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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time Long Past
Sheetmusicplus
Non classifié
66
Piano & claviers
Piano seul
22
Piano, Voix
6
Piano, Voix et Guitare
3
2 Pianos, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Orgue
1
1 Piano, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Guitare
2
Guitare notes et tablatures
1
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
26
Chorale TTBB
3
Chorale 2 parties
2
Voix duo
1
Chorale 3 parties
1
Voix Soprano, Piano
1
+ 1 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
18
Quatuor de Saxophones: 4 saxophones
12
Hautbois (partie séparée)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
2 Saxophones (duo)
9
Clarinette
8
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone, Clarinette (duo)
3
Flûte traversière et Piano
3
Clarinette, Violon (duo)
3
2 Clarinettes (duo)
2
Clarinette et Alto
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Alto (duo)
2
2 Hautbois (duo)
2
Quatuor de Clarinettes: 4 clarinettes
1
Saxophone Baryton, Piano
1
Saxophone Alto et Piano
1
Flûte et Guitare
1
Flûte, Hautbois (duo)
1
Hautbois, Flûte
1
+ 18 instrumentations
Retracter
Cuivres
Cor
2
Trompette, Trombone (duo)
2
Trompette, Saxophone (duo)
2
2 Tubas (duo)
1
Trompette
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Ensemble de Trombones
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
2 Violons (duo)
6
Violon
3
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Violoncelle
2
Violon et Piano
2
Violon, Alto (duo)
2
Alto seul
1
Violoncelle, Piano
1
Harpe, Voix
1
Harpe
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Contre Basse
1
+ 10 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
23
Orchestre à Cordes
4
Orchestre de chambre
2
Autres
Instruments
ACCORDEON
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BUGLE
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CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
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Vous avez sélectionné:
Time Long Past
SheetMusicPlus
Partitions à imprimer
327 partitions trouvées
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Greek folk song: ZALONGO'S DANCE
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Chorale 3 parties
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INTERMÉDIAIRE
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Greek folk song
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Marilena Zlatanou
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Greek folk song: ZALONGO'S DAN
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1343430 Composed by Greek folk song. Arranged by Marilena Zlatanou. A Cappella. 4 pages. Marilena Zlatanou...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1343430 Composed by Greek folk song. Arranged by Marilena Zlatanou. A Cappella. 4 pages. Marilena Zlatanou #928956. Published by Marilena Zlatanou (A0.1343430). According to tradition, this was the song a group of people, mainly women, holding their children in their arms, sang and danced before falling to death, off a steep hill in NW Greece, in order to avoid being captured by their enemies during the Greek War of Independence (1821). duration: 2'20'' Phonetic transcription in the Latin alphabet is notated right below the original Greek text, English translation, and a key to Greek Pronunciation are provided on the title page. The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.netAs a Greek living in Norway for most of my adult life, and in my many years’ work as a conductor of a Norwegian choir specializing in Greek music (!), I have experienced the need to enrich the choir’s repertoire with both folk song- as well as other -arrangements of Greek music: This gave me the opportunity to share with our audiences some of the centuries-long musical heritage, as well as helping me make known to them some of the History behind the music of a country of such international historical influence in the past, and such a tourist magnet in our times.
$15.00
The Past We Can Never Recall. Song and Chorus. Response to "When You & I Were Young, Maggie.
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Chorale SATB
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J
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J
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The Past We Can Never Recall.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3993 Composed by J.P. Webster. Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. Les...
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Piano and voice (solo and SATB chorus) - SKU: LV.3993 Composed by J.P. Webster. Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3993). Songs of the Present Time. Melodies of Beauty, Ideas of Progress, Words of Sense. The Past We Can Never Recall. Song and Chorus. Response to When You & I Were Young, Maggie. By J.P. Webster. Words by Luke Collin. Published 1868 by Root & Cady, 67 Washington Street in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. First line reads The past we can never recall, Jamie, it fled with our youth long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
A Dream from the Past
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published...
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Chamber Orchestra - Level 3 - SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
Time Long Past
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Chorale SATB
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Contemporain
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Nathaniel F
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Time Long Past
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Nathaniel Arnold
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1022734 Composed by Nathaniel F. Arnold. Contemporary. Octavo. 6 pages. Nathaniel Arnold #4629939. Published by Nathaniel ...
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Choral Choir (SATB) - SKU: A0.1022734 Composed by Nathaniel F. Arnold. Contemporary. Octavo. 6 pages. Nathaniel Arnold #4629939. Published by Nathaniel Arnold (A0.1022734). For SATB Choir with Alto Solo and Piano. An Adaptation of the poem by Pierce Shelley.
$3.99
Time to Celebrate
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Chorale 2 parties
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DÉBUTANT
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Samantha Jellett
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Time to Celebrate
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Samantha Jellett
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SheetMusicPlus
Choral Choir,Choral,SA Chorus - Level 1 - SKU: A0.1470293 Composed by Samantha Jellett. Advent,Children,Christian,Christmas. 4 pages. Samantha Jellett #...
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Choral Choir,Choral,SA Chorus - Level 1 - SKU: A0.1470293 Composed by Samantha Jellett. Advent,Children,Christian,Christmas. 4 pages. Samantha Jellett #1048061. Published by Samantha Jellett (A0.1470293). 'The autumn days are past, Christmas is here at last, it's time to celebrate!'This bright and uplifting song for easy 2-part choir (unison verses) with piano would be a great addition to any school Christmas service or concert. The four verses explore Christmas traditions such as hanging mistletoe, sending cards and sharing special food- as well as giving a nod to the lack of snow in most places: 'We wonder: 'Will it snow?', the answer's always 'NO!' but we still celebrate!'. The repeated choruses shift the focus to the Biblical meaning of Christmas; 'And when we celebrate, remember that first Christmas long, long ago, and the new baby born, a Saviour Christ the Lord, a gift of love.'.
$1.99
Forgive To Forget w/KARAOKE Play-Along Track
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Elijah Jones
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Forgive To Forget w/KARAOKE Pl
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Elijah Jacob Jones
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1024146 Composed by Elijah Jones. 20th Century,Contemporary,World. Score. 4 pages. Elijah Jacob Jones #3030711. Published...
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Piano Solo - Level 4 - SKU: A0.1024146 Composed by Elijah Jones. 20th Century,Contemporary,World. Score. 4 pages. Elijah Jacob Jones #3030711. Published by Elijah Jacob Jones (A0.1024146). Forgive To ForgetSometimes the hardest things in our life. Are the mistakes we have made in our past. I have learned to be brave enough to accept my past for what it is. And to be able to forgive myself for the mistakes I have made. And to forget the dark times. - Elijah JonesMistakes aren’t tragedies. They are lessons ‘Forgive To ForgetDedicated to a friendALBUM TRACK-LIST Forgive To Forget AlbumAlbum: Forgive To ForgetTrack: 8Recording: January 2017Dedication: Jacob JonesBy: Elijah JonesSheet Music: January 12th 2017Forgive To Forget is the sequel to Utilize Album 2015.-Elijah Jones-Kinlee And ElijahForgive To Forget 2017 Tracklist
$3.99
No Longer At Ease for Euphonium Quartet
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Matthew Nunes
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No Longer At Ease for Euphoniu
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Matthew Nunes Music
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SheetMusicPlus
Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852...
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Euphonium,Low Brass Quartet - Level 5 - SKU: A0.1259405 Composed by Matthew Nunes. 21st Century,Chamber,Contemporary. 33 pages. Matthew Nunes Music #852692. Published by Matthew Nunes Music (A0.1259405). Listen to this piece hereBuyer beware, these are the hardest euphonium parts I've written. Be sure to check out my first euphonium quartet Beacons (2014).No Longer at Ease is a stand-alone euphonium quartet inspired by Chinua Achebe’s 1960 novel of the same name. In Achebe’s novel a young man is sent to University by his village’s elders in the hopes he will return able to guide and protect his people through uncertain and unwanted colonialist developments. However, the man abandons their plans to pursue his own interests and faces the fallout of his actions upon his return home and in the volatile years to come. Reading such an affective work in the final semester of my Masters preparing to return home was timely and I have found the similarities between my life and Achebe’s art blurred. I began writing this work upon returning home to Niceville, Florida and realizing that both myself and the town I call home have changed drastically.     The piece begins with jarring sixteenth-notes derived from a rising arpeggiated-tetrachord. Ceaseless double tonguing, the lead in the fourth euphonium, and unsettling metric shifts combine for unique and frenetic effects. A yearning melody enters amidst this chaos and is a musical spelling of “homeâ€. The return and developments of the frenetic material culminates in a solo statement of this theme. The middle section represents the home of years past and features a uniquely Niceville quote with fragments of the Niceville High School fight song. These fragments make up each independent line and the music culminates in a triumphant victory. However, this victory is cut brief by the cutting sixteenth-note driven material from earlier. The finale is an exciting mockery of the “home†theme with interjections and exploitations of all previous themes. - Matthew NunesNiceville, June 2018.
$24.99
The Past is in the Present as we look to the Future
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Haydn Reeder
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The Past is in the Present as
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Haydn Reeder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.953809 Composed by Haydn Reeder. 20th Century,Contemporary,Romantic Period. Score. 7 pages. Haydn Reeder #7701. Published...
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Piano Solo - Level 4 - SKU: A0.953809 Composed by Haydn Reeder. 20th Century,Contemporary,Romantic Period. Score. 7 pages. Haydn Reeder #7701. Published by Haydn Reeder (A0.953809). Piano solo with playing time of about six and a half minutes. The opening long section of slow lyrical music presents ideas which infiltrate or interrupt later more virtuosic passages.
$10.00
"O God Our Help in Ages Past" 3-voice fugal, full hymn in pedal
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Orgue
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INTERMÉDIAIRE
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Attr
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Terry M
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"O God Our Help in Ages P
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Forsyth Publishing
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SheetMusicPlus
Organ - Level 3 - SKU: A0.932723 Composed by Attr. William Croft. Arranged by Terry M. Forsyth. Christian,Instructional,Sacred. Score. 1 pages. Forsyth ...
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Organ - Level 3 - SKU: A0.932723 Composed by Attr. William Croft. Arranged by Terry M. Forsyth. Christian,Instructional,Sacred. Score. 1 pages. Forsyth Publishing #6486887. Published by Forsyth Publishing (A0.932723). The accompaniment is a 3-voice fugue with the whole hymn presented in segments in the pedal. Exposition begins on V so fourth entry is melody in tonic. Structure is exposition, first hymn phrase, fugue development episode, second hymn phrase, second fugal development episode, third hymn phrase, stretto, long pedal tone on V, subject restated, final hymn segment twice at tempo then final at the end is augmented. Time is 2:50. Not technically challenging. Good for general use as prelude, offertory or postlude. Tune name: St. Anne.
$5.00
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
Praise Yah and Long Live the King (Cast) from "The Kings" - ACT 2:Song 1
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Chorale SATB
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INTERMÉDIAIRE
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McCorkle, Dennis F
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Praise Yah and Long Live the K
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.784827 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkl...
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Choral Choir (SATB) - Level 3 - SKU: A0.784827 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11745. Published by DF McCorkle Music and eBook Publications (A0.784827). ACT TWO: Song 1. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 5:1-3 - Then came all the tribes of Israel to David unto Hebron, and spoke, saying: 'Behold, we are thy bone and thy flesh. 2 In times past, when Saul was king over us, it was you that did lead out and bring in Israel; and Yahweh said to you: ‘You shall feed My people Israel, and you shall be prince over Israel.’ 3 So all the elders of Israel came to the king to Hebron; and king David made a covenant with them in Hebron before Yahweh; and they anointed David king over Israel.] The second act opens in the Hebron as DAVID unites the clans and in a grand celebration DAVID is crowned as king over Israel and Judah to the shouts of [Praise God and Long Live the King – Ensemble]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
Love Me Little Love Me Long. A Senegambian Pastoral
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Piano, Voix
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Love Me Little Love Me Long. A
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5493 Courtship, Love, Symbols, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libr...
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Piano and voice - SKU: LV.5493 Courtship, Love, Symbols, Heaven. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5493). Love Me Little Love Me Long. A Senegambian Pastoral. Words and Music by percy Gaunt. Published 1893 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Symbols, Heaven. First line reads Put your arms around me, honey, even if you have no money.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
An echo from the past for clarinet and classical guitar (mp3)
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András Csáki
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An echo from the past for clar
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - SKU: A0.1506750 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary...
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Clarinet,Guitar - Level 4 - SKU: A0.1506750 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 146. David Warin Solomons #1082121. Published by David Warin Solomons (A0.1506750). This is the third movement of the suite Times of Change - a longing for nostalgia or a nostalgic longing, that is the question!?
$5.00
Beethoven Pastoral Symphony No 6 The Countryside Alto & Tenor Sax Duet
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Classique
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Rainer's Rainbow
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R G Roth
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Beethoven Pastoral Symphony No
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Rainer's Rainbow
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SheetMusicPlus
Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1199257 By Rainer's Rainbow. By Ludwig van Beethoven. Arranged by R G Roth. 19th Ce...
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Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - SKU: A0.1199257 By Rainer's Rainbow. By Ludwig van Beethoven. Arranged by R G Roth. 19th Century,20th Century,Chamber,Classical,Jazz. 14 pages. Rainer's Rainbow #798320. Published by Rainer's Rainbow (A0.1199257). Beethoven composed his Pastoral Symphony No 6 over 200 years ago. The first movement is subtitled Upon Arrival In The Countryside. It is arranged here as a duet for Alto Saxophone and Tenor Saxophone for the first time. A full score is provided along with individual parts.
$2.99
I Get Along Without You Very Well (except Sometimes)
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Flûte et Guitare
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FACILE
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Contemporain
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Hoagy Carmichael
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Robert E
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I Get Along Without You Very W
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R. E. Proctor
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.809867 Composed by Hoagy Carmichael. Arranged by Robert E. Proctor. Contemporary. S...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 2 - SKU: A0.809867 Composed by Hoagy Carmichael. Arranged by Robert E. Proctor. Contemporary. Score and parts. 36 pages. R. E. Proctor #4265015. Published by R. E. Proctor (A0.809867). This arrangement offers the musicians to be their own arrangers with added parts! Both the flute and guitar parts can be easily remixed to their taste. Included is the arrangement for the recording you hear on this web site. Play it as you've heard it or make your own arrangement. There are four different guitar accompaniment parts which can be played as is or mixed together. Two flute parts. Create your own arrangement by cutting and pasting the parts together as desired. Have fun being your own arranger! Duration: 4.20
$9.95
Auld Lang Syne
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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extension, it is also often he
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Traditional Scottish
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James Pybus
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Auld Lang Syne
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1153960 Composed by Traditio...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1153960 Composed by Traditional Scottish. Arranged by James Pybus. Christmas,Folk,Holiday,Standards,Traditional. 10 pages. James Pybus #754230. Published by James Pybus (A0.1153960). Auld Lang Syne is a popular song, particularly in the English-speaking world. Traditionally, it is sung to bid farewell to the old year at the stroke of midnight on New Year's Eve. By extension, it is also often heard at funerals, graduations, retirements, and as a farewell or ending to other occasions. The text is a Scots-language poem written by Robert Burns in 1788 but based on an older Scottish folk song. In 1799, it was set to a traditional tune, which has since become standard. The poem's Scots title may be translated into standard English as old long since or, less literally, long long ago, days gone by, times long past, or old times. Consequently, for auld lang syne, as it appears in the first line of the chorus, might be loosely translated as for the sake of old times. This SATB or AATB Saxophone Quartet arrangement gives each player an opportunity to play the melody. It is suitable for a wide variety of concerts, performance settings, or other occasions. The duration is 1:50. Contact me at james.pybus56@gmail.com.
$16.99
Forgotten Ballrooms
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Donald Ashwander
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Forgotten Ballrooms
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1295707 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886005. Published by The Dona...
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Piano Solo - Level 3 - SKU: A0.1295707 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886005. Published by The Donald Ashwander Estate (A0.1295707). Forgotten Ballrooms, pays tribute to the burgeoning preservation movement in America that has breathed new life into abandoned and historically significant structures. In the not-so-distant past, only a select few possessed the sophistication to recognize the beauty and historical significance of seemingly ordinary places such as derelict railway depots or 1920s filling stations. Today, however, there are people discovering, restoring, and utilizing these architectural gems. This newfound reverence for the past has given rise to a unique breed of enthusiasts who engage in what can only be described as ballroom archaeology.Forgotten Ballrooms takes inspiration from this rarefied and dedicated movement of ballroom archaeologists. Throughout the country, these individuals venture into the hidden corners of history, opening doors to ghostly rooms that resonate with the echoes of bygone dramas and memories long past. As the pianist embarks on this musical journey, they evoke the palpable atmospheres of these once-vibrant spaces, now shrouded in the mists of time.The composition’s syncopated rhythms, playful melodies, and intricate harmonies pay homage to the era when these ballrooms were the centers of social life and entertainment. Yet, there is an underlying sense of nostalgia and longing, as if the music itself yearns to recapture the forgotten stories and dances of the past.Through Ashwander’s musical tribute, we are reminded of the enduring power of history, culture, and the resolute spirit of those who seek to preserve the memories and grandeur of America's forgotten ballrooms.The final page of the sheet music contains special program notes by Donald Ashwander.
$5.95
AULD LANG SYNE (medium easy intermediate)
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Orchestre à Cordes
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FACILE
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Noël
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Old Scottish Melody
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Vincent Vitale
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AULD LANG SYNE
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.835581 Composed by Old Scottish Melody. Arranged by Vincent Vitale. Christmas,Holiday. Score and parts. 11 pages. V...
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String Orchestra - Level 2 - SKU: A0.835581 Composed by Old Scottish Melody. Arranged by Vincent Vitale. Christmas,Holiday. Score and parts. 11 pages. Vincent Vitale #6029281. Published by Vincent Vitale (A0.835581). AULD LANG SYNE is arranged on a medium easy level for Intermediate students. Known as the New Year’s Eve song it refers to times long past and was a Scottish poem written by Robert Burns in 1788 and set to this traditional folk song. I am sure you will enjoy this arrangement which includes some modern day jazz chords and will certainly make for a great piece to end your Holiday concert. As always, full score and parts for Violin I and II, Viola, Cello and String Bass. I certainly hope you and your students enjoy performing this piece and as always I thank you very much for your consideration and wish you and your students much musical success. …Copyright 2020.
$18.00
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00
Chansons de Verlaine
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Voix Soprano, Piano
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AVANCÉ
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John Casken
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Chansons de Verlaine
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Dura...
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Soprano voice and piano - difficult - SKU: S9.Q6665 For soprano and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q6665. Published by Schott Music - Digital (S9.Q6665). French.Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004.
$19.99
Last Waltz for Cello
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Violoncelle
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FACILE
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Classique
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James Babcock
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Last Waltz for Cello
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James Babcock
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SheetMusicPlus
Cello Solo - Level 2 - SKU: A0.1017148 Composed by James Babcock. Romantic Period. Individual part. 8 pages. James Babcock #6348751. Published by James ...
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Cello Solo - Level 2 - SKU: A0.1017148 Composed by James Babcock. Romantic Period. Individual part. 8 pages. James Babcock #6348751. Published by James Babcock (A0.1017148). A short easy cello solo with piano accompaniment. Like Shenandoah and Red River Valley, this simple bittersweet melody calls to mind America’s rural past and the sadness of its Civil War. Written on a long-past Memorial Day, its cover evokes an emotional remembrance of regret and yearning with these words, It is 1861. A young farm boy, called to war, waltzes with his girl for the last time. The slow tune calls to mind a warm summer night’s barn dance, a sweet romance, and a sad farewell forever. The piece is easy to play, but also worth playing well. I have listened to and played your compositions. They are charming and very melodic and would be most useful, both for training and performance.-Thomas Lindsay, former concertmaster, Virginia Beach Symphony, New Jersey Pops Orchestra, the Atlantic Symphonette and the FAME Festival Orchestra.
$3.50
Old Streets
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Piano seul
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INTERMÉDIAIRE
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Donald Ashwander
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Old Streets
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The Donald Ashwander Estate
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1402418 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #985636. Published by The Dona...
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Piano Solo - Level 3 - SKU: A0.1402418 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #985636. Published by The Donald Ashwander Estate (A0.1402418). Step into the charming and contemplative world of Donald Ashwander's solo piano masterpiece, Old Streets. Composed with a delicate touch, Old Streets captures the essence of a bygone era, where the facades of weathered Southern houses bear witness to the passage of time. Ashwander's keen sense of tonal impressionism allows the notes to dance gracefully, mirroring the play of dappled sunlight filtering through the branches of ancient trees. The composition is an ode to the enduring charm of historical neighborhoods, where the echoes of laughter, whispers of secrets, and the timeless stories of yesteryears linger in the air.In the heart of Old Streets, one discovers the subtleties of an introspective ragtime composition. The rhythm, though rooted in the spirited tradition of ragtime, takes on a contemplative and ambulant quality, as if inviting the listener to meander through the memories embedded in each brick and cobblestone. One can almost envision the silhouette of the old houses, standing sentinel along the streets, whispering tales of days gone by. The harmonies, rich with emotion, evoke a sense of nostalgia, allowing the listener to immerse themselves in the profound beauty of the past.Old Streets serves as a poignant reminder that within the timeworn facades of history, there exists a melodic resonance that connects us to the stories of those who walked these old streets before us. So, take a stroll through the corridors of Old Streets, and let the music carry you to a place where the past and present harmonize in a timeless dance.
$5.95
Élégie
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
The Sundials
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Contemporain
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Matthew Scott Phillips
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The Sundials
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Matthew Scott Phillips
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SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #580083...
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Piano Trio,String Ensemble - SKU: A0.1004152 Composed by Matthew Scott Phillips. Contemporary. Score and parts. 98 pages. Matthew Scott Phillips #5800833. Published by Matthew Scott Phillips (A0.1004152). Throughout the centuries, civilizations have used sundials to tell time. This instrument consists of a gnomon (Greek for knower), a long pole or incline, whose shadow is cast onto a flat stone or metal plate, that either lies on the ground or is erected onto a wall. This plate is marked with the hours of the day, and the gnomon's shadow passes over the marks. More than just an ancient timepiece, these instruments are doorways to the eternal past, and prophets of the eternal future. They bare witness to the infinite fleeting-ness of the lives of human beings. Unlike a modern watch or digital clock, in which every second enjoys its own momentary significance, the hours as marked by the sundial flow into one another in a continuous stream, that is ultimately timeless. The final hour of any mortal creature is, in this way, no more significant than the first, and all our hours seem insignificant in the context of the cosmos' grandness. Etched upon a great many sundials, in Greek, Latin, English, German, or French, is a motto designed to inspire human beings to consider these truths. Why so many sundial makers felt the need to inscribe on their creations their own philosophies and musings is unclear. Yet, each of these mottos seems contrived to express the contemplations of time and eternity so integral to the sundials' existence. Mottos such as umbra sumus (we amount to shadow) often hold multiple meanings. The we referred to can be the hours, which seem extant only because of the shadow passing over them. Or it can refer to the ephemeral nature of our lives, which on the grand calendar of eternity are so short as to be nothing. Or perhaps it warns that time itself is no more than an illusion; a shadow. Whether they are existential, humorous (I only count the sunny hours), or offer advice (use the hours, don't count them), these mottos are intended to give us pause: to compel us to look for a moment, not at the fleeting significance of our mundane lives, ticked away as they are in tiny hours, but to consider the eternal time that lies beyond us, and to therefore be briefly in contact with it. This composition, approximately an hour long and written for piano trio (Piano, Violin, and Cello), intends as its goal the same purpose as the mottos that inspired it. To transport those who listen to it (listen not merely hear) away from the earthly, and into the cosmic. Each movement is named after a different motto. The mottos, their English translations and the locations of the sundials that bare (or once bore) them is listed at the front. This is one hour, hopefully, that will not simply fade away, but rather will be one spent in the company of the eternal. .
$7.00
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Time Long Past
