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--INSTRUMENTS--
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Three Curios
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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Vous avez sélectionné:
Three Curios
Partitions à imprimer
15 partitions trouvées
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1
Three Curios (for solo piano)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory.…
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Piano Solo - Level 4 - Digital Download SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant Engraver Music (A0.977030). These pieces are like little objects that are simple and direct, yet slightly eccentric. They often seem to be based on traditional notions of harmony or phrasing, but they don’t always get those aspects exactly right. It’s as if what appears to be common little figurines, upon closer inspection, reveal themselves to be more varied, colorful, complex and unpredictable than a quick glance might reveal. I - Mutable Phrase This piece sounds a bit obsessive because all the phrases begin the same way. It almost sounds like somebody repeating a simple one-phrase statement, but constantly changing it with the hope of writing a perfectly nuanced phrase. II - Sparks in Emptiness The use of the sostenuto pedal in this piece creates an effect of reverberating empty space. Within that space, little bursts of energy begin appearing. It sounds like flashes of light in an empty dark space. III - Silent Blue Tides This piece is based on a slowly moving and somewhat unpredictable chord progression. A duo of simple melodies then floats on that chord progression, rising and falling with the moods of that large blue sea.
$6.50
5.96 €
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Piano seul
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Paul SanGregory
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Three Curios
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Distant Engraver Music
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SheetMusicPlus
Three Curiosities
Guitare
By Nathan Kolosko. For solo guitar. Level 3. 12 pages. Published by Les Productions d'OZ -…
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By Nathan Kolosko. For solo guitar. Level 3. 12 pages. Published by Les Productions d'OZ - Digital
$6.95
6.38 €
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Guitare
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Nathan Kolosko
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Three Curiosities
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Les Productions d'OZ - Digital
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SheetMusicPlus
The New England Suite, Three Poems for Solo Piano
Piano seul
Piano Solo - Advanced - Digital Download Composed by Klaus H. Schader. Contemporary Clas…
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Piano Solo - Advanced - Digital Download Composed by Klaus H. Schader. Contemporary Classical, Impressionistic, Post- Romantic. 8 pages. Published by Maple Mystery Music
Three piano compositions inspired by New England landscapes. Dedicated to Helen Lin Performance time 5:53 m "Finally got a chance to play through ?The New England Suite??Three Poems for Solo Piano by the amazing Klaus Schader, a modern German composer. Klaus dedicated this piece to me. In Klaus Schader?s piano suite, he explored the deepest longings of human soul, then he painted it out using especially various and unusual harmonies into a master piece with colors of curiosity and warmth. Each harmony was made to wanting more. Wanting more in mystery, wanting more in the dream. In ?Delaware moon?, I hear the warmth of the moonlight dimming Delaware and it feels romantic and welcoming, yet mysterious. The unexpected disharmony of the four chords strikes you into intensive emotions, and reminds you that it was these struggles of reality make beauty even more beautiful. In the ?Old King?s Highway?, the changing of irregular meters and the use of 5/4 gives you the unsettling worries, yet Klaus uses the calming bass lines and chords to balance the scene, and it feels all is in control on the bumpy road. In ?Dusk on the Mohawk Trail?, the story line was based on the unusual chordal progressions, however the dominant sevenths chords throughout brings back the core spirit of the entire piano series-romance, mystery, and dream. It reminds one where the core of the soul is, and that is, where peace is at. Thank you Klaus!!" Helen LinThree piano compositions inspired by New England landscapes.
Dedicated to Helen Lin
Performance time 5:53 m
"Finally got a chance to play through ?The New England Suite??Three Poems for Solo Piano by the amazing Klaus Schader, a modern German composer. Klaus dedicated this piece to me. In Klaus Schader?s piano suite, he explored the deepest longings of human soul, then he painted it out using especially various and unusual harmonies into a master piece with colors of curiosity and warmth. Each harmony was made to wanting more. Wanting more in mystery, wanting more in the dream. In ?Delaware moon?, I hear the warmth of the moonlight dimming Delaware and it feels romantic and welcoming, yet mysterious. The unexpected disharmony of the four chords strikes you into intensive emotions, and reminds you that it was these struggles of reality make beauty even more beautiful. In the ?Old King?s Highway?, the changing of irregular meters and the use of 5/4 gives you the unsettling worries, yet Klaus uses the calming bass lines and chords to balance the scene, and it feels all is in control on the bumpy road. In ?Dusk on the Mohawk Trail?, the story line was based on the unusual chordal progressions, however the dominant sevenths chords throughout brings back the core spirit of the entire piano series-romance, mystery, and dream. It reminds one where the core of the soul is, and that is, where peace is at. Thank you Klaus!!"
Helen Lin
$3.99
3.66 €
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Piano seul
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Klaus H
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The New England Suite, Three Poems for Solo Piano
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SheetMusicPlus
Entrance and Song. I'd Like It. (Ameer and Chorus)
Piano, Voix
Piano and voice - Digital Download SKU: LV.20951 Composed by Victor Herbert. Magic,…
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Piano and voice - Digital Download SKU: LV.20951 Composed by Victor Herbert. Magic, Human curiosities, Superstitions, Biblical references, Entertainment, Rip Van Winkle. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20951). Vocal Selections From The Ameer. The New Comic Opera Success in Three Acts. Entrance and Song. I'd Like It. (Ameer and Chorus). Music by Victor Herbert. Book by Frederic Ranken and Kirke La Shelle. Published 1899 by M. Witmark & Sons in New York. Composition of strophic with chorus (and dance interlude) with piano and voice instrumentation. Subject headings for this piece include Magic, Human curiosities, Superstitions, Biblical references, Entertainment, Rip Van Winkle. First line reads If you've got a busy rabbits foot or any kind of charm.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voix
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Victor Herbert
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Entrance and Song. I'd Like It.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Wunderkammer(konzert)
Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players.…
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Ensemble - difficult - Digital Download SKU: S9.Q23834 For thirteen players. Composed by Kenneth Hesketh. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q23834. Published by Schott Music - Digital (S9.Q23834). This three-movement work reflects the character of the wunderkammer, or Cabinet of Curiosities, which flourished between the 16th to 18th centuries: ’in this labyrinthine landscape, I found a natural context to construct my own private collection of musical objects, ciphers, and quotations. The volatile and virtuosic textures of the work are created by demanding soloistic agility from each performer. Whilst being required to fit seamlessly together to form complex musical surfaces the musicians are also set belligerently strident and dramatic roles. The concerto form (kammerkonzert) proved a natural arena for such contradictory tensions that seek resolution through metamorphosis.’ (Kenneth Hesketh)1 with B foot(pic).1(ca).0.Acl(bcl).0-0.1.1(tri).0-3perc(crot, vib, mar, tub bells, tri, h.h, 4sus cym, Chinese cym, splash cym, mark tree, 3gong, 2tom-t, b.d, kick b.d, pic timp, 5timp, 2jam blocks, 4granite blocks, egg shaker, desk bell)-pno(cel)-str(1.0.1.1.1).
$47.99
44.04 €
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Kenneth Hesketh
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Wunderkammer(konzert)
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Schott Music - Digital
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SheetMusicPlus
Killarney Carnivale
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
55.06 €
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Orchestre d'harmonie
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
3 pièces de Guillaume de Machaut
Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaum…
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Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
7.3 €
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Guillaume de Machaut
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Dusan Bogdanovic
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3 pièces de Guillaume de Machaut
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Les Editions Doberman-Yppan
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SheetMusicPlus
Élégie
Guitare
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey.…
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
3.62 €
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Guitare
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
2 Preludes and Intermezzo from "Le Grand Macabre"
12 car horns/6 door bells (3 players) - advanced - Digital Download SKU: S9.Q22587 …
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12 car horns/6 door bells (3 players) - advanced - Digital Download SKU: S9.Q22587 For 12 car horns/6 door bells (3 players). Composed by Gyorgy Ligeti. This edition: performance score. Downloadable, Performance score. Duration 2 minutes. Schott Music - Digital #Q22587. Published by Schott Music - Digital (S9.Q22587). Ligeti's two-act opera in four scenes, 'Le Grand Macabre', is intense, brilliant music theatre between parody and grave seriousness, between folly and wisdom. His one and only opera, which is exceptional in the entire 20th century, is full of absurdities. Therefore, it is no wonder that the 'Overture' is a prelude for 12 car horns. Three players operate four horns each by using their hands and feet according to the precise notation. As endless as the possibilities to perform this curiosity with the help of our separate edition may seem, as great is its entertainment value.Lâ€Ouverture†de l'opéra Le Grand Macabre est un prologue pour 12 klaxons. Trois musiciens utilisent chacun 4 klaxons avec les mains et les pieds, selon une notation précise. Aussi infinies que paraissent les possibilités de représenter cette curiosité à l’aide de notre édition séparée, aussi grande est sa valeur de divertissement.
$10.99
10.09 €
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Gyorgy Ligeti
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2 Preludes and Intermezzo from "Le Grand Macabre"
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Schott Music - Digital
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SheetMusicPlus
Codex Zuola: Hijos de Eva tributarios (a 3)
Alto Voice,Tenor Voice - Digital Download SKU: A0.1490832 Composed by Tomas de Herr…
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Alto Voice,Tenor Voice - Digital Download SKU: A0.1490832 Composed by Tomas de Herrera. Arranged by Early Music Scores. Baroque,Early Music,Renaissance. 3 pages. Early Music Scores #1067617. Published by Early Music Scores (A0.1490832). Three voices (AAT)Composed by Tomas de Herrera, Codex Zuola, Cuzco (s.XVII). from Buenos Aires, Museo Casa de Ricardo Rojas, Fray Gregorio de Zuola, Libro de varias curiosidades y Tesoro de diversas materias, p.136. Edited by Felipe Dias. 3 pages.
$5.99
5.5 €
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Tomas de Herrera
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Early Music Scores
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Codex Zuola: Hijos de Eva tributarios
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Early Music Scores
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SheetMusicPlus
Experiment #1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1447510
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1447510 By Steve Dekker. By Steve Dekker. Arranged by Steve Dekker. 21st Century,Chamber,Classical,Contemporary,Jazz. 24 pages. Steve Dekker #1027289. Published by Steve Dekker (A0.1447510). Experiment #1 is an original composition written for brass quintet. Experiment #1 was inspired by a curiosity to explore the different sounds available in music notation software. As a result, this piece was originally written for synths, keyboards, bass and drums. After completing the piece, I found the sounds and instrumentation lacked warmth and character. Ultimately, I decided the experiment would be to score it for brass quintet and see what happens.There are three basic themes or sections utilized in Experiment #1. The themes move from heroic to contemporary and culminate in a recapitualtion of the hero theme. An eighth-note ostinato statement serves as a recurring motif connecting each section. The various themes are spread across the quintet with a variety of textures and contrapuntal devices serving to further elevate the composition.Experiment #1 is accessible to high school, college and service band level groups. This piece showcases mulitiple stylistic concepts from Classical music, modern Jazz and contemporary music. It is an excellent teaching piece and would be a solid and innovative choice for concert or competition. Run time is 4:48.
$40.00
36.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Steve Dekker
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Steve Dekker
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Experiment #1
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Steve Dekker
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SheetMusicPlus
Experiment #1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1323145
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1323145 Composed by Steve Dekker. Contemporary. 25 pages. Linden Brass Press Inc. #911412. Published by Linden Brass Press Inc. (A0.1323145). Experiment #1 for Brass QuintetTwo Trumpets (Bb), Horn (F), Trombone, TubaLevel: 4/5 (Colg→Univ)The composer combines lyrical heroism with jazzy rhythms to create a beautiful and approachable work for brass. An effective technique used is to punctuate the music with periodic silences or unison moments. There are a few quasi-Penny Lane measures for first trumpet midway through, followed by some nice tuba solos, then the piece ends with an appropriately What if...? feeling!===Performance Notes:Experiment #1 is an original composition written for brass quintet. This composition was inspired by a curiosity to explore the different instrument sounds available in music notation software. As a result, this piece was originally written for synths, keyboards, bass and drums. After completing the piece, I found the sounds and instrumentation lacked warmth and character.  Ultimately, I liked the piece and decided the experiment would be to score it for brass quintet and see what happens.  There are three basic themes or sections utilized in Experiment #1. The themes/sections move from heroic to the contemporary and culminate in a recapitulation of the hero theme. An eighth-note ostinato statement acts as a recurring motif connecting each section. The various themes are spread across the quintet with a variety of textures and contrapuntal devices serving to further elevate the composition. Run time is 4:48....Steve Dekker===.
$14.95
13.72 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Steve Dekker
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Experiment #1
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Linden Brass Press Inc.
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SheetMusicPlus
Étude No. 1 "La Danse en Fuite"
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1028034 Composed by Maxwell Olson. …
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Piano Solo - Level 5 - Digital Download SKU: A0.1028034 Composed by Maxwell Olson. Contemporary,Jazz,Latin,World. Score. 7 pages. Jake Madeira #3223163. Published by Jake Madeira (A0.1028034). This étude is one of energetic character with simple, yet powerful melodies and rhythms that create a sense of curiosity. I composed this piece in a simpler form when I was around 17, in my high school music theory class. All of the ideas were there, melody and structure, but what it lacked was experience. It felt flat. So, 5 years later, after I rediscovered the piece, I decided to put some time into adding flavor, excitement, and intrigue. In doing so, I hope that I've created not only a technical challenge that will strengthen your skills, but a fun piece of music that you'll love to play!Split into three parts in an ABA format, this piece features a main theme divided by a softer second theme, both of which provide technical challenges in their own rights. The first focus of this étude is to build stamina in maintaining rapid octave progressions in each hand. This is coupled with quick jumps in the right hand that require precise and deliberate movements to perfect. The second focus is to strengthen control over legato passages in rolling arpeggios, while maintaining a delicate touch for the melody, and exercising the dynamic range of the fingers.In practicing this piece, it is very important to start slowly and with definitive control in all sections! It cannot be stressed enough how much of an impact bad habits can make on the execution of this étude. If you work diligently on finger control and technique, it will stick with you in all of your future endeavors! Be warned though: this is a difficult piano solo. It will take time and effort to learn, however, those efforts will all pay off in the end. Don't let it discourage you. I wish you all luck in learning this étude, and if you have any questions at all, please feel free to email me at walkingreject@gmail.com.
$6.99
6.41 €
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Piano seul
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Maxwell Olson
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Étude No. 1 "La Danse en Fuite"
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Jake Madeira
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SheetMusicPlus
"Liebesschmerz Fuge" for piano Op. 95
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.980449 Composed by Gary Noland. 20t…
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Piano Solo - Level 5 - Digital Download SKU: A0.980449 Composed by Gary Noland. 20th Century,Concert,Contemporary. Score. 39 pages. Freeland Publications #3246459. Published by Freeland Publications (A0.980449). Duration: ca. 15-20 minutes. Lush extended tonal language. Highly chromatic and contrapuntal. An innovative fugue unlike any other in the literature. This work was begun in 1981 and underwent revisions on and off for 28 years until it was finally completed in 2009. This piece is intended only for first-rate virtuoso pianists. Written comments: Gary, this is wonderful! I am a Bach freak ... clearly you are as well (meant as a big compliment smile emoticon ). Love the title too heart emoticon.-Kurt Werderman. Completely charming. I get the Liebes part, but the other half seems entirely too much tongue-in-cheek fun for Schmerz. smile emoticon You wrote a brilliant piece that sounds so spontaneous it is hard to believe it had such a long gestation period as 28 years.-Rodney Punt. Here is to me really deep music of very high quality. I listened three times. The fugue has the kind of complexity and positive ambiguity which awakens my curiosity to listen again and again. The episodes are for me personally something of the most beautiful modern music written for piano I remember just now.-Frank David. Here is a link to a MIDI realization thereof: https://www.youtube.com/watch?v=3MGGAgzu4Xk
$14.99
13.76 €
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Piano seul
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Gary Noland
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"Liebesschmerz Fuge" for piano Op. 95
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Freeland Publications
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SheetMusicPlus
Magnon (for Concert Band)
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.934376 Composed by Luis Cardoso. …
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Concert Band - Level 5 - Digital Download SKU: A0.934376 Composed by Luis Cardoso. Contemporary. Score and parts. 129 pages. Luis Cardoso #6168173. Published by Luis Cardoso (A0.934376). For Concert Band 12mThe anthropologists say that Cro-Magnon men lived in caves and used some basic tools, such as hooks and needles. They cooked, made clothes, and buried the dead. Some say they made art, painting on the walls of the caves. They were the first to question things. I imagine that, with curiosity, they invented faith. They cooked faith with fear to invent courage. I made this piece in 2011 when I started researching new languages ​​for my writing. The previous piece, Eli, Eli, sought to represent a current men walking on their faith, searching for it. Magnon seeks to represent an older man, seeking to give reason to his own fear. The style of musical writing is different from my other works. There are three distinct pieces within this piece, almost like movements, unified by a structure of relationships between notes and use of motifs, although these rarely occur in the same way. The melodies are divided and their pieces are thrown for as multiple possibilities of the timbres. Above technical considerations, there is a constant sense of instability more or less pronounced. Such is fear
$200.00
183.54 €
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Orchestre d'harmonie
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Luis Cardoso
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Magnon
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Luis Cardoso
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SheetMusicPlus
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