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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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UKULELE
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2766
PIANO & CLAVIERS
Piano seul
1608
Piano, Voix
739
Piano Facile
708
Piano, Voix et Guitare
645
Instruments en Do
194
Accompagnement Piano
130
Orgue
84
Accordéon
57
1 Piano, 4 mains
30
Piano Trio: piano, violon, violoncelle
24
2 Pianos, 4 mains
17
Piano Quatuor: piano, violon, alto, violoncelle
11
Clavecin
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
2 Pianos, 8 mains
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Orgue, Trompette (duo)
3
Piano (partie séparée)
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Piano Quatuor: piano, 2 violons, violoncelle
2
Orgue, Piano (duo)
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1 Piano, 6 mains
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GUITARES
Guitare notes et tablatures
163
Guitare
121
Ligne De Mélodie, (Paroles) et Accords
37
Basse electrique
32
Ukulele
15
Mandoline
13
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10
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9
Banjo
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Paroles et Accords
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Dulcimer
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2
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VOIX
Voix seule
5741
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964
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413
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377
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241
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Chorale SSAA
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54
Voix Tenor, Piano
48
Voix Soprano, Piano
41
Voix Alto, Piano
40
Voix Baryton, Piano
18
Voix duo
15
Voix haute
14
Voix moyenne, Piano
8
Voix Tenor
6
Voix basse, Piano
5
Chorale SSAATTBB
4
Chorale
3
Voix Soprano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATB
1
Chorale SAATB A Cappella
1
Voix Soprano, Orchestre
1
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VENTS
2 Saxophones (duo)
293
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
162
Flûte traversière
162
Hautbois, Piano (duo)
147
Saxophone, Clarinette (duo)
145
Saxophone Alto
138
Flûte traversière et Piano
138
Clarinette et Piano
132
Saxophone Alto et Piano
127
Quatuor de Saxophones: 4 saxophones
124
Clarinette
124
Quintette de Saxophone: 5 saxophones
118
2 Flûtes traversières (duo)
118
2 Clarinettes (duo)
105
Saxophone Tenor
97
Clarinette, Violon (duo)
97
Flûte, Hautbois, Clarinette, Basson
86
Hautbois (partie séparée)
83
Saxophone Soprano et Piano
77
Quatuor de Clarinettes: 4 clarinettes
76
Clarinette, Trompette (duo)
74
Saxophone Tenor et Piano
70
Flûte, Clarinette (duo)
67
Saxophone (partie séparée)
65
Hautbois, Basson (duo)
64
2 Hautbois (duo)
58
Hautbois, Clarinette (duo)
55
Flûte, Violon
51
Hautbois, Flûte
49
Clarinette et Alto
47
Flûte, Saxophone (duo)
44
Saxophone
41
Flûte irlandaise
40
Flûte, Trompette (duo)
38
Flûte, Alto (duo)
36
Saxophone Baryton, Piano
34
Ensemble de Clarinettes
32
Quatuor de Flûtes : 4 flûtes
32
Hautbois
28
Quintette de Clarinettes: 5 clarinettes
25
Clarinette Basse, Piano
25
Flûte à bec Soprano
25
Quintette de Flûte : 5 flûtes
21
Hautbois, Violoncelle
20
Cor anglais, Piano
20
Ensemble de Flûtes
19
3 Clarinettes (trio)
19
Saxophone Soprano
18
Cor Anglais
16
3 Saxophones (trio)
16
Clarinette (partie séparée)
14
Trio de Flûtes: 3 flûtes
13
Ensemble de saxophones
13
2 Flûte à bec (duo)
13
Flûte et Guitare
12
Clarinette, Basson (duo)
10
Flûte à Bec
9
Clarinette, Violoncelle (duo)
9
Flute (partie séparée)
9
Flûte, Violoncelle
8
Flûte, Hautbois (duo)
8
Flûte à bec Alto
6
Flûte à bec Soprano, Piano
6
Saxophone Baryton
6
Flûte, Violon, Piano
5
Clarinette, Trombone (duo)
5
Flûte, Clarinette et Basson
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quatuor de Flûtes à bec
4
Flûte à bec Tenor
4
3 Flûtes à bec (trio)
4
Hautbois et alto (duo)
3
Flûte, Basson et Piano
3
Hautbois, violon (duo)
3
Flûte, Trombone (duo)
3
2 Flûtes traversières, Piano
3
5 Flûtes à bec
3
Ensemble De Flûte à bec
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
Clarinette Basse
2
Ocarina
2
Hautbois, Guitare (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Clarinette, Harpe (duo)
2
Flûte, Alto et Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Hautbois, Piano (trio)
2
Ensemble à vent
1
2 Saxophones, Piano
1
Harmonica
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, trombone (duo)
1
Flûte, trombone et piano
1
Flûte, Violon, Guitare
1
Clarinette, Orgue
1
Saxophone et Orgue
1
Hautbois, Harpe
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
Clarinette, Contrebasse (duo)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
143
Trompette
133
Trompette, Piano
122
Trombone et Piano
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
100
Trompette, Saxophone (duo)
100
Trombone
97
Cor et Piano
88
Trompette, Trombone (duo)
58
Tuba et Piano
56
2 Trompettes (duo)
54
2 Trombones (duo)
53
Cor
48
Quatuor de Cuivres: 2 trompettes, Cor, trombone
35
Tuba
35
Trompette (partie séparée)
31
Euphonium, Piano (duo)
21
Trombone (partie séparée)
21
Cor anglais, Piano
20
Quatuor de Cuivres
18
Cor Anglais
16
Ensemble de Trombones
14
Ensemble de Trompettes
14
2 Cors (duo)
13
Quatuor de cuivres: 4 trombones
9
Euphonium
8
Cor (partie séparée)
7
Tuba (partie séparée)
7
Quatuor de cuivres: 4 cors
6
3 Trombones (trio)
6
Ensemble de Cors
5
2 Tubas (duo)
5
Quatuor de cuivres: 4 trompettes
4
Trompette, Cor (duo)
4
Cor, Violoncelle (duo)
3
2 Euphoniums et 2 Tubas
3
Trio de Cuivres
3
Tuba et Orgue
3
Trompette, Tuba (duo)
2
4 Tubas
2
Trombone, Orgue
2
3 Trompettes (trio)
2
Instruments en Sib
2
Trombone, Tuba (duo)
2
Ensemble de Tubas
1
2 Cors, Piano
1
Trompette et Guitare
1
Trompette, Basson (duo)
1
Trombone basse et Piano
1
3 Cors (trio)
1
Trompette, Euphonium (duo)
1
3 Euphoniums
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
343
Violon et Piano
226
Violon
204
Violoncelle
180
Alto, Piano
150
Violoncelle, Piano
148
Violon, Violoncelle (duo)
117
Alto seul
95
2 Violons (duo)
75
Violon, Alto (duo)
68
Trio à Cordes: violon, alto, violoncelle
66
2 Altos (duo)
64
Harpe
62
2 Violoncelles (duo)
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Trio à Cordes: 2 violons, violoncelle
45
Contre Basse
45
Contrebasse, Piano (duo)
44
Violon (partie séparée)
24
Alto (partie séparée)
24
Violon, Basson (duo)
17
Alto, Violoncelle (duo)
14
4 Violoncelles
11
Ensemble de Violons
11
Contrebasse (partie séparée)
11
2 Harpes (duo)
10
Ensemble d'Altos
9
Piano Trio: Violon, Alto, Piano
6
2 Contrebasses (duo)
5
Quintette à cordes : 2 violons, alto et 2 violoncelles
5
Harpe, Flûte (duo)
5
Violon, Guitare (duo)
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
4
Violoncelle (partie séparée)
4
Quatuor à cordes : 4 altos
4
Trio à Cordes: 2 violons, alto
3
Alto, Guitare (duo)
3
Alto et Basson
3
Harpe, Voix
3
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
4 Contrebasses
2
Violoncelle , Guitare (duo)
2
Violoncelle, Contrebasse (duo)
2
Flûte, Contrebasse (duo)
1
2 Violoncelles, Piano
1
Quatuor à cordes: 4 violons
1
Alto et Harpe
1
Autoharp
1
Harpe et mandoline
1
3 Harpes
1
4 Harpes
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
635
Orchestre
182
Orchestre à Cordes
148
Cloches
128
Ensemble de cuivres
80
Ensemble Jazz
75
Orchestre de chambre
52
Batterie
47
Fanfare
47
Jazz combo
34
Ensemble de Percussions
15
Percussion (partie séparée)
11
Xylophone, Piano
10
Batterie (partie séparée)
3
Ensemble d'École
3
2 Xylophones
2
Percussion
2
2 Marimbas
1
Caisse Claire
1
Marimba
1
Voix Mezzo-Soprano, Orchestre
1
Piano et Orchestre
1
Xylophone
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Time To Sing
Partitions à imprimer
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9976
Sight-Singing 2
Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach…
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Voice - advanced to difficult - Digital Download SKU: S9.Q19478 A fresh approach. This edition: method. Schott Sight-Reading Series. Dieser Band baut auf Vom-Blatt-Singen 1 auf und führt die ersten Aspekte des Vom-Blatt-Singens mittels genauen Erkennens von Rhythmus und Tonhöhe fort. Downloadable, Textbook. Op. 2. Schott Music - Digital #Q19478. Published by Schott Music - Digital (S9.Q19478). English • French • German.This book sets out to build on the initial aspects of singing at sight in reading both the rhythm and pitch accurately, as begun in Sight-Singing 1. Sight-Singing 2 is divided into two parts. Part 1 comprises 95 exercises in either single or 2-part form. These cover methods to secure the line of the pitch, sequences, singing a lower part, ties, awareness of chord structure, canons, chromatic movement, modulations and tone rows. A section of 2-part exercises is also included using treble and bass clefs. Part 2 consists of 16 solo pieces which are presented in the treble clef, and aim to develop the singer’s ability to pitch independently from their accompaniment. These short pieces are based on chords, intervals, the Dorian mode, pentatonic scales, melodic minor scales, chromatic movement and changing time signatures. The aim of this volume is to develop a secure sense of pitch, providing a comprehensive range of styles and challenges which will be of value not just to singers but to all dedicated musicians. The skill of being able to ‘vocalise’ a melody independently and accurately is a valuable asset for all musicians regardless of vocal ability or instrument played. The ability to ‘hear’ a phrase before it is sung or played is especially useful. - 95 solo/2-part exercises - 16 accompanied solos - 1 wide range of challenging styles - valuable both to singers and instrumentalists.
$12.99
11.88 €
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Sight-Singing 2
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Schott Music - Digital
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SheetMusicPlus
Crossing the River
Marimba
Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Ch…
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Marimba Solo - Level 4 - Digital Download SKU: A0.1310693 Composed by Michael M. Chang. 21st Century,Contemporary. Individual part. 10 pages. Michael M. Chang #899669. Published by Michael M. Chang (A0.1310693). Crossing the River is written for an intermediate to advanced player using four mallets on a 4.3 marimba with optional 5-octave notes indicated in parentheses ( ). The song's meaning can be found in our everyday lives - how things can become mundane and sometimes events beyond our control can overwhelm us. During those times, our thoughts may drift back to our youth and to the simple things that brought us joy. Remembering these may bring a moment of contentment, but making those moments a part of our lives again can lead to a lifetime of happiness.The music begins in the key of E Major, with playful, lyrical phrases before modulating to a section in F# Major, which consists of a light, airy right-hand melody accompanied by a syncopated left-hand ostinato. The flow pauses for a moment of introspection, before a similar syncopated section returns, but this time in the key of A# minor. This builds to a beautiful chorale section as the river is crossed, before closing with a variation on the opening theme in C# Major. Singable and pleasing to the ear, the piece's melodies may help improve dexterity, particularly in the player's right hand.
$9.99
9.14 €
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Marimba
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Michael M
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Crossing the River
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Michael M. Chang
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SheetMusicPlus
Singing the Seasons (Unison w/Tuned Bells)
Chorale Unison
Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1350802 Composed …
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Choral Choir,Choral (Unison) - Level 1 - Digital Download SKU: A0.1350802 Composed by Carol Troutman Wiggins. Children,Contemporary,Folk,Instructional. 5 pages. Carol Troutman Wiggins #935629. Published by Carol Troutman Wiggins (A0.1350802). Summer, winter, spring, or fall . . . there's no better time to sing!This fun, quick & easy song tells us how exciting it is to sing together all year 'round!UnisonOptional tuned bells may be used (Bell cues written in score)Great for early and upper elementary singersIntermediate piano accompanimentGuitar chords included for guitar, ukulele, or other instrumentsPiano accompaniment track available on this site.
$2.99
2.74 €
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Chorale Unison
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Carol Troutman Wiggins
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Singing the Seasons
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Carol Troutman Wiggins
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SheetMusicPlus
Come On In (It's Time to Sing) Piano Accompaniment Track
Piano seul
Piano - Digital Download SKU: A0.1065618 Composed by Carol Troutman Wiggins. Arrang…
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Piano - Digital Download SKU: A0.1065618 Composed by Carol Troutman Wiggins. Arranged by Carol Troutman Wiggins. Contemporary. Accompaniment. Duration 121. Carol Troutman Wiggins #3626555. Published by Carol Troutman Wiggins (A0.1065618). COME ON IN (IT'S TIME TO SING) Piano Accompaniment TrackUnison/2-Part Mixed Voices w/Hand ClapsNeed a quick and round-style, easy concert opener or a Hello-Welcome song? This song invites everyone to come on in because it's time to sing! May be sung in unison, divided into 2 parts, or sung as a round.Excellent for any age elementary through younger middle schoolSuper easy lyrics and harmonyGreat as an introductory song for 2-part singingChords included for additional instruments
$9.99
9.14 €
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Piano seul
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Carol Troutman Wiggins
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Carol Troutman Wiggins
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Come On In
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Carol Troutman Wiggins
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SheetMusicPlus
Piano Sonata No. 1 Movement 3 "Reflection of Passing"
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel W…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. It’s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonata’s start, as the strings will need to be exposed in order for you to sing into the piano’s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (don’t worry, I’m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story they’re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.
$3.99
3.65 €
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Piano, Voix
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Samuel Warren Hatch
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Piano Sonata No. 1 Movement 3 "Reflection of Passing"
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Samuel Warren Hatch
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SheetMusicPlus
Time for Singing
2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any …
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2-part (any combination of voices) - Easy SKU: LO.45-1001 Seven Anthems for Any Combination of Voices in Two Parts. Composed by Natalie Sleeth. Choral collection. Sacred, Choral. Sacred Music Press #45/1001. Published by Sacred Music Press (LO.45-1001). UPC: 000308018059.Choirs large and small have discovered the joy of performing Natalie Sleeth's music, as it always produces stunning results with any combination of voices. Each section of the choir receives the opportunity to sing her delightful melodies and counter themes while they are skillfully woven into full and rich choral textures.
Song List: Time For Singing Has Come The Jesus Brought Us Love All Good Gifts Let All The People Praise Thee Promised Land Hallelujah Glory Hallelujah Sing A New Song To The Lord
Song List
: Time For Singing Has Come The Jesus Brought Us Love All Good Gifts Let All The People Praise Thee Promised Land Hallelujah Glory Hallelujah Sing A New Song To The Lord
$12.95
11.85 €
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Natalie Sleeth
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Time for Singing
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Sacred Music Press
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SheetMusicPlus
Sentimentale
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1144560 By Takeru Hirabayashi. By T…
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Piano Solo - Level 2 - Digital Download SKU: A0.1144560 By Takeru Hirabayashi. By Takeru Hirabayashi. Classical,Holiday. Score. 1 pages. TAKeru Hirabayashi #744894. Published by TAKeru Hirabayashi (A0.1144560). C minor, 2/2. A short impromptu. First the right hand sings sentimentally with minimal accompaniment. At bar 10 the left hand starts to sing with a positive attitude, and from 14 a gentle chorale is heard, which leads the story toward resolution.
$8.00
7.32 €
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Piano seul
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Takeru Hirabayashi
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Sentimentale
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TAKeru Hirabayashi
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SheetMusicPlus
Sing
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1285484 By My Chemi…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1285484 By My Chemical Romance. By Frank Iero, Gerard Way, Mikey Way, and Ray Toro. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop,Rock. 14 pages. Music Arrangement Services Inc. #876590. Published by Music Arrangement Services Inc. (A0.1285484). Originally performed by My Chemical Romance, also featured on the television series “Gleeâ€.  This song is about using your voice to make a better world.  The song refers to singing, tomorrow, being counted out, always using your voice, boys, girls, heart, being nuts, ones that hate, deaf, blind, those left behind, sing for the world, raising your voice.  This arrangement is designed for high school or college show choir, concert choir or community choir.  Concert Band Score accompaniment also available.  Performance time is approximately 4:00.
$3.99
3.65 €
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Chorale SATB
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My Chemical Romance
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Jeffrey Bowen
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Sing
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Music Arrangement Services Inc.
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SheetMusicPlus
Sing
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1285485 By My Chemical Romance. B…
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Concert Band - Level 4 - Digital Download SKU: A0.1285485 By My Chemical Romance. By Frank Iero, Gerard Way, Mikey Way, and Ray Toro. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop,Rock. Score and Parts. 60 pages. Music Arrangement Services Inc. #876591. Published by Music Arrangement Services Inc. (A0.1285485). Originally performed by My Chemical Romance, also featured on the television series “Gleeâ€.  This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion.  This song is about using your voice to make a better world.  The song refers to singing, tomorrow, being counted out, always using your voice, boys, girls, heart, being nuts, ones that hate, deaf, blind, those left behind, sing for the world, raising your voice.  This arrangement is designed for high school or college show choir, concert choir or community choir.  SATB/Piano Score also available.  Performance time is approximately 4:00.
$49.99
45.73 €
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Orchestre d'harmonie
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My Chemical Romance
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Jeffrey Bowen
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Sing
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Music Arrangement Services Inc.
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SheetMusicPlus
Time After Time, piano cover
Piano seul
Piano Solo - Intermediate - Digital Download By Cyndi Lauper. Arranged by Christine B…
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Piano Solo - Intermediate - Digital Download By Cyndi Lauper. Arranged by Christine Brown. Sheet Music Single. 7 pages. Published by Christine Brown
This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular song, blended with classical excerpts of Bach's Minuet in G, from the piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.<br> <br> Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."<br> <br> Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular song, blended with classical excerpts of Bach's Minuet in G, from the piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.<br> <br> Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."<br> <br> Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.
$7.99
7.31 €
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Piano seul
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Cyndi Lauper
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Christine Brown
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Time After Time, piano cover
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Christine Brown
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.92 €
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Chorale SATB
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Dandelion Music Press
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
The Last Time I Saw Paris
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By…
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Piano Solo - Level 5 - Digital Download SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99
8.22 €
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Piano seul
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Time To Say Goodbye
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1394205 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by C Strommen, U Bye & A Fernie, orchestrated by Peet du Toit. Classical,Pop. 11 pages. Peet du Toit #977678. Published by Peet du Toit (A0.1394205). Con te partirò (With You I Shall Depart) is an Italian song written by Francesco Sartori (music) and Lucio Quarantotto (lyrics). It was first performed by Andrea Bocelli at the 1995 Sanremo Music Festival and recorded on his album of the same year, Bocelli. The single was first released as an A-side single with Vivere in 1995, topping the charts, first in France, where it became one of the best-selling singles of all-time, and then in Belgium, breaking the all-time record sales there.A second version of the song, sung partly in English, released in 1996 as Time to Say Goodbye, paired Bocelli with British soprano Sarah Brightman, and achieved even greater success, topping charts all across Europe, including Germany, where it became the biggest-selling single in history. Brightman and Bocelli produced a version with Brightman singing in German and Bocelli in Italian, with this version being available on the CD Time to Say Goodbye. That version alone has now sold more than 12 million copies worldwide, making it one of the best-selling singles of all time.I hope this cover thereof for a Brass Quintet is pleasing to the players and their audience.
$22.00
20.12 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Andrea Bocelli & Sarah Brightman
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Time To Say Goodbye
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Peet du Toit
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SheetMusicPlus
Sing, My Tongue, the Glorious Battle
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michae…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:      He appeared in a body,       Was vindicated by the Spirit,         Was seen by angels,     Was preached among the nations,       Was believed on in the world,         Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.74 €
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Piano, Voix et Guitare
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St
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Lyndell Leatherman
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some were not
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Sing, My Tongue, the Glorious Battle
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Leatherman Music Services
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
A Time to Sing Praise
Chorale Unison
Unison/Two-part chorus - Digital Download SKU: C7.CGA615 Composed by Robert Leaf. G…
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Unison/Two-part chorus - Digital Download SKU: C7.CGA615 Composed by Robert Leaf. General. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA615. Published by Chorister's Guild - Digital (C7.CGA615). UPC: 749193000366.Based on Ecclesiastes 3: 1-7, this happy anthem will be enjoyable to sing. The 7/8 meter is not difficult. The eighth note stays constant throughout the piece. An easy way to explain the counting for this piece is to say 1-2-3, 1-2-3-4. Voices may divide at the end if desired. Composer: Robert Leaf Text Author: Robert Leaf.
$1.95
1.78 €
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Chorale Unison
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Robert Leaf
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A Time to Sing Praise
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Chorister's Guild - Digital
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SheetMusicPlus
Time To Sing
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.831551 Composed by Bert Simp…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.831551 Composed by Bert Simpson, Bonnie Simpson, Debi Pike, and Raffi Cavoukian. Arranged by Konrad Harley. Contemporary. Score. 3 pages. Konrad Harley #4717789. Published by Konrad Harley (A0.831551). The perfect song to start a sing-along!One of Raffi's best songs for children.
$4.99
4.56 €
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Piano, Voix
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Bert Simpson, Bonnie Simpson, Debi Pike, and Raffi Cavoukian
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Konrad Harley
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Time To Sing
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Konrad Harley
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SheetMusicPlus
A Dance In TripleTime
Chorale SSAA
Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Ros…
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Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.
$1.99
1.82 €
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Chorale SSAA
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Anastasio Rossi
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Anastasio Rossi
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A Dance In TripleTime
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Anastasio Rossi
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SheetMusicPlus
Con Te Partiro (time To Say Goodbye)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.744638 By Andrea Bocelli. By France…
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Piano Solo - Level 5 - Digital Download SKU: A0.744638 By Andrea Bocelli. By Francesco Sartori. Arranged by Arranged by Elena Fortin. Contemporary. Score. 6 pages. Elena Fortin #6788601. Published by Elena Fortin (A0.744638). Con te Partiro (Time to Say Goodbye)Music and Lyrics by Francesco Sartori and Lucio Quarantotto. This piece was made famous by Andrea Bocelli and is arranged for advanced pianists by arranger Elena Fortin.This 5 page arrangement is written in the key of D major, with a modulation to the key of A major towards the end of the song. The piece is a beautiful, expressive one and should always be played cantabile (in a singing style).The arrangement explores sweeping arpeggios in the left hand, full chordal textures, rhythm figures of three notes vs. four notes or two notes, and is written in a classical style.Book authors often comment to say that sometimes the characters in their books do the unexpected. I could say the same about this piece! I intended it to be a romantic-style interpretation, but with world events being what they are--the ending asserted itself in a Tchaikovsky-piano-concerto-like style... The ending is full of power and hope.The piece would be appropriate at memorials, church services, and as a recital piece--the pieces I have been choosing to arrange are ones that I consider to be timeless, have deep meaning, and are filled with hope.For other arrangements, please visit my publisher page here: https://www.sheetmusicplus.com/publishers/elena-fortin/10717?aff_id=507765You can keep up to date with my projects on my website: www.the-piano-studio.comPlease subscribe to my YouTube channel here: https://www.youtube.com/channel/UCFOzbMUgcFWlmG-nfHOT_Zg
$4.99
4.56 €
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Piano seul
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Andrea Bocelli
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Con Te Partiro
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Elena Fortin
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SheetMusicPlus
William M. Backer,Roger Cook,Billy Davis,Roger Greenaway : I'd Like To Teach The World To Sing
Voix seule
Téléchargez la partition Chant I'd Like To Teach The World To Sing de B…
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Téléchargez la partition Chant I'd Like To Teach The World To Sing de Billy Davis,Roger Cook,Roger Greenaway,William M. Backer. Partition pour Avec accompagnement orchestre -- Enfants
5.99 €
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Voix seule
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William M. Backer,Roger Cook,B
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I'd Like To Teach The World To
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Tomplay
The Poohratorio (Winnie the Pooh - the Expotition to the North Pole)
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Wari…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1271090 By David Warin Solomons. By David Warin Solomons. 20th Century,Children,Contemporary. Score. 37 pages. David Warin Solomons #863483. Published by David Warin Solomons (A0.1271090). Here is my 1976 Oratorio on Winnie the Pooh (Poohratorio) for alto voice, spoken parts, guitar and various optional other instrumentsGreat fun for young and old. It uses the whole of Chapter 8 of A A Milne's Now we are six -The expotition to the North Pole, which is now in the public domain in the USA.The pdf file is the score based on the alto and guitar parts with spoken voices provided in text on the score.CHAPTER 8 ...IN WHICH CHRISTOPHER ROBIN LEADS AN EXPOTITION TO THE NORTH POLEONE fine day Pooh had stumped to the top of the Forest to see if his friend Christopher Robin was interested in Bears at all. At breakfast that morning (a simple meal of marmalade spread lightly over a honeycomb or two) he had suddenly thought of a new song. It began like this:Sing Ho! For the life of a Bear.When he had got as far as this, he scratched his head, and thought to himself That's a very good start for a song, but what about the second line? He tried singing Ho, two or three times, but it didn't seem to help. Perhaps it would be better, he thought, if I sang Hi for the life of a Bear. So he sang it . . . but it wasn't. Very well, then, he said, I shall sing that first line twice, and perhaps if I sing it very quickly, I shall find myself singing the third and fourth lines before I have time to think of them, and that will be a Good Song. Now then:Sing Ho! for the life of a Bear! Sing Ho! for the life of a Bear! I don't much mind if it rains or snows, 'Cos I've got a lot of honey on my nice new nose! I don't much care if it snows or thaws, 'Cos I've got a lot of honey on my nice clean paws! Sing Ho! for a Bear! Sing Ho! for a Pooh! And I'll have a little something in an hour or two! He was so pleased with this song that he sang it all the way to the top of the Forest, and if I go on singing it much longer, he thought, it will be time for the little something, and then the last line won't be true. So he turned it into a hum instead.  ..... etc.
$27.00
24.7 €
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Piano, Voix et Guitare
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David Warin Solomons
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The Poohratorio
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David Warin Solomons
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SheetMusicPlus
Saints Alive: Aging to Perfection
Chorale SATB
SATB choir - Easy - Digital Download SKU: LX.45-1107L An SATB musical for Senior…
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SATB choir - Easy - Digital Download SKU: LX.45-1107L An SATB musical for Senior Choir. Composed by Bob Woolley and Paul Taylor. Choral Cantatas. 88 pages. Lorenz Publishing - Digital Sheet Music #e45/1107L. Published by Lorenz Publishing - Digital Sheet Music (LX.45-1107L). UPC: 000308059595.A follow-up to the popular Saints Alive and Saints Alive in Prime Time, this cleverly named sequel has a similar humorous tone and light, fun melodies. The optimistic text artfully set to easy-to-sing songs brings an uplifting message of staying active and living later years in the likeness and spirit of the Lord. A sure hit with your senior choir, this original work will give the pillars of your church a chance to shine and to be recognized for all they have done and continue to do. Performance time:30-35 minutes.
Song List: Aging to Perfection Great Day Just to Be Like Him Love the Lord Your God Mama Always Said Peculiar Situations Sitting in the Boat The Fast Lane of Life With Great Joy
Song List
: Aging to Perfection Great Day Just to Be Like Him Love the Lord Your God Mama Always Said Peculiar Situations Sitting in the Boat The Fast Lane of Life With Great Joy
$10.95
10.02 €
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Chorale SATB
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Bob Woolley and Paul Taylor
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Saints Alive: Aging to Perfection
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
By The Time I Get To Phoenix
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1157801 By Glen Campbell. …
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1157801 By Glen Campbell. By Jimmy Webb. Arranged by Stewart J Wallace. Contemporary,Country,Pop,Singer/Songwriter. Octavo. 12 pages. Stewart J Wallace #758133. Published by Stewart J Wallace (A0.1157801). This ballad by Jimmy Webb (writer of MacArthur Park and Wichita Lineman amongst many others) was a hit for country singer Glen Campbell who recorded it in 1967, and it was also covered by Dionne Warwick, Ann Murray, and Isaac Hayes. This arrangement is a straight-forward version for SATB choir, with all parts singing with the same rhythm and phrasing - aim to sing smoothly, with the same rhythms, and blend the voices. The piano part can be played as written note-for-note or with some variation, and the chord symbols will allow other instruments such as guitar and bass to play along too. The printed score includes a reduced score with just the vocal parts.
$2.49
2.28 €
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Chorale SATB
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Glen Campbell
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Stewart J Wallace
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By The Time I Get To Phoenix
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Stewart J Wallace
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SheetMusicPlus
Known Only to Him
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36857 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-36857 Composed by Stuart Hamblen. Arranged by Mary McDonald. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred SingPraise Series. Gospel; Sacred. Part(s). 20 pages. Jubilate Music Group - Digital #00-36857. Published by Jubilate Music Group - Digital (JX.00-36857). English.Mary McDonald's fresh look at this Gospel standard is a welcome addition to any worship service. Its relaxed style and singable choral parts make it a joy from first rehearsal to presentation. The message of Christ's comfort in trying times is especially applicable during these sometimes stressful days. Plus . . . it's fun to sing and play. Related scripture: Psalms 86:11-17; Hebrews 4:12-16; Revelation 2:26-29.
$40.00
36.59 €
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Stuart Hamblen
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Mary McDonald
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Choral Octavo
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Known Only to Him
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Jubilate Music Group - Digital
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SheetMusicPlus
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