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--INSTRUMENTS--
ACCORDEON
ALTO
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BASSON
BATTERIE
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CHORALE - CHAN…
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OCARINA
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ORGUE
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XYLOPHONE
This is the Final Stop
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46
Piano & claviers
Piano seul
11
Orgue
8
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5
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4
1 Piano, 6 mains
1
Piano Trio: piano, violon, violoncelle
1
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1
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1
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1
Clavecin
1
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19
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24
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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Vous avez sélectionné:
This is the Final Stop
SheetMusicPlus
Partitions à imprimer
273 partitions trouvées
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251
This is the Final Stop
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Orchestre
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Contemporain
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Graham Boag
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This is the Final Stop
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Graham Boag
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SheetMusicPlus
Full Orchestra - SKU: A0.779991 Composed by Graham Boag. Contemporary. Score and parts. 67 pages. Graham Boag #3689651. Published by Graham Boag (A0.779...
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Full Orchestra - SKU: A0.779991 Composed by Graham Boag. Contemporary. Score and parts. 67 pages. Graham Boag #3689651. Published by Graham Boag (A0.779991). 'Tjis is the Final Stop' was written as my Final project ar Berklee Online, in September 2018. It uses several techniques and is constantly evolving musicaly. It has strong melodic and rhythmic lines that combine to give you an exciting concert item. I hope you enjoy this work and I would love to hear frim you should you perform it in a concert.
$45.00
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
Kama'aina (from "Rising from the Ashes: Stories of Lahaina")
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Alexander
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Kama'aina
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510478 By Christopher Alexander. By Christopher Alexander and Vashti Daise. A Cappella,Conte...
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - SKU: A0.1510478 By Christopher Alexander. By Christopher Alexander and Vashti Daise. A Cappella,Contest,Festival,Multicultural,World. 20 pages. Christopher Alexander #1085676. Published by Christopher Alexander (A0.1510478). This is the fourth and final movement from the choral work Rising from the Ashes: Stories of Lahaina.Reminiscent of the traditional Hawaiian ballads and anthems, this inspirational song guides the singers and audiences to come together and rejoice in coming back from devastating times. A brief choral prelude leads to the solo introduction of the melody. The song continues to expand and grow in its texture, coming to the wider harmonic structures in the bridge and the final declarations of the residents of Lahaina. The choir has the option to move from its original stage formation to gather closer to the audience during the song. Let this song of victory be echoed in your life in your moments of triumph!Full score and other movements (On That Night, Forever Anew, Finding Strength in Shadows) also available for purchase.
$2.99
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Ch...
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
They Saw a Star - Epiphany/Christmas -Strings Quintet and piano
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Noël
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Connie Boss
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They Saw a Star - Epiphany/Chr
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Connie Boss
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SheetMusicPlus
Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #9125...
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Cello,Piano Accompaniment,Violin - Level 3 - SKU: A0.1324340 Composed by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #912539. Published by Connie Boss (A0.1324340). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge or can cut out some of the verses. This is for Strings quintet and piano. Parts are included with purchase.This can be played without the piano accompaniment if desired.This could be played while a choir sings - you can purchase SATB on here as wellemail cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:.
$7.99
Pantheon for Horn, Violin and Piano
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Contemporain
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Elizabeth Raum
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Pantheon for Horn, Violin and
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Go...
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Small Ensemble Horn,Piano,Violin - Level 5 - SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.
$45.00
FINALLY (Is Never Permanent)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Christopher Burnett
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Christopher Burnett
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FINALLY
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Christopher Burnett
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201465 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
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Jazz Combo - Level 4 - SKU: A0.1201465 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 25 pages. Christopher Burnett #800085. Published by Christopher Burnett (A0.1201465). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
MAYBE (It Is or Is Not…)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Christopher Burnett
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Christopher Burnett
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MAYBE
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Christopher Burnett
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201507 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
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Jazz Combo - Level 4 - SKU: A0.1201507 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 3 pages. Christopher Burnett #800128. Published by Christopher Burnett (A0.1201507). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
INFINITY (Is The Reality)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Christopher Burnett
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Christopher Burnett
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INFINITY
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Christopher Burnett
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
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Jazz Combo - Level 4 - SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 29 pages. Christopher Burnett #800132. Published by Christopher Burnett (A0.1201511). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
LATER (Is Better Than Never)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Christopher Burnett
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Christopher Burnett
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LATER
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Christopher Burnett
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201514 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
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Jazz Combo - Level 4 - SKU: A0.1201514 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 24 pages. Christopher Burnett #800135. Published by Christopher Burnett (A0.1201514). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
ALWAYS (Is Never Giving Up)
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Christopher Burnett
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Christopher Burnett
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ALWAYS
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Christopher Burnett
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1201492 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score...
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Jazz Combo - Level 4 - SKU: A0.1201492 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 11 pages. Christopher Burnett #800111. Published by Christopher Burnett (A0.1201492). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY†(Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS†(Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE†(It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY†(Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER†(Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS†(Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.
$25.00
Boudicca, Queen of the Iceni
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will El...
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Brass Ensemble - Level 3 - SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
The Sandy Hook Lullaby
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Nicholas McClure
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The Sandy Hook Lullaby
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Nicholas McClure
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by ...
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Concert Band - Level 3 - SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00
Messiah: The Great "I Am" (The Second Coming) (SATB version)
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Chorale SATB
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Messiah: The Great "I Am&
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 2 - SKU: A0.1302310 By Stephen DeCesare. By Stephen DeCesare. Christian,Classical,Contemporary,Praise & Worshi...
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Choral Choir,Choral (SATB divisi) - Level 2 - SKU: A0.1302310 By Stephen DeCesare. By Stephen DeCesare. Christian,Classical,Contemporary,Praise & Worship,Sacred. 159 pages. Exultet Music #891922. Published by Exultet Music (A0.1302310). This musical cantata/oratorio is the final installment of a 5-part series. This piece is sung without stopping and is all about Jesus' Second Coming. Scored for Soprano and Tenor solo, Flute, Bb-Trumpet, SATB with Piano accompaniment. Accessible and appropriate for any church or concert setting. Running time: approx. 45 minutes / 1 hour.  (12 songs in each section). Songs include: Teach Me The Prophets Smooth To Shun, Our Lord Is Coming, The Day Is Surely Drawing Near, Keep Your Lamps Trimmed And Burning, O'er The Distant Mountains, Holy, Holy, Holy, Who Are These Like Stars Appearing, All Creatures Of Our God And King, Battle Hymn Of The Republic, Day Of Judgment! Day Of Wonders!, Jerusalem, My Happy Home and Shall We Gather At The River.
$25.00
Messiah: The Great "I Am" (The Second Coming) (SAB version)
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Chorale 3 parties
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Messiah: The Great "I Am&
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Exultet Music
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1302313 By Stephen DeCesare. By Stephen DeCesare. Christian,Classical,Contemporary,Praise & Worship,Sacred...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1302313 By Stephen DeCesare. By Stephen DeCesare. Christian,Classical,Contemporary,Praise & Worship,Sacred. 146 pages. Exultet Music #891925. Published by Exultet Music (A0.1302313). This musical cantata/oratorio is the final installment of a 5-part series. Â This piece is sung without stopping and is all about Jesus' Second Coming. Â Scored for Soprano and Tenor solo, Flute, Bb-Trumpet, SAB with Piano accompaniment. Â Accessible and appropriate for any church or concert setting. Running time: approx. 45 minutes / 1 hour. Â (12 songs in each section). Â Songs include: Â Teach Me The Prophets Smooth To Shun, Our Lord Is Coming, The Day Is Surely Drawing Near, Keep Your Lamps Trimmed And Burning, O'er The Distant Mountains, Holy, Holy, Holy, Who Are These Like Stars Appearing, All Creatures Of Our God And King, Battle Hymn Of The Republic, Day Of Judgment! Day Of Wonders!, Jerusalem, My Happy Home and Shall We Gather At The River.
$25.00
You Can't Stop The Beat
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528218 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instr...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.528218 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. 18 pages. Diego Marani #5299255. Published by Diego Marani (A0.528218). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray.The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm.This arrangement for flute quartet includes the following parts: Flute 1, Flute 2, Flute 3, Flute 4 or Alto Flute.It is suitable for repertoire, classroom and recital.
$19.99
You Can't Stop The Beat
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528217 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,In...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.528217 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. 20 pages. Diego Marani #5299123. Published by Diego Marani (A0.528217). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray.The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm. This arrangement for clarinet quartet includes the following parts: Bb Clarinet 1 or Eb Clarinet, Bb Clarinet 2, Bb Clarinet 3 or Eb Alto Clarinet, Bb Bass Clarinet.It is suitable for repertoire, classroom and recital.
$19.99
You Can't Stop The Beat
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528219 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Inst...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528219 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. Score and parts. 18 pages. Diego Marani #5299641. Published by Diego Marani (A0.528219). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray.The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for repertoire, classroom and recital.
$19.99
You Can't Stop The Beat
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Ensemble de saxophones
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528222 By Glee Cast. By Marc Shaiman. Arranged...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528222 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. 44 pages. Diego Marani #5301553. Published by Diego Marani (A0.528222). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray.The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm. This arrangement for sax choir includes the following parts: Eb Sopranino, Bb Soprano 1-2, Eb Alto 1-2-3, Bb Tenor 1-2-3, Eb Baritone 1-2, Bb Bass.It is suitable for repertoire, classroom and recital.
$24.99
You Can't Stop The Beat
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528216 By Glee Cast. By Marc ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.528216 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. 16 pages. Diego Marani #5298849. Published by Diego Marani (A0.528216). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray. The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm. This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.It is suitable for repertoire, classroom and recital.
$19.99
You Can't Stop The Beat
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Glee Cast
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Diego Marani
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You Can't Stop The Beat
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528220 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Inst...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528220 By Glee Cast. By Marc Shaiman. Arranged by Diego Marani. Broadway,Contemporary,Instructional,Musical/Show,Rock,Standards. Score and parts. 21 pages. Diego Marani #5299879. Published by Diego Marani (A0.528220). You Can't Stop The Beat is the finale number in the 2002 musical Hairspray.The New York Times deemed it a contagiously elating finale. The Boston Globe called it the show's splashy closing number, The Boston Herald deemed it joyous, In Newsweekly described it as the fabulous ensemble closing number, and Theatre Mirror noted you won't be able to stop your feet from stomping out the rhythm.This arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for repertoire, classroom and recital.
$22.99
Ukrainian Bell Overture (Carol of the Bells)
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Orchestre d'harmonie
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FACILE
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Noël
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Mykola Leontovych
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Christopher Durigg
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Ukrainian Bell Overture
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.934821 Composed by Mykola Leontovych. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 50 ...
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Concert Band - Level 2 - SKU: A0.934821 Composed by Mykola Leontovych. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 50 pages. Christopher Durigg #6208375. Published by Christopher Durigg (A0.934821). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com  VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb001  C. DURIGG MUSIC ID FOR THIS PIECE: CDB-001GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Leontovych’s CAROL OF THE BELLS is one of the most iconic and timeless Christmas carols in Western music. This arrangement inserts the classic carol into an exciting, lively concert band overture that is sure to interest both your students and your audience! This overture begins with a loud and bombastic riff, accompanied by a lively accented background rhythm. The introduction then gives way to a soft and lively melody in the flutes and high woodwinds. The full ensemble then enters, combining traditional carol with the lively accented rhythm. The piece then softly passes the melody between sections. The melody is further passed around as instruments are added. The piece finally gives way to a bombastic combination of the traditional carol and the introductory riff. The melody is then softly passed between sections once more, and then this section finally builds to a full orchestral finish. I sincerely hope that you enjoy my lively arrangement of Carol of the Bells.   - Christopher Durigg
$30.00
The Journey of Squanto
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Orchestre d'harmonie
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AVANCÉ
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Wesley Besancon
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Wesley Besancon
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The Journey of Squanto
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultura...
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Concert Band - Level 5 - SKU: A0.1183999 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Contemporary,Contest,Festival,Multicultural,Patriotic,World. Score and parts. 111 pages. Wesley Besancon #783697. Published by Wesley Besancon (A0.1183999). Have you ever wondered who was credited for setting up the first Thanksgiving? Or who braught peace to the tension between Natives and English? Squanto is credited for doing both of these things. One of the first recoreded Native Americans, Squanto lived from 1585 to 1622. He was part of the Patuxet tribe, and taught settlers how to satisfy basic needs. And as far as the eye can see, there is no band music dedicated for him. So I have made a piece showing what may have happened when the settlers came. While not completly accurate, It is a great representation (and honor to Squanto) for your next concert!. The piece begins on a nice warm day, in a playful, dancelike movement, this quickly turns to anger as they see a bird that is not able to be hunted. This confusion leads to the mysteriousness that was most likely happening upon the natives. They start to pray to their gods. All of a sudden, the ship lands and a war breaks out! But Squanto wants to embrace this new culture they have brought, which slowly calms the fighting down. Eventually, the English Culture (represented by Hot Cross Buns) is embraced in the polytonal ways (disagreement). The final part is a chorale representing peace.Errata:Â 107: Singing is stopped.
$40.99
Sing Joyfully to God!/Go Forth into the World! (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Musique Sacrée
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James Chepponis
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Sing Joyfully to God!/Go Forth
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, congregation, organ, brass quartet, timpani - Moderately Easy - SKU: MQ.60-6300-E Composed by James Chepponis. Ascension, Good Shepherd Sund...
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SATB choir, congregation, organ, brass quartet, timpani - Moderately Easy - SKU: MQ.60-6300-E Composed by James Chepponis. Ascension, Good Shepherd Sunday, Thanksgiving, Trinity, Building Dedication, Church Anniversary, Confirmation, Ordination/Installation. Instrument part. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6300-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6300-E). English. Psalms 100;Matthew 28:19-20.This hymn concertato on FESTAL SONG contains two complete texts, increasing its usefulness. The first text is based on Psalm 100 and is suitable as a hymn to begin a service, and the second is based on Matthew 28:19-20 and is suitable to conclude a service. (They are not intended for use in the same service.) It begins with a brass and choral fanfare that leads into a sturdy unison rendition of the first stanza, and develops from there, including the option of a choral stanza without organ, brass, timpani, or congregation. A modulation recaps the opening fanfare and leads into the final stanza with a vocal descant and a florid part for a solo reed stop on the organ. A reproducible page for congregation is included.Parts included:Trumpets I and II in B-flatTrumpets I and II in CTrombones I and IIopt. Horn in F (sub. for Trombone I)TimpaniOrgan.
$2.65
Masters in this hall
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Chorale SATB
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FACILE
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Noël
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Traditional French
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Tim Attride
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Masters in this hall
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Tim Attride
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.851294 Composed by Traditional French. Arranged by Tim Attride. Christmas. Octavo. 4 pages. Tim Attride #2340783...
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Choral Choir (SATB) - Level 2 - SKU: A0.851294 Composed by Traditional French. Arranged by Tim Attride. Christmas. Octavo. 4 pages. Tim Attride #2340783. Published by Tim Attride (A0.851294). I am not sure whether rollicking should be used to describe Christmas music but, if it is allowed, then it surely applies here. Written mainly as a piece for unison voices, variation can be made by using solos or men's / ladies' voices for the different verses. Following the final half of the last chorus, which has a very simple and effective descant, there is a short (2-bar) final section in S(divisi)ATB with an alternative setting for SAB. The organ accompaniment reflects the joyous feel of this traditional carol in 12/8 with a running counter-melody on the brighter stops over chords in the left hand - easier than it sounds, so good for the kudos of your organist. (It will also work well on a piano.) Used by the arranger as a final item in many Lessons & Carols services to great effect. Even the smallest of choirs will make a good impression with this.
$1.99
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