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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
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HARMONICA
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HAUTBOIS
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35
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28
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24
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Quatuor à cordes: 2 violons, alto, violoncelle
83
Harpe
74
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21
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16
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10
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9
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8
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7
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4
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2 Altos (duo)
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4 Violoncelles
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Contrebasse (partie séparée)
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Quintette à cordes: 2 violons, 2 altos, violoncelle
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Alto, Violoncelle (duo)
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2
Quatuor à cordes: 4 violons
2
Harpe, Voix
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Piano Trio: Violon, Alto, Piano
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4 Contrebasses
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Violoncelle, Orchestre
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Harpe, Flûte (duo)
1
4 Harpes
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1
Alto et Harpe
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Alto seul
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Orchestre d'harmonie
56
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47
Orchestre
32
Ensemble Jazz
29
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17
Percussion
6
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Jazz combo
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Cloches
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Time for Change
Alto, Piano
Partitions à imprimer
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Für Elise, for Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beet…
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Piano,Viola - Level 3 - Digital Download SKU: A0.587571 Composed by Ludwig van Beethoven. Arranged by David McKeown. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 8 pages. David McKeown #4361593. Published by David McKeown (A0.587571). Fur Elise is the popular name given to Bagatelle no.25 written by Ludwig van Beethoven. The piece was never published in Beethoven's lifetime and only came to light forty years after his death. Despite much debate, no-one has been able to establish who the Elise of the dedication actually was. This arrangement transcribes the piano score as a Solo for Viola with Piano accompaniment. There are five pages of piano accompaniment and a separate two page solo part included.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing with subtle tempo changes. The piano part is suitable for an intermediate player, easy for the most part, but with two short faster passages. The overall performance time is around three minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.26 €
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Alto, Piano
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Ludwig van Beethoven
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David McKeown
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Für Elise, for Viola and Piano
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David McKeown
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SheetMusicPlus
Symphony No. 7 by Beethoven for Viola and Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Bee…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
1.84 €
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Alto, Piano
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven for Viola and Piano
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Woods Only, Arrangements
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SheetMusicPlus
Korsakov: Flight of the Bumblebee for Viola & Piano
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreye…
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Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive. àKorsakov Background Nikolai Rimsky-Korsakovà(1844 ââ¬â1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire. àAlso, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade.àNationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. ÃÂ
$32.95
30.52 €
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Alto, Piano
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Nikolay Andreyevich Rimsky-Korsakov
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James M
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Korsakov: Flight of the Bumblebee for Viola & Piano
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jmsgu3
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SheetMusicPlus
A Change In Me
Alto, Piano
Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.1257441 Composed by Al…
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Cello,Flute,Piano,Viola - Level 3 - Digital Download SKU: A0.1257441 Composed by Alan Menken and Tim Rice. Arranged by André Nusa. Broadway,Children,Contemporary,Film/TV,Musical/Show,Singer/Songwriter. 17 pages. Andre_Nusa #850763. Published by Andre_Nusa (A0.1257441). Experience the enchanting transformation of A Change in Me from Disney's Beauty and the Beast with this exquisite arrangement for flute, viola, cello, and piano. Immerse yourself in the captivating melodies as the strings and woodwind intertwine in harmonious unity, supported by the rich and resonant tones of the piano. This arrangement beautifully captures the essence of personal growth and self-discovery, inviting players and listeners alike to embark on an emotional journey. Perfect for string and woodwind ensemble performances or chamber music settings, this arrangement offers a wonderful opportunity for musicians to showcase their expressive playing and musical artistry. Delight in the timeless magic of A Change in Me as the strings, woodwind and piano blend in a harmonious celebration of transformation and inner strength. Elevate your repertoire with this unforgettable arrangement that captures the heart and soul of this beloved Disney song.
$12.99
12.03 €
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Alto, Piano
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Alan Menken and Tim Rice
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André Nusa
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A Change In Me
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Andre_Nusa
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SheetMusicPlus
Für Elise Boogie Woogie for Viola & Piano
Alto, Piano
Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.746664 Composed …
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Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.746664 Composed by Ludvig van Beethoven. Arranged by Keith Terrett. 20th Century,Jazz,Romantic Period,World. 22 pages. Keith Terrett #2075841. Published by Keith Terrett (A0.746664). An arrangement of Für Elise Boogie Woogie for Viola & Piano. Bagatelle No. 25 in A minor (WoO 59, Bia 515, and OEISââ¬Å A123456) for solo piano, commonly known as Für Elise or Fuer Elise (German: English: For Elise, sometimes written without the German umlaut mark as Fur Elise), is one of Ludwig van Beethoven's most popular compositions. It is usually classified as a bagatelle, but it is also sometimes referred to as an Albumblatt. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$6.99
6.48 €
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Alto, Piano
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Ludvig van Beethoven
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Keith Terrett
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Für Elise Boogie Woogie for Viola & Piano
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Keith Terrett
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SheetMusicPlus
Viola Sonata No.1
Alto, Piano
Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20t…
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Piano,Viola - Level 5 - Digital Download SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 ââ¬ÅKangKangSullaeââ¬Â For Viola and Piano Sonata No. 1 has the name ââ¬ÅKangKangSullaeââ¬Â, and the composer is like any other composer. ââ¬ÅWhat does it mean to be Korean music?ââ¬Â With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of ââ¬ÅKangKangSullaeââ¬Â has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of ââ¬ÅKangKangSullaeââ¬Â was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of ââ¬ÅKangKangSullaeââ¬Â is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of ââ¬ÅKangKangSullaeââ¬Â in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
13.89 €
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Alto, Piano
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
DOWNTON ABBEY FOR VIOLA AND PIANO
Alto, Piano
By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by …
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By John Lunn. Arranged by Helen Marple-Horvat. Set of Parts. 10 pages. Published by Helen Marple-Horvat
Downton Abbey was a much loved TV series that ran for six seasons capturing the hearts of many across the world. The composer of the music, John Lunn, won two Primetime Emmys for the hauntingly beautiful score. I have arranged this wonderful piece for violin and piano, as well as for cello and piano, and string quartet/string orchestra. The 30 sec clip is done on Sibelius software as I have not yet been able to record this piece live, but if you search my Youtube Channel, Skinny Black Dogs, Capriccio Quartet, you can see and hear the live version. The harmony and structure is exactly the same.<br> <br> The piece is suitable for a young violist and could easily make use of open strings, though more experienced players will be able to play in different positions with longer bows and vibrato. At Bars 11-13 the soloist will need to change the bow discreetly when it runs out. At bar 16, and at other similar points, the last beat may be omitted as it is double by the pianist.This was great fun to arrange so I hope you enjoy playing it!
$20.00
18.53 €
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Alto, Piano
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John Lunn
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Helen Marple-Horvat
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DOWNTON ABBEY FOR VIOLA AND PIANO
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Helen Marple-Horvat
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SheetMusicPlus
Old Viennese dance tunes
Alto, Piano
Viola and piano - difficult - Digital Download SKU: S9.Q47178 No. 2 Love's Sorro…
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Viola and piano - difficult - Digital Download SKU: S9.Q47178 No. 2 Love's Sorrow. Composed by Fritz Kreisler. Arranged by Mats Lidstroem. This edition: score and part. Viola Library. Downloadable, score and part. Duration 5 minutes. Schott Music - Digital #Q47178. Published by Schott Music - Digital (S9.Q47178). This arrangement of the three-part compilation published in 1905 is based on Fritz Kreisler's original version as well as on later piano transcriptions by Sergei Rachmaninoff, with the harmonies, chromaticism and counterpoint of the piano transcriptions remaining unchanged. Original version and transcription are combined to form a virtuoso and effective solo piece. The three-four time typical of Vienna requires a certain, yet hardly notatable freedom of tempo without metronomic constraints.
$15.99
14.81 €
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Alto, Piano
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Fritz Kreisler
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Mats Lidstroem
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Old Viennese dance tunes
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Schott Music - Digital
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SheetMusicPlus
That Easter Day With Joy Was Bright (Viola and Piano Duet)
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.781116 Composed by PUER NOBIS, Tri…
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Piano,Viola - Level 3 - Digital Download SKU: A0.781116 Composed by PUER NOBIS, Trier manuscript, 15th c., and adapt. Michael Praetorius. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and part. 12 pages. Cathy Stamegna #6776549. Published by Cathy Stamegna (A0.781116). Cathy Stamegna has reshaped this lovely Easter piece into a reflective duet, slowing the tempo in the first half as the piano complements the viola with arpeggiated chords. A simple key change is accompanied by an increase in tempo toward the original hymn. A beautiful prelude, offertory, concert or recital piece. Set of Parts. Performance Time 2:10.
$5.99
5.55 €
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Alto, Piano
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PUER NOBIS, Trier manuscript, 15th c
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Cathy Stamegna
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That Easter Day With Joy Was Bright
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Cathy Stamegna
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SheetMusicPlus
A Night In Tunisia
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizz…
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Piano,Viola - Level 3 - Digital Download SKU: A0.747027 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. Score and part. 12 pages. Keith Terrett #5899685. Published by Keith Terrett (A0.747027). A great sounding arrangement of A Night in Tunisia arranged for Viola & Piano, Violists will love this!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941ââ¬â42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$8.99
8.33 €
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Alto, Piano
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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