The New Antiquity collection includes 15 compositions for a violin and viola duo. Ten compositions from the collection, composed by anonymous authors from the Middle Ages and two Renaissance authors, Tielman Susato and Thoinot Arbeau, have been arranged by Sonja Kalajic. The other five pieces are original romantic compositions by Sonja Kalajic inspired by the spirit of the Middle Ages and the Renaissance. Beautiful hits of early music, or so-called music of antiquity, have been adapted to the modern and standard violin and viola duo in keeping with the newer instrumental and concertante possibilities of the said instruments. There is no evidence that anyone has adapted that kind of music for such a musical ensemble before, so this edition of musical scores represents a noteworthy contribution to the greater affirmation of early music, to the literature of the string duet in question, and to music in general. From the technical point of view, the collection consists of compositions for almost all levels of performance ? from easier pieces by anonymous authors to some virtuoso ones, like ?Heraldry? by Sonja Kalajic. We hope that the compositions from the New Antiquity collection will enrich and refresh certain concert programs, that they will encourage some performers to attempt new interpretations of old melodies and dances, and that the musicians and the audiences will jointly feel and enjoy the indestructible and astonishing relevance of those musical compositions.

C O N T E N T S
Thoinot Arbeau ? Two pieces
Anonimus ? Three pieces
Tielman Susato ? Five pieces
Sonja Kalajic ? Five knightly pieces

English - French - German.

The second volume of this anthology series contains 25 original works by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis. Including pieces by Corbetta, Falkenhagen, Gallot and Weiss, amongst others, it offers a wide stylistic range of works, many of which are rarely available. The collection is suitable for students of c.4-5 years of playing experience, or those of grades 3-4 level (UK and Commonwealth). The book also includes composer biographies and teaching notes on each of the pieces.

Also available:

Baroque Guitar Anthology:
Vol 1 - ED 13357
Vol 3 - ED 13446
Vol 4 - ED 13489
Romantic Guitar Anthology:
Vol 1 - ED 13110
Vol 2 - ED 13111
Vol 3 - ED 13112
Vol 4 - ED 13113



BAROQUE GUITAR ANTHOLOGIES - press reviews

This is a significant contribution to Baroque literature... teacher and student are the lucky beneficiaries of this great collection. Jens, Stuart and Schott are all to be congratulated. - COLIN TOMMIS, EUROPEAN GUITAR TEACHERS ASSOCIATION

English - French - German.

The third volume is the latest addition to the Baroque Guitar Anthology series and contains 16 original works by composers of the 17th and 18th centuries, transcribed for guitar by co-author Stuart Willis.

Including pieces by Weiss, de Visee, Hagen and Daube amongst others, it presents a carefully selected range of work, and, as with the other volumes in the series, is ideal for any players interested in gaining an insight into the richness and variety of the Baroque guitar and lute repertoire.

The book contains composer biographies and teaching notes on all of the works.

Suitable for students of ca. 6-7 years of playing experience, or those of grades 5-6 level.

Also available:

Baroque Guitar Anthology:
Vol 1 - ED 13357
Vol 2 - ED 13437
Vol 4 - ED 13489
Romantic Guitar Anthology:
Vol 1 - ED 13110
Vol 2 .- ED 13111
Vol 3 - ED 13112
Vol 4 - ED 13113



BAROQUE GUITAR ANTHOLOGIES - press reviews

This is a significant contribution to Baroque literature... teacher and student are the lucky beneficiaries of this great collection. Jens, Stuart and Schott are all to be congratulated. - COLIN TOMMIS, EUROPEAN GUITAR TEACHERS ASSOCIATION

This beautiful anthology of graded pieces, presented in a progressive order includes repertoire new to the graded framework. It contains a wide stylistic range of works, which have been selected to develop a student?s musical and technical facility. The repertoire is suitable for competitions and includes both mainstream and lesser-known works of the period. It works as the perfect progression from Romantic Piano Anthologies volumes 1?3 (ED12912?4). It total, all four volumes contain 94 pieces by 41 composers from 13 countries. Book 4 is suitable for students with 7 or more years? experience: Grades 7?8, and comes with an accompanying audio downloads which demonstrate all the pieces played by Nils Franke himself.

As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together and revised the volume multiple times.
The music selection is the best I could find for each level progressing in tiny well prepared steps, enjoyable to play. Exercises compact and only when needed.
Volume 1 contains No 1-50 on 57 pages - first position, bow and reading skills, each piece in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Beethoven, Bach, Purcell, Sor, Carcassi, Gretchaninov, Gruber and Neidhardt.
Probably the most researched and tested way to start learning the cello!
To each number are Video cello lessons linked published on Patreon. The links click through when viewed on phone, tablet or computer.
There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd

Song List: 5th Avenue Swing Ain't Gonna Work Tomorrow American Hornpipe An Comhra Donn Angels Rock Me To Sleep Bacon In The Skillet Balkan Sunset Barney's Goat Bennett's Favorite Reel Bill Cheathum Billy in the Lowground Black And White Rag Blackberry Blossom Blanchard's Hornpipe Bluesin' the Frets Bottom of Punch Bowl Hornpipe Brian Boru's March Brighton Beach Bring Back to Me My Wandering Boy Brunswick Dance Brush Creek Bumpin' Buster's Reel Buttermilk Jig Caleb's Gorge Cape Cod Reel Carolan's Draught Carrie's Dream Catawissa Reel Catskill Night Cold, Frosty Morning Coldwater Creek Collin's Quest Copthorne Blues Crazy Creek Cumberland Gap Cumberland Ridge D Lite Days Of 'Lang Syne Devil's Dream Dixie Breakdown Don't Go Out Tonight, My Darling/East Virginia Down In The Willow Garden Dublin Dance East Tennessee Blues Echo Canyon Echo Waltz Eighth Of January Eleven Mile Canyon Em Study Fair And Tender Ladies Far From Home Gladiator Reel Green Fields Of America Guster Halloween Harvest Moon Strathspey Haste to the Wedding Haul Away, Joe Heebie Jeebie Hens In The Kitchen High Barbaree High five Hills of Roane County Hooker's Hornpipe I Never Will Marry I'll Be All Smiles Tonight Indian Creek Isle Of Cumbrae Ivy Leaf Reel Jacks Fork Rendezvous Jackson's Jig Katy Trail Kitchen Girl Lady's Fancy Lark in the Morning League Reel Little House 'Round the Corner London Hornpipe Lonesome River Lost Indian Luckie Bawdin's Reel Maddie's Bonnet Martha's Cider Mere Point Midnight Flight Mississippi Basin Missouri Mud Molambe Morrison's Jig National Lancer's Hornpipe Neapolitan Threshers Night Voyage North Sea Obadiah Johnson Peeler Creek Waltz Powder Mill Raqad Red Fox Waltz Red Haired Boy Reel De Lapin Rickett's Hornpipe Roll On Buddy Sally In The Garden Shannon's Well Ships Are Sailing Reel Short Life Of Trouble Shuckin' The Corn Sidney Street Silver Bell Silverheel's Shuffle Song Soppin' The Gravy Soulard St Anne's Reel St Clair's Hornpipe Star Of Bethlehem Step Around Johnny Stepping Out Stone's Rag Storms Are On The Ocean Suffolk Stroll Sugar In The Gourd Sundance Swallowtail Jig Sweet Lillie Sweet Sunny South Swing LTD Swing Steppin' The Burning Of The Piper's Hut The Clergy's Lamentation The Cuckoo The Downfall Of Paris The Girl I Loved in Sunny Tennessee The Promenade The Rights Of Man The Teetotaller's Reel The Unfortunate Rake The Wild Mare Whiskey Before Breakfast Wilson's Hornpipe Witch Of The Wave Reel Young McGoldrick

Song List: Adoro Devote (th Century Plainsong) Allegro (Anon) Alman (Robert Johnson) An dro An Drochshaol (The Hard Times) An Italian Rant (John Playford) Andante (Anon) Aura Lee Ballade (Anon) Bear Dance (Anon) Beautiful Dreamer Believe Me If All Those Endearing Charms Black is the Color of My True Love's Hair Black Sunday Blessed Reunion Branle Double (Michael Praetorius) Cailin Deas Crúite na mBó (Pretty Girl Milking Her Cow) Call The Ewes Canarios (Gaspar Sanz) Carolan's Dream Carolan's Fancy Chanter's Tune Chestnut (John Playford) Childgrove (John Playford) Clancy's Wake Come With Me, My Giselle (Adam De La Halle) Coming Home Cooley's Reel Courting is a Pleasure Darling Nellie Gray Dont vient cela (Susato/Danserye ) Dowland's Ghost (W Bay) Down by the Sally Gardens Drowsie Maggie Endless Horizon Fair Flower Of Northumberland Fields Of Culloden Flint Hills Fortune My Foe (Anon) Gavotte (Michael Praetorius) Golden Fields Greensleeves (Anon) Greyfriars Bobby Grimstock (John Playford) Guardeme Las Vacas (Luis De Narvaez) Guilderoy Hard Times, Come Again No More Harvest Festival Hills Of Ireland I Dream of Jeanie With the Light Brown Hair I Went To Visit The Roses In The Pines Irish Prayer Jock O'Hazeldean John Anderson, My Jo Johnny Has Gone For a Soldier Just A-Wearyin' For You Just Before The Battle, Mother Kean O'Hara (First Air) Kemp's Jig (John Playford) La Folias (Gaspar Sanz) Lady Laiton's Almain (John Dowland) Land of Rest Londonderry Air Lorena Macdonald, Lord Of The Isles MacPherson's Farewell Mara's Theme Master Shardlake (W Bay) Meadowlark Meramec Echoes Mighty Lak' A Rose Moderato (Anon) My Irish Home My Lagan Love My Spirited Love Mystic Valley Ned Of The Hill New Day O Esca Viatorum (Louis Bourgeois) On The Cold Ground (John Playford) Once I Had A Sweetheart Ozark Memories Packington's Pound (Anon) Paper Of Pins Parson's Farewell (John Playford) Pastourelle (th Century French) Pigeon On The Fence Prairie Sunrise Prairie Sunset Pretty Peggy - O Quiet Summer Night Rainfall Remembrance Rose Of Sharon Saltarello (Vincenzo Galilei) Saturday Night Waltz Scarborough Fair Shady Grove She Moved Through The Fair Sheebeg and Sheemor Shenandoah Si pour t'aymer (Anon) Southwind Waltz Spagnoletta (Michael Praetorius) St Martin's (John Playford) Star of the County Down State Fair Storm Coming Summer Plans Sunflower Waltz The Bonny Light Horseman The Boys Of Ballisodare The Brave Lad The Church on the Prairie The Connachtman's Rambles The Flowers Of Sweet Erin The Green The Fragrance of Fall The Galway Shawl The Highlander The Highwayman's Reel The Lark In Clear Air The Lilting Banshee The Lonesome Dove The Long Road The Lost Child The Marsh of Rhuddlan The Mist Covered Mountain (Jig) The Mist Covered Mountains Of Home (Ballad) The Old Country The Old Homestead The Parting Glass The Rambling Pitchfork The Shearing's Not For You The Water Is Wide The Yearling TO a Wild Rose To Drive The Cold Winter Away (John Playford) Trail Of Tears Treasure Of My Heart Tutte Venite Armati (Anon) Village Meeting House Volte (W Bay) Wild Mountain Thyme Wilson's Wilde (Anon) Winfield Waltz

Song List: Silent Night O Come, All Ye Faithful The First Noel Blue Bells of Scotland Joy To The World Believe Me, If All Those Endearing Young Charms Rock Of Ages Minuet Gavotte America The Beautiful Old Folks At Home (Swanee River) Come Back To Erin Scarf Dance Lullaby

The Schott Recorder Consort Anthology presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces.
The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces. all are chosen for their effective realization by recorder consorts.
136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations.

?Anthology? is a collection of fifty themes and melodies in a smart format developed by Ray Pool. It is in ?enhanced lead sheet? format that includes fully fingered melody lines, and in-depth liner notes, unlike traditional fake books. Conveniently indexed according to topic (folk, Celtic, children, hymns, spirituals, plainsong, Jewish, Christmas, opera, and classical), alphabet, and level so that no matter what, the harpist may always find his/her music. It includes four pages of basic chord progressions, and helpful performance notes. Perfect for the harpist of any type or level!
Includes: Air (?Water Music?), All Through the Night, Amazing Grace, Angels We Have Heard on High, Aura Lee, Away in a Manger, Barcarolle, Blest Be the Tie That Binds, Candle Blessing, Chanuka Chag Ya?fe, Cockles and Mussels, Creator of the Stars of Night, Down By the Salley Gardens, Eine Kleine Nacht Musik, Erev Shel Shoshanim, Fairest Lord Jesus, Hinnei Mah Tov, Humbly I Adore Thee, I Gave My Love a Cherry, I Know Where I?m Goin?, I?m a Little Teapot, Intermezzo, Jacob?s Ladder, Kum Ba Yah, Let All Mortal Flesh Keep Silence, Let Us Break Bread Together, Loch Lomond, London Bridge, Lord, I Want To Be a Christian, Lullaby (Brahms), Morning, Musetta?s Song, O! mio babbino caro, Old Hundredth, Polovetzian Dance #1, Rondo in C (Clementi), Shalom Chaverim, Sheep May Safely Graze, Shenandoah, Silent Night, Sonata in C (Haydn), Swing Low, Sweet Chariot, The Farmer in the Dell, The Harp That Once, The King of Love, This Old Man, To a Wild Rose, Traumerei, Un bel di vedremo.

As a student 40 years ago I wrote a thesis about all existing cello methods. Then I started writing my own method by putting all positive aspects of all methods together.
The music selection is the best I could find for each level progressing in well prepared steps, enjoyable to play.
Exercises are compact and to the point, only used when needed.
Volume 3 contains No 64-100 on 60 pages - Learning to shift from Half position over first, second, third to 4th position. All pieces are written in form of a cello duo to be able to play with a friend or teacher together - includes traditional songs, fiddle tunes and compositions by Offenbach, Bach, Carcassi, Tchaikovsky, Moore, , Boccerini, Boris Fomin and Kummer.
To each number are video cello lessons published on Patreon. The links click through when viewed on phone, tablet or computer.
There are also Youtube recordings of all pieces as Cello Duos with fingerings and bowings as in the Cello Method, see https://www.youtube.com/playlist?list=PLa4x_CVYDVRXAnJJ_6HeRujngwTZ8cMEd

Piano Sonata No. 8 in C minor, Op. 13 - Beethoven, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. Although commonly thought to be one of the few works to be named by the composer himself, it was actually named Grande sonate pathétique (to Beethoven's liking) by the publisher, who was impressed by the sonata's tragic sonorities. Prominent musicologists debate whether or not the Pathétique may have been inspired by Mozart's piano sonata K. 457, since both compositions are in C minor and have three very similar movements. The second movement, "Adagio cantabile", especially, makes use of a theme remarkably similar to that of the spacious second movement of Mozart's sonata. However, Beethoven's sonata uses a unique motif line throughout, a major difference from Haydn or Mozart?s creation. This is the original Beethoven arrangement of this sonata.

Other similar arrangements and selections from DIAMOND S MUSIC available at:https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Fifty selected National Airs of different Nations for Classical Guitar solo.

Around early intermediate to Intermediate level, while there are a few on easy and advanced intermediate level.
With downloadable mp3 just for audio help. With standard notation and tablature (TAB).
Pages: Fifty (50) pages, 40' min.
1. March by Rossini, 2. Russian Air, 3. Andante by Beethoven, 4. The Last Rose of Summer, 5. French Air, 6. Un Noel ? an old French Air, 7. Le Petit Tambour, 8. Russian Air, 9. Polish National Air, 10. Scotch Air, 11. German Air, 12. Russian Hymn, 13. John Anderson, 14. Tyrolian Air, 15. Danish Air, 16. Cherubini?s Air from Faniska, 17. Polish Hymn, 18. Kelvin Grove, 19. Podolian Air, 20. Fra Tante Angoscie, 21. Au Clair, 22. Dutch Air, 23. Portuguese Hymn, 24. Air by Gelinek, 25. Pyrenese Melody, 26. Polish Air, 27. Scotch Air, 28. Pleyel?s Hymn, 29. Donald ? a Scotch Air, 30. Sicilian Mariner?s Hymn, 31. Auld Lang Syne, 32. German Air, 33. Scots Wha Hae Wi? Wallace Bled, 34. Vive Henri Quatre, 35. Air from the Ballet of Nina, 36. Danish Air, 37. Post Horn Waltz, 38. Old German Air, 39. Air from the Ballet of Alfred the Great, 40. Polish Air Krakoviak, 41. Scotch Air, 42. Swedish Air, 43. Danish Air, 44. Il Pleut, Il Pleut, Bergere, 45. Rule Britannia, 46. C?est L?Amour ? a French Air, 47. Scotch Air, 48. An Alexis, 49. Je suis Lindor, 50. Chanson des Marseillois.

THE BEETHOVEN DUETS By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are the first of their kind in history making them noteworthy, unique and valuable. Each Scherzo is published not only for Flute but also for manyother orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes. They are also available as a CD.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Flute are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

THE BEETHOVEN DUETS FOR VIOLONCELLO By Joe Procopio The Beethoven Duets by Joe Procopio is a collection of duets that artist -composer Joe Procopio has adapted and arranged from the 9 Scherzi found in Ludwig van Beethoven?s 9 Symphonies. These duets are unique. They can be performed as a duet for Cello I and Cello II and as a Cello ensemble in groups of 2, 4, 6, 8, etc. Each Scherzo is published for many other orchestral instruments. They are published individually for each instrument; in a Three Volume Collection with 3 Scherzi in each volume; and in a Complete Collection containing all three volumes.Volume One has Scherzo No.1, Scherzo No. 2 and Scherzo No.3. Volume Two has Scherzo No.4, Scherzo No 5 and Scherzo No.6.Volume Three has Scherzo No.7, Scherzo No.8 and Scherzo No.9.The Complete Collection has all 3 Volumes for each instrument with all 9 Scherzi.What?s more they will soon be published in the Procopio PlayAlong Music Program. This is an exclusive MP3 music audio program personally designed and developed in which Player 1 plays along with a music audio track for Player 2.?To be sure, The Beethoven Scherzi Duets for Violoncello are a marvel of Beethoven?s skill with sections reaching the sublime. It is my deep felt personal belief that these Scherzi will bring you great pleasure and long lasting satisfaction.? Joe ProcopioAN INTRODUCTION TO THE BEETHOVEN DUETS By Joe ProcopioBecause of the complexities, range and sonorities inherent in all of the Beethoven Symphonies, it may seem impossible to transcribe any one movement as a duet that is true to the composer. Nevertheless, I believe these duets contain the heart, soul and essence of Beethoven?s melodies, rhythms and expressions; even though these works are tiny when they are compared to the Master?s great musical creations which have no equal.In fact, there is no comparison. However, my sincere hope is that since I have rendered some of Beethoven?s music as duets, his music is now more readily available to all permitting a greater number of musicians and all the people who hear their performances to come to know and love a bit of the world?s most valuable, breathtaking and beautiful music. In truth, Beethoven?s music has stood the test of time. He astonished people in his day whenever he performed his music or had his music played. He still does today. To be sure, his music has enhanced and enriched the lives of many of us for over 200 years.In performing and listening to these Scherzi you will find the whole of each work a marvel of Beethoven?s skill with sections reaching the sublime. Few composers have been able to write down on paper music of such incredible beauty that it reflects the awesome splendor of God?s creation. What comes to mind immediately is Beethoven?s ?Pastoral? Symphony No. 6. It has been said, that much of his music mirrors not only the magnificence of God?s creation but also the radiance of God the Creator himself.In any event, this music is simply amazing and awe-inspiring. A joy to listen to and to play. I know and can safely say without any hesitation or reservations that this collection will bring you much enjoyment.

A progressive course of study for the advancing jazz trumpet player. For trumpet and treble clef brasses.

Description
This purpose of The Modern Jazz Trumpet Method is to offer a well-rounded, systematic approach to practice for the aspiring jazz trumpeter. This comprehensive method is intended to supplement and enhance the great methods that solidify our fundamentals while opening our minds to the concepts of jazz trumpet playing.

The Modern Jazz Trumpet Method is a book for the woodshed, so grab your horn and head on out there!

The exercises presented in this book are intended as a stepping stone for the jazz trumpeter so that you may be able to create your own practice ideas. Many of the exercises in this book are derived from the improvised solos of Clifford Brown, Freddie Hubbard, Miles Davis, Blue Mitchell and other jazz legends. I recommend that you spend one or two weeks on each set of exercises. It is also recommended that you memorize the exercises as soon as you feel comfortable with them.

Beethoven Sonata Op. 49 No. 2 arranged for flute quartet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the flute quartet.

Sonata Op. 49 No. 2
Arranged from Beethoven?s Piano Sonata No. 20, this isa simple but interesting work in two movements showing the composers sense ofhumor. The first movement ?Allegro ma non troppo? and the second movement?Tempo di Menuetto? are both in the key of G. Both Sonatas 19 and 20 (op. 49,No. 1 & 2) are named ?Easy Sonatas? because they are technically easierthan the usual Beethoven Sonatas. This makes them very popular among studentsand teachers alike.

BeethovenBackground
Ludwig vanBeethoven (1770 ?1827) was certainly a German pianist. Aboveall, he was probably one of the greatest composers in history. As a result, heis a pivotal character in the progress between the Classical and Romantic periods.He is certainly one of the most famous and hence important of all composers.Seems like his most familiar and noteworthy works include symphonies 1-9; pianoconcertos 1-5; and furthermore, the violin concerto. Also, certainly of extremeimportance are the noteworthy 32 sonatas for the piano; the string quartets1-16; the Missa solemnis; and likewise, his only opera, Fidelio.

Beethoven Overview
First of all, Beethoven was born andconsequently raised in Bonn. Upon turning 21 he moved to Vienna probablyto study composition with Haydn. That?s when he consequently grew areputation as a brilliant pianist. Furthermore, he probably stayed in Viennathe rest of his life. In his late 20s it seems like his hearing certainly beganto decline. It slowly declined until consequently he was nearly totally deafprobably by the last decade of his life. As a result, he stopped conducting andperforming. Nevertheless, he continued to compose. As a result, some of hisgreatest works probably come from this period.

First Period
Seems like we often divideBeethoven?s life into three periods. Period 1 begins with Beethoven?s arrivalin Vienna. Hence, during this period, he mastered the Viennese style of Haydn& Mozart. He consequently began increasing the size and scale of his works.Furthermore, he experimented with extreme dynamics, and likewise extreme tempi.He worked similarly with chromatic harmony. His First and Second Symphoniestherefore belong to this period. Other important works also belong here: the firstsix string quartets and the Sonata Pathétique, Op. 13.

Second Period
His second period probably began assoon as he realized that he was going deaf. During this period, it seems likehe became obsessed with the idea of heroism. His works consequently become evenlarger and more massive. The most noteworthy of these include the symphonies 3? 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas(Waldstein and Appassionata), the Kreutzer violinsonata, the violin concerto and his only opera: Fidelio.

Third Period
In contrast, Beethoven's thirdperiod is branded above all by works of incredible intellectual depth, formalinnovation, and penetrating expression. It seems like he continued to expandhis works. Consequently, the string quartet Op. 131 spills over into sevenconnected movements. Likewise, in the Ninth Symphony he adds choral forcesto his orchestra probably for the first time in history. Even more, otherworks from this period include his Missa solemnis, the final 5string quartets (including the enormous Große Fuge) and the finalfive sonatas for piano.