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Vous avez sélectionné:
Three Poems of Christina Rossetti
Partitions à imprimer
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Three Poems of Christina Rossetti (Downloadable)
Voix haute
High voice, piano - Moderately Difficult - Digital Download SKU: MQ.8056-E Composed…
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.8056-E Composed by David Conte. 20 pages. E. C. Schirmer Music Company - Digital #8056-E. Published by E. C. Schirmer Music Company - Digital (MQ.8056-E). Christina Rossetti's visionary poetry has a deeply religious quality. Rest describes the soul's journey from physical death to Paradise. Echo describes a passionate attempt to regain a love in dreams that has been lost in reality, and A Hope Carol describes the vigil of a soul who is called to a vision of Paradise and the second coming of Christ.
$12.00
11.23 €
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Voix haute
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David Conte
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Three Poems of Christina Rossetti
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Three Sacred Songs (Soprano, Flute, Piano)
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1229958 Composed by R. Chris…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1229958 Composed by R. Christopher Teichler. 21st Century,Chamber,Christian,Classical,Sacred. Score. 33 pages. R.T. Legacy #825718. Published by R.T. Legacy (A0.1229958). Three settings of poems by Christina Rossetti for Soprano, Flute and Piano. Each text is based on a passage from the New Testament, and explores the emotional depth behind the narratives. I. Consider II. A Prodigal Son III. A Song for All MariesÂ
$18.00
16.84 €
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Piano, Voix
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R
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Three Sacred Songs
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R.T. Legacy
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SheetMusicPlus
Three Christmas Motets
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.872573 Composed by Philip …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.872573 Composed by Philip Orem. Christian,Christmas,Contemporary,Sacred. Octavo. 38 pages. Philip Orem #3431221. Published by Philip Orem (A0.872573). My settings of the Christina Rossetti poems Christmas Eve, Christmas Day and Christmastide for SATB, two violins and cello Easy and tuneful, your choir and congregation will love these, especially if the holiday season has limited your rehearsal time! Also available individually. We're on the honor system here, please buy as many copies as you have performers. Printing more copies than you purchase is a violation of the copyright.String parts are available separately.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website.
$10.00
9.36 €
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Chorale SATB
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Philip Orem
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Three Christmas Motets
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Philip Orem
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SheetMusicPlus
PASSION CANTATA - the Passion of Jesus Christ (Full score)
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1457134 Compos…
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Choral Choir,Choral,SATB Chorus - Level 5 - Digital Download SKU: A0.1457134 Composed by Stephen Keeling. Easter,Religious,Sacred. 162 pages. Stephen Keeling #1036166. Published by Stephen Keeling (A0.1457134). For SATB, Evangelist (Baritone), Christ (Tenor), Flute, Organ, Acoustic Guitar and Percussion (Timpani, Triangle and Tambourine). It is in three parts - Part 1 Christ's Coming and Maundy Thursday, Part 2 Crucifixion, Part 3 Resurrection. The mp3 plays back the first part using a sound library. I have always wanted to write a Passion piece. The piece is a 33 minute hybrid choral cantata with musical theatre overtones and folk music sections with words I’ve selected from St Luke’s Gospel as well as two lovely Christina Rossetti poems plus a new folk setting I’ve done of There is a Green Hill Far Away.
$5.00
4.68 €
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Chorale SATB
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Stephen Keeling
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PASSION CANTATA - the Passion of Jesus Christ
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Stephen Keeling
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SheetMusicPlus
The Love Which Makes Us One
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1031983 Composed by Gloria Cangahuala. A Cappella,Contemporary. Octavo. 10 pages. Published by Gloria Cangahuala #5713427. Published by Published by Gloria Cangahuala (A0.1031983). The Love Which Makes Us One is a composition for SATB choir with piano accompaniment. It is based on a sonnet by Christina Rossetti (1830-1894) entitled I loved you first: but afterwards your love from her Monna Innominata, a series of 14 sonnets. I loved you first: but afterwards your love is one of Rossetti’s love poems; it simply yet profoundly expresses the existence of love as being made possible only through the complete melding of two people as one entity.The Love Which Makes Us One is best suited for advanced intermediate to professional level choirs. Competitive high school and college choirs should be able to manage it. The piece involves continuous two-against-three rhythms with the choir vs. piano. In addition, there is one extended a capella section that requires the choir to stay on pitch for the piano re-entry. Tenors need to be able to sing the G above middle C, and basses need to be able to sing the F below C3.Duration: 5:40World premiere performance by Freudig Singers of Western New York on March 7, 2020, Buffalo, NY.(Please note that the mp3 file associated with this listing is a midi rendering only. No lyrics are used, although the vocal parts are sung.)
$2.99
2.8 €
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Chorale SATB
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Gloria Cangahuala
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The Love Which Makes Us One
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Gloria Cangahuala #5713427.
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.27 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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