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To Live is to Regret
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To Live is to Regret
Partitions à imprimer
32 partitions trouvées
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26
To Live is to Regret (song from the opera Breathe Freely)
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Voix Tenor, Piano
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WAGSTAFF, Julian
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To Live is to Regret
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Julian Wagstaff
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SheetMusicPlus
Tenor Voice,Vocal Solo - SKU: A0.971734 Composed by WAGSTAFF, Julian. 20th Century,Concert,Contemporary,Musical/Show,Opera. 7 pages. Julian Wagstaff #34...
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Tenor Voice,Vocal Solo - SKU: A0.971734 Composed by WAGSTAFF, Julian. 20th Century,Concert,Contemporary,Musical/Show,Opera. 7 pages. Julian Wagstaff #3480607. Published by Julian Wagstaff (A0.971734). The solo tenor aria from the second act of Julian Wagstaff's chamber opera Breathe Freely, set during the Second World War. This number appears on the Linn Records CD recording and is the perfect addition to any varied vocal programme.
$5.99
Piano Trio No 1
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Contemporain
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David F Golightly
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Piano Trio No 1
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Modrana Music Publishers Ltd
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers ...
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Piano Trio,String Ensemble - Level 5 - SKU: A0.966297 Composed by David F Golightly. Contemporary. Score and parts. 151 pages. Modrana Music Publishers Ltd #3002975. Published by Modrana Music Publishers Ltd (A0.966297). The Piano Trio no 1 was commissioned, premiered and recorded by the Fenice Trio in 2002. This substantial piano trio contained much of Golightly's symbolism and is festooned with the composers use of DFG codes. Stylistically, it represents a landmark in the genre development of Golightly, linked as it is to much of the melodic and harmonic language of his first symphony. I highly personal work it is only for the most advanced piano trios. The duration is 26 minutes. Score and parts.Review. Piano Trio Letters of Regret. (2001/2)David Golightly's piano trio Letters of Regret was commissioned by The Fenice Trio, composed during the summer of 2001 and completed in February 2002. The first performance took place at the Middlesbrough Theatre in June 2002. The work is in three movements (Demon, Angel and Regrets). Demon, the shortest movement of the work, opens with a rhythmical gesture from the piano, soon joined by the strings. This moderately fast movement is actually some sort of whimsical Allegretto sometimes of Russian flavour. Reviewing David's First Symphony, the composerArthur Butterworth remarked that Golightly might well be a British Shostakovich.Indeed, the Piano Trio calls the Russian composer to mind, particularly so in this slightly ironic movement that rises up to a short-lived ghostly climax abruptly cut short. Angel opens mysteriously with ethereal static string textures softly punctuated by the piano. Later, the string's sustained notes are gently accompanied by piano arpeggios. Then the strings, and later the piano, make some unsuccessful attempts at a tune, hesitantly so and with some glissandi contradicting the attempted melody. Eventually, the cello, followed by the violin, launches a sorrowful lyrical song, still disrupted by nervous interjections eventually short-lived.The Angel movement, though remains emotionally and harmonically ambiguous throughout. It too ends unobtrusively. The Demon and Angel movements actually act as a twofold introduction to the last movement. Regrets that is some sort of theme and seven variations, a series of letters, written but not sent,as the composer remarks. This predominantly lyrical, often nostalgic movement is the emotional heart of what is obviously a deeply personal statement on the composer's part. Golightly's Piano Trio is a superbly crafted, beautifully moving work, not unworthy its models(Shostakovich or John Ireland), and a highly personal, quite accessible work of substance that deserves wider recognition and that should be eagerly picked-up by trios willing to add a new substantial work to their repertoire.Hubert Culot. British Music Society
$40.00
That Lonesome Road
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Don Grolnick and James Taylor
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Rob Riker
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That Lonesome Road
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Robert Riker
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.931677 Composed by Don Grolnick and James Taylor. Arranged by Rob Riker. Contemporary. Octavo. 4 pages. Robert R...
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Choral Choir (SATB) - Level 3 - SKU: A0.931677 Composed by Don Grolnick and James Taylor. Arranged by Rob Riker. Contemporary. Octavo. 4 pages. Robert Riker #5372523. Published by Robert Riker (A0.931677). James Taylor's That Lonesome Road from the album Dad Loves His Work is a much-beloved classic from this master singer-songwriter. It is still a concert staple for James and his touring band, who sing it beautifully, often as a closer. It's a timeless classic and a poignant reminder to live life without regrets and without self-pity. Enjoy!
$30.00
The Night We Met
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Lord Huron
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Brian Streckfus
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The Night We Met
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1486610 By Lord Huron. By Ben Schnieder. Arranged by Brian Streckfus. Contemporary,Country,Folk,Pop. Chords/Lyrics. 10 pages....
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Guitar - Level 2 - SKU: A0.1486610 By Lord Huron. By Ben Schnieder. Arranged by Brian Streckfus. Contemporary,Country,Folk,Pop. Chords/Lyrics. 10 pages. Brian Streckfus #1063675. Published by Brian Streckfus (A0.1486610). Key: F# minor Concert pitch (Fake E minor capo key) Pages: 5 + 5 (Two versions, with and without capo)Features:1. Chord diagrams2. Harmony takes in to consideration difficulty, main melody, style, and part writing.3. Guitar TAB4. Section markers5. Transposed to an easier guitar keyHistory:1. **Release Date**: The Night We Met was released on April 7, 2015, as part of Lord Huron's second studio album, *Strange Trails*.2. **Album**: *Strange Trails* features a mix of folk, rock, and indie sounds. The album was well-received for its cohesive narrative and cinematic quality.3. **Song Theme**: The Night We Met is a melancholic song about longing, regret, and the pain of lost love. The lyrics reflect a desire to return to a pivotal moment in the past.4. **Popular Culture**: The song gained widespread recognition after being featured in the Netflix series *13 Reasons Why* in 2017. It played during a significant dance scene in the series, which helped boost its popularity.5. **Chart Performance**: Following its feature in *13 Reasons Why*, The Night We Met saw a surge in popularity, charting on the Billboard Hot 100 and reaching high positions on various streaming platforms.6. **Live Performances**: The Night We Met is a staple in Lord Huron's live performances. The band often plays it as a highlight of their concerts, with fans responding strongly to its emotional impact.7. **Critical Acclaim**: Critics have praised the song for its emotional depth, haunting melody, and Schneider's evocative vocals. It is considered one of Lord Huron's standout tracks.Thoughts:1. I wonder which version people like better? The capo version seems to be easier to make sophisticated.2. I wonder if this site will ever allow me to offer .midi and .xml? It's nice how some sites offer the ability to transpose to any key.Social Media:https://allmylinks.com/brianstreckfushttps://www.facebook.com/profile.php?id=100078682133421https://www.patreon.com/brianstreckfushttps://www.brianstreckfus.comhttps://www.facebook.com/classicalguitar2015/https://twitter.com/BrianStreckfushttps://www.instagram.com/brianstreckfus/https://www.youtube.com/user/woodenboxengineerhttps://www.facebook.com/Doppelganger-106026062029620/https://www.linkedin.com/in/brian-streckfus-9b334a92/https://steemit.com/@boxengineerhttps://d.tube/#!/c/brian0streckfus0guitarhttps://www.sheetmusicdirect.com/en-US/Search.aspx?query=Brian%2BStreckfushttps://www.sheetmusicplus.com/publishers/brian-streckfus-sheet-music/3027331https://belairmusicstudios.com/product/brian-streckfus/https://soundcloud.com/streckfusclassicalguitar.
$2.99
Where Are We Going?
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Alan Wagstaff
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Alan Wagstaff
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Where Are We Going?
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Alan Wagstaff
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SheetMusicPlus
Level 3 - SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. ...
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Level 3 - SKU: A0.1422251 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Country,Folk,Irish,New Age,Singer/Songwriter. 18 pages. Alan Wagstaff #1003599. Published by Alan Wagstaff (A0.1422251). 'Where Are We Going?' is an Irish style waltz written for soprano voice, fiddle, harp, accordion, flute, and bass. Here is the lyric:'Where are we going?' you asked me today.Truth is - I have no idea.Wherever we're heading - we're heading that way;today - let's enjoy being here. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. What happens next, now that we two have met,Leave in the lap of the gods.'Now' is a moment I cannot regret -right now, we have beaten the odds. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive. I love uncertainty - I love the road,I love the time spent with you.I love not knowing the last episode,I love what we're going through. Don’t even know what's around the next bend.Don't want to know, or to see.One thing's for certain - I'll still be your friend,Right now, that feels solid to me. I don't buy into this mad human race.Everyone's rushing to some distant place.Everyone’s hoping some day they'll arrive.I'm busy being alive.
$2.50
Take It All Away!
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Andrew Mc Donald
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Take It All Away!
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Andrew Mc Donald
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.842235 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6...
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Piano,Vocal,Voice - Level 4 - SKU: A0.842235 Composed by Andrew Mc Donald. Christian,Country,Gospel. Score. 6 pages. Andrew Mc Donald (Macka Records) #6037007. Published by Andrew Mc Donald (Macka Records) (A0.842235). Take It All Away is a song about the bad stuff and sin in our lives that we regret having. The reason Jesus died on the cross was to take that all away. His blood washes and cleanses us from the stain of sin and they are no more, they are taken all away!
$4.99
We Never Speak as We Pass. Song & Chorus
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Chorale SATB
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Launce Knight
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We Never Speak as We Pass. Son
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.5097 Marriage, Adultery, Divorce, Regrets, Sadness. Lester S. Levy Collection. 4 pages. Published by Jo...
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Piano and voice (solo and SATB chorus) - SKU: LV.5097 Marriage, Adultery, Divorce, Regrets, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5097). We Never Speak as We Pass. Song & Chorus. Arranged by Launce Knight. Published 1883 by Oliver Ditson & Co. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Marriage, Adultery, Divorce, Regrets, Sadness. First line reads The spell is past, the dream is o'er, and tho' we meet, we love no more!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Psycho (prelude)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Bernard Herrmann
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Psycho
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as do Ray meflute studio production
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.874249 Composed by Bernard Herrmann. Arranged by Ray-Michael Kauffman - a do Ray me flute studio ...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - SKU: A0.874249 Composed by Bernard Herrmann. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. 37 pages. As do Ray meflute studio production #3626291. Published by as do Ray meflute studio production (A0.874249). Https://www.youtube.com/watch?v=0GxnYDJ86UA&feature=youtu.bePrelude to a Murder ( music from the movie Psycho) for flute choir / ensemble .Features the prelude and the murder music from the movie Psycho, one of the scariest and suspenseful movies from the master himself Alfred Hitchcock. This arrangement is scored for 2 piccolos, 4 c flutes, 2 alto flutes in G , 1 or 2 bass flutes and opt. Contra Bass flute .The perfect song for fall & Halloween themed concerts / just - for - fun or even a movie and TV themed concerts. Perfect song choice to really liven up the mood ! The audience and the players themselves will surely get a kick out of . Scored easy enough to play but sounds so much more complex. You won't regret this arrangement, so go ahead and take a stab at it, if you get the point =0)Also check out my website at doRaymeflute.com
$15.00
Free As The Wind
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Piano seul
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INTERMÉDIAIRE
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Hal Sharper and Jerry Goldsmit
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Timothy Stapay
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Free As The Wind
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1466523 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singe...
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Piano Solo - Level 3 - SKU: A0.1466523 Composed by Hal Sharper and Jerry Goldsmith. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 4 pages. Timothy Stapay #1045091. Published by Timothy Stapay (A0.1466523). Free As The Wind was composed by Jerry Goldsmith, a very prolific composer of film scores. This is the main theme from the movie Papillon starring Steve McQueen and Dustin Hoffman.This arrangement is written for intermediate piano.Yesterday's world is a dream like a river that runs through my mind Made of fields and the white pebbled stream that I knew as a child Butterfly wings in the sun taught me all that I needed to see For they sang sang to my heart oh look at me look at me Free as the wind free as the wind that is the way you should be. Love was the dream of my life And I gave it the best I knew how So it always brings tears to my eyes when I think of it now Gone like the butterfly days And the boy that I once used to be But my heart still hears a voice Telling me look , look and you will see There's no regret that I feel For the bitter sweet taste of it all If you love there's a chance you may fly If you fall, well you fall Rather the butterfly life To have lived for a day and been free For my heart still hears a voice Telling me look and you will see.
$5.99
Danube Blue (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Flûte traversière et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Piano,Soprano Flute - Level 1 - SKU: A0.1265720 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classic...
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Piano,Soprano Flute - Level 1 - SKU: A0.1265720 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 4 pages. Fabio Eduardo #858499. Published by Fabio Eduardo (A0.1265720). Free Mp3 Download Demo and Backing TrackThe Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the codaI wish that had been a success!.
$1.99
Blue Danube (Strauss Jr) - Easy arrangement
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Violoncelle
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Blue Danube
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Fabio Eduardo
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1275536 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Cla...
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Cello Solo - Level 1 - SKU: A0.1275536 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867401. Published by Fabio Eduardo (A0.1275536). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) - Easy Arrangement
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Flûte traversière
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Flute Solo,Soprano Flute - Level 1 - SKU: A0.1275542 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20...
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Flute Solo,Soprano Flute - Level 1 - SKU: A0.1275542 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867407. Published by Fabio Eduardo (A0.1275542). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Trombone
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1275537 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Centur...
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Tenor Trombone,Trombone Solo - Level 1 - SKU: A0.1275537 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867402. Published by Fabio Eduardo (A0.1275537). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Trompette
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
B-Flat Trumpet Solo - Level 1 - SKU: A0.1275538 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Ce...
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B-Flat Trumpet Solo - Level 1 - SKU: A0.1275538 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867403. Published by Fabio Eduardo (A0.1275538). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) - Easy Arrangement
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Clarinette
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - SKU: A0.1275539 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th C...
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B-Flat Clarinet Solo - Level 1 - SKU: A0.1275539 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867404. Published by Fabio Eduardo (A0.1275539). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) - Easy Arrangement
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Saxophone Alto
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.1275543 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Ce...
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Alto Saxophone Solo - Level 1 - SKU: A0.1275543 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. Individual part. 1 pages. Fabio Eduardo #867408. Published by Fabio Eduardo (A0.1275543). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Blue Danube (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Violoncelle, Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Blue Danube
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Fabio Eduardo
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.1265715 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/...
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Cello,Piano - Level 1 - SKU: A0.1265715 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. Score and part. 4 pages. Fabio Eduardo #858494. Published by Fabio Eduardo (A0.1265715). Free Mp3 Download Demo and Backing TrackThe Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the codaI wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) + Mp3 Playback and Demo + Pdf Solo and Piano Parts
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Violon et Piano
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1265719 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film...
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Piano,Violin - Level 1 - SKU: A0.1265719 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 20th Century,Classical,Film/TV,Traditional,Wedding. 4 pages. Fabio Eduardo #858498. Published by Fabio Eduardo (A0.1265719). Free Mp3 Download Demo and Backing TrackThe Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the codaI wish that had been a success!.
$1.99
Danube Blue (Strauss Jr) - Easy Arrangement
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Violon
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DÉBUTANT
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Fabio Eduardo de Oliveira
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Fabio Eduardo de Oliveira
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Danube Blue
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Fabio Eduardo
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1275540 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Cl...
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Violin Solo - Level 1 - SKU: A0.1275540 By Fabio Eduardo de Oliveira. By STRAUSS II. Arranged by Fabio Eduardo de Oliveira. 19th Century,20th Century,Classical,Film/TV,Wedding. 1 pages. Fabio Eduardo #867405. Published by Fabio Eduardo (A0.1275540). Free Download Playback The Blue Danube is the common English title of An der schönen blauen Donau, Op. 314 (German for By the Beautiful Blue Danube), a waltz by the Austrian composer Johann Strauss II, composed in 1866. Originally performed on 15 February 1867 at a concert of the Wiener Männergesang-Verein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was considered only a mild success, however, and Strauss is reputed to have said, The devil take the waltz, my only regret is for the coda—I wish that had been a success!.
$1.99
Marilla's Refusal
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Sembenquk Antoniin
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Sembenuqk Antoniin
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Marilla's Refusal
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Stefan L.
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1415824 By Sembenquk Antoniin. By Sembenuqk Antoniin. Arranged by Sembenuqk Antoniin. Classical,Film/TV. Sc...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1415824 By Sembenquk Antoniin. By Sembenuqk Antoniin. Arranged by Sembenuqk Antoniin. Classical,Film/TV. Score. 15 pages. Stefan L. #994730. Published by Stefan L. (A0.1415824). Growing up with Anne of Green Gables, I loved the interaction that Marilla had with Anne. I always wondered why Marilla was very stern as a character in the series. It wasn't long before I discovered in the novels -or the 2017 adaptation- that Gilbert's father, John Blythe had a relationship with her. For this piece, I wanted to paint the regret that she lived through, wondering what would have happened if she had stayed with him. This piece is made solely for the piano and string quartet.
$6.99
Strano il mio Destino for SATB + Piano (complete score + piano acc. + piano rehearsal + text and tra
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Chorale SATB
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FACILE
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Giorgia Todrani, Maurizio Fabr
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Marco Borsoi
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studio 95/96)
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Strano il mio Destino for SATB
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Marco Borsoi
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 page...
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Choral Choir (SATB) - Level 2 - SKU: A0.904849 Composed by Giorgia Todrani, Maurizio Fabrizio. Arranged by Marco Borsoi. Jazz,Pop,World. Octavo. 21 pages. Marco Borsoi #3512071. Published by Marco Borsoi (A0.904849). Strano il mio destino è un brano musicale della cantautrice italiana Giorgia, 3º classificato al Festival di Sanremo 1996. Il pezzo è contenuto nell'album Strano il mio destino (Live & studio 95/96). Autori del brano sono Giorgia e Maurizio Fabrizio. Questa armonizzazione originale per coro misto SATB e pianoforte, esalta ancor più le caratteristiche melodiche e armoniche del brano, rendendolo ancora più unico e magico. Il brano parla di una donna che riflette su una storia passata. Una storia che lei stessa ha voluto o dovuto chiudere, ma non certo senza rimpianti; Che donna sarò, se non sei con me e se ti amerò ancora e di più …. E pensa: Strano il mio destino che mi porta qui … ; un destino che la costringe, per qualche motivo, a riflettere sul suo passato, riportandola al momento in cui ha deciso di andarsene via in silenzio. Un destino che, ancora oggi, la sorprende a ripensare a quell’amore ma senza indicarle una nuova strada dove poter andare, perché, anche se tutto quell’amore, io l’ho spazzato via…, fa male non pensare a te. Nel ritornello, emerge una speranza (sottolineata dall’apertura della melodia): Io non ti perderò, oltre il tempo e le distanze andrò…; speranza che viene confermata nell’ultima strofa: È chiaro il mio destino … io ti raggiungerò, quando la ragazza capisce anche che non tutto dipende da lei: proverò a gridare e forse sentirai, la mia voce che ti chiama, se vuoi.. E la speranza, divenuta certezza, ritorna con la ripetizione, enfatizzata dallo slancio melodico, della frase conclusiva … per non lasciati più. --------------- Strano il mio Destino is a piece of music by the Italian singer-songwriter Giorgia, 3rd at the Sanremo Festival 1996. The piece is on the album Strano il mio destino (Live & studio 95/96). Authors of the song are Giorgia and Maurizio Fabrizio.This original harmonization for mixed SATB choir and piano, enhances even more the melodic and harmonic characteristics of the piece, making it even more unique and magical. The song is about a woman who reflects on a past story. A story that she herself wanted or had to close, but certainly not without regrets; What a woman I will be, if you are not with me and if I will love you more and more.... And she thinks: Strange is my fate, that brings me here…; a fate that compels her, for some reason, to reflect on her past, bringing her back to the moment in which she decided to leave away in silence. A destiny that, even today, surprises her to rethink about that love but without indicating a new way to go, because, even if all that love, I have swept it away ..., it hurts not to think about you. In the refrain, a hope emerges (underlined by the opening of the melody): I will not lose you, beyond time and distance I will go ...; hope that is confirmed in the last stanza: It is clear my destiny ... I will reach you, when the girl also understands that not everything depends on her: I will try to shout and maybe you will hear, my voice calling you, if you want . And hope, become certainty, returns with the repetition, emphasized by the melodic impetus, of the concluding sentence ... not to leave you, anymore.
$9.99
VAMPIRE'S DANCE
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Violon et Piano
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Contemporain
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Monica Bergo
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VAMPIRE'S DANCE
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Moni Bergo
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SheetMusicPlus
Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #...
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Small Ensemble Cello,Drums,Organ,Pan Pipe,Piano,Violin - SKU: A0.1012747 Composed by Monica Bergo. Contemporary. Score and parts. 40 pages. Moni Bergo #5743663. Published by Moni Bergo (A0.1012747). Music and song composed by meVampire's dance I live between two worlds Between trash and slums This is a dream or reality ? The lie or the truth? While I wait for sunsets I look at the sun and horizons And breathe freedom and my immortality Desire for the infinite, Who has not ever tried ? That need to know that the stronger we are Invincible and powerful without the burden of age Over the centuries and the millennia Always gorgeous 20 years old And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us around the fire like wolves, red eyes, a bit 'fierce, we move in packs, invisible and fast , we are thieves thoughts ,so forgotten who you were or roots or ties ,no land limits And then dance To the rhythm of the Vampire Do you feel my breath Let us give this eternal night And then dance The senses amplified sharp teeth let's see who can stop us The mania destroys Hunger afflicts us But it will not be the food that will satisfy Torments and regrets, sad feelings, Nightime falling erase them We are shadows at night ,The heart that no beats We languid slaves the Voodoo rituals The pale faces, The ambiguous smiles Put the cross, you will not need Strange characters So wild and free ,But in this society ,Nothing scarier ago I donate my blood every day to The state or the government the Vampires are we ,There are monsters and vultures Those imprisoned vampires, In the faded pages Elegant, charming, So beautiful and in high places and in they I recognize that mania that is also mine My hunger to know ,With food can not be satisfied And then dance ,And crossing that border Now there is an end to what I can imagine And then dance, I sad renegade I lost soul, Who do not know who to give my heart And then dance ,If you are not anyone ,If you lost in the journey You can not find a post to be filled Look in the mirror You can see my reflection? This is a dream or reality? The lie or the truth? Monica Bergo
$5.00
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To Live is to Regret