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--INSTRUMENTS--
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Thy sake
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Clavecin
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
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Vous avez sélectionné:
Thy sake
Partitions à imprimer
31 partitions trouvées
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26
Thy sake
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Clavecin
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DÉBUTANT
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Musique Sacrée
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Christian contemporain
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Edigles Guedes
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Thy sake
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Edigles Guedes
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SheetMusicPlus
Harpsichord - Level 1 - SKU: A0.1102382 Composed by Edigles Guedes. Baroque,Christian,Contemporary,Praise & Worship,Spiritual. Score. 3 pages. Edigles G...
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Harpsichord - Level 1 - SKU: A0.1102382 Composed by Edigles Guedes. Baroque,Christian,Contemporary,Praise & Worship,Spiritual. Score. 3 pages. Edigles Guedes #705789. Published by Edigles Guedes (A0.1102382). This song is a study in Baroque music. It is ideal for easy level harpsichord students. Inspired by the Bible verse: “And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life;†(Genesis 3:17 – KJV) Duration of work: 1:41 min.
$3.99
Thy life
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Clavecin
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INTERMÉDIAIRE
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Edigles Guedes
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Thy life
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Edigles Guedes
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SheetMusicPlus
Harpsichord - Level 3 - SKU: A0.1104576 Composed by Edigles Guedes. Baroque,Christian,Instructional,Praise & Worship,Spiritual. Score. 4 pages. Edigles ...
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Harpsichord - Level 3 - SKU: A0.1104576 Composed by Edigles Guedes. Baroque,Christian,Instructional,Praise & Worship,Spiritual. Score. 4 pages. Edigles Guedes #707798. Published by Edigles Guedes (A0.1104576). This song is a study in Baroque music. It is ideal for intermediate level harpsichord students. Inspired by the Bible verse: “And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life;†(Genesis 3:17 – KJV) Duration of work: 2:01 min.
$4.99
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
I'll Never Leave You Nor Forsake You
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Piano, Voix
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INTERMÉDIAIRE
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Musique Sacrée
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Heather Grace Spencer
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I'll Never Leave You Nor Forsa
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Heather Grace Spencer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1263095 Composed by Heather Grace Spencer. Christian,Praise & Worship,Religious,Sacred,Singer/Songwriter. Score. 7...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1263095 Composed by Heather Grace Spencer. Christian,Praise & Worship,Religious,Sacred,Singer/Songwriter. Score. 7 pages. Heather Grace Spencer #855616. Published by Heather Grace Spencer (A0.1263095). An original composition for solo voice with piano accompaniment, I'll Never Leave You Nor Forsake You is based off of several Scripture references (e.g., Hebrews 13:5, John 10:28, Joshua 1:9, and 2 Timothy 2:13) regarding God's continual presence to comfort the soul.
$2.00
Lord, for thy tender mercy's sake
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Chorale SATB
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Musique Sacrée
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John Hilton and Richard Farran
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Lord, for thy tender mercy's s
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Oxford University Press Digital
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SheetMusicPlus
SATB choir with optional organ - SKU: OX.9780193706941 Composed by John Hilton and Richard Farrant. Edited by John Rutter. Oxford Choral Classics Octavo...
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SATB choir with optional organ - SKU: OX.9780193706941 Composed by John Hilton and Richard Farrant. Edited by John Rutter. Oxford Choral Classics Octavos. Octavo. 4 pages. Oxford University Press Digital #9780193706941. Published by Oxford University Press Digital (OX.9780193706941). ISBN 9780193706941.For SATB choir with optional organ. One of the simplest and best-loved of 16th-century anthems.
$2.85
Lord, for Thy Tender Mercy's Sake
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Chorale 3 parties
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INTERMÉDIAIRE
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Richard Farrant
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W
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Lord, for Thy Tender Mercy's S
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Wilhelm Schmidt
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.806548 Composed by Richard Farrant. Arranged by W. F. Schmidt. Easter,Renaissance,Sacred,Standards. Octavo. 7 pag...
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Choral Choir (SAB) - Level 3 - SKU: A0.806548 Composed by Richard Farrant. Arranged by W. F. Schmidt. Easter,Renaissance,Sacred,Standards. Octavo. 7 pages. Wilhelm Schmidt #4285459. Published by Wilhelm Schmidt (A0.806548). An SAB version of Richard Farrant's beloved anthem. There is a nice balance between the homophonic and contrapuntal sections. This arrangement is not too difficult and should be very accessible to most choirs.
$2.00
Lord, For Thy Tender Mercy's Sake (Downloadable)
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Chorale SATB
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INTERMÉDIAIRE
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Kevin Uppercue
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Lord, For Thy Tender Mercy's S
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir and organ - Medium - SKU: MQ.8462-E Composed by Kevin Uppercue. Holy Week/Three Days, Lent, 21st Century, Confession/Forgiveness, Prayer. Oct...
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SATB choir and organ - Medium - SKU: MQ.8462-E Composed by Kevin Uppercue. Holy Week/Three Days, Lent, 21st Century, Confession/Forgiveness, Prayer. Octavo. 8 pages. E. C. Schirmer Music Company - Digital #8462-E. Published by E. C. Schirmer Music Company - Digital (MQ.8462-E). UPC: 600313484629. English.A modern setting of the well-known and pensive text from Lidley’s Prayers. The overall mood is plaintive and atmospheric, with dissonant and distinct harmonies throughout, portraying the penitent and modestly hopeful nature of the prayer. Duration: 2:00.
$2.25
Lord, For Thy Tender Mercies' Sake (Downloadable)
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Chorale 2 parties
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Henry Clough-Leighter and Rich
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Lord, For Thy Tender Mercies'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
2-part treble voices (SA), keyboard (organ or piano) - SKU: MQ.1013-E Composed by Henry Clough-Leighter and Richard Farrant. Lent. 4 pages. E. C. Schirm...
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2-part treble voices (SA), keyboard (organ or piano) - SKU: MQ.1013-E Composed by Henry Clough-Leighter and Richard Farrant. Lent. 4 pages. E. C. Schirmer Music Company - Digital #1013-E. Published by E. C. Schirmer Music Company - Digital (MQ.1013-E).
$2.15
Lord, For Thy Tender Mercies' Sake (Downloadable)
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Chorale SATB
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Musique Sacrée
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Archibald T
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Lord, For Thy Tender Mercies'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir unaccompanied, optional organ - SKU: MQ.0374-E Composed by Archibald T. Davison and Richard Farrant. Ash Wednesday, Lent. 4 pages. E. C. Schi...
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SATB choir unaccompanied, optional organ - SKU: MQ.0374-E Composed by Archibald T. Davison and Richard Farrant. Ash Wednesday, Lent. 4 pages. E. C. Schirmer Music Company - Digital #0374-E. Published by E. C. Schirmer Music Company - Digital (MQ.0374-E). Psalms 25.
$2.15
Lord, For Thy Tender Mercies' Sake (Downloadable)
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Chorale TTBB
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Lowell P
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Lord, For Thy Tender Mercies'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir (a cappella) - SKU: MQ.2197-E Composed by Lowell P. Beveridge and Richard Farrant. Lent. 7 pages. E. C. Schirmer Music Company - Digital #219...
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TTBB choir (a cappella) - SKU: MQ.2197-E Composed by Lowell P. Beveridge and Richard Farrant. Lent. 7 pages. E. C. Schirmer Music Company - Digital #2197-E. Published by E. C. Schirmer Music Company - Digital (MQ.2197-E).
$2.25
Lord, For Thy Tender Mercies' Sake (Downloadable)
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Chorale 3 parties
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Homer Whitford and Richard Far
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Lord, For Thy Tender Mercies'
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SSA choir (a cappella) - SKU: MQ.1890-E Composed by Homer Whitford and Richard Farrant. Lent. 5 pages. E. C. Schirmer Music Company - Digital #1890-E. P...
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SSA choir (a cappella) - SKU: MQ.1890-E Composed by Homer Whitford and Richard Farrant. Lent. 5 pages. E. C. Schirmer Music Company - Digital #1890-E. Published by E. C. Schirmer Music Company - Digital (MQ.1890-E).
$2.15
Lord For Thy Tender Mercy's Sake A Cappella SATB
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Chorale SATB
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INTERMÉDIAIRE
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Richard Farrant
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Edited by Andrew Emmet
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Lord For Thy Tender Mercy's Sa
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Andrew J Emmet
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.718859 Composed by Richard Farrant (ca.1530 - 1580). Arranged by Edited by Andrew Emmet. A Cappella,Chris...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.718859 Composed by Richard Farrant (ca.1530 - 1580). Arranged by Edited by Andrew Emmet. A Cappella,Christian,Renaissance,Sacred,Spiritual. 2 pages. Andrew J Emmet #3074287. Published by Andrew J Emmet (A0.718859). SATB A Cappella.
$4.00
The Ground
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Piano Facile
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DÉBUTANT
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Edigles Guedes
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The Ground
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Edigles Guedes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1149694 Composed by Edigles Guedes. Christian,Classical,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Gue...
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Easy Piano - Level 1 - SKU: A0.1149694 Composed by Edigles Guedes. Christian,Classical,Contemporary,Instructional,Spiritual. Score. 3 pages. Edigles Guedes #749852. Published by Edigles Guedes (A0.1149694). This song is a study in Classical music. It is ideal for easy level piano students. Inspired by the Bible verse: “And unto Adam he said, Because thou hast hearkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life;†(Genesis 3:17 – KJV) Duration of work: 1:48 min.
$3.99
Thou Who Wast Rich
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Orchestre d'harmonie
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FACILE
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Frank Houghton and Marilyn Bak
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Ted Samuels
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Kristyn Getty in the UK &
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Thou Who Wast Rich
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Theodore A. Samuels
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SheetMusicPlus
Bass Clarinet,Bass Voice,Bassoon,Choir,Flute,Horn,Keyboard,Oboe,Organ,Piano,Trombone,Trumpet - Level 2 - SKU: A0.1373812 Composed by Frank Houghton and ...
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Bass Clarinet,Bass Voice,Bassoon,Choir,Flute,Horn,Keyboard,Oboe,Organ,Piano,Trombone,Trumpet - Level 2 - SKU: A0.1373812 Composed by Frank Houghton and Marilyn Baker. Arranged by Ted Samuels. Chamber,Christian,Christmas,Traditional. 78 pages. Theodore A. Samuels #958285. Published by Theodore A. Samuels (A0.1373812). This Christmas carol has had a number of different versions, starting out in the 18th Century as a French carol, Quelle Est Cette Odeur Agreable?. It has been translated into English as What Is This Fragrance? Other lyrics were written for the same tune, such as Thou Who Wast Rich Beyond All Splendor by Frank Houghton in 1934, based on 2 Corinthians 8:9: For you know the grace of our Lord Jesus Christ, that though He was rich, yet for your sakes He became poor, that you through His poverty might become rich. In 1997, Houghton's wife Dorothy modernized his lyrics as Lord, You Were Rich Beyond All Splendor for the Haven of Rest Quartet to record with the title For Love's Sake. It has also been recorded by Marilyn Baker in the UK and Keith & Kristyn Getty in the UK & Ireland. This is a flexible band/choral arrangement which, in its demo configuration here, is presented by a keyboard and a double quartet of wind instruments with a string bass.The performance time is approximately 3:30.
$69.99
What a Friend we have in Jesus 何等恩友
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Instruments en Do
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DÉBUTANT
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JOSEPH SCRIVEN 1819-1886 CHARL
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What a Friend we have in Jesus
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1517562 By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1...
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C Instrument - Level 1 - SKU: A0.1517562 By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. By JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. Arranged by JOSEPH SCRIVEN 1819-1886 CHARLS C. CONVERSE 1832-1918. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1091724. Published by Steven See (A0.1517562). 279 何等恩友慈仁救主 What A Friend We Have in Jesus1何等恩友慈仁救主负我罪愆担我忧何等权利能将万事来到耶稣座前求多少平安 我们坐失多少痛苦冤枉受都是因为未将万事来到耶稣座前求2我们有无试探引诱有无难过苦关头决不应当因此灰心仍当到主座前求何处能寻这般良友同尝一切苦与愁我们弱点主都知道放心到主座前求3我们是否软弱多愁千斤重担压肩头主仍做我避难处所奔向耶稣座前求你若正逢友叛亲离快向耶稣座前求到他怀中他必保护有他安慰便无忧1 What a Friend we have in JesusAll our sins and grief to bearWhat a privilege to carryEv’ry thing to God in prayerO what peace we often forfeitO what needless pain we bearAll because we do not carryEv’ry thing to God in prayer2 Have we trials and temptationsIs there trouble any whereWe should never be discouragedTake it to the Lord in prayerCan we find a friend so faithfulWho will all our sorrows shareJesus knows our ev’ry weaknessTake it to the Lord in prayer3 Are we weak and heavy ladenCumbered with a load of carePrecious Savior still our refugeTake it to the Lord in prayerDo thy friends despise for sake theeTake it to the Lord in prayerIn His arms He’ll take and shield theeThou wilt find a solace there.
$3.99
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festiva...
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Brass Quartet - Level 2 - SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for 2 English Horns & 2 Bassoons - Score Only
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1258034 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851272. Published by jmsgu3 (A0.1258034). Instrumentation: English Horn Duo & Bassoon Duo.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Double Reed Quartet
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Gu...
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Woodwind Ensemble,Woodwind Quartet Bassoon,English Horn - Level 2 - SKU: A0.1258422 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #851675. Published by jmsgu3 (A0.1258422). INSTRUMENTATION: 2 ENGLISH HORNS and 2 BASSOONS1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for 2 Horns & 2 Trombones
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early...
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Brass Quartet Horn,Trombone - Level 2 - SKU: A0.1258806 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #852054. Published by jmsgu3 (A0.1258806). INSTRUMENTATION: 2 Horns in F, 2 Tenor Trombones.1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
#
Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
#
Guillame de Machaut, 1300-1377
#
James M
#
Machaut: Le Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
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