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Vous avez sélectionné:
Three Palindromes
Partitions à imprimer
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Three Palindromes
Trompette (partie séparée)
Trumpet Solo - Level 5 - Digital Download SKU: A0.1153066 Composed by Matthew Holme…
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Trumpet Solo - Level 5 - Digital Download SKU: A0.1153066 Composed by Matthew Holmes. Chamber,Classical,Contemporary. Individual part. 10 pages. Matthew Holmes #753313. Published by Matthew Holmes (A0.1153066). A set of 3 palindromic movements for C or Bb trumpet. SOLOS - is a fanfaric, rhythmic opener exploring the fascinating shift of metre that happens naturally after the reversal of the dotted rhythms. NOON - is a slow and sustained soliloquy which is a true test of stamina and tone. RACECAR - is a ferociously fast test of tonguing and sustained rhythm spanning the full range of the trumpet. In the middle there is a slight nod to the amusing palindromic title which asks the trumpeter to ghost some notes to give the effect of a car horn. Duration c. 8-10mins.
$10.00
9.18 €
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Trompette (partie séparée)
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Matthew Holmes
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Three Palindromes
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Matthew Holmes
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SheetMusicPlus
Three Miniatures: I. Palindrome
Tuba et Piano
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Tuba - Level 5 - Digital Download …
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Tuba - Level 5 - Digital Download SKU: A0.1007259 Composed by Andy Junttonen. Contemporary. Score and parts. 23 pages. Andrew Junttonen #5197275. Published by Andrew Junttonen (A0.1007259). Three Miniatures was written for the Eastern Standard Composition Competition and was premiered during their Ohio/Pennsylvania 2020 tour.Purchase of one movement comes with the other two, email andyjunttonenmusic@gmail.com.
$14.99
13.76 €
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Tuba et Piano
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Andy Junttonen
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Three Miniatures: I. Palindrome
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Andrew Junttonen
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SheetMusicPlus
Three Riddles
Digital Download SKU: OX.9780193701540 Composed by Richard Causton. Score. 11 pages…
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Digital Download SKU: OX.9780193701540 Composed by Richard Causton. Score. 11 pages. Oxford University Press Digital #9780193701540. Published by Oxford University Press Digital (OX.9780193701540). ISBN 9780193701540.For three-part upper-voice choir. This is a witty and ingenious work, scored for three-part upper voices (either unaccompanied or with instruments doubling the voices). The three riddles each explore ideas of balance and symmetry, whether through the use of canon, inversion, or palindrome, and the result is an intriguing and unusual concert piece.
$3.65
3.35 €
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Richard Causton
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Three Riddles
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Oxford University Press Digital
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SheetMusicPlus
Elegy of Seven (Palindrome), for Viola Alone
Alto seul
Viola Solo - Digital Download SKU: A0.984982 Composed by Hyrum Kohler. Concert,Cont…
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Viola Solo - Digital Download SKU: A0.984982 Composed by Hyrum Kohler. Concert,Contemporary,Standards. Individual part. 2 pages. Hyrum Kohler #6078867. Published by Hyrum Kohler (A0.984982). This work for solo viola is difficult because of its technical demands with false harmonics and high positions of shifting. It is roughly three and a half minutes of music, and the piece would be a fitting recital repertoire or encore. Elegy of Seven is written with only intervals of minor seconds, major sevenths, or compound intervals of the two. It was both an exercise in constrained writing and creative exploration of color.
$4.99
4.58 €
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Alto seul
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Hyrum Kohler
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Elegy of Seven
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Hyrum Kohler
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SheetMusicPlus
Three Chromicons for piano solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon For…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Joseph Dillon Ford. 21st Century, Contemporary Classical, Impressionistic. Score. 22 pages. Published by David Warin Solomons
The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.<br> <br> The sound sample is the live performance.<br> <br> The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).<br> <br> Ford explains the significance of these unique scores:<br> <br> "In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."<br> <br> "By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."<br> <br> "Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."<br> <br> "Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."<br> <br> "Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."<br> <br> Video of Chromicon III<br> https://www.youtube.com/watch?v=VHMw-vzZlGE
$12.00
11.02 €
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Piano seul
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Joseph Dillon Ford
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Three Chromicons for piano solo
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David Warin Solomons
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SheetMusicPlus
Prelude Impressions (for solo piano)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory.…
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Piano Solo - Level 5 - Digital Download SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00
7.35 €
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Piano seul
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
We Take Up the Task Eternal (Downloadable)
Chorale SATB
SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3584-E Co…
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SATB choir (choir divisi) and piano - Medium - Digital Download SKU: MQ.1.3584-E Composed by Michael John Trotta. 19 pages. Galaxy Music Corporation - Digital #1.3584-E. Published by Galaxy Music Corporation - Digital (MQ.1.3584-E). English.Cast in three sections, the music opens with the chorus singing a triumphant call to action. The second section introduces a simple theme which is sung by the upper and the lower voices consecutively. The middle section features the upper and the lower voices in close harmonies musing on the wonder of the stars and planets. A musical palindrome, the work then restates the simple theme, ending with the triumphant call. Part of four Whitman settings, This Is Thy Hour.
$3.15
2.89 €
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Chorale SATB
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Michael John Trotta
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We Take Up the Task Eternal
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Galaxy Music Corporation - Digital
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SheetMusicPlus
Goya for Clarinet & String Quartet (Piano reduction)
Clarinette et Piano
B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salva…
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B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.962432 Composed by Salvador Rojo Gamón. 20th Century,Instructional,Standards. Score and part. 52 pages. Salvador Rojo-Gamon #6429753. Published by Salvador Rojo-Gamon (A0.962432). Goya for Clarinet and String QuartetThis work was Commissioned by Bernardino Assunçao Sales for the Final work Master. I just have finished the process and it is based on the next five Paintings of Goya.Corral de locosVuelo de brujasEl aquejareEl ColosoSaturno devorando a su hijoThe general structure of the workRelationship of movementsThe third is the axis, the form is based on a false mirror where the (original) elements are presented by opposite movement forming a false palindrome.The elements thematic of the movements are related, the elements of the first movement reappear in the fifth movement and the elements of the second movement are related in the fourth.I-VII-IVUse of rhythmicsThe predominant rhythm in the first movement is based on a four-beat measure and in the second movement is based on a three-beat measure. These features are even more present in the fourth and the fifth movement.In the third movement (who does the axis of the work) the primary theme is structured over the ternary measure plus a quaternary measure 3/4 + 4/4 and the secondary theme over a quaternary measure plus a ternary measure 4/4 + 3/4.Program notesFirst MovementCorral de LocosThe first movement starts describing the characters of the painting Corral de Locos. The string represents the sick and the clarinet the keeper.In the first section, the language used is formed on the octatonic scale. The second section represents the feelings of the participants, the feelings of the protagonists are described. Nostalgia, longing for freedom, longing, etc. Second MovementVuelo de Brujas
$20.00
18.37 €
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Clarinette et Piano
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Salvador Rojo Gamón
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Goya for Clarinet & String Quartet
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Salvador Rojo-Gamon
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SheetMusicPlus
Duo for Flute and Oboe
Flûte, Hautbois (duo)
Flute,Instrumental Duet,Oboe - Level 5 - Digital Download SKU: A0.1177047 Composed …
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Flute,Instrumental Duet,Oboe - Level 5 - Digital Download SKU: A0.1177047 Composed by Dan Cook. Chamber,Classical,Contemporary,Contest,Festival,Instructional. 32 pages. Pecan Valley Music #777068. Published by Pecan Valley Music (A0.1177047). DUO is a conversation between two instruments that share many of the same functions within an ensemble, although they each have their own unique qualities that make them invaluable. As with many well-suited pairings of unique individuals, sometimes each member of the DUO speaks the same language but from a different perspective. This is represented musically in the second movement by an extended palindrome. At other times, each member flies right past the other without much consideration. Conversations often remain left open. Hopefully, for the sake of the DUO, frustrations and arguments (represented musically both with strings of monotonous chromaticism and long sighs through the instrument while the other is talking) resolve harmoniously, like in the three-pitch I Love You motive that closes the second movement.
$8.00
7.35 €
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Flûte, Hautbois (duo)
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Dan Cook
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Duo for Flute and Oboe
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Pecan Valley Music
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SheetMusicPlus
Machaut: Rondeau No. 14 "Ma fin est mon commencement" for String Trio
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1254492 Compose…
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String Trio Cello,Viola,Violin - Level 2 - Digital Download SKU: A0.1254492 Composed by Guillaume de Machaut (1300-1377). Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Standards. 14 pages. Jmsgu3 #848073. Published by jmsgu3 (A0.1254492). Ma fin est mon commencement is a rondeau composed by Guillaume de Machaut, a prominent composer and poet of the Medieval period. The poem's translated text reads, My end is my beginning, and my beginning my end. The piece is notable for its musical complexity, with the second voice part being the reverse of the first part and the third being a palindrome. The reversed text and voice names might symbolize a look in a mirror that reflects a favorite image of Machaut. The piece is set in three voices and follows the typical form of a 14th-century rondeau, ABaAabAB. The piece's significance lies in its spiritual meaning, which expresses a truth about life in this world and the next, with death being a gateway to life.
$24.95
22.91 €
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Trio à Cordes: violon, alto, violoncelle
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Guillaume de Machaut
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James M
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Machaut: Rondeau No. 14 "Ma fin est mon commencement" for String Trio
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jmsgu3
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SheetMusicPlus
Machaut: Rondeau No. 14 "Ma fin est mon commencement" for Viola Duo & Cello
String Trio Cello,Viola - Level 2 - Digital Download SKU: A0.1254496 Composed by Gu…
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String Trio Cello,Viola - Level 2 - Digital Download SKU: A0.1254496 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Traditional. 6 pages. Jmsgu3 #848078. Published by jmsgu3 (A0.1254496). Ma fin est mon commencement is a rondeau composed by Guillaume de Machaut, a prominent composer and poet of the Medieval period. The poem's translated text reads My end is my beginning, and my beginning my end. The piece is notable for its musical complexity, with the second voice part being the reverse of the first part, and the third being a palindrome. The reversed text and voice names might symbolize a look in a mirror that reflects a favorite image of Machaut. The piece is set in three voices and follows the typical form of a 14th-century rondeau, ABaAabAB. The significance of the piece lies in its spiritual meaning, which expresses a truth about life in this world as well as in the next, with death being a gateway to life.
$24.95
22.91 €
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Guillaume de Machaut, 1300-1377
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James M
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Machaut: Rondeau No. 14 "Ma fin est mon commencement" for Viola Duo & Cello
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jmsgu3
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SheetMusicPlus
Piano Exercises Made Easy
Piano seul
Composed by Gail Smith. Technique, Theory and Reference. Made Easy. Style. E-book. Mel …
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Composed by Gail Smith. Technique, Theory and Reference. Made Easy. Style. E-book. Mel Bay Publications - Digital Sheet Music #30651EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117822. This book provides the pianist with an amazing assortment of easy, essential exercises. Players of all experience levels can utilize this method; beginners will learn to play music through creative exercises, while advanced pianists can add new exercises to their routines. With this book, you will be able to practice scales and chords without the usual monotony. The exercises focus on three 5-note palindrome patterns (which sound the same forwards and backwards) and are excellent for sight reading. Correct fingering is the key to playing piano with dexterityathis book provides all 120 ways these 5-note patterns can be played, giving you the ability to utilize all ten fingers efficiently across 88 keys.
$9.99
9.17 €
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Piano seul
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Gail Smith
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Piano Exercises Made Easy
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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