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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Thumb Melody 4
Non classifié
5
Piano & claviers
Piano seul
18
Piano Facile
12
1 Piano, 4 mains
1
Piano, Voix
1
Orgue
1
Guitares
Guitare
14
Guitare notes et tablatures
4
Voix
Chorale SATB
1
Voix duo
1
Vents
Clarinette et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Cuivres
Cordes
Harpe
8
2 Harpes (duo)
2
4 Violoncelles
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Violoncelle
2
2 Contrebasses (duo)
1
Violon, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Cloches
21
Orchestre d'harmonie
2
Orchestre
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Thumb Melody 4
Partitions à imprimer
103 partitions trouvées
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101
Thumb Melody 4
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Piano seul
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Cristiano Vecchi
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Thumb Melody 4
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - SKU: A0.963247 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3884969. Published by Crist...
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Piano Solo - SKU: A0.963247 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3884969. Published by Cristiano Vecchi (A0.963247). A very useful exercise to handle polyphony on the left hand, trying to get the best legato only with the thumb by fast movements, while the right hand should improvise a more decorative pattern in a further level of practice.The simple voicing on the left hand should be played very lightly but exactly.Twelve trasposition for a complete practice.
$1.99
Thumb Melody 3
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Piano seul
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Cristiano Vecchi
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Thumb Melody 3
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - SKU: A0.963249 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3877791. Published by Crist...
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Piano Solo - SKU: A0.963249 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3877791. Published by Cristiano Vecchi (A0.963249). A very useful exercise to handle polyphony on the left hand, trying to get the best legato only with the thumb by fast movements, while the right hand should improvise a more decorative pattern in a further level of practice.The simple voicing on the left hand should be played very lightly but exactly.Twelve trasposition for a complete practice.
$1.99
Thumb Melody 2
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Piano seul
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FACILE
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Cristiano Vecchi
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Thumb Melody 2
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.963245 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3877399. Publishe...
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Piano Solo - Level 2 - SKU: A0.963245 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3877399. Published by Cristiano Vecchi (A0.963245). A very useful exercise to handle polyphony on the left hand, trying to get the best legato only with the thumb by fast movements, while the right hand should improvise a more decorative pattern in a further level of practice.The simple voicing on the left hand should be played very lightly but exactly.Twelve trasposition for a complete practice.
$1.99
Thumb Melody 5
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Piano seul
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INTERMÉDIAIRE
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Cristiano Vecchi
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Thumb Melody 5
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.963248 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3885599. Publishe...
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Piano Solo - Level 3 - SKU: A0.963248 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3885599. Published by Cristiano Vecchi (A0.963248). A very useful exercise to handle polyphony on the left hand, trying to get the best legato only with the thumb by fast movements, while the right hand should improvise a more decorative pattern in a further level of practice.The simple voicing on the left hand should be played very lightly but exactly.Twelve trasposition for a complete practice.
$1.99
Thumb Melody 1
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Piano seul
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FACILE
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Cristiano Vecchi
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Thumb Melody 1
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Cristiano Vecchi
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.963246 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3875031. Publishe...
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Piano Solo - Level 2 - SKU: A0.963246 Composed by Cristiano Vecchi. 20th Century,Instructional,Jazz. Score. 4 pages. Cristiano Vecchi #3875031. Published by Cristiano Vecchi (A0.963246). A very useful exercise to handle polyphony on the left hand, trying to get the best legato only with the thumb by fast movements, while the right hand should improvise a more decorative pattern in a further level of practice. The simple voicing on the left hand should be played very lightly but exactly.Twelve trasposition for a complete practice.
$1.99
Two Russian Classics; Rubenstein Melody in F - Leschtizsky Consolation Op.19 No.6
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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A
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Michael Bomier
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unnecessarily, in our view
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Two Russian Classics; Rubenste
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.862658 Composed by A. Rubenstein, T. Leschitizsky. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Stan...
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Piano Solo - Level 4 - SKU: A0.862658 Composed by A. Rubenstein, T. Leschitizsky. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 7 pages. Michael Butkus-Bomier #3603237. Published by Michael Butkus-Bomier (A0.862658). Melody in F has been around as a so-called light classical piece since its famed composer made his US tour at the end of the 19th century. In its original form the tune was passed from hand to hand; unnecessarily, in our view. This setting has the tune ALL in the RH, where the in-between chords are as well. Anton, with his massive Russian hand, had no trouble using 10ths freely as accompaniment, whilst finding a thumb for the tune, once in awhile. We think Normal Humans might not like that quite so much. The LH can be arpeggiated freely by anyone without a comfortable 10th, which is to say, me and most of the rest of us, eh! The Leschtizsky Consolation, also in F, uses the same kind of RH thumb-tune, with chords above interspersed on the off-beats, just as his students' piece uses. Yes, he taught Rubenstein. These pieces both are predecessors of Rachmaninoff's harmonically-based compositions, where the tune and the harmony are a single unified entity.This music has a place for students and aspiring artists who want to know how the modern Russian School was formed. Melody notes are clearly double-stemmed, and harmony is spelled clearly so the harmonic progression is easily defined. MP3 file has Melody, then Consolation. MBB .
$2.99
HARPING THROUGH PACHELBEL’S CANON - a comprehensive method for the harp - VOL. 4 MISCELLANEA
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Harpe
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INTERMÉDIAIRE
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Alessandro Palazzani
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Melody - 10
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HARPING THROUGH PACHELBEL&rsqu
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A work by Alessandro Palazzani
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SheetMusicPlus
Pedal Harp - Level 3 - SKU: A0.1319588 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 252 pages. A work b...
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Pedal Harp - Level 3 - SKU: A0.1319588 Composed by Alessandro Palazzani. Baroque,Instructional,Standards,Traditional,Wedding. Score. 252 pages. A work by Alessandro Palazzani #908147. Published by A work by Alessandro Palazzani (A0.1319588). Alessandro Palazzani:HARPING THROUGH PACHELBEL’S CANON a comprehensive method for the harp Vol. 4 MISCELLANEAOver 770 technical exercises based on Pachelbel’s Canon harmonic progression collected in four volumes ordered by level of difficulty  and containing all the topics of harp techniqueFOR EVERY KIND OF HARP This book has been written with the intention of providing harpists with a valuable study tool, combining what is useful but often not enjoyable (technical exercises) with what everyone loves to play (Pachelbel's Canon in D).We are so proud to present to you this extensive collection of over 770 exercises based on the harmony of Pachelbel's Canon. These exercises cover all aspects of playing the harp and are published in four volumes the first three are organized into three difficulty levels (basic, intermediate, and advanced). In each volume, thirteen different topics are explored, each with three levels of complexity. The fourth volume (miscellanea) completes the range of subjects with ten additional chapters.Vol. 1 BASIC LEVEL - Vol. 2 INTERMEDIATE LEVEL - Vol. 3 ADVANCED LEVELTopics of each volume 1. Articulation - 2. Scales - 3. Slides - 4. Glissandos - 5. Parallel Intervals - 6. Chords - 7. Arpeggios - 8. Batteries - 9. Thumb Extension & Melody - 10. Harmonics - 11. Mufflings - 12. Cross Fingering - 13. Trills, Tremolos & BisbigliandoVol. 4 MISCELLANEATopics of vol. 4 1. Ornaments - 2. Timbral Alterations - 3. Polyrythms - 4. Accompaniment Patterns  - 5. Polyphony - 6. Lever Changes - 7. Pedal Changes - 8. Various Etudes - 9. Warm-up Routine - 10. Pachelbel’s CanonWe hope that this work can become a reference point in your daily practice and warm-up routine, making even those moments in your practice session that are often dry and musically uninteresting more enjoyable and satisfying.
$35.00
An Irish Melody - HB Score
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Cloches
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FACILE
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Noël
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Margaret R Tucker
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An Irish Melody - HB Score
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB289 Composed by Margaret R Tucker. Christmas. With 3 octaves handchimes, SATB. Score. 8 pages. Chori...
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3, 4, or 5 octaves handbells - Level 2 - SKU: C7.CGB289 Composed by Margaret R Tucker. Christmas. With 3 octaves handchimes, SATB. Score. 8 pages. Chorister's Guild - Digital #CGB289. Published by Chorister's Guild - Digital (C7.CGB289). UPC: 749193008003.Divertimento No. 3 in E-Flat Major is said to have been written by Mozart when he was only seventeen years old. This Allegro (the final movement)was originally scored for oboes, clarinets, English Horns, Horns in Eb, and Bassoons. Filled with life and energy, the work has many phrases, which quickly alternate between rung notes and staccato notes and can be thumb damped, plucked, or played with mallets. This piece should be rung at a brisk tempo, cleanly damped, and have the clarity and lightness typical of Mozart's early writing. Achieving this will make the piece more difficult than it may first appear. Those familiar with MozartAEs The Sleigh Ride and his Alleluia from EXSULTATE JUBILATE, will be able to hear elements of both in this delightful piece.
$4.50
Danny Boy (Londonderry Air) - intermediate/advanced cello quartet (four cellos)
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4 Violoncelles
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Irish Melody
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Yellow Cello Music
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Danny Boy
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Yellow Cello Music
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SheetMusicPlus
Cello quartet, four cellos - Intermediate - Digital Download Composed by Traditional Irish Melody. Arranged by Yellow Cello Music. European, Old- time...
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Cello quartet, four cellos - Intermediate - Digital Download Composed by Traditional Irish Melody. Arranged by Yellow Cello Music. European, Old- time. Score, Set of Parts. 6 pages. Published by Yellow Cello Music
One of the most beautiful songs ever written! All of the parts are very interesting, with lots of moving lines in the accompaniment. Cello 1 has the solo.
Cello 1 - tenor and treble clef, into thumb position
Cello 2 - bass clef only, up to fourth position
Cello 3 - bass clef only, up to third position
Cello 4 - bass clef only, first position only. Suitable for an advanced beginner with good counting skills (each part is rhythmically independent from the other parts)
Includes full score and all parts
$2.99
Coming to a Close (Level 4 piano solo)
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Piano seul
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AVANCÉ
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Rhonda Bradley
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Coming to a Close
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Miss Rhonda’s Piano Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Musi...
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Piano Solo - Level 5 - SKU: A0.876864 Composed by Rhonda Bradley. 20th Century,Contemporary,New Age,Pop. Score. 5 pages. Miss Rhonda’s Piano Music #2907497. Published by Miss Rhonda’s Piano Music (A0.876864). Coming to a Close from the piano solo CD Where Everything is MusicAdvanced piano solo by Rhonda Bradley5 pages (including cover)This crowd-pleaser is worth every moment of your efforts because you'll continue playing it for a lifetime. Built on a strong and unforgettable melody, this song shines thanks to its' backdrop of busy and relentless harmony in the key of C minor. It's a combination of the Baroque, Classical, and New Age genres that never fails to stop passersby from asking What song is that?This piece does not include finger numbers but instead leaves them up to the choice of the performer. There are a handful of finger numbers written into the first two measures as a suggestion.Please check out the MP3 sample above -- it's listed just below the smaller thumbnail underneath the words look inside.Tips for learning this piece:- Write in the finger numbers as you choose them. Determining which finger numbers you'll use is the greatest challenge.- Memorize as you go. It won't be possible to read and perform this song at a professional level. Your hands will be all over the keyboard and you'll need your eyes to be there, too!Please let me know if there's any way I can help you in learning this piece. Enjoy!
$3.99
Across the Border - Scottish Border Tunes for Cello Quartet
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4 Violoncelles
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INTERMÉDIAIRE
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Anon Folk Tunes
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Karen E McAulay
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Across the Border - Scottish B
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Dr Karen E McAulay
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SheetMusicPlus
String Quartet Cello,String Quartet - Level 3 - SKU: A0.984246 Composed by Anon Folk Tunes. Arranged by Karen E McAulay. 20th Century,Folk. 16 pages. Dr...
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String Quartet Cello,String Quartet - Level 3 - SKU: A0.984246 Composed by Anon Folk Tunes. Arranged by Karen E McAulay. 20th Century,Folk. 16 pages. Dr Karen E McAulay #3675569. Published by Dr Karen E McAulay (A0.984246). Evoke the sounds of the Scottish Borders, the smallpipes (bagpipes) and Border Ballads, all on cello quartet. This is one of my favourite arrangements - 12 minutes of music with repeats. Songs: I saw my love come passing by (Northumbrian Minstrelsie); Noble Squire Dacre (Northumbrian Minstrelsie and named in Walter Scott's The Lay of the Last Minstrel); Gloomy Winter's now awa' (Scottish borders); My love is like a red, red rose; Jock o' Hazeldean (another Borders melody).
$20.00
We Three Kings of Orient Are (piano duet)
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1 Piano, 4 mains
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DÉBUTANT
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Noël
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John Henry Hopkins Jr
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Wendy Hellmann
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We Three Kings of Orient Are
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Gwendolyn Hellmann
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.945368 Composed by John Henry Hopkins Jr. Arranged by Wendy Hellmann. Christmas. Score and...
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Instrumental Duet Instrumental Duet,Piano - Level 1 - SKU: A0.945368 Composed by John Henry Hopkins Jr. Arranged by Wendy Hellmann. Christmas. Score and parts. 4 pages. Gwendolyn Hellmann #6567553. Published by Gwendolyn Hellmann (A0.945368). This duet arrangement of We Three Kings is perfect for the intermediate beginner. Written with one sharp in the key signature, the primo part plays the melody with thumbs sharing G. The B section has simple harmonies with the left hand. The secondo part is suitable for an intermediate player or teacher.The PDF score contains both the full score and individual parts. Each individual part is formatted on one page.
$4.99
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Piano Facile
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DÉBUTANT
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Jolea Jensen
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Arr
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Play in Harmony in 12 Major Ke
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Jolea Jensen
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,Wor...
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Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Žūžū, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00
What Shall We Give? : Duet or Trio with Chord and Strum/Fingerpicking Indications (Easy Ukulele Chor
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Voix duo
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DÉBUTANT
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Traditional
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M
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G7
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What Shall We Give? : Duet or
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Vocal Works
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SheetMusicPlus
Voice Duet Voice - Level 1 - SKU: A0.741994 Composed by Traditional. Arranged by M. Ryan Taylor. Children,Christmas,Folk,World. 1 pages. Vocal Works #35...
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Voice Duet Voice - Level 1 - SKU: A0.741994 Composed by Traditional. Arranged by M. Ryan Taylor. Children,Christmas,Folk,World. 1 pages. Vocal Works #3513943. Published by Vocal Works (A0.741994). A Catalonian carol with additional lyrics by the arranger, M. Ryan Taylor.A suggested arrangement of the song ...First verse: Solo or Unison singing on the melody.Second verse: Add the harmony part below the melody.Third verse: Add the descant to the other two parts.This is also a two-chord song with the easy ukulele chords C & G7.The indicated strum/fingerpicking indications for ukulele are optional.Î PV = Downstroke, Thumbstroke, Upstroke324142 = A fingerpicking pattern accomplished with the Thumb and Index fingers ... string 3 with the thumb, string 2 with the index, string 4 with the thumb, string 1 with the index, string 4 with the thumb and string 2 with index. This pattern follows a stead sixteenth note rhythm, and thus it happens twice in one measure.3 12 4 = A fingerpicking pattern accomplished with the Thumb, Index and Middle fingers, following an eighth note rhythm, so the pattern happens twice per measure ... the thumb plucks string 3, the index and middle fingers then plucks strings 1 & 2 simultaneously, and then the thumb plucks string 4.
$4.79
Easy Concert Pieces
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Piano Facile
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FACILE
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Classique
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Easy Concert Pieces
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Schott Music - Digital
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SheetMusicPlus
Piano - easy - Digital Download 41 Easy Pieces from 4 Centuries. This edition: Sheet music. Unterricht, Konzert, Piano. Easy Concert Pieces. Download...
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Piano - easy - Digital Download 41 Easy Pieces from 4 Centuries. This edition: Sheet music. Unterricht, Konzert, Piano. Easy Concert Pieces. Downloadable. Op. 3. Schott Music - Digital #Q49449. Published by Schott Music - Digital
The Easy Concert Pieces series by the experienced piano teacher Monika Twelsiek presents easy piano pieces for beginners in progressive order. Three volumes have already been published. .
These pieces are intended to complement a piano tutorial method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. .
Volume 3 is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. .
Also available:
Volume 1 (ED 22547) is meant for beginners. The pieces span a single octave and stay within five-finger positions. Other criteria for the selection of the pieces are simple rhythms and very easy chord playing. Crossing the thumb under, polyphony and pedal are not required yet. .
Volume 2 (ED 22548) extends the range to two octaves. Hand turns (crossing the thumb under), pedal, simple polyphony and three- or four-part chords all feature in Volume 2, as do simple ornaments, playing cantabile and differentiating between melody and accompaniment.
$16.99
Alleluia!
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Cloches
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FACILE
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Musique Sacrée
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J
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Alleluia!
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, or 5 octaves handbells - Level 2+ - SKU: C7.CGB928 Composed by J. Wayne Kerr. General, Easter. Score. 8 pages. Chorister's Guild - Digit...
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3, 4, or 5 octaves handbells - Level 2+ - SKU: C7.CGB928 Composed by J. Wayne Kerr. General, Easter. Score. 8 pages. Chorister's Guild - Digital #CGB928. Published by Chorister's Guild - Digital
The memorable melody of Springs of Joy consists of 8th note arpeggios, supported by waltz bass and intruiging harmonic shifts. The B section offers a new key, an equally-compelling melody in the bass, and thumb-damped chords in the treble. Reminiscent of a Chopin waltz, the open scoring of Springs of Joy will challenge your ringers to play the melody smoothly, and it is perfect as an uplifting moment in worship or a sprightly addition to concert or festival repertoire. A smaller ensemble (8 ringers on 3 oct. or 9 ringers on 5 oct.) might welcome the challenge of ringing paired 8th notes (a performance concept taught by both Kathleen Wissinger and Carlos J. Avila Baez at conferences); instructions for this method are included in the score. This light-hearted, original piece is dedicated to Carlos for his inspiration.
$4.50
The Sun, Whose Rays are All Ablaze (Act II - The Mikado)
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Arthur Seymore Sullivan
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James G
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The Sun, Whose Rays are All Ab
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James G.R. Campbell
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SheetMusicPlus
Organ - Advanced Intermediate - Composed by Arthur Seymore Sullivan. Arranged by James G.R. Campbell. Opera, Recital. Score, Sheet Music Single. 4 p...
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Organ - Advanced Intermediate - Composed by Arthur Seymore Sullivan. Arranged by James G.R. Campbell. Opera, Recital. Score, Sheet Music Single. 4 pages. Published by James G.R. Campbell
The Sun, Whose Rays are All Ablaze
Soprano Aria from Act II of "The Mikado" W.S. Gilbert & A.S. Sullivan
An organ arrangement of the famous solo from the opening of the second act of Gilbert and Sullivan's opera "The Mikado".
Although it looks like a simple setting there are one or two finger traps that the organist should be careful not to fall into. Especially when asked to thumb down a melody or to hold notes over on another keyboard. This arrangement is best suited to organs with 3 or more manuals, although, it can be played effectively on two by doctoring of the values of some of the held notes.
$5.00
O Merry Row the Bonnie Bark. Ballad
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Piano, Voix
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John Parry
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O Merry Row the Bonnie Bark. B
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.1937 Composed by John Parry. Courtship, Love, Boats, Waterfronts, Storms, Homecomings. Lester S. Levy Collection. 4 pages. Pub...
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Piano and voice - SKU: LV.1937 Composed by John Parry. Courtship, Love, Boats, Waterfronts, Storms, Homecomings. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.1937). O Merry Row the Bonnie Bark. Ballad. Founded on an Ancient Northumbrian Melody. The Words Chiefly Written and the Music partly Composed by John Parry. Published [n.d.] by John G. Klemm in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Boats, Waterfronts, Storms, Homecomings. First line reads O! merry row, O! merry row the bonnie bonnie Bark.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
Jesus, Joy of Man's Desiring
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individ...
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Solo Guitar - Level 4 - SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Silent Night: From Austria to Africa
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Richard Hirsch
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Silent Night: From Austria to
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditio...
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Solo Guitar - Level 4 - SKU: A0.1153109 Composed by Franz Xaver Gruber. Arranged by Richard Hirsch. Christmas,Multicultural,Religious,Standards,Traditional,World. Individual part. 8 pages. Richard Hirsch #753352. Published by Richard Hirsch (A0.1153109). An arrangement for solo guitar of the all-time favourite Christmas carol composed by Franz Gruber. The arrangement starts with an introduction of the melody in arpeggios of natural harmonics and moves into broken chords mixed with arpeggios for the first rendering of the song in 6/8 time. In the second part, at the shift to 4/4 time, the melody is rendered in an African inspired version with natural harmonics reminiscent of tunes played on an African kalimba (thumb harp) woven into the broken chords and arpeggios. As the speed increases, and the volume decreases, the arrangement moves steadily toward a total kalimba version. I like to think of the first part of the arrangement as symbolising a night in the little Austrian village where Gruber lived and composed the song. The natural harmonics and base notes and treble notes on open strings denoting the village chapel bells ringing on Christmas Eve. The second part tries to give a feel for how the melody can stand as a symbol of our common human origins in Africa, celebrating the birth and unity of humanity. The arrangement is within reach of intermediate to advanced students of guitar and is a good introduction to natural harmonics on the twelfth, seventh, and fifth frets. The African inspired polyrhythm fingerpicking in the second part consists basically of the thumb alternating with the index and middle fingers in a repetitive cycle. The second part is notated in 4/4 time, but can perhaps be more easily be read and played as 8/8 time, as practically everything, especially towards the end of the arrangement consists of eight notes. The polyrhythmic second part should have an accent on the downbeat of the first beat of the measure followed by an accent at 3and (an upbeat), just before the fourth and final beat of the measure. Reading the four part harmony of the score may at first present a challenge but if played basically as eight notes followed by eight notes everything should come out right in the end. Refer to the mp3 version provided with the score if in doubt. I do not mark the natural harmonics explicitly in the tablature, there are simply too many of them. The diamond shaped notes in the notation denoting harmonics are found directly above the corresponding fingerings in the tablature. It has been a real joy to work with this arrangement of the song and I hope it brings joy to others in playing it, giving new life to the traditional melody.
$4.99
Patios de Córdoba
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Guitare
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FACILE
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individu...
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Solo Guitar - Level 2 - SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
All My Loving
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Piano Facile
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DÉBUTANT
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Rock
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The Beatles
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Sandra Lynch
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All My Loving
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Sandra Lynch
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1364519 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sandra Lynch. 20th Century,Folk,Pop,Rock,Standards...
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Easy Piano - Level 1 - SKU: A0.1364519 By The Beatles. By John Lennon and Paul McCartney. Arranged by Sandra Lynch. 20th Century,Folk,Pop,Rock,Standards. Score. 4 pages. Sandra Lynch #948811. Published by Sandra Lynch (A0.1364519). One of the many famous songs by John Lennon and Paul McCartney, All My Loving is a fabulous introduction to piano and guitar duet. Chord indications and lyrics included.Arranged for Easy Piano, it is associated with a lesson from the https://pianosparkmethod.com/ 2nd over thumb, thumb under 2nd and is a challenge for those ready for it as it also includes 'thumb under 3rd' in RH, plus LOTS of moving around!Challenge yourself, enjoy playing in a group. If you have a singer and guitarist, you won't need the RH melody except to fill in the gaps, you'll know where!HAVE FUN XX.
$4.99
What A Wonderful World
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Guitare
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INTERMÉDIAIRE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural...
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Solo Guitar - Level 3 - SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
My Cherie Amour
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Stevie Wonder
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David Ritsema
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My Cherie Amour
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David Ritsema
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1367969 By Stevie Wonder. By Henry Cosby, Stevie Wonder, and Sylvia Moy. Arranged by David Ritsema. Pop,R & B,Soul,Standards....
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Guitar - Level 4 - SKU: A0.1367969 By Stevie Wonder. By Henry Cosby, Stevie Wonder, and Sylvia Moy. Arranged by David Ritsema. Pop,R & B,Soul,Standards. 17 pages. David Ritsema #952346. Published by David Ritsema (A0.1367969). The arrangement here is for four guitars (classical, or electric), with the 4th part tuning the 6th string to D. The first verse offers laid-back arrangements for Guitars 2 and 3 with Guitar 4 driving the bass rhythm. Verse two introduces more rhythmic movement. At letter E, the modulation from A major to Bb major is only one of the changes keeping the energy going. The melody is now played by Guitar 4, and in octaves a la Wes Montgomery, although they may be more easily played with the thumb and middle finger rather than a single down stroke of the thumb. Guitar 3 takes over the bass line duties. And Guitars 1 and 2 channel “Mr. Sandman†by the Chordettes with ascending and falling arpeggios. So everyone has some fun in this arrangement.The original recording featured brass and strings, which are difficult to translate to an acoustic guitar arrangement. But the cascading endings of each verse, bring some of that authenticity to the overall experience.
$24.99
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