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TRI ET FILTRES
TRI ET FILTRES
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Vous avez sélectionné:
Thomas Victoria
Partitions à imprimer
102 partitions trouvées
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O Magnum Mysterium - Thomas Louis de Victoria
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Level 4 - Digital Download SKU: A0.985028 Composed by Thomas Louis …
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Brass Quintet - Level 4 - Digital Download SKU: A0.985028 Composed by Thomas Louis de Victoria. Arranged by Frank Stubbs. Christmas,Renaissance,Wedding. 10 pages. Frank Stubbs #5191197. Published by Frank Stubbs (A0.985028). A Motet by one of the most famous composers of the Spanish Renaissance (1572). Fantastic piece to fit recitals and concerts for any Brass Quintet from students to professionals.
$15.99
14.73 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Thomas Louis de Victoria
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Frank Stubbs
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O Magnum Mysterium - Thomas Louis de Victoria
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Frank Stubbs
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SheetMusicPlus
AVE MARIA - De Victoria - For SATB Choir - Score Only
Chorale SATB
Small Ensemble - Digital Download SKU: A0.724781 Composed by Thomas Luois de Victor…
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Small Ensemble - Digital Download SKU: A0.724781 Composed by Thomas Luois de Victoria. Arranged by Renato Tagliabue. Renaissance,Sacred. Score and parts. 3 pages. Renato Tagliabue #5210855. Published by Renato Tagliabue (A0.724781).
$12.90
11.89 €
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Chorale SATB
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Thomas Luois de Victoria
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Renato Tagliabue
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AVE MARIA - De Victoria - For SATB Choir - Score Only
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Renato Tagliabue
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SheetMusicPlus
O MAGNUM MYSTERIUM - De Victoria - Arr. for Organ
Orgue
Organ - Digital Download SKU: A0.724738 Composed by Thomas L. de Victoria. Arranged…
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Organ - Digital Download SKU: A0.724738 Composed by Thomas L. de Victoria. Arranged by Renato Tagliabue. Christmas,Renaissance. Score. 4 pages. Renato Tagliabue #4986013. Published by Renato Tagliabue (A0.724738).
$7.50
6.91 €
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Orgue
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Thomas L
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Renato Tagliabue
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O MAGNUM MYSTERIUM - De Victoria - Arr. for Organ
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Renato Tagliabue
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SheetMusicPlus
O Magnum Mysterium for Brass Quartet
Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782218 Compose…
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Brass Ensemble Trombone,Trumpet - Level 4 - Digital Download SKU: A0.782218 Composed by Thomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 17 pages. James Haynor #3582809. Published by James Haynor (A0.782218). Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. O Magnum Mysterium written for four voices is a great example of his work and transcribes well for brass quartet. ( Duration 3:47 )
$10.00
9.21 €
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Thomas Victoria
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James Haynor
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c
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O Magnum Mysterium for Brass Quartet
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James Haynor
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SheetMusicPlus
O Magnum Mysterium for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782220…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782220 Composed by Thomas Victoria. Arranged by James Haynor. Praise & Worship,Renaissance,Sacred,Spiritual. 17 pages. James Haynor #3604661. Published by James Haynor (A0.782220). Tomás Luis de Victoria (sometimes Italianised as da Vittoria; c. 1548 – 27 August 1611) was the most famous composer in 16th-century Spain, and was one of the most important composers of the Counter-Reformation. Victoria was not only a composer, but also an accomplished organist and singer as well as a Catholic priest. However, he preferred the life of a composer to that of a performer. O Magnum Mysterium written for four voices is a great example of his work and transcribes well for clarinet quartet. ( Duration 3:47 )
$10.00
9.21 €
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Quatuor de Clarinettes: 4 clarinettes
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Thomas Victoria
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James Haynor
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c
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O Magnum Mysterium for Clarinet Quartet
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James Haynor
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SheetMusicPlus
O Magnum Mysterium for Trombone Quartet
Quatuor de cuivres: 4 trombones
Composed by Thomas Victoria. Arranged by James Haynor. Renaissance, Spiritual, Sacred, Gen…
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Composed by Thomas Victoria. Arranged by James Haynor. Renaissance, Spiritual, Sacred, General Worship. Score, Set of Parts. 17 pages. Published by James Haynor (S0.402083). - Score,Set of Parts - Renaissance,Spiritual,Sacred,General Worship - James Haynor
$10.00
9.21 €
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Quatuor de cuivres: 4 trombones
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Thomas Victoria
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James Haynor
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O Magnum Mysterium for Trombone Quartet
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James Haynor
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SheetMusicPlus
Under The Clocks
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1231759 By Mick Thomas' Rov…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1231759 By Mick Thomas' Roving Commision. By Michael James Thomas. Arranged by Vicky Jacobs. Pop,Rock. Octavo. 9 pages. Victoria Jacobs #827462. Published by Victoria Jacobs (A0.1231759). If you're hunting for a song about Melbourne, you can't go past this SAB version of the Weddings, Parties, Anything classic. Your choir will love this and it's quick and easy to learn. You could accompany with guitar, piano or full band.
$1.99
1.83 €
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Chorale 3 parties
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Mick Thomas' Roving Commision
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Vicky Jacobs
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Under The Clocks
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Victoria Jacobs
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SheetMusicPlus
I Don't Care
Basse electrique
Bass Guitar TAB - Digital Download SKU: A0.1401175 By Ariana Grande. By Ariana Gran…
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Bass Guitar TAB - Digital Download SKU: A0.1401175 By Ariana Grande. By Ariana Grande, Michael David Foster, Mike Foster, Ryan Tedder, Steven Franks, Thomas A. Brown, Travis Sayles, Victoria Monet, and Victoria Monet McCants. Arranged by Gavin Jackson Music. Pop,R & B. Score. 3 pages. Gavin Jackson Music #984363. Published by Gavin Jackson Music (A0.1401175). Ariana Grande - I Don't CareAlbum - Dangerous WomanComplete Bass TranscriptionTuning - Standard Tuning / E Standard (5 String Bass).
$4.99
4.6 €
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Basse electrique
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Ariana Grande
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Gavin Jackson Music
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I Don't Care
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Gavin Jackson Music
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SheetMusicPlus
Get Lucky
Chorale 3 parties
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1129067 By Daft Punk Featur…
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1129067 By Daft Punk Featuring Pharrell Williams. By Guy Manuel Homem Christo, Nile Rodgers, Pharrell, and Thomas Bangalter. Arranged by Vicky Jacobs. Funk,Pop,Rock. Octavo. 3 pages. Victoria Jacobs #729593. Published by Victoria Jacobs (A0.1129067). This is a fun and easy 3 part arrangement of Get Lucky which will be quick and easy for your choir to learn. It's a great opener for a concert and a crowd-pleaser at events. This arrangement also works with commercially available backing tracks - just add 4 bars extra intro at the beginning and press stop on the track early!
$1.99
1.83 €
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Chorale 3 parties
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Daft Punk Featuring Pharrell Williams
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Vicky Jacobs
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Get Lucky
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Victoria Jacobs
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SheetMusicPlus
34+35
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902507 By Ariana Gran…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902507 By Ariana Grande. By Albert Stanaj, Ariana Grande, Courageous Xavier Herrera, Peter Lee Johnson, Scott Nicholson, Shane Anthony, Steven Franks, Tayla Parx, Taylor Monet Parks, Taylor Parks, Thomas Lee Brown, Tommy Brown, Victoria McCants, Victoria Monet McCants, and etc. Arranged by Holger Dieffendahl. Pop. Score. 3 pages. Holger Dieffendahl #6261511. Published by Holger Dieffendahl (A0.902507). Very easy and wonderful arrangement of the beautiful song 34+35 by Ariana Grande for piano beginners. Simple key to play and great sounding voicings. Have fun learning and playing that tune!
$4.99
4.6 €
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Piano, Voix et Guitare
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Ariana Grande
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Holger Dieffendahl
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34+35
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Holger Dieffendahl
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SheetMusicPlus
34+35
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.906902 By Ariana Grande. By Albert …
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Piano Solo - Level 4 - Digital Download SKU: A0.906902 By Ariana Grande. By Albert Stanaj, Ariana Grande, Courageous Xavier Herrera, Peter Lee Johnson, Scott Nicholson, Shane Anthony, Steven Franks, Tayla Parx, Taylor Monet Parks, Taylor Parks, Thomas Lee Brown, Tommy Brown, Victoria McCants, Victoria Monet McCants, and etc. Arranged by Chase Adam. Pop. Score. 5 pages. Chase Adam #6247625. Published by Chase Adam (A0.906902). 34+35 from the album Positions, by Ariana Grande. Perfect for fans of Ariana Grande, pop music, and lofi hip hop. Advanced intermediate difficulty level. Arranged for Piano Solo by Chase Adam.
$4.99
4.6 €
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Piano seul
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Ariana Grande
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Chase Adam
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34+35
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Chase Adam
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SheetMusicPlus
34+35
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.9…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.906903 By Ariana Grande. By Albert Stanaj, Ariana Grande, Courageous Xavier Herrera, Peter Lee Johnson, Scott Nicholson, Shane Anthony, Steven Franks, Tayla Parx, Taylor Monet Parks, Taylor Parks, Thomas Lee Brown, Tommy Brown, Victoria McCants, Victoria Monet McCants, and etc. Arranged by Chase Adam. Pop. Score and parts. 17 pages. Chase Adam #6139981. Published by Chase Adam (A0.906903). 34+35 from the album Positions, by Ariana Grande. Perfect for fans of Ariana Grande, pop music, and lofi hip hop. Arranged for String Quartet by Chase Adam.
$12.99
11.97 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ariana Grande
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Chase Adam
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34+35
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Chase Adam
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SheetMusicPlus
Don't Be A Jerk It's Christmas
Chorale 2 parties
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.817221 Composed by Andy …
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.817221 Composed by Andy Paley and Thomas Kenny. Arranged by Vicky Jacobs. Contemporary. Octavo. 2 pages. Victoria Jacobs #3883319. Published by Victoria Jacobs (A0.817221). This is part of a series of leadsheets I've put together for singalongs or as easy, quick songs to do with your choir. They have fun, singable harmonies, are in friendly keys and are designed to be easy to read and not create too much photocopying!
$1.99
1.83 €
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Chorale 2 parties
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Andy Paley and Thomas Kenny
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Vicky Jacobs
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Don't Be A Jerk It's Christmas
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Victoria Jacobs
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SheetMusicPlus
34+35
Quatuor à cordes: 2 violons, alto, violoncelle
By Ariana Grande. By Albert Stanaj, Courageous Xavier Herrera, etc., Peter Lee Johns…
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By Ariana Grande. By Albert Stanaj, Courageous Xavier Herrera, etc., Peter Lee Johnson, Scott Nicholson, Shane Anthony, Steven Franks, Tayla Parx, Taylor Monet Parks, Taylor Parks, Thomas Lee Brown, Tommy Brown, Victoria McCants, Victoria Monet McCants, and Ariana Grande. Arranged by Bobbie Lee Crow III. Pop. Score and parts. 19 pages. BLC3Music Services LLC #6501387. Published by BLC3Music Services LLC
$14.99
13.81 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ariana Grande
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Bobbie Lee Crow III
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34+35
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BLC3Music Services LLC
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SheetMusicPlus
Leave Me Lonely (Feat. Macy Gray)
Basse electrique
Bass Guitar TAB - Digital Download SKU: A0.1401178 By Ariana Grande. By Steven Fran…
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Bass Guitar TAB - Digital Download SKU: A0.1401178 By Ariana Grande. By Steven Franks, Thomas Lee Brown, Thomas Westly Lumpkins, and Victoria Monet McCants. Arranged by Gavin Jackson Music. Pop,R & B. Score. 3 pages. Gavin Jackson Music #984366. Published by Gavin Jackson Music (A0.1401178). Ariana Grande ft. Macy Gray - Leave Me LonelyAlbum - Dangerous WomanComplete Bass TranscriptionTuning - Down a Half Step / Eb Standard (5 String Bass).
$4.99
4.6 €
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Basse electrique
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Ariana Grande
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Gavin Jackson Music
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Leave Me Lonely
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Gavin Jackson Music
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SheetMusicPlus
Sullivan: The Lost Chord for French Horn & Piano
Cor et Piano
French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthu…
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French Horn,Piano - Level 4 - Digital Download SKU: A0.549460 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497289. Published by jmsgu3 (A0.549460). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
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Cor et Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for French Horn & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Cello & Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seym…
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Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.83 €
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Violoncelle, Piano
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for Cello & Piano
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jmsgu3
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SheetMusicPlus
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir A…
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
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Clarinette
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for Alto Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Rockin' Robin
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1122389 Composed by Jimmie Thomas. Arranged by David Holt. Christmas,Contemporary,Holiday,Pop,Rock. Brass Band. 51 pages. David Holt #723547. Published by David Holt (A0.1122389). The American pop and rock composer Leon Rene wrote “Rockin' Robin†under the pseudonym Jimmie Thomas. It was recorded by Bobby Day in 1958 and became his most popular song, reaching number two on the Billboard Hot 100 and number one in R&B sales. It was later recorded by Michael Jackson in 1972, and was the best-selling hit on his debut solo album “Got To Be Thereâ€. This arrangement is written for a soprano cornet soloist, and is a rousing crowd-pleaser, designed to get the audience clapping along. It was written for, and first performed by, Charlie Welch of Horbury Victoria Band. Whether it is a Christmas piece is up to the concert planner to decide - but it definitely works in a festive programme! The solo part is a guide, which the soloist is welcome to diverge from if desired! In particular, the section between H and K has a free “jazz solo†feel and can be simplified or embellished to suit the player. A soprano duet version is included for use as an unconventional novelty feature. Whilst a Bb version of the 2nd duet part has also been included, this is not the recommended instrumentation, and it will be a challenge to play! Alternate clef trombone parts are provided.
$40.00
36.86 €
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Jimmie Thomas
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David Holt
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Rockin' Robin
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David Holt
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SheetMusicPlus
Sullivan: The Lost Chord for Clarinet & Piano
Clarinette et Piano
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir A…
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B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
#
Clarinette et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur …
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.549459 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497273. Published by jmsgu3 (A0.549459). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95
24.83 €
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Euphonium, Piano (duo)
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Sir Arthur Seymour Sullivan
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James M
#
dynamic control
#
Sullivan: The Lost Chord for Euphonium & Piano
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jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Art…
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Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
#
Clarinette Basse, Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Bass Clarinet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trombone & Piano
Trombone et Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur S…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
#
Trombone et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Trombone & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Trumpet & Piano
Trompette
B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Ar…
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B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
#
Trompette
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Trumpet & Piano
#
jmsgu3
#
SheetMusicPlus
Sullivan: The Lost Chord for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seym…
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Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
24.83 €
#
Flûte traversière et Piano
#
Sir Arthur Seymour Sullivan
#
James M
#
dynamic control
#
Sullivan: The Lost Chord for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
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