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To Suffer, My Son - vocal solo
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Édith Piaf - La foule - Piano Solo
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Edith Piaf. Arranged by Mario …
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Piano Solo - Advanced Intermediate - Digital Download By Edith Piaf. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
With this sheet music, you can play "La Foule" by Édith Piaf on piano! It's an accurate, carefully created piano arrangement of the full song. The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover. Originally, "La Foule" was an Argentine song titled "Que nadie sepa mi sufrir" ("Let no one know my suffering"). It was composed by tango legend Ángel Cabral, with lyrics by Enrique Dizeo. The original Spanish version of the song has been recorded by many artists, including Alberto Castillo, Julio Iglesias and María Dolores Pradera. Édith Piaf recorded a French version of the song in 1957, with new lyrics by Michel Rivgauche. Under its new title "La Foule", it became one of her most famous chansons! The combination of Spanish tango rhythms and the softness of French chansons makes "La Foule" a timeless classic. It's also a wonderful piece to play on the piano! ######### Avec cette partition, vous pouvez jouer "La Foule" par Édith Piaf au piano! C'est un arrangement pour piano précis et soigneusement créé de la chanson complète. La mélodie entière est incluse dans la partie piano, ce qui en fait une parfaite reprise de solo instrumental / piano. À l'origine, "La Foule" était une chanson argentine intitulée "Que nadie sepa mi sufrir" ("Ne laissez personne connaître ma souffrance"). Il a été composé par la légende du tango Ángel Cabral, avec des paroles par Enrique Dizeo. La version espagnole originale de la chanson a été enregistrée par de nombreux artistes, dont Alberto Castillo, Julio Iglesias et María Dolores Pradera. Édith Piaf a enregistré une version française de la chanson en 1957, avec de nouvelles paroles de Michel Rivgauche. Sous son nouveau titre "La Foule", elle est devenue l'une de ses chansons les plus célèbres! La combinaison des rythmes du tango espagnol et de la douceur des chansons françaises fait de "La Foule" un classique intemporel. C'est aussi une pièce magnifique à jouer au piano!With this sheet music, you can play "La Foule" by Édith Piaf on piano!
It's an accurate, carefully created piano arrangement of the full song.
The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.
Originally, "La Foule" was an Argentine song titled "Que nadie sepa mi sufrir" ("Let no one know my suffering"). It was composed by tango legend Ángel Cabral, with lyrics
by Enrique Dizeo.
The original Spanish version of the song has been recorded by many artists, including Alberto Castillo, Julio Iglesias and María Dolores Pradera.
Édith Piaf recorded a French version of the song in 1957, with new lyrics by Michel Rivgauche. Under its new title "La Foule", it became one of her most famous chansons!
The combination of Spanish tango rhythms and the softness of French chansons makes "La Foule" a timeless classic.
It's also a wonderful piece to play on the piano!
#########
Avec cette partition, vous pouvez jouer "La Foule" par Édith Piaf au piano!
C'est un arrangement pour piano précis et soigneusement créé de la chanson complète.
La mélodie entière est incluse dans la partie piano, ce qui en fait une parfaite reprise de solo instrumental / piano.
À l'origine, "La Foule" était une chanson argentine intitulée "Que nadie sepa mi sufrir" ("Ne laissez personne connaître ma souffrance"). Il a été composé par la légende du tango Ángel Cabral, avec des paroles
par Enrique Dizeo.
La version espagnole originale de la chanson a été enregistrée par de nombreux artistes, dont Alberto Castillo, Julio Iglesias et María Dolores Pradera.
Édith Piaf a enregistré une version française de la chanson en 1957, avec de nouvelles paroles de Michel Rivgauche. Sous son nouveau titre "La Foule", elle est devenue l'une de ses chansons les plus célèbres!
La combinaison des rythmes du tango espagnol et de la douceur des chansons françaises fait de "La Foule" un classique intemporel.
C'est aussi une pièce magnifique à jouer au piano!
$4.99
4.54 €
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Piano seul
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Edith Piaf
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Mario Stallbaumer
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Édith Piaf - La foule - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Sonata No. 6 "Kharkiv", Op. 48
Guitare
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh.…
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
7.24 €
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Guitare
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Rikard Mathisson - Melancholica I, The Veil Between (short version)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1017804 Composed by Rikard Mathisso…
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Piano Solo - Level 3 - Digital Download SKU: A0.1017804 Composed by Rikard Mathisson. Arranged by Niclas Gustafsson. 20th Century,Contemporary,New Age. Score. 3 pages. Studio Mathisson Productions #6265361. Published by Studio Mathisson Productions (A0.1017804). Melancholica I is a neoclassical piano piece in a series, part of a larger art project whereas this is the first track in a large piano suite that tells the story of living with melancholy. The project is meant to give some focus on the issue that people who suffer from depression and melancholy should be able to be open with it. And that we all should consider how to confront a person with depression -it could happen to anyone. The music is suitable for grand piano lists and wherever piano music fits - either listening that captures the beholder or just sounds beautiful in the background on a fine dining.First part of my suite Melancholica, each one will depict an aspect of melancholy with grand piano music; the thin veil that appears to be between the conscious mind and the subconsciousness.Note: The piece is available in two versions; a short one and a concerto one. This is the short version, which is also easier to perform.On streaming services: tiny.cc/sm2009More about the composer: www.rikardmathisson.com
$4.99
4.54 €
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Piano seul
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Rikard Mathisson
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Niclas Gustafsson
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Rikard Mathisson - Melancholica I, The Veil Between
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Studio Mathisson Productions
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SheetMusicPlus
12 Evocations (for Piano solo)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionist…
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Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
23.67 €
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Piano seul
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
PERFIL DEL ÁNIMA, Op. 86, for solo cello
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO.…
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Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.
$4.99
4.54 €
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Violoncelle
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CÉSAR CANO
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PERFIL DEL ÁNIMA, Op. 86, for solo cello
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POLYHYMNIA Ediciones musicales
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SheetMusicPlus
At the Cross / Alas and Did My Savior Bleed
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1078794 By Raluca Bojor. By Ralph E…
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Piano Solo - Level 5 - Digital Download SKU: A0.1078794 By Raluca Bojor. By Ralph E. Hudson. Arranged by Raluca Bojor. Praise & Worship,Sacred. Score. 3 pages. Raluca Bojor #682992. Published by Raluca Bojor (A0.1078794). This advanced piano hymn arrangement depicts the mournful event that took place at the cross. The close dissonant harmonies symbolize our sins as they are transferred over into Christ’s suffering body. You can take your time on this hymn – take it even slower than the indicated metronome marking. Allow your congregation to truly enter into the crucifixion story. . Suitable for church prelude and offertory Performance time 2’52†(or much longer).
$6.00
5.46 €
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Piano seul
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Raluca Bojor
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Raluca Bojor
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At the Cross / Alas and Did My Savior Bleed
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Raluca Bojor
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SheetMusicPlus
PARECIS PASSIONS for Solo Violin
Violon
Violin Solo - Digital Download SKU: A0.903764 Composed by Alan Edgar. 20th Century,…
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Violin Solo - Digital Download SKU: A0.903764 Composed by Alan Edgar. 20th Century,Concert,World. 14 pages. Alan Edgar Ted Moon #6535167. Published by Alan Edgar Ted Moon (A0.903764). For solo violin, advanced. Stands alone or as second movement (see Arctic Adventure). Focuses on the Parecis people of the Brazilian Amazon, their life and music. The violin plus optional sound effects made by the player depict the wild life and scenery, then passages in the strange whole-tone mode lead to beautiful and moving Parecis traditional tunes. The ending is a funeral song, which I included to show my sympathy for these Indigenous communities and the dreadful treatment they suffer. About 10 minutes.
$6.00
5.46 €
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Violon
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Alan Edgar
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PARECIS PASSIONS for Solo Violin
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Alan Edgar Ted Moon
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.27 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Nearer, My God, to Thee
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by Lowell Mason. Arranged by Adam Jensen. Blues,Christian,Jazz. Score and parts. 46 pages. Adam Jensen #35315. Published by Adam Jensen (A0.904092). The classic hymn Nearer, My God, to Thee is often used in solemn circumstances, most notably (at least according to rumor) during the sinking of the Titanic. The text, however, captures a balance between solemnity and celebration, suffering and mercy, death and new life. In adapting it for jazz big band, I found myself thinking about New Orleans jazz funeral parades, which also feature that same odd contradiction between grief and joy, through the use of the blues. I won't claim this is in any way authentic New Orleans jazz, but it does try to say some of the same things, and I hope you enjoy it. Written for standard jazz big band, with lots of room for open solos by the blues-inclined. Roughly 6 minutes, longer with additional solos. For more works, please visit http://jazzslider.org/store/composition/nmg, or follow me on Facebook at http://facebook.com/adamjensenjazz. Thanks!
$50.00
45.53 €
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Ensemble Jazz
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Lowell Mason
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Adam Jensen
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Nearer, My God, to Thee
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Adam Jensen
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SheetMusicPlus
Rejoice, the Lord is King! PIANO SOLO
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles…
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Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 5 pages. Jeanni Gould #1008493. Published by Jeanni Gould (A0.1428192). YOU CAN PLAY THIS PIANO SOLO. Upbeat and bright, with big dynamic range from powerful to reverent. Rich and complex chords with gentle moments for contrast. Advanced level yet very accessible. Enjoy a big payoff when you perform this piece. Not too difficult and not too long.BACKSTORY Year 60 A.D. Oh my goodness! Paul was in prison in Rome, but wrote Rejoice in the Lord always; again I will say, rejoice. (Philippians 4:4) He continued. Let your reasonableness be known to everyone. The Lord is at hand; do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, shall keep your hearts and minds through Christ Jesus. UPDATE 1744 A.D. Charles Wesley with his brother John started the Methodist movement, but they were persecuted and suffered lives of hardship. Charles wrote this song to encourage his followers. He wanted them to not get discouraged and lose hope, but to be a singing, joyful people.
$2.99
2.72 €
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Piano seul
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Jeanni Gould
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Jeanni Gould
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again I will say, rejoice
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Rejoice, the Lord is King! PIANO SOLO
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Jeanni Gould
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SheetMusicPlus
No Sleep For You To Night Dad. Comic Song
Chorale SATB
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.754 Composed by A…
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.754 Composed by A. Sufferer. Fathers & children, Infants, Children misbehaving. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.754). No Sleep For You To Night Dad. Comic Song. Written by Richard de Gree, M.L.W. Composed by A. Sufferer. Published 1870 by J.L. Carncross & Co., 6 Nth Eight St. in Philadelphia. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fathers & children, Infants, Children misbehaving. First line reads My first dear little baby, with dimples in his chin.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.45 €
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Chorale SATB
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A
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No Sleep For You To Night Dad. Comic Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Estrellita (Star of Love - Mexican Love Song)
Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Compo…
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Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Romantic Period,World. Score and parts. 8 pages. Scott S. Stewart #6088787. Published by Scott S. Stewart (A0.955811). In 1912 Mexican composer Manuel M. Ponce traveled to Aguascalientes on vacation and spent an evening looking at the starry night. This inspired him to compose the words and music for the song, Estrellita (Star of Love/Little Star/Petit Astre/Stellina). The text ‘Star from far away, you know about my love and my suffering…’ has been speculated by many that these lyrics are Ponce’s sentimental expressions for his beloved Mexico as a little star… ‘Because I cannot live without his love.’ Or, it is widely held that the lovely melody of Estrellita came to Ponce in a moment of inspiration while spending a romantic evening with his wife… either scenario could be true. In 1923 violinist Jascha Heifetz was in Mexico City and realized he didn’t have any work by a Mexican composer on his program. While in a café, he heard a local musician sing the popular song Estrellita and noted its title on a napkin. Estrellita became one of his favorite encore songs ever since. Scored for solo violin, tenor and piano this trio runs 2:59.
$24.99
22.76 €
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Manuel M
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Scott S
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Estrellita
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Scott S. Stewart
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SheetMusicPlus
Landscapes of Antilla
Piano seul
Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1326544 Composed b…
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Instrumental Solo,Piano - Level 3 - Interactive Download SKU: A0.1326544 Composed by Rafael Dominguez Frometa. This edition: Interactive Download. Classical. Individual part. 5 pages. Duration 193. Rafael Dominguez Frometa #4m8JCUnyc5H3a3zsP32W92. Published by Rafael Dominguez Frometa (A0.1326544). Key: Ab major.This piece represents my hometown Antilla and how it stays the same in my heart even if time passes. I wanted to represent Antilla in a simple melody that is not complex enough to make the person playing suffer. I hope you like it.
$6.20
5.65 €
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Piano seul
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Rafael Dominguez Frometa
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Landscapes of Antilla
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Rafael Dominguez Frometa
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SheetMusicPlus
Landscapes of Antilla Op.1
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1326560 Composed by Rafael Domingue…
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Piano Solo - Level 3 - Digital Download SKU: A0.1326560 Composed by Rafael Dominguez Frometa. 21st Century,Classical,Contemporary. Score. 5 pages. Rafael Dominguez Frometa #914707. Published by Rafael Dominguez Frometa (A0.1326560). This piece represents my hometown Antilla and how it stays the same in my heart even if time goes on. I wanted to represent Antilla in a simple melody that is not complex enough to make the person playing suffer. I hope you like it.
$6.50
5.92 €
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Piano seul
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Rafael Dominguez Frometa
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Landscapes of Antilla Op.1
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Rafael Dominguez Frometa
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SheetMusicPlus
Suny Day
Piano seul
Piano - Digital Download SKU: A0.1066754 Composed by THEMIS KOUTRAS. Christian,Gosp…
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Piano - Digital Download SKU: A0.1066754 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 130. THEMIS KOUTRAS #5195395. Published by THEMIS KOUTRAS (A0.1066754). This song is about how I became a Christian soon after I had prayed to GOD THE TRINITY HOLY CREATOR OF LIFE JEHOVAH to give up my salvation unto death eternal that through that JESUS CHRIST might save also those that where bound to die eternally instently before the presents of GOD it was granted I thought for many years I will one day suffer an eternal death and had a 3rd aggreament with my father JESUS CHRIST soon after GOD apeares to me as I thought that is it I am to suffer now but that cools because GOD promised me to this time he will save bless heal perfectly the whole cosmos anyway shaken and in tears I spoke not a word but GOD REPLIES I will grant your prayer request but you do not need to keep your part of the aggreament I will also save bless heal Perfect you hesaid to me well done instently I felt joy and a big wait fell off my back and am waiting on his promise to this day I know one day he GOD will keep his word to me and do even the imposible that he can easy ly do
$3.99
3.63 €
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Piano seul
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THEMIS KOUTRAS
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Suny Day
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THEMIS KOUTRAS
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SheetMusicPlus
Jupiter from "The Planets"
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1277443 By Michael Swedberg. By Gus…
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Piano Solo - Level 3 - Digital Download SKU: A0.1277443 By Michael Swedberg. By Gustav Holst. Arranged by Terrence Niska. 21st Century,Classical,New Age,Pop. Score. 8 pages. Niska Music Publishing #869141. Published by Niska Music Publishing (A0.1277443). While I was still in high school, the moment I first heard Holst’s suite,“The Planets,†it quickly became one of my favorite works of Classical music. “Mars, the Bringer of War,†the first movement of the suite, was easily my favorite followed by “Jupiter, the Bringer of Jollity.†The nobility of the slow theme, which this arrangement is based on, resonated deep within my soul. Holst later used the theme to set to music a poem by Sir Cecil Spring-Rice:I vow to thee, my country, all earthly things above,Entire and whole and perfect, the service of my love;The love that asks no questions, the love that stands the test,That lays upon the altar the dearest and the best;The love that never falters, the love that pays the price,The love that makes undaunted the final sacrifice.And there's another country, I've heard of long ago,Most dear to them that love her, most great to them that know;We may not count her armies, we may not see her King;Her fortress is a faithful heart, her pride is suffering;And soul by soul and silently her shining bounds increase,And her ways are ways of gentleness, and all her paths are peace.
$3.99
3.63 €
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Piano seul
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Michael Swedberg
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Terrence Niska
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Jupiter from "The Planets"
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Niska Music Publishing
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SheetMusicPlus
Chiedi al vento di me
Piano seul
Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976871 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3241863. Published by Monica Bergo (A0.976871). 2017 Holiday Contest EntryASK AT WIND OF ME If it will touch you The breeze of summer that It ends and goes away And leave it inside you Melancholy Ask at wind of me Ask at wind of me If you will walk Between the anonymous crowd of this city And you seem to notice me You'll miss a beat Ask the wind if you want Remember us Ask him where I live and if I keep my smile Ask the wind if I understand everything I've lost Of the open-air nights Pray and hope for the best for you Ask at wind of me the Ask at wind if I could make peace with the past Ask him if I realized that my dream so wrapped up He will talk about time When I looked so much like you You will listen to it And you will understand Even mud does not hide the glow Of bright stars It does not cover the flare Remember your name is sun rising and as a phoenix you have a thousand resources It was January, but there was sun, and it was Sunday, special day That's why you were born with the fire inside To melt the ice, it's your sixth sense Crow that flies, bad omen We in our body, an eternal discomfort You look in the mirror and you find yourself beautiful You are how I see you, there is light shining If you do not find the person who looks like you in the world And you will only fool yourself In unnecessary research Because you're unique Do not let them ever change Awesome as you are And you do not have to be satisfied The semblance of a love You're a ray of sunshine Always look for his heat If no one can understand That thin sorrow Look for me Ask at wind of me Reminding me hurt you Try to forget If my name makes you suffer Try to let me go But if in a corner of the heart Allow me to stay I'll be with you in the wind ... I'm the wind that laughs It wraps you up until the summer returns ... Monica Bergo
$3.99
3.63 €
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Piano seul
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Monica Bergo
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Chiedi al vento di me
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Monica Bergo
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SheetMusicPlus
Broken for You (In Remembrance of Me)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.919553 By Jenny Laine. By Jenny Lai…
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Piano Solo - Level 3 - Digital Download SKU: A0.919553 By Jenny Laine. By Jenny Laine. Christian,Classical,Easter,Lent,Sacred. Score. 6 pages. Melted Melodies #4359197. Published by Melted Melodies (A0.919553). Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool. - Isaiah 1:18--Jesus is present with us and understands the deepest suffering of any person. The dissonance in the opening theme is meant to bring to mind that pain, suffering, and the cross. But as it resolves in the subsequent themes, I hope that it reminds you of the love that Jesus has for you and fills you with comfort and warmth. He is with you and he will never leave you or forsake you, if you believe in him as your Lord and Savior. Play this intermediate piano solo for silent prayer during communion for Sunday worship services. This is a suitable piece to program for Lent and Easter. This is from my album, Tranquility by Jenny Laine. iTunesOfficial YouTube Channel-- Find my music on: SpotifyApple MusicAmazon MusicSoundCloudDeezerBandcampPond5
$5.00
4.55 €
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Piano seul
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Jenny Laine
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Broken for You
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Melted Melodies
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SheetMusicPlus
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
4.55 €
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Orchestre de chambre
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David Warin Solomons
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Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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David Warin Solomons
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SheetMusicPlus
Four Calm Interludes
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1160855 Composed by Nick Norton. Ch…
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Piano Solo - Level 2 - Digital Download SKU: A0.1160855 Composed by Nick Norton. Chamber,Classical,Contemporary,New Age. Score. 11 pages. Bathysphere Music #761167. Published by Bathysphere Music (A0.1160855). The four calm interludes (should that be capitalized?) are Four One, On Nothing, About Sixths, and On Sol. They are intended as simple, meditative pieces, perhaps good for student pianists to attempt.In spring of 2020, as the COVID-19 pandemic took hold, I suffered a massive manic episode followed by a debilitating depression that lasted over a year. During this time I found my relationship with music fraught—I could not compose, and could barely even listen to music for enjoyment, relaxation, or whatever other reasons people listen to music. It was terrifying, thinking my life’s work was over.The shift to being unable to compose or listen, however, was a gradual, like the shift from mania to depression. I found my listening habits following what seemed like a massive ritardando, as they moved away from the upbeat music I was used to toward more and more ambient, very slow music. Hiroshi Yoshimura’s album Music For Nine Postcards was on repeat for a long while before the total break. Its calm repetitions must have influenced what I was doing, because I sometimes found myself at the piano playing the same note or chord over and over again, just listening to the details in the resonance. Out of this came the first of these four pieces, On Nothing.Eight months later I found myself doing it again, the result of which is Four One. Another eight months went by before About Sixths, and then, as my recovery became more and more apparent, only two months passed until On Sol. I am grateful to say I am now composing every day again, though my music has, without conscious intention, taken on a far more introspective feel than ever before.I have not given the pieces numbers, because I don’t mind if they are played in a different order, alone, or—as the title suggests—as interludes between other pieces. I do like the printed order though.
$20.00
18.21 €
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Piano seul
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Nick Norton
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Four Calm Interludes
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Bathysphere Music
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SheetMusicPlus
Grieg: 2 Elegiac Melodies Op.34 No.1 “Hjertesår” (The Wounded Heart) - wind quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1307228 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 10 pages. RayThompsonMusic #896485. Published by RayThompsonMusic (A0.1307228). Two Elegiac Melodies, Op. 34, is a composition in two movements for string orchestra by Edvard Grieg, completed in 1880 and first published in 1881.The two movements are instrumental arrangements Grieg made of two of his 12 Melodies, Op. 33, published in 1880: these were settings for voice and piano of words by the Norwegian poet and journalist Aasmund Olavsson Vinje.The Two Elegiac Melodies were dedicated to Heinrich von Herzogenberg.Grieg also made an arrangement for solo piano.This arrangement is of No.1 - Hjertesår (The Wounded Heart or sometimes called Heart's Wounds/Heart's ease)Vinje's words, from Grieg's Op. 33 No. 3, relate that wounds have been suffered by the heart in the struggles of life, but it has survived; faith is not destroyed.It is arranged for standard wind quintet.My arrangement for wind quintet of No.2 Våren (Last Spring) is available on this siteMy other Grieg arrangememts
$14.95
13.61 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Edvard Grieg
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Ray Thompson
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faith is not destroyed
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Grieg: 2 Elegiac Melodies Op.34 No.1 “Hjertesår”
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RayThompsonMusic
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SheetMusicPlus
We Are One!
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Ri…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.894408 Composed by Zack Richards. Holiday,Patriotic,Sacred,Spiritual,World. Octavo. 6 pages. Zack Richards #5821179. Published by Zack Richards (A0.894408). I wrote this piece in response to the #BlackLivesMatter Protests across the United States and world during the early summer of 2020. The extreme extent of peaceful protests and violent riots demonstrated the desperate need for change in a way I had not witnessed before. I knew quickly that I wanted to write music in some sort of response to the situation, but I struggled at first to find my voice within the movement. I am a white male and have experienced the privilege that comes with it. No matter how much I sympathized or understood the struggles of minorities in our culture, I knew I could not possibly bring the full meaning of it through my music, as I could never really experience the trials they have faced constantly for so long. So instead I decided to write words and music that reflected how I hoped things would be going forward after this movement. I wanted this to be an anthem for those who have suffered through real oppression, in any form. While there are some religious undertones in the text I chose, I tried to find words that could resonate with anyone, reaching beyond color, culture, belief, orientation, age, or any other dividing label. I tried to write in regard to one thing we all have in common, humanity. I hope I was able to accomplish this. The anthem can be done in parts or unison or as a solo. It can also be done with or without accompaniment.
$1.99
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Chorale SATB
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Zack Richards
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We Are One!
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Zack Richards
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