble.

The essence of the electric guitar solo in Sky?s arrangement is captured in this arrangement in Guitar 1a, but it?s hard to play without a cutaway guitar, so there?s a second version with the solo an octave lower in Guitar 1b. The rest of the Guitar 1 parts are identical.

Both the Guitar 1 parts and the Guitar 2 part have finger positions shown on the score - this is so that all the fast runs can be slurred, which gives the melody a nice articulation and takes some of the workload away from the right hand. If you prefer to stay in one position and pluck the runs, that works well too.

I hope you enjoy this piece!"

This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Check out Derek's other arrangements - search SheetMusicPlus for Derek Hasted and you'll see the full list, all with soundclips and sample score. Derek's website at www.derek-hasted.co.uk/smp has all the arrangements grouped by "number of instruments".

This is a beautiful, tender and heartfelt, finger-style guitar solo (ballad), exactly as performed by The Candlelight Guitarist on the album "Sunflower Serenity." As with other Candlelight Guitarist pieces, it seamlessly blends romantic popular, folk, classical and jazz styles. Written in both standard notation and TAB, it's for a strong intermediate level finger-style player (budding-into-more advanced), comfortable playing up to 12th position, with capable finger-style abilities (either classical or strong folk technique). Hear Brad's original recording at https://youtu.be/5wIn_Z5iuQA

COMMENTS FROM LONG-ESTABLISHED REVIEWERS...
Dr. Beth - Amazon.com #1 Hall of Fame reviewer
"Brad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack."

Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age Retailer
"The Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals."

Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWER
"Bradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart." ... "Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences."

Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: "Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell."

Jana L. Perskie "Ceruleana" (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.
"The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.

Bob McKillop, founder and publisher, MaineFolkMusic.com
Brad Powell is a talented and highly trained California guitarist and composer who calls himself "The Candlelight Guitarist", and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation ? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender."

Grady Harp - HALL OF FAME TOP 100 REVIEWER
"music to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!"

ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a prot�g� of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andr�s Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for "Little House on the Prairie"). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mi

45 New Classical Guitar Arrangements in Open D Tuning

Theclassical guitar book in open D guitar tuning presents a new, and I think, additionalway of approaching classical guitar repertoire. Tuning to an open chord, in this case, DADF#AD can have itsbenefits. The most obvious is that amajor chord can be played with a single finger, or in the key of D, with openstrings.

Everyattempt has been made to keep true to the original manuscripts, butoccasionally the tune is transposed from the original, or the odd note has beenaltered to make the pieces playable. Ihave kept the arrangements primarily in the keys of D, G or A to take fulladvantage of the open strings in D tuning. In short, this book may not be for the classical guitar purist butdoes expand the repertoire that is lacking with open tunings.

There is agood selection of graded pieces from prominent classical guitar composers like Aguado,Sor, Giuliani, Carcassi and Carulli, plus other well-known works by Bach, Dowland,Satie, Beethoven, de Visee, Diabelli, Grieg, Haydn, O?Carolan, Pachelbel,Paganini, Petzold, Sanz, Schumann and Vivaldi.

I also adapted24 of the Giuliani right-hand exercises, major and minor scales and arpeggios, plusfretboard charts to further develop your knowledge and technique in Open D. Each piece has notation, tablature in Open Dtuning, right- and left-hand fingerings, and performance markings. Audio tracks online.

Look for the audio tracks on my website in the guitar bookssection:

https://brentrobitaille.com/product/classical-guitar-book-in-open-d-tuning/

or,

https://brentrobitaille.com/product-category/guitar-books/

or,

https://brentrobitaille.com/

ISBN 9781513470320. 8.75x11.75 inches.

This second volume of The Classical Guitarists Gig Book contains 63 intermediate to advanced solo arrangements of pieces in various styles. From The Water Is Wide and Christmas and patriotic favorites to opera arias, Julia Florida by Agustin Barrios and Cello Suite No. 1 by J. S. Bach, all of the music in this book is written in standard notation only. Award-winning composer, university professor, 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner, Mark Cruz, has added a few of his own engaging compositions to this exceptional collectionideal for the performing classic guitarist.

Composed by Camile Saint-Sa�ns.

Arranged by Ian Deterling, published by Deterling Music.

This advanced arrangement is perfect for the guitar ensemble that seeks a challenge. This arrangement captures the essence of the original orchestral work while enhancing the music?s effectiveness by assuring all parts are arranged idiomatically.

The preview recording was performed on electric guitars, and the preview video uses a midi mockup from a Eastwest Quantum Leap sound library.

Guitars 1-4, Bass Guitar

Score and set of parts - 61 pages.

Be Still for the Presence of the Lord

By David J.Evans

Arranged forGuitar Solo by Dan Jones

www.danjonesguitarist.com

Be Still for thePresence of the Lord is a beautiful modern hymn/worship song, composed in1986 by David Evans.

In 2019, it wasincluded in a list of the UK?s top 10 most popular hymns of all time.

Whatever one?sspiritual views, this instrumental arrangement is a perfect piece for a momentof calm, schools, mediation, reflection, weddings and intimate gatherings.

My arrangement is set for classical/fingerstyleguitarists. There is a second, slightly altered harmonisation for verse 2, andI?ve added a coda to close this version.

For a wealth ofarrangements for solo guitar, guitar in ensemble, lessons and leaners?material, please visit: www.danjonesguitarist.com.

If you?d like toread of family life as a musician in rural France, you may enjoy my book?Extracting Goats from Jean-Claude?s Kitchen?. Please see www.danjonesauthor.com.

I will upload a video performance before the end of June 2021.

ISBN 9781513459691. 8.75x11.75 inches.

Silvius Leopold Weiss (1687 1750) is known to guitarists as the greatest baroque composer for the lute, yet most are only familiar with the earlier portion of Weisss prolific output found in the British Library in London. Inspired by a forty-year friendship with the late Douglas Alton Smith - a major figure in the scholarly study of the history of the lute - guitarist, composer, and head of the guitar program at Temple University in Philadelphia, Allen Krantz explored the Weiss manuscripts found in other European cities, particularly the Dresden editions which contain the fifteen sonatas that Weiss produced from the late 1730s to the end of his life. Transcriptions of three of those fifteen late sonatas are featured in this book in modern standard notation along with the original lute tablature as found in the Sachsische Landesbibliothek - Staats- und Universitatsbibliothek, Dresden. While the baroque lutes tuning makes some works awkward or impossible on the guitar, the three works presented hereSonatas No. 35 in D minor, No. 42 in A minor and No. 45 in A Major are in their original keys which happen to be guitar-friendly. The authors generous and scholarly Preface provides thorough historical and performance notes for the music in this volume. While just three of Weisss 109 multi-movement lute sonatas are represented here, the importance of this publication cannot be overstated. It contains some of the greatest music of a masterful lutenist Weiss once faced-off with J. S. Bach on keyboards in a counterpoint improvisation contestnow made accessible to the modern classical guitarist.

ISBN 9781619118171.

Classically trained jazz guitarist Diego Barber presents five well-developed themes and a 3-movement solo sonata transcribed from his outstanding commercial CD recordings: Calima, One Minute Later, Tales, and The Choice. Two of the tracks, aElvira Mariaa and the 3-movement Sonata aBanc daArguina are strictly guitar solos, while aRichia is a solo accompanied by light percussion. aKilianas Mountaina is a reduced score of an extended duet with a pianist, and aDesiertoa and aVirgiannaa include expert sidemen on saxophone, bass and drums. The music ventures from complex melody-chord textures to hard-swinging grooves, all played with spontaneity and a heightened awareness of time, dynamics, color, technique and tone. Even seasoned guitarists will find these pieces rhythmically and technically challenging, but they provide a roadmap to the recordings, and rare insight to the workings of a unique musical mind. Diego Barberas Compositions for Classical Guitar are written in standard notation only, with online access to stellar solo and ensemble recordings. About Sonata aBanc daArguina a\| Diego Barber is a native of Lanzarote in the Canary Islands, just off the northeast coast of Africa; in writing Sonata aBanc daArguin,a the main solo piece in this collection, he was inspired by the major cities, Nouadhibou and Nouakchott, the Banc daArguin National Park, and the desert of the West African country of Mauritania.

ISBN 9781513459912. 8.75 x 11.75 inches.

This collection presents 51 carefully selected examples of Renaissance and Baroque music ranging from lute and 5-course Baroque guitar works to solo and ensemble vocal pieces and fiddle tunes. Much of this music lies outside of the standard guitar repertoire yet is frequently played by ensembles at Renaissance and Early Music festivals. For this book, guitarist/musicologist Keith Calmes has tastefully arranged this splendid music for solo classic guitar, including an outstanding downloadable companion audio recording. Aficionados of Early Music will recognize many of the themes herein, including the hit tunes of the day by Praetorius, Sanz, Cutting, Narvaez, and the anonymous composer of Greensleeves. Have you ever wondered which Early Music composers inspired Joaquin Rodrigos concertos? Those works are in here! By contrast, many of these pieces will sound completely new, even to lifelong guitarists. Written in standard notation only with ample fingering, guitarists and audiences alike will appreciate the music in this book. Includes access to online audio.

"Jingle Bells" was written by James Lord Pierpont (1822?1893) and published under the title "One Horse Open Sleigh" in the fall of 1857. Interestingly, the piece had no connection to Christmas originally and its association with the holiday season only began decades after it was first performed by performer Johnny Pell in Ordway Hall on September 16, 1857. Many sources hint a the possibility that "Jingle Bells" was originally written to be sung by a Sunday school choir.

The version presented in this edition is arranged for solo guitar in Fingerstyle/Classical guitar style. The score remains faithful to the original melody but with some pleasant additions and idiomatic writing for the guitar. No details have been left out and the score is made with lots of care.

This piece is a perfect choice for early intermediate and intermediate guitarists, and especially for students that are playing in a Christmas recital. The score includes both Notation, Tablature and Chords.

? Great Versatility : Notation, Tablature and Chords included!
? Includes the outer section of the piece that is most often left out!
? This version is arranged for a "Fingerstyle/Classical" type of playing! It cannot be played with a pick.

ISBN 9781513459844. 8.75x11.75 inches.

This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.

History:

"A Holly Jolly Christmas" was written by Johnny Marks in 1962. The song was re-recorded by Burls Ives and released in 1964 as a single and later featured the following year in his 1965 holiday album, Have a Holly Jolly Christmas. It features an acoustic guitar solo introduction; it is this version that has since become the more commonly heard rendition on radio. It is also the version this guitar arrangement is based on.

About:

The arrangement presented in this edition is for solo guitar in Fingerstyle/Classical guitar style. The score remains extremely faithful to the original melody but with some pleasant additions such as a fun little jazz ending twist, an inspired blues lick (based on Burls Ives' famous recording) opening and closing the piece. The arrangement is as idiomatic as can be for the guitar. No details have been left out and the score is made with lots of care.

This piece is a perfect choice for early intermediate and intermediate guitarists, and especially for students that are playing in a Christmas recital. The score includes Notation, Notation & Tablature and Chords!

? Great Versatility : Notation, Tablature and Chords included!

? Faithful to Burls Ives' famous recording of the piece, but with added

? This version is arranged for a "Fingerstyle/Classical" type of playing!

? Features two sections where the melody is in a bass for more variety and contrast!

? For more Christmas music for guitar, please check my Publisher Page.

Feel free to leave a review or comments below!

New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!