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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Time to reflect
Sheetmusicplus
Non classifié
640
Piano & claviers
Piano seul
4 049
Piano, Voix
2 305
Piano Facile
52
1 Piano, 4 mains
41
Orgue
26
Accompagnement Piano
23
Piano, Voix et Guitare
21
2 Pianos, 4 mains
12
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, 2 violons, violoncelle
4
Ensemble d'Accordéons
1
+ 7 instrumentations
Retracter
Guitares
Guitare
17
Guitare notes et tablatures
13
2 Guitares (duo)
8
Basse electrique
2
Mandoline
1
Mandoline, Piano (duo)
1
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Mandoline, Guitare (duo)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
866
Chorale Unison
293
Chorale 3 parties
38
Voix Alto, Piano
36
Chorale 2 parties
33
Voix Tenor, Piano
30
Voix Baryton, Piano
30
Voix Soprano, Piano
26
Chorale TTBB
15
Chorale SSAA
6
Voix duo, Piano
5
Voix duo
2
Voix moyenne, Piano
1
Voix seule
1
Chorale
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
2 Flûtes traversières (duo)
38
2 Saxophones (duo)
37
Flûte traversière et Piano
34
Hautbois, Piano (duo)
27
Clarinette
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
22
Clarinette et Piano
19
Flûte traversière
19
2 Clarinettes (duo)
16
Saxophone Alto et Piano
15
Saxophone Alto
15
Hautbois (partie séparée)
13
Saxophone, Clarinette (duo)
11
Hautbois
10
Quintette de Saxophone: 5 saxophones
9
Quatuor de Flûtes : 4 flûtes
9
Flûte, Clarinette (duo)
9
2 Hautbois (duo)
8
Saxophone Tenor et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Clarinette, Violon (duo)
7
Saxophone Soprano et Piano
7
Hautbois, Basson (duo)
7
Clarinette, Trompette (duo)
6
Ensemble de Clarinettes
6
Ensemble de Flûtes
5
Saxophone Baryton, Piano
5
Hautbois, Clarinette (duo)
5
Flûte, Violon
5
Saxophone Tenor
5
Clarinette, Basson (duo)
5
Saxophone Baryton
4
Saxophone Soprano
4
3 Saxophones (trio)
4
Flûte, Trompette (duo)
4
Hautbois, Flûte
4
Clarinette et Alto
4
Flûte, Violoncelle
4
Clarinette, Violoncelle (duo)
3
Hautbois, Violoncelle
3
Flûte, Saxophone (duo)
3
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Harpe (duo)
2
Ensemble de saxophones
2
Flûte à Bec
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois, Basson
2
Flûte, Alto (duo)
2
Flûte, Hautbois, Clarinette (trio)
1
Cornemuse
1
Flûte, Violon et Violoncelle
1
Cor anglais, Piano
1
Hautbois et alto (duo)
1
3 Clarinettes (trio)
1
Flûte, Basson et Piano
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Flûte et Guitare
1
Flûte traversière, Orgue (duo)
1
+ 57 instrumentations
Retracter
Cuivres
Trombone et Piano
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Trompette, Piano
18
Tuba et Piano
15
Trombone
13
Cor et Piano
12
Tuba
12
Trompette
12
Cor
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trombones (duo)
8
Trompette, Saxophone (duo)
8
2 Trompettes (duo)
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
5
2 Cors (duo)
5
Trio de Cuivres
4
Trompette, Cor (duo)
3
Cor, Violoncelle (duo)
3
2 Tubas (duo)
2
Quatuor de Cuivres
2
Trombone basse et Piano
1
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trombones
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 cors
1
+ 24 instrumentations
Retracter
Cordes
Violon et Piano
48
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violoncelle, Piano
24
Violon
21
2 Violons (duo)
21
Violoncelle
21
Harpe
20
Violon, Violoncelle (duo)
19
Alto, Piano
18
Alto seul
15
2 Violoncelles (duo)
10
2 Altos (duo)
9
Violon, Alto (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse, Piano (duo)
7
Contre Basse
7
Piano Trio: Violon, Alto, Piano
7
Alto, Violoncelle (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, violoncelle
4
Alto et Basson
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
2
2 Contrebasses (duo)
2
4 Violoncelles
2
Alto (partie séparée)
2
Harpe, Trombone (duo)
1
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
Violoncelle (partie séparée)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violoncelle , Guitare (duo)
1
Violon (partie séparée)
1
Quatuor à cordes: 4 violons
1
Violon, Clarinette, Piano (trio)
1
+ 30 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
172
Orchestre
32
Orchestre à Cordes
21
Cloches
19
Orchestre de chambre
19
Ensemble Jazz
6
Ensemble de cuivres
6
Jazz combo
3
Xylophone, Piano
2
Marimba
1
Ensemble de Percussions
1
Batterie
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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10 039
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
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ENFANTS : EVEIL - IN…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Time to reflect
SheetMusicPlus
Partitions à imprimer
10 039 partitions trouvées
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9976
Playtime for organ
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Orgue
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Playtime for organ
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David Warin Solomons
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SheetMusicPlus
Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin S...
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Organ - Level 4 - SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00
"TIME TO REFLECT" Relaxing piano solo
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Piano seul
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INTERMÉDIAIRE
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New Age
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Kerry Barnes --- British Femal
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"TIME TO REFLECT" Re
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kerry barnes
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.969755 Composed by Kerry Barnes --- British Female Composer born 1962. New Age. Score. 3 pages. Kerry barnes #5033121. Pu...
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Piano Solo - Level 3 - SKU: A0.969755 Composed by Kerry Barnes --- British Female Composer born 1962. New Age. Score. 3 pages. Kerry barnes #5033121. Published by kerry barnes (A0.969755). TIME TO REFLECTA brand new piano solo for 2020.Very relaxing to play, will make you feel good, soothes the soul.It's thoughtful, quite romantic, lilting and just lovely!3 mins duration. Nice easy key sig of C Major.A flowing LH, and a smooth melody in the RH. (hear it before you purchase)NEW AGE in style and mood.
$8.00
Reflections (solo piano) original composition by Clifton Davis
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Piano seul
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FACILE
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Clifton Davis, ASCAP
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Reflections
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.927272 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Jazz,Spiritual,Standards. Score. 5 pages. Clifton Allen Dav...
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Piano Solo - Level 2 - SKU: A0.927272 Composed by Clifton Davis, ASCAP. Concert,Contemporary,Jazz,Spiritual,Standards. Score. 5 pages. Clifton Allen Davis Music, ASCAP #5711129. Published by Clifton Allen Davis Music, ASCAP (A0.927272). Ever need some time to reflect on your life? Some music for mediation? This intermediate level original piano composition provides contemplative space for the performer and the listener. Appropriate for recital, repertoire, and religious occasions. Part of the collection Lament for Lent.
$4.99
Sentimental Waltz
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Piano seul
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INTERMÉDIAIRE
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Max Potseluiev
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Sentimental Waltz
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Max Potseluiev
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1255170 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potsel...
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Piano Solo - Level 3 - SKU: A0.1255170 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Classical,New Age,Pop. Score. 2 pages. Max Potseluiev #848735. Published by Max Potseluiev (A0.1255170). Sentimental Waltz is a tender and enchanting composition that sweeps the listener into a world of soft romance and heartfelt emotions. With its slow tempo and graceful waltz rhythm, this piece encapsulates the essence of a sentimental journey, evoking feelings of love, nostalgia, and gentle longing.The gentle sway of the waltz rhythm carries the listener through a dance of emotions, as if gliding across a moonlit ballroom. The delicate melodies and elegant chord progressions create a captivating atmosphere, immersing the listener in a timeless moment of tenderness.Sentimental Waltz exudes a sense of intimacy and vulnerability, inviting the listener to reflect on cherished memories and embrace the depth of their emotions. The soft dynamics and gentle phrasing enhance the romantic ambiance, evoking a heartfelt connection and a profound sense of longing.With its slow tempo and deliberate pacing, this composition allows each note to linger, as if savored like a precious memory. The melodies weave a tapestry of bittersweet beauty, capturing the complexities of love and the yearning for what once was or what might be.As the piece unfolds, it tells a story of delicate sentiments, unfolding like a love letter set to music. The tender melodies intertwine, expressing the nuances of emotions with grace and elegance. The music resonates with a nostalgic charm, reminiscent of cherished moments and unspoken desires.Sentimental Waltz is a testament to the power of music to convey deep emotions and touch the soul. Its soft romantic nature creates a space where hearts can open and emotions can flow freely. Whether listened to in quiet solitude or shared with a loved one, this composition offers a moment of reflection and a reminder of the beauty of sentimental connections.Allow yourself to be swept away by the melodies of Sentimental Waltz, and let it evoke a profound sense of love, nostalgia, and tender sentiment.
$4.99
Hors D'Oevures to the Great Feast
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Contemporain
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NTG
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Hors D'Oevures to the Great Fe
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NTG
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SheetMusicPlus
Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Publis...
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Bass Clarinet,Instrumental Solo,Piano - Level 3 - SKU: A0.991777 Composed by NTG. Contemporary. Score and individual part. 3 pages. NTG #3079593. Published by NTG (A0.991777). Average Duration: 1:42Written in honor of Katherine Wichern.A uniquely beautiful piece written from one high school musician to another, this intermediate bass clarinet solo was created out of a love of the arts and a love of the people who perform them. This solo will challenge a learning soloist looking to get on stage with something atypical.In medieval times, the lord of the land would arrange a feast to be had immediately after some special occasion, like a battleground victory, a wedding, or a coronation. Only the most prestigious were invited, and the feastgoers were expected to dress and behave elegantly, to reflect the culture of the time. The feast would have up to six courses and would last for hours on end; some of the main courses imitated theatrical performances. When listening or performing, imagine being in a large, bustling hall of finely-dressed men and women to a wide variety of colorful and delicious delicacies---and you haven't even reached the main course!Please enjoy!
$3.00
Golden Days (Ragtime for Solo Piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Scott Powell
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Golden Days
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Scott Powell Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.762239 Composed by Scott Powell. Concert,Ragtime,Standards,Traditional. Score. 4 pages. Scott Powell Music #4718025. Publ...
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Piano Solo - Level 4 - SKU: A0.762239 Composed by Scott Powell. Concert,Ragtime,Standards,Traditional. Score. 4 pages. Scott Powell Music #4718025. Published by Scott Powell Music (A0.762239). Peppy rag for solo piano. The name Golden Days was inspired by its somewhat melancholy main melody which seems to reflect back on better times. Themes adapted from Scarlatti's Sonata K. 475.
$1.99
Day Time Impressions
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Piano seul
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INTERMÉDIAIRE
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href=https://youtu
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Sarah Baker
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Day Time Impressions
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Forsyth Brothers Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. P...
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Piano Solo - Level 3 - SKU: A0.1241720 Composed by Sarah Baker. 21st Century,Children,Classical,Comedy. Score. 24 pages. Forsyth Brothers Ltd #837056. Published by Forsyth Brothers Ltd (A0.1241720). Suitable for players of around grade 4-5 standard, these evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!Sarah Baker is Vocal Composer in Residence for Services at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events. All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills.Contents:Air Balloon!Buzzards CirclingThere’s a Cow in the Garden Eating the FlowersWatching the World Go ByAutumn SkiesFriendsSnake in the PondMorning CommuteThe Witch's CottageComposer’s NotesAir Balloon! One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front!  It was both terrifying and exhilarating to watch the balloon float past and then land so near by.Buzzards Circling There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.There’s A Cow In The Garden Eating The Flowers Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child. The final phrase articulates my longing: ‘I wish it would come again’.Watching The World Go By A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.Autumn Skies A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone.Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.Snake In The Pond One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again.Morning Commute I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.The Witch’s Cottage My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up.Sarah Baker2023.
$9.99
Self-Reflection
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2 Trombones (duo)
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FACILE
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Marcos Fernandez-Barrero
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Self-Reflection
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Marcos Fernandez-Barrero
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 ...
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Trombone Duet Trombone - Level 2 - SKU: A0.1287890 Composed by Marcos Fernandez-Barrero. 21st Century,Chamber,Classical,Contemporary,Film/TV. Score. 12 pages. Marcos Fernandez-Barrero #878977. Published by Marcos Fernandez-Barrero (A0.1287890). Written for the pupils of the chamber music course at the Conservatoire of Barcelona (Conservatori Municipal de Música de Barcelona). The work evokes the several steps experienced in the process of self-reflecting, where one looks inward and examines his own emotional responses and behaviours to a given input, idea, decision, thought, etc.The scoring challenges both performers to interact to each other and negotiate the musical material; sometimes by passing the main thematic ideas on to each other, other times by build it together and other times to influence and alter each other. All of it so both sound sources melt into one single musical discourse which evolves and transforms every so often, as if mimicking the multiple decisions and thoughts one can take during a self-reflecting process.The motivation behind the composition of this work lies in the need to offer a repertoire with the demands and challenges present in the repertoire used in exam boards and conservatories but with a modern use of harmony and melody such as the one we can hear on television or in the cinema. So the harmonic language, the form, the compositional techniques and the use of rhythm, melody and articulation in this work presents a blend a current style present in American film music, television, musicals, Jazz or minimalism (with influences from composers such as Ludovico Einaudi, Yann Tiersen, John Williams, Michael Nyman, or Hans Zimmer) with the type of writing, thematic treatment, piano technique and musical form found in the classical chamber music repertoire. Approximate duration: 3 mins.Written in Barcelona on April 2023.
$5.95
Take Time to Be Holy (Violin and Cello Duet with Piano accompaniment)
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Accompagnement Piano
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FACILE
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George C
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Sharon Wilson
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Take Time to Be Holy
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Sharon Wilson
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SheetMusicPlus
Small Ensemble Cello,Piano Accompaniment,Piano and Keyboard,Violin - Level 2 - SKU: A0.1050445 By George C. Stebbins and Sharon Wilson. By George C. Ste...
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Small Ensemble Cello,Piano Accompaniment,Piano and Keyboard,Violin - Level 2 - SKU: A0.1050445 By George C. Stebbins and Sharon Wilson. By George C. Stebbins and William D. Longstaff. Arranged by Sharon Wilson. Folk,Praise & Worship,Romantic Period,Sacred,Traditional. Score and parts. 17 pages. Sharon Wilson #654800. Published by Sharon Wilson (A0.1050445). Here is an instrumental trio (for VIOLIN and CELLO duet with PIANO accompaniment) of the familiar hymn Take Time to Be Holy by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by William D. Longstaff: Take time to be holy, speak oft with thy Lord; Abide in Him always, and feed on His Word. Make friends of God's children, help those who are weak, Forgetting in nothing His blessing to seek. All three instruments lead with the melody at times, even the PIANO. The VIOLIN plays the melody for the first verse and then all three instruments alternate playing the melody for the second verse and ending tag. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:00. The range for each part is as follows: VIOLIN – F#4 to B5; CELLO – B2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (2 pages each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages) This hymn represents KINDNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Take Time to Be Holy (Violin Duet with Piano accompaniment)
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Violon et Piano
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FACILE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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Take Time to Be Holy
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1046278 By Sharon Wilson. By George C. Stebbins and William D. Longstaff. Arr...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1046278 By Sharon Wilson. By George C. Stebbins and William D. Longstaff. Arranged by Sharon Wilson. 20th Century,Folk,Praise & Worship,Sacred. Score and parts. 17 pages. Sharon Wilson #650784. Published by Sharon Wilson (A0.1046278). Here is an instrumental trio (for two VIOLINS with PIANO accompaniment) of the familiar hymn Take Time to Be Holy by George C. Stebbins. This gently flowing arrangement will encourage reflection as the listeners are reminded of the lyrics penned by William D. Longstaff: Take time to be holy, speak oft with thy Lord; Abide in Him always, and feed on His Word. Make friends of God's children, help those who are weak, Forgetting in nothing His blessing to seek. All three instruments lead with the melody at times, even the PIANO. VIOLIN 1 plays the melody for the first verse and then all three instruments alternate playing the melody for the second verse and ending tag. This flowing instrumental arrangement is an ideal selection for a worship setting and a valuable addition to your sacred string repertoire. Duration 2:00. The range for each part is as follows: VIOLIN 1 – F#4 to B5; VIOLIN 2 – A3 to E5. All notes for both VIOLINS are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for each VIOLIN part (2 pages each) and PIANO (3 pages)3. a combined VIOLIN 1 and VIOLIN 2 score (2 pages) This hymn represents KINDNESS and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin Duet with Piano Accompaniment)Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
To Rise Again
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Trombone et Piano
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AVANCÉ
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Alex Schwarte
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To Rise Again
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Alex Schwarte
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Al...
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Piano,Trombone - Level 5 - SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
$40.00
Reflections, for solo piano, by Clifton Davis, ASCAP
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Piano seul
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FACILE
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Clifton Davis, ASCAP
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Reflections, for solo piano, b
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Instrumental Solo - Level 2 - SKU: A0.1391812 Composed by Clifton Davis, ASCAP. Contemporary,Contest,Festival,New Age. Individual part. 3 pages. Clifton...
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Instrumental Solo - Level 2 - SKU: A0.1391812 Composed by Clifton Davis, ASCAP. Contemporary,Contest,Festival,New Age. Individual part. 3 pages. Clifton Allen Davis Music, ASCAP #975291. Published by Clifton Allen Davis Music, ASCAP (A0.1391812). This gentle composition allows time for the performer and audience to reflect. Â Inspired by the closing story in the play version of Robert Fulghum's All I Really Need to Know, I Learned in Kindergarten. Great for recital or worship service. Â Intermediate piano. Â See other selections from this set.
$3.99
To Notice Such Things
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Jon Lord
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To Notice Such Things
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Schott Music - Digital
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SheetMusicPlus
Flute, piano and string orchestra - intermediate to advanced - SKU: S9.Q47139 Suite for flute solo, piano and string orchestra. Composed by Jon L...
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Flute, piano and string orchestra - intermediate to advanced - SKU: S9.Q47139 Suite for flute solo, piano and string orchestra. Composed by Jon Lord. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 29 minutes. Schott Music - Digital #Q47139. Published by Schott Music - Digital (S9.Q47139). Written in memory of Sir John Mortimer, To Notice Such Things is composed in 6 contrasting movements for flute and piano. Each movement of the work reflects an aspect of Mortimer’s personality. Lord says of the piece, I wanted to give the flute the job of speaking for John throughout the Suite; his laughter and his sighs, his wistfulness and occasional mild cantankerousness, his playfulness, and also the anguish and then the acceptance of his final days. Jon Lord is the former keyboard player for the band, Deep Purple. The work, To Notice Such Things also appears on a studio album of the same name, released in 2010.
$31.99
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
To a Wild Rose
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Piano seul
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FACILE
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Classique
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Edward MacDowell
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Edited by Jayce Mulligan
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To a Wild Rose
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Jayce Mulligan Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1265208 Composed by Edward MacDowell. Arranged by Edited by Jayce Mulligan. 19th Century,Classical,Romantic Period. Score...
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Piano Solo - Level 2 - SKU: A0.1265208 Composed by Edward MacDowell. Arranged by Edited by Jayce Mulligan. 19th Century,Classical,Romantic Period. Score. 2 pages. Jayce Mulligan Publishing #858053. Published by Jayce Mulligan Publishing (A0.1265208). To a Wild Rose from Woodland Sketches by Edward Macdowell is a classic of the piano repertoire. In this new edition the score has been updated to reflect modern engraving standards to increase readability of the score. The full score to Woodland Sketches is forthcoming but in the meantime enjoy a beautiful lyrical piece that evokes the simplicity of a walk in the tranquil New Hampshire forests.
$2.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Violin, Viola Duet, Piano Accompaniment)
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Piano Trio: Violon, Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - SKU: A0.781125 Composed by Johann Pachelbel and Richard Redhead. Arranged by Ca...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 3 - SKU: A0.781125 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794335. Published by Cathy Stamegna (A0.781125). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Flute, Bb Clarinet Duet, Piano Accompaniment)
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Accompagnement Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.781119 Composed by Johann Pachelbel and Richard Redhead. Arranged by ...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.781119 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794323. Published by Cathy Stamegna (A0.781119). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Flute Duet, Piano Accompaniment)
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.781120 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Sta...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.781120 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794321. Published by Cathy Stamegna (A0.781120). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Bb Clarinet Duet, Piano Accompaniment)
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Accompagnement Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.781118 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy ...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano - Level 3 - SKU: A0.781118 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794317. Published by Cathy Stamegna (A0.781118). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Violoncello Duet, Piano Accompaniment)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.781121 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Sta...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 3 - SKU: A0.781121 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794327. Published by Cathy Stamegna (A0.781121). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Violin Duet, Piano Accompaniment)
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.781124 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy St...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.781124 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794333. Published by Cathy Stamegna (A0.781124). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola, Violoncello Duet, Piano Accompaniment)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cat...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781123 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794331. Published by Cathy Stamegna (A0.781123). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
Go to Dark Gethsemane (with "Pachelbel’s Canon") (Viola Duet, Piano Accompaniment)
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Pachelbel and Richard R
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Cathy Stamegna
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Set of Parts.
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Go to Dark Gethsemane
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Cathy Stamegna
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Sta...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.781122 Composed by Johann Pachelbel and Richard Redhead. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6794329. Published by Cathy Stamegna (A0.781122). Three verses of Go to Dark Gethsemane each have one phrase of Pachelbel’s Canon carefully inserted before the last line. The second verse takes on a temporary modulation and an austere quality to reflect Christ’s Passion before retuning to the original key and ending with the glory of His Resurrection. Set of Parts. Performance Time: 3:43.
$5.99
No Time To Die
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Billie Eilish
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Daniel Nicholson
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No Time To Die
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Daniel Nicholson
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.788848 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Nicholson. Pop. Score. 3 pa...
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Piano Solo - Level 4 - SKU: A0.788848 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Daniel Nicholson. Pop. Score. 3 pages. Daniel Nicholson #5991557. Published by Daniel Nicholson (A0.788848). This piano arrangement has been written to include as much of the original content as possible making for a very pleasing 'moody' tone. Billy Eilish has taken her own style to this Bond theme which is reflected here with rich harmonies and sororities. The structure has been carefully adapted to make for a neat (approx 3mins) and compact piece highly suitable for solo piano performance for any pianist of intermediate level and above. .
$5.99
Times Like These
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Piano seul
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FACILE
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Contemporain
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Neil James
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Times Like These
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Neil James
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.987482 Composed by Neil James. Contemporary. Score. 5 pages. Neil James #2033569. Published by Neil James (A0.987482).
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Piano Solo - Level 2 - SKU: A0.987482 Composed by Neil James. Contemporary. Score. 5 pages. Neil James #2033569. Published by Neil James (A0.987482). This is a compelling and beautiful piece of piano music that aims to reflect the ever changing times we live in.
$5.99
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Time to reflect
