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PIANO & CLAVIERS
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
5
Piano seul
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4
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2
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GUITARES
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5
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2
Flûte et Guitare
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Flûte, Trombone (duo)
2
Flute, Cor (duo)
2
Clarinette, Harpe (duo)
2
Cor anglais et Harpe (duo)
1
Ensemble de Hautbois
1
Flûte et Trio à cordes
1
Saxophone Baryton, Piano
1
2 Flûtes traversières, Piano
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Flûte à bec Soprano, Piano
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Flûte traversière, Orgue (duo)
1
Flûte, Clarinette et Basson
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Clarinette
1
Hautbois, Harpe
1
Flûte, Violoncelle, Guitare
1
Flûte à bec Soprano
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec Alto, Basse continue
1
Flûte, Hautbois, Violon
1
Hautbois (partie séparée)
1
Cor anglais, Guitare (duo)
1
4 Hautbois
1
Cor Anglais
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
90
Ensemble de Trompettes
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette, Piano
21
Ensemble de Trombones
12
Cor et Piano
10
Trombone et Piano
10
Trompette, Trombone (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Cor anglais, Piano
7
2 Cors Anglais Et Pianoforte
7
Tuba et Piano
6
Trompette, Saxophone (duo)
5
3 Trombones (trio)
4
Quatuor de cuivres: 4 trompettes
3
3 Trompettes (trio)
3
Quatuor de cuivres: 4 trombones
3
2 Trombones (duo)
2
2 Euphoniums (duo)
2
2 Cors (duo)
2
2 Trompettes (duo)
2
Cor anglais et Harpe (duo)
1
Cor, Violoncelle et Piano
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
Trombone
1
Trompette
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Guitare (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Trombone, Tuba (duo)
1
Cor Anglais
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
117
Violon, Violoncelle (duo)
72
Trio à Cordes: violon, alto, violoncelle
49
Alto, Piano
32
Violoncelle, Piano
30
Violon et Piano
29
Violon
25
Violoncelle
15
Violon, Alto (duo)
15
Trio à Cordes: 2 violons, violoncelle
8
2 Violons (duo)
7
4 Violoncelles
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Ensemble de Violons
7
Ensemble d'Altos
7
Alto (partie séparée)
4
2 Violoncelles (duo)
4
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
4
2 Harpes (duo)
4
Alto seul
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Guitare (duo)
2
Harpe, Violon, Violoncelle
2
Alto, Guitare (duo)
2
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
2 Contrebasses (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Ensemble de Violoncelles
1
Contre Basse
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
92
Ensemble de cuivres
70
Orchestre de chambre
31
Orchestre d'harmonie
13
Orchestre
11
Ensemble de Percussions
3
Cloches
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble Jazz
1
Instrumentations suivantes
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AUTRES
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Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.37 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Bourrée and Hornpipe, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835814 Composed by George Fride…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835814 Composed by George Friderick Handel. Arranged by Paul Burnell. Baroque. Score and parts. 18 pages. Paul Burnell #4360641. Published by Paul Burnell (A0.835814). Bourrée and Hornpipe - Movements 7 and 8 from Water Music Suite No. 1 in F major (HMV 348). Composed by George Frideric Handel (1685 - 1759), arranged by Paul Burnell for instruments in four parts.Duration if both movements are played three times c.4:30The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Both movements in various editions of the score include direction on playing each movement three times and suggestions for instrumentation (strings first time, wind 2nd time, tutti 3rd time). Performers of this arrangement may choose to devise a similar scheme providing there are enough players in the ensemble.In this arrangement the range of each part has been reduced, some notes from the melody have been moved to Part 2 and additional rests introduced to assist with breathing for wind players. Programme note:The Water Music is a collection of orchestral movements composed by George Frideric Handel (1685 - 1759). It was first performed on the River Thames in London on 17 July 1717, in response to King George I's request for a concert on the River.The Water Music has been published as three suites, and the Bourrée and Hornpipe appear as movements 7 and 8 in the Suite No. 1 in F major (HMV 348).The Bourrée is a dance of French origin and the Hornpipe is any of several dance forms played and danced in Britain and Ireland from the 16th century onwards.
$3.95
3.61 €
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George Friderick Handel
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Paul Burnell
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Bourrée and Hornpipe, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Brass Quintet - If It's Not Baroquen...
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.767104 Composed by Mike Lyons. …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767104 Composed by Mike Lyons. 20th Century,Baroque. Score and parts. 76 pages. Lyons Music Services #2930411. Published by Lyons Music Services (A0.767104). A suite of music for brass quintet with a variety of parts supplied for flexibility.As you might guess from the title, this suite is inspired by the music of the Baroque period. Each movement is based on a different type of Baroque dance as follows:1. Pavane paradiso: A stirring movement based on the pavane rhythm and evoking images of courtly dancing.2. Sarabande Dolore: A sad little dance in 3/4 time, slow and stately.3. Minuetto Sospiretto: A gentle minuet and trio in the early classical style.
$15.00
13.71 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Mike Lyons
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Brass Quintet - If It's Not Baroquen...
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Lyons Music Services
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SheetMusicPlus
Time Baroque- Score and Parts
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.713571
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - Digital Download SKU: A0.713571 By Tiziano Depangher. By Tiziano Depangher. Baroque,Classical,Instructional,Patriotic,Renaissance. 31 pages. BoraVerlag #322147. Published by BoraVerlag (A0.713571). The Triestino composer Tiziano Depangher presents himself to his audience with a small baroque studio. A series of variations on an original theme, for 2 clarinets and bass clarinet.
$19.00
17.37 €
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3 Clarinettes (trio)
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Tiziano Depangher
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Time Baroque- Score and Parts
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BoraVerlag
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SheetMusicPlus
Allemande for First Position String Orchestra
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baro…
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String Orchestra - Digital Download SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
18.28 €
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Orchestre à Cordes
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Michael Bomier
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Allemande for First Position String Orchestra
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Michael Butkus-Bomier
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SheetMusicPlus
Vivaldi - Violin Concerto No.4 in A minor Op.4 RV 357 for Violin solo, Strings and Cembalo
Violon et Piano
Chamber Orchestra - Level 4 - Digital Download SKU: A0.516900 Composed by Antonio V…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.516900 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 50 pages. Santino Cara #2960997. Published by Santino Cara (A0.516900). Complete score and Parts of the Violin Concerto No.4 in A minor RV 357 for Violin solo, Strings (with the insertion of the second violin solo) and Cembalo, composed in 1714 by Antonio Vivaldi. Dedicated to the Venetian nobleman Mr. Vettor Delfino and published for first time in 1716 in La Stravaganza Op.4. With the complete score of the concert, they are inserted also the separate instrumental parts and part for cembalo. Movements: 1. Allegro, 2. Grave e cantabile, 3. Allegro.This concert is a personal reconstruction of Santino Cara made from the manuscript kept in the National Library of Turin, and is cataloged in the transcriptions of Santino Cara with the code: CS2154. There are two other versions of this concert, the version for violin and piano, and the version for string quartet, both published on my Sheet Music Plus page. http://www.sheetmusicplus.com/publishers/Santino-Cara/1492
$16.20
14.81 €
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Violon et Piano
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.4 in A minor Op.4 RV 357 for Violin solo, Strings and Cembalo
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Santino Cara
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violon et Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30.12 €
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Violon et Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
Rhapsody for Concert Band
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. …
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
18.28 €
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Orchestre d'harmonie
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July 16th, Clara noted in her diary that Brahms speaks only in monosyllables
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Passacaglia and Fugue in C minor
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740280 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 71 pages. Dorm 40 Music #6210525. Published by Dorm 40 Music (A0.740280). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series.Passacaglia and Fugue in C minor (BWV 582) is an organ work composed by Bach early in his career. It is arguably one of his greatest and most important works. The passacaglia starts with an ostinato theme, followed by 20 variations. Immediately after the passacaglia, without break, is a double fugue based on the ostinato theme. This arrangement pays homage to the great transcriptions of Stokowski and Ormandy, by weaving the colors of brass, organ and percussion into symphonic textures. Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet, organ and a single percussionist (timpani, snare drum, suspended cymbal). Due to the range of the first trumpet (to C6), parts are provided for trumpet in C, E-flat and doubling on B-flat trumpet/B-flat piccolo (select whichever part works best for you). Performance time is about 14 minutes. Published by Dorm 40 Music, www.dorm40music.com.
$25.00
22.86 €
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Ensemble de cuivres
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Johann Sebastian Bach
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Craig Garner
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Passacaglia and Fugue in C minor
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Dorm 40 Music
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SheetMusicPlus
Ferrandini Sinfonia in B flat
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1277324 Composed by Giovanni …
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String Orchestra - Level 4 - Digital Download SKU: A0.1277324 Composed by Giovanni Battista Ferrandini. Arranged by Paul Wood. Baroque. Score and Parts. 38 pages. MyMusicScores.com #869022. Published by MyMusicScores.com (A0.1277324). Giovanni Battista Ferrandini (c. 1710 – 25 October 1791) was an Italian composer and musician known for his significant contributions to the Baroque era. Born around 1710, his early life and training remain somewhat shrouded in mystery. Ferrandini's musical talents emerged in his compositions, which showcased his mastery of intricate harmonies and expressive melodies.Ferrandini's career flourished as he gained recognition for his operas, oratorios, and instrumental works. His compositions often demonstrated a deep understanding of dramatic tension and emotional resonance, captivating audiences across Europe. Notably, he held positions in prestigious musical institutions in Dresden and later in Berlin, where he became part of the vibrant cultural scene of the time.
$14.99
13.7 €
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Orchestre à Cordes
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Giovanni Battista Ferrandini
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Paul Wood
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Ferrandini Sinfonia in B flat
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MyMusicScores.com
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SheetMusicPlus
Chaconne (for Brass Quintet and Organ)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.740297 Composed by Johann Sebas…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740297 Composed by Johann Sebastian Bach. Arranged by Craig Garner. Baroque. Score and parts. 77 pages. Dorm 40 Music #6786873. Published by Dorm 40 Music (A0.740297). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series. Chaconne is the final movement of Partita No. 2 in D minor, BWV 1004, for solo violin. While many agree that Chaconne is a masterpiece for violin, it can certainly be argued that it is also among the greatest pieces of music ever written. Since Bach's time, several transcriptions of the piece have been made for other instruments, including inspired versions by Ferruccio Busoni (piano) and William Thomas Best (organ). This new arrangement, for brass quintet and organ, draws inspiration from both the Busoni and Best transcriptions. This demanding arrangement showcases the full color and dynamic range of the organ and each brass instrument, from delicate solo passages to heart-pounding power as brass and organ join forces.   Perfect for any recital, concert or pops program. This arrangement is scored for brass quintet and organ. Trumpet parts are provided in both B-flat and C. Trumpet 1 requires a mute and goes up to high B-flat (concert) once. Performance time: 13:15. Published by Dorm 40 Music,  www.dorm40music.com.
$24.00
21.94 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Craig Garner
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Chaconne
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Dorm 40 Music
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SheetMusicPlus
Thinking Händel for Baroque Horn Quartet
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.931276 Composed by Alessandro Macrì. Baroque,Classical,Concert,Instructional,Standards. Score and parts. 10 pages. Music Macri Editions #6082045. Published by Music Macri Editions (A0.931276). Thinking Händel è un tributo al grande compositore Georg Friedrich Händel, coetaneo di Johann Sebastian Bach, che fu tra i più illustri rappresentanti del barocco musicale. Scrisse opere, oratori e musica strumentale, assimilando gli stili del Settecento che fuse in una sintesi personale e unitaria.I primi successiHändel nacque nel 1685 a Halle, in Germania, da una famiglia senza tradizioni musicali. Iniziò da bambino lo studio della musica, dimostrando subito un grande talento come compositore e organista. All'università di Halle intraprese anche studi giuridici. Nel 1703 si stabilì ad Amburgo, dove lavorò come violinista e dove ebbero luogo le prime esecuzioni di sue musiche, tra cui l'opera Almira, regina di Castiglia (1705).Negli anni successivi compì diversi viaggi in Italia, in Germania e a Londra, dove nel 1711 fu rappresentata con grande successo la sua opera Rinaldo. Nonostante sia oggi conosciuto soprattutto per gli oratori e la musica strumentale, ai suoi tempi Händel fu molto apprezzato per le opere teatrali, prevalentemente composte secondo il modello dell'opera seria italiana (forme musicali). Ambientata in epoca classica, di argomento letterario o di ambientazione mitologica, l'opera seria alterna, in lingua italiana, recitativi e arie. I recitativi, con un'intonazione vicina alla lingua parlata, servivano a far procedere l'azione ed erano accompagnati dal cembalo e a volte dall'orchestra. Le arie, con intonazione melodica, avevano la funzione di esprimere gli stati d'animo o 'affetti' dei personaggi e in esse i cantanti mostravano la propria virtuosistica bravura.Al tempo del soggiorno londinese risalgono anche due significative composizioni orchestrali: le tre suite Musica sull'acqua (1715-36), nate per accompagnare le feste sul Tamigi di re Giorgio I, e i Sei concerti grossi op. 3 (1730-34), ispirati al modello del musicista italiano Arcangelo Corelli.La cittadinanza ingleseNel 1719 Händel promosse la fondazione di una società musicale privata, la Royal academy of music, e ne diventò direttore. Nel 1727 ottenne la cittadinanza inglese e per molti anni dominò la scena musicale britannica. Oltre alle circa quaranta opere teatrali, tra cui Giulio Cesare in Egitto (1723), Rodelinda regina de' Longobardi (1725), Ariodante (1734), Alcina (1735), Serse (1737-38), in questi anni scrisse più di venti oratori ‒ composizioni di argomento religioso, per soli, coro e orchestra ‒ in forma drammatica e in lingua inglese (con narrazione, personaggi e dialogo ma senza scena teatrale), per lo più con testi tratti dall'Antico Testamento (tra cui Esther, 1718, Saul e Israele in Egitto, del 1738 entrambi).L'adesione di Händel alla cultura inglese non fu occasionale, ma profondamente sentita: lo dimostrano alcuni lavori vocali e strumentali, come Acis e Galatea (1718, con una seconda versione nel 1732) e l'Ode per il giorno di s. Cecilia (1739), composti su testi di poeti inglesi di grande rilievo come John Dryden e Alexander Pope.Tra la musica strumentale, Händel dedicò in particolare all'organo, di cui era valente esecutore, ben venti concerti con orchestra.Il Messia e le ultime composizioniL'oratorio Messia è uno dei lavori più conosciuti di Händel: eseguito a Dublino nel 1742, fu scritto per una istituzione benefica in soli ventiquattro giorni. Il libretto di Charles Jennens, in inglese, illustra in tre parti i momenti più rilevanti della vita di Cristo con brani delle Sacre Scritture (è l'unico oratorio tratto dal Nuovo Testamento). La prima parte tratta dell'Avvento e del Natale; la seconda della Passione e della Resurrezione, culminante nel celebre Halleluja; la.
$3.00
2.74 €
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Alessandro Macrì
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Thinking Händel for Baroque Horn Quartet
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Music Macri Editions
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
43.84 €
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Orchestre d'harmonie
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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jmsgu3
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SheetMusicPlus
Two Hornpipes, - instruments in four parts
Small Ensemble - Level 3 - Digital Download SKU: A0.835847 Composed by Henry Purcel…
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Small Ensemble - Level 3 - Digital Download SKU: A0.835847 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 17 pages. Paul Burnell #5308433. Published by Paul Burnell (A0.835847). Two Hornpipes, by Henry Purcell (1659 - 1695), arranged by Paul Burnell for instruments in four parts.Duration (if each Hornpipe is played through twice) 3:30Score in CI The Old Bachelor, Z.607: HornpipeII The Fairy Queen, Z629: HornpipePerformers may play through each Hornpipe twice, and where the ensemble contains more than four players the second time through may include all players or have varied instrumentation. The melody line has been shared between Parts 1 and 2, but comprehensive cues have been provided in Part 1 to allow the melody to be played complete in that part, if convenient.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (flute, oboe, alto recorder, Eb clarinet, violin 1)Part 2: C, Bb (oboe, tenor recorder, Bb clarinet, violin 2)Part 3: C - alto & bass clefs, Bb, Eb, F (Bb clarinet, bass recorder, alto saxophone, horn in F, viola) Part 4: C - bass clef, Bb, F (bassoon, great bass recorder, tenor saxophone, horn in F, 'cello)Part 4 may be played an octave lower than written.Any other appropriate instruments, even if not suggested above, may play.Although the score is presented with a layout appropriate for string quartet this does not indicate a preferred instrumentation.Programme note:Baroque period composers in England often used the triple-time hornpipe dance rhythm. Composer Henry Purcell included several hornpipes in his theatrical music. The two hornpipes here are from 'The Old Bachelor' (1693) and 'The Fairy Queen' (1692).
$3.99
3.65 €
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Henry Purcell
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Paul Burnell
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Two Hornpipes, - instruments in four parts
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Paul Burnell
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SheetMusicPlus
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
17.36 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings
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Flavio Regis Cunha
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SheetMusicPlus
Toccata in D minor J. S. Bach, Arranged for Low Brass quintet, 3 Trombones and 2 Tubas.
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Ensemble - Level 4 - Digital Download SKU: A0.1030969 Composed by Johann Seba…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1030969 Composed by Johann Sebastian Bach. Arranged by Weston Harby. Baroque. Score and parts. 12 pages. Weston Harby #1927107. Published by Weston Harby (A0.1030969). This classic piece was originally written by J. S. Bach for grand pipe organ. I arranged this piece for low brass quintet, featuring 3 trombones/euphoniums and 2 tubas. This piece has been arranged many times over, however, I could not find any arrangements for low brass quintet. As the title ensues, this arrangement is only toccata and does not include fugue. This arrangement has many parts where the 1st trombone player is playing solo. Play time: Approx. 3.5 minutes Any questions/comments contact me at harby.weston@gmail.com!
$4.99
4.56 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Johann Sebastian Bach
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Weston Harby
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Toccata in D minor J. S. Bach, Arranged for Low Brass quintet, 3 Trombones and 2 Tubas.
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Weston Harby
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SheetMusicPlus
Pepusch, J. - Trio Sonata in F (Mvt. 4) for Two Violins and Cello
Trio à Cordes: 2 violons, violoncelle
String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.540511
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String Ensemble,String Trio Cello,Violin - Level 4 - Digital Download SKU: A0.540511 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4292935. Published by Linda M Scott (A0.540511). Johann Pepusch (1667 – 1752), was a German composer who spent most of his working life in England, where for a time he worked with George Frideric Handel. Although Pepusch is now best known for his arrangement of the music for The Beggar's Opera, he composed many other works including stage and church music as well as concertos and continuo sonatas such as this work. This fun, easy piece for a trio of two violins and cello is accessible for the advanced beginning ensemble, and all other subsequent chamber group levels.
$5.99
5.48 €
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Trio à Cordes: 2 violons, violoncelle
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J
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Linda M
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Pepusch, J. - Trio Sonata in F
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Linda M Scott
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SheetMusicPlus
Pepusch, J. - Sonata in F (Mvt. 4) for Violin Viola and Cello
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.540513 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4293549. Published by Linda M Scott (A0.540513). Johann Pepusch (1667 – 1752), was a German composer who spent most of his working life in England, where for a time he worked with George Frideric Handel. Although Pepusch is now best known for his arrangement of the music for The Beggar's Opera, he composed many other works including stage and church music as well as concertos and continuo sonatas such as this work. This fun, easy piece for a trio of violin, viola and cello is accessible for the advanced beginning ensemble, and all other subsequent chamber group levels.
$5.99
5.48 €
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Trio à Cordes: violon, alto, violoncelle
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J
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Linda M
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Pepusch, J. - Sonata in F
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Linda M Scott
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SheetMusicPlus
Pepusch, J. - Sonata in F (Mvt.4) for Two Violins and Viola
Trio à Cordes: 2 violons, alto
String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540510
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String Ensemble,String Trio Viola,Violin - Level 4 - Digital Download SKU: A0.540510 Composed by J. Pepusch. Arranged by Linda M. Scott. Baroque. Score and parts. 5 pages. Linda M Scott #4292943. Published by Linda M Scott (A0.540510). Johann Pepusch (1667 – 1752), was a German composer who spent most of his working life in England, where for a time he worked with George Frideric Handel. Although Pepusch is now best known for his arrangement of the music for The Beggar's Opera, he composed many other works including stage and church music as well as concertos and continuo sonatas such as this work. This fun, easy piece for a trio of two violins and viola is accessible for the advanced beginning ensemble, and all other subsequent chamber group levels.
$5.99
5.48 €
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Trio à Cordes: 2 violons, alto
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J
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Linda M
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Pepusch, J. - Sonata in F
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Linda M Scott
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SheetMusicPlus
Tu del ciel ministro eletto, Aria by G F Handel, for Soprano Saxophone, Clarinet and Piano
Saxophone Soprano et Piano
Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.58…
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Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587990 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. Score and parts. 8 pages. David McKeown #5205735. Published by David McKeown (A0.587990). Tu del ciel ministro eletto is a beautiful and serene aria from Handel’s Oratorio Il trionfo del Tempo. The oratorio premiered in Rome in 1707, but Handel twice revised it later in his career. In this aria Beauty turns her back on pleasure and dedicates her heart to the Elected Minister of Heaven. The soprano voice and solo violin are in constant dialogue throughout.This version of Tu del ciel ministro eletto is arranged as a Duet for Soprano Saxophone, Clarinet and Piano. The piano part is straightforward, but the saxophone and clarinet parts will set challenges for control, breathing and tuning. Performance time is around five minutes. The pdf file contains both the piano score and both instrumental parts. You can listen to a full-length performance of the Clarinet version of Tu del ciel minstrel eletto via the YouTube link above. Musicians at an intermediate level and above will find Tu del ciel ministro eletto ideal for formal and informal performances.Teachers will enjoy using this arrangement to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Soprano et Piano
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G F Handel
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David McKeown
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Tu del ciel ministro eletto, Aria by G F Handel, for Soprano Saxophone, Clarinet and Piano
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David McKeown
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SheetMusicPlus
Tu del ciel ministro eletto, Aria by G F Handel, for Clarinet, Soprano Saxophone and Piano
Saxophone Soprano et Piano
Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.58…
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Small Ensemble Clarinet,Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.587978 Composed by G F Handel. Arranged by David McKeown. Baroque,Opera,Sacred,Standards. Score and parts. 8 pages. David McKeown #5205709. Published by David McKeown (A0.587978). Tu del ciel ministro eletto is a beautiful and serene aria from Handel’s Oratorio Il trionfo del Tempo. The oratorio premiered in Rome in 1707, but Handel twice revised it later in his career. In this aria Beauty turns her back on pleasure and dedicates her heart to the Elected Minister of Heaven. The soprano voice and solo violin are in constant dialogue throughout.This version of Tu del ciel ministro eletto is arranged as a Duet for Clarinet, Soprano Saxophone and Piano. The piano part is straightforward, but the clarinet and saxophone parts will set challenges for control, breathing and tuning. Performance time is around five minutes. The pdf file contains both the piano score and both instrumental parts. You can listen to a full-length performance of the Clarinet version of Tu del ciel minstrel eletto via the YouTube link above. Musicians at an intermediate level and above will find Tu del ciel ministro eletto ideal for formal and informal performances.Teachers will enjoy using this arrangement to help with developing tone, phrasing and expression. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.21 €
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Saxophone Soprano et Piano
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G F Handel
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David McKeown
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Tu del ciel ministro eletto, Aria by G F Handel, for Clarinet, Soprano Saxophone and Piano
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David McKeown
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SheetMusicPlus
Vivaldi - Four Seasons - Summer for Piano Trio (score and parts)
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble - Digital Download SKU: A0.1501207 Composed by Antonio V…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1501207 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 43 pages. Neil Crossland #1077165. Published by Neil Crossland (A0.1501207). My arrangement of Vivaldi's Spring Concerto from The Four Seasons breathes new life into this timeless masterpiece. I aimed to capture the vibrant energy and delicate nuances that define Vivaldi's original composition while introducing fresh elements to engage modern listeners. The arrangement opens with the familiar, lively Allegro, where I've emphasized the interplay between the strings, creating a dynamic conversation that mirrors the awakening of nature in spring.In the second movement, the Largo, I've highlighted the pastoral serenity through a delicate balance of the melody, allowing the solo violin to sing with a gentle yet expressive tone, underscored by a rich harmonic texture in the accompaniment. This movement evokes a peaceful landscape, where the listener can almost feel the warmth of the sun and the gentle breeze.The final Allegro portrays the exuberant dance of spring. I've infused this section with rhythmic vitality and a playful spirit, enhancing the contrast between the soloist and the ensemble. My arrangement pays homage to Vivaldi’s genius while offering a contemporary perspective that invites the audience to experience Spring with renewed appreciation and joy.
$19.99
18.28 €
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Piano Trio: piano, violon, violoncelle
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Summer for Piano Trio
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Neil Crossland
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SheetMusicPlus
Vivaldi - Four Seasons - Spring for Piano Trio (score and parts)
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble - Digital Download SKU: A0.1501195 Composed by Antonio V…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1501195 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 41 pages. Neil Crossland #1077153. Published by Neil Crossland (A0.1501195). My arrangement of Vivaldi's Spring Concerto from The Four Seasons breathes new life into this timeless masterpiece. I aimed to capture the vibrant energy and delicate nuances that define Vivaldi's original composition while introducing fresh elements to engage modern listeners. The arrangement opens with the familiar, lively Allegro, where I've emphasized the interplay between the strings, creating a dynamic conversation that mirrors the awakening of nature in spring.In the second movement, the Largo, I've highlighted the pastoral serenity through a delicate balance of the melody, allowing the solo violin to sing with a gentle yet expressive tone, underscored by a rich harmonic texture in the accompaniment. This movement evokes a peaceful landscape, where the listener can almost feel the warmth of the sun and the gentle breeze.The final Allegro portrays the exuberant dance of spring. I've infused this section with rhythmic vitality and a playful spirit, enhancing the contrast between the soloist and the ensemble. My arrangement pays homage to Vivaldi’s genius while offering a contemporary perspective that invites the audience to experience Spring with renewed appreciation and joy.
$19.99
18.28 €
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Piano Trio: piano, violon, violoncelle
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Spring for Piano Trio
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Neil Crossland
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SheetMusicPlus
Bach, J.S. - Sarabande for Two Violins and Cello
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.540408 Composed by Johann Sebastian Bach. Arranged by SheetMusic4Strings. Baroque. Score and parts. 5 pages. Linda M Scott #4284121. Published by Linda M Scott (A0.540408). J. S. Bach, (1685-1750) a prominent organist in his time, was an extremely prolific composer of many works. This sarabande is from his Suite in E Minor, BWV 810 .It is an intermediate baroque trio for two violins and cello. Ideal for intermediate students, adult amateurs and professionals. This piece is mostly in first position, but there are some rhythmic challenges, and some simple turns.
$5.99
5.48 €
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Violon, Violoncelle (duo)
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Johann Sebastian Bach
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SheetMusic4Strings
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Bach, J.S. - Sarabande for Two Violins and Cello
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Linda M Scott
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SheetMusicPlus
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