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Three Dance Portraits
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Vous avez sélectionné:
Three Dance Portraits
SheetMusicPlus
Partitions à imprimer
8 partitions trouvées
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Three Dance Portraits (Downloadable)
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Allen Shawn
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Three Dance Portraits
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Piano 4-hands - Moderately Difficult - SKU: MQ.1.3447-E Composed by Allen Shawn. Score. 22 pages. Galaxy Music Corporation - Digital #1.3447-E. Publishe...
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Piano 4-hands - Moderately Difficult - SKU: MQ.1.3447-E Composed by Allen Shawn. Score. 22 pages. Galaxy Music Corporation - Digital #1.3447-E. Published by Galaxy Music Corporation - Digital (MQ.1.3447-E). Composed in 1994, Three Dance Portraits for piano four-hands was first performed by Betty Rosenblum and Joan Stein. The music showcases the technical abilities of the performers. Players will also find that the beginning tempo markings for the three movements are thoroughly indicative of the movements' moods. Two scores are included. Duration: 8:00.
$19.95
Three Picasso Portraits (for saxophone quartet)
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Quatuor de Saxophones: 4 saxophones
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AVANCÉ
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Contemporain
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Alan Bullard
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Three Picasso Portraits
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Colne Edition / BullardMusic
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1497822 Composed by Alan Bul...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.1497822 Composed by Alan Bullard. 20th Century,Chamber,Classical. 50 pages. Colne Edition / BullardMusic #1074231. Published by Colne Edition / BullardMusic (A0.1497822). Scored for Soprano, Alto, Tenor, and Baritone saxophones, these colourful portraits are loosely inspired, both in terms of mood and technique, by three Picasso paintings. The clear-cut jazz rhythms of Harlequin give way to the intense inner tragedy of Weeping Woman, which is followed by The Three Dancers, superficially light-hearted but with a hidden desperation beneath. The download contains a full score and a set of parts.Three Picasso Portraits were commissioned by the Saxology Saxophone Quartet and were first performed St Martin's in the Fields, London, in June 1992. A recording is available by Saxology on the CD 'English Quartets', Meridian CDE 84376, and the sheet music is published by Colne Edition, www.colneedition.co.uk.
$8.99
West Point New Polka, Redowa, and Polka Mazurka
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Piano seul
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Mr
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West Point New Polka, Redowa,
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries...
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Piano - SKU: LV.10059 Composed by Mr. F. Raggio. Portraits. Lester S. Levy Collection. 8 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10059). Fashionable Dances Taught by Saracco, Professor, Inventor and the first Introducer of all the new and modern dances in the United States. West Point New Polka, Redowa, and Polka Mazurka. Composed by Mr. F. Raggio. Published 1847 by William Hall & Son, 239 Broadway, cor. of Park Place in New York. Composition of three sectional dances with piano instrumentation. Subject headings for this piece include Portraits. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 16 pages. Thomas Oboe Lee #13495. Published by Thomas Oboe Lee (A0.869352). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99
Trumbull Sketches
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publish...
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Full Orchestra - Level 4 - SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
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Three Dance Portraits
