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Three Is A Magic Number
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Vous avez sélectionné:
Three Is A Magic Number
SheetMusicPlus
Partitions à imprimer
27 partitions trouvées
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26
Three Is A Magic Number
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Instruments en Do
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INTERMÉDIAIRE
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Bob Dorough
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Andrea La Rose
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Three Is A Magic Number
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Andrea La Rose
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.586643 Composed by Bob Dorough. Arranged by Andrea La Rose. Children,Film/TV,Jazz,Pop. Lead Sheet / Fake Book. 5 pages....
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C Instrument - Level 3 - SKU: A0.586643 Composed by Bob Dorough. Arranged by Andrea La Rose. Children,Film/TV,Jazz,Pop. Lead Sheet / Fake Book. 5 pages. Andrea La Rose #195931. Published by Andrea La Rose (A0.586643). The Schoolhouse Rock/Multiplication Rock classic, lovingly transcribed and arranged as a lead-sheet.
$4.99
The Seven Joys of Christmas: 1. The Joy of Love: This is the truth (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 1
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8732-E Composed by Kirke F. Mechem. Christmas. 7 pages. E. C. Schirmer Music Company - Dig...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8732-E Composed by Kirke F. Mechem. Christmas. 7 pages. E. C. Schirmer Music Company - Digital #8732-E. Published by E. C. Schirmer Music Company - Digital (MQ.8732-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.25
All You Need Is Love
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Quatuor de Cuivres
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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All You Need Is Love
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RayThompsonMusic
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SheetMusicPlus
Brass Quartet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.824234 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompso...
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Brass Quartet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.824234 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop,Wedding. 10 pages. RayThompsonMusic #431067. Published by RayThompsonMusic (A0.824234). Originally a big hit for The Beatles, it suits the brass quartet. It is arranged for 2 tpts, tbn and tuba.(An alternative horn in F/treble clef euphonium instead of tbn is provided.The melody is shared between tpt 1 and tbn. All You Need Is Love is a song by The Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney.The Beatles performed the song as Britain's contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the program was broadcast via satellite on 25 June 1967. The day before the Our World broadcast, the Beatles decided that the song should be their next single. Released in the UK on 7 July 1967, it went straight to number one and remained there for three weeks. It was similarly successful in the United States after its release on 17 July, reaching number one for a week.All You Need Is Love was also included on the American LP version of Magical Mystery Tour in November 1967,as well as in the film, and on the LP Yellow Submarine, released in 1969. This song is also featured in Cirque du Soleil's show Love, based on the songs of the Beatles. Ideal for a wedding or Valentine's Day.The video is my horn quartet arrangement.Â
$17.95
All You Need Is Love
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Rock
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The Beatles
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Ray Thompson
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All You Need Is Love
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1240854 By The Beatles. By John Lennon and Paul McCartney. Arranged b...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.1240854 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock,Wedding. 9 pages. RayThompsonMusic #836245. Published by RayThompsonMusic (A0.1240854). Arranged wind quartet: fl, ob, clt and bsn.Originally a big hit for the Beatles, it suits the wind quartet.  The melody is shared between the oboe and clarinet.All You Need Is Love is a song by the Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney.The Beatles performed the song as Britain's contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the program was broadcast via satellite on 25 June 1967. The day before the Our World broadcast, the Beatles decided that the song should be their next single.Released in the UK on 7 July 1967, it went straight to number one and remained there for three weeks.[citation needed] It was similarly successful in the United States after its release on 17 July, reaching number one for a week.All You Need Is Love was also included on the American LP version of Magical Mystery Tour in November 1967,as well as in the film, and on the LP Yellow Submarine, released in 1969. This song is also featured in Cirque du Soleil's show Love, based on the songs of the Beatles. Ideal for a wedding or Valentine's Day.Available for other instrument combinationsOther Beatles wind quartets: (including Hey Jude, Day Tripper, In My Life,) available on this site.
$17.95
All You Need Is Love
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Rock
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The Beatles
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Ray Thompson
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All You Need Is Love
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 3 - SKU: A0.554031 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 3 - SKU: A0.554031 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Rock. 20 pages. RayThompsonMusic #6515199. Published by RayThompsonMusic (A0.554031). Arranged wind dectetOriginally a big hit for the Beatles, it suits the wind dectet. All You Need Is Love is a song by the Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney. The Beatles performed the song as Britain's contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the program was broadcast via satellite on 25 June 1967. The day before the Our World broadcast, the Beatles decided that the song should be their next single. Released in the UK on 7 July 1967, it went straight to number one and remained there for three weeks. It was similarly successful in the United States after its release on 17 July, reaching number one for a week.All You Need Is Love was also included on the American LP version of Magical Mystery Tour in November 1967,as well as in the film, and on the LP Yellow Submarine, released in 1969.This song is also featured in Cirque du Soleil's show Love, based on the songs of the Beatle .Ideal for weddings.
$14.99
A Kind Of Magic
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Rock
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Queen
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Roger Taylor
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Lorenzo Bocci
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A Kind Of Magic
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1458381 By Queen. By Roger Taylor. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 119 pages. Lorenzo Bocci #1037363. Publ...
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Concert Band - Level 3 - SKU: A0.1458381 By Queen. By Roger Taylor. Arranged by Lorenzo Bocci. Film/TV,Pop,Rock. 119 pages. Lorenzo Bocci #1037363. Published by Lorenzo Bocci (A0.1458381). A KIND OF MAGIC - performed by Queenfor Concert Band - Grade 3 - Composed by Roger Taylor. Arranged by Lorenzo Bocci. Pop/Rock/Film. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 5'30''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Fingerclicks, Ride Cymbal, Tambourine, Snare Drum), Electric Guitar, Keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.A Kind of Magic is the title track of the 1986 album of the same name by the British rock band Queen. It was written by the band's drummer, Roger Taylor, for the film Highlander and featured as the ending theme. The single reached number three in the UK Singles Chart, top ten in a number of European countries, and #42 on the US Billboard Hot 100. The song is the opening track on the band's compilation albums, Greatest Hits II, and Classic Queen.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
Bring A Torch, Jeanette, Isabella - Guitar Trio
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Various
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Derek Hasted
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Bring A Torch, Jeanette, Isabe
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1279802 By Various. By Traditional. Arranged by Derek Hasted. Christmas,Traditional. 13 pages. Derek Hasted #871251. Publishe...
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Guitar - Level 3 - SKU: A0.1279802 By Various. By Traditional. Arranged by Derek Hasted. Christmas,Traditional. 13 pages. Derek Hasted #871251. Published by Derek Hasted (A0.1279802). BRING A TORCH, JEANETTE, ISABELLA - 3 intermediate Guitars/Large EnsembleFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This charming French carol is arranged here for 3 intermediate guitars (or a larger ensemble).Inspired by my arrangement in the collection “Christmas Crackers Volume 2†(a set of pieces for players with limited experience), this is written for players with more experience - the arrangement is much busier, the sound is fuller, and there’s a need to play music in more than one voice.There’s also a key change to add a sparkle of extra magic, but the tune (on Guitar 1) needs simply to move up two frets and use the same fingering. Fingering is included where it may not be obvious how best to play a section.There are three different textures in the three verses, so that there’s extra interest for players and audience alike.I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$1.99
Experiencing High Volumes for piano triet
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Contemporain
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John Pitts
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Experiencing High Volumes for
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Intensely Pleasant Music
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SheetMusicPlus
Small Ensemble Piano - Level 4 - SKU: A0.890708 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 24 pages. Intensely Pleasant Music #...
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Small Ensemble Piano - Level 4 - SKU: A0.890708 Composed by John Pitts. 20th Century,Contemporary. Score and parts. 24 pages. Intensely Pleasant Music #3424703. Published by Intensely Pleasant Music (A0.890708). Experiencing High Volumes (2014) triet 6 minutes Composed for the Severnside Composers Alliance’s second Three is the Magic Number concerts of contemporary piano triets at the Lantern, Colston Hall, Bristol in 2014, performed by Milena Zhivotovskaya, Rob Broomfield and John Pitts. This is pleasant, relaxing armchair music, which doesn’t actually get particularly loud. I have Francisco Tárrega (1852-1909) to thank for a motif that recurs through the piece – a short section of his Gran Vals, which you may recognise. I have omitted the last note of the original melody, which is actually an octave down from a more familiar version you may know. Before this motif made its way into this piece I had considered a title along the lines of Cycle of Thirds for harmonic reasons which may be obvious. But I put that idea permanently on hold after trying to get through to a utilities company. In retrospect, I should have ensured that the end looped neatly back to the beginning (which sadly it doesn’t quite), so that I could attempt to sell a recording of this piece to businesses for their call waiting music. https://www.youtube.com/watch?v=m4MDdZpWQNA
$6.99
The Seven Joys of Christmas: 5. The Joy of the New Year: New Year Song (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 5
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8736-E Composed by Kirke F. Mechem. Christmas. 4 pages. E. C. Schirmer Music Company - Dig...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8736-E Composed by Kirke F. Mechem. Christmas. 4 pages. E. C. Schirmer Music Company - Digital #8736-E. Published by E. C. Schirmer Music Company - Digital (MQ.8736-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.15
The Seven Joys of Christmas: 7. The Joy of Song: God bless the master of this house (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 7
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8738-E Composed by Kirke F. Mechem. Christmas. 10 pages. E. C. Schirmer Music Company - Di...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8738-E Composed by Kirke F. Mechem. Christmas. 10 pages. E. C. Schirmer Music Company - Digital #8738-E. Published by E. C. Schirmer Music Company - Digital (MQ.8738-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.65
The Seven Joys of Christmas: 2. The Joy of Bells: Din don! merrily on high (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8183-E Composed by Kirke F. Mechem. Christmas. 6 pages. E. C. Schirmer Music Company - Dig...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8183-E Composed by Kirke F. Mechem. Christmas. 6 pages. E. C. Schirmer Music Company - Digital #8183-E. Published by E. C. Schirmer Music Company - Digital (MQ.8183-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.25
The Seven Joys of Christmas: 6. The Joy of Dance: Fum, fum, fum! (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 6
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8737-E Composed by Kirke F. Mechem. Christmas. 8 pages. E. C. Schirmer Music Company - Dig...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8737-E Composed by Kirke F. Mechem. Christmas. 8 pages. E. C. Schirmer Music Company - Digital #8737-E. Published by E. C. Schirmer Music Company - Digital (MQ.8737-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.25
The Seven Joys of Christmas: 4. The Joy of Children: Patapan (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 4
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8735-E Composed by Kirke F. Mechem. Christmas. 11 pages. E. C. Schirmer Music Company - Di...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8735-E Composed by Kirke F. Mechem. Christmas. 11 pages. E. C. Schirmer Music Company - Digital #8735-E. Published by E. C. Schirmer Music Company - Digital (MQ.8735-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.65
The Seven Joys of Christmas: 3. The Joy of Mary: Joseph dearest, Joseph mine (Downloadable Choral Score)
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Chorale SATB
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Noël
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Kirke F
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The Seven Joys of Christmas: 3
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8734-E Composed by Kirke F. Mechem. Christmas. 4 pages. E. C. Schirmer Music Company - Dig...
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SATB choir, with optional piano, harp, or orchestra - SKU: MQ.8734-E Composed by Kirke F. Mechem. Christmas. 4 pages. E. C. Schirmer Music Company - Digital #8734-E. Published by E. C. Schirmer Music Company - Digital (MQ.8734-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!
$2.15
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Don't It Make My Brown Eyes Blue
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Crystal Gayle
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John Fries
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Don't It Make My Brown Eyes Bl
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1410612 By Crystal Gayle. By Richard Leigh. Arranged by John Fries. Country,Pop,Standards. Lead Sheet / Fake Book. 2 pa...
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C Instrument - Level 4 - SKU: A0.1410612 By Crystal Gayle. By Richard Leigh. Arranged by John Fries. Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993032. Published by John Fries (A0.1410612). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Don't It Make My Brown Eyes Blue is a song written by Richard Leigh, and recorded by American country music singer Crystal Gayle. It was released in June 1977 as the first single from Gayle's album We Must Believe in Magic.In a 2004 Country Music Television interview, Gayle stated that Leigh wrote the song because his dog had one brown eye and one blue eye. However, in a 2016 interview, Richard Leigh set the record straight and said that this was not the case. His dog, Amanda, a terrier, had two brown eyes. The song became a worldwide hit single. In the United States, it topped the Billboard country music chart for four weeks, and was Gayle's first (and biggest) crossover pop hit, reaching number 1 on the Cashbox Top 100 for two weeks, and number 2 on the Billboard Hot 100 for three weeks.
$3.99
Mr. Blue Sky
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Electric Light Orchestra
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Brett A Foster (BF Music)
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Mr. Blue Sky
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score and parts. 96 p...
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Full Orchestra - Level 3 - SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score and parts. 96 pages. Brett A Foster #6682945. Published by Brett A Foster (A0.1025683). Mr. Blue Sky is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by front man Jeff Lynne, the song forms the fourth and final track of the Concerto for a Rainy Day suite, on side three of the original double album. Mr. Blue Sky was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.Like the album from which the single was issued, promotional copies were released on blue vinyl. Due to its popularity and frequent use in multiple television shows and movies, it has sometimes been described as the band's signature song. The song has been used in the films , Megamind, Role Models, The Magic Roundabout, Wild Mussels, Eternal Sunshine of the Spotless Mind, Paul Blart: Mall Cop, The Game Plan, Doogal, Martian Child, The Invention of Lying, Guardians of the Galaxy Vol. 2.and Shaun of the Dead.
$79.00
I Want It All
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Queen
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John Deacon, Roger Taylor, Bri
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Lorenzo Bocci
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I Want It All
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1430294 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Lorenzo Bocci. Pop,Rock. 10...
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Concert Band - Level 3 - SKU: A0.1430294 By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by Lorenzo Bocci. Pop,Rock. 105 pages. Lorenzo Bocci #1010936. Published by Lorenzo Bocci (A0.1430294). I WANT IT ALL performed by Queenfor Concert Band - Grade 3 - Composed by John Deacon, Roger Taylor, Brian May, Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'57''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Shaker), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Want It All is a song by British rock band Queen, featured on their 1989 studio album, The Miracle. Written by guitarist and vocalist Brian May (but credited to Queen) it was released as the first single from the album on 2 May 1989. I Want It All reached number three on the singles charts of the United Kingdom, Finland, Ireland and New Zealand, as well as on the US Billboard Album Rock Tracks chart. The song was first played live on 20 April 1992, three years after its release, during The Freddie Mercury Tribute Concert, performed by the three remaining members of Queen, with Roger Daltrey of The Who singing lead vocals and Tony Iommi of Black Sabbath playing rhythm guitar. Freddie Mercury himself never performed the song live, as he died in November 1991 from AIDS at the age of 45, and his final performance with Queen was at the end of The Magic Tour, at Knebworth Park on 9 August 1986. Subscribe to my YouTube Channel to stay updated on new releases.
$99.00
Korsakov: Flight of the Bumblebee for Alto Sax & Piano
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Saxophone Alto et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Roma...
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Alto Saxophone,Piano - Level 5 - SKU: A0.549254 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473685. Published by jmsgu3 (A0.549254). Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Of course, Korsakov intended to portray a bumblebee's chaotic flying pattern musically. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears occasionally in popular culture. The piece appears notably in the opera at the close of Act III, Tableau 1. This is when the magic Swan-Bird changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions- Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite- are essential monuments of the standard music repertoire. Also comparatively very important are his suites and excerpts from his 15 operas. Korsakov used Russian folklore and fairy tales, such as Scheherazade, in his music. Nationalistic Style Like fellow outspoken composer Balakirev, Korsakov believed in creating a nationalistic, Russia-centric style of classical music. The new style was called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic, and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education. He mastered Western methods, incorporating them with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which heightened his orchestration capabilities. Legacy In due time, Korsakov contributed a significant number of Russian nationalist works. He also prepared, occasionally, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers as a music educator. Therefore, music historians consider Korsakov the foremost engineer of what the public considers the Russian composition style. He served as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Saxophone Soprano et Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,R...
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Piano,Soprano Saxophone - Level 5 - SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
Korsakov: Flight of the Bumblebee for Viola & Piano
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Alto, Piano
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AVANCÉ
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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James M
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Korsakov: Flight of the Bumble
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Peri...
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Piano,Viola - Level 5 - SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95
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Three Is A Magic Number
