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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
To the Sea
Non classifié
4 344
Piano & claviers
Piano seul
2 590
Piano Facile
1 165
Piano, Voix
920
Instruments en Do
862
Piano, Voix et Guitare
726
Orgue
203
Accompagnement Piano
82
Piano Trio: piano, violon, violoncelle
54
1 Piano, 4 mains
47
Piano grosses notes
32
Piano Quatuor: piano, violon, alto, violoncelle
18
2 Pianos, 4 mains
8
Piano Quatuor: piano, 2 violons, violoncelle
7
Accordéon
7
Piano (partie séparée)
7
Orgue, Trompette (duo)
5
Clavier
4
Orgue, Piano (duo)
4
Clavecin
3
1 Piano, 6 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Ligne De Mélodie, Piano
1
2 Pianos, 8 mains
1
+ 18 instrumentations
Retracter
Guitares
Guitare notes et tablatures
193
Guitare
192
Ligne De Mélodie, (Paroles) et Accords
178
Ukulele
62
2 Guitares (duo)
35
Basse electrique
33
Paroles et Accords
28
Piano, Guitare (duo)
24
Guitare (partie séparée)
14
3 Guitares (trio)
10
Dulcimer
9
4 Guitares (Quatuor)
7
2 Ukuleles
6
Mandoline
5
Banjo
4
Ensemble de Ukulélés
2
Ensemble de guitares
2
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 234
Chorale 3 parties
517
Chorale 2 parties
397
Chorale TTBB
188
Chorale Unison
175
Voix duo, Piano
97
Chorale SSAA
88
Voix Alto, Piano
81
Voix Tenor, Piano
77
Voix Soprano, Piano
76
Voix Baryton, Piano
41
Voix seule
35
Chorale
25
Voix duo
21
Voix basse, Piano
11
Voix haute
11
Voix Tenor
6
Chorale SSATB
6
Chorale SSAATTBB
5
Voix Mezzo-Soprano, Piano
4
Voix Soprano
2
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Chorale SAATB A Cappella
1
Chorale SSATTB
1
+ 20 instrumentations
Retracter
Vents
2 Saxophones (duo)
595
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
448
Quintette de Saxophone: 5 saxophones
420
Quatuor de Saxophones: 4 saxophones
343
Flûte traversière et Piano
323
Hautbois, Piano (duo)
296
Flûte, Hautbois, Clarinette, Basson
286
2 Clarinettes (duo)
280
Clarinette et Piano
278
Flûte traversière
264
2 Flûtes traversières (duo)
260
Clarinette
239
Saxophone Alto et Piano
231
Saxophone Alto
225
Saxophone Tenor et Piano
200
Saxophone (partie séparée)
185
Saxophone Tenor
184
Saxophone Soprano et Piano
164
Saxophone, Clarinette (duo)
144
2 Hautbois (duo)
142
Clarinette, Violon (duo)
136
Hautbois (partie séparée)
129
Ensemble de saxophones
119
2 Flûte à bec (duo)
116
Saxophone Baryton, Piano
116
Flûte, Clarinette (duo)
115
Clarinette, Trompette (duo)
109
Quintette de Clarinettes: 5 clarinettes
91
Quatuor de Clarinettes: 4 clarinettes
88
Ensemble de Clarinettes
83
Hautbois, Clarinette (duo)
82
Quintette de Flûte : 5 flûtes
81
Hautbois, Basson (duo)
78
Hautbois
73
3 Saxophones (trio)
73
Quatuor de Flûtes : 4 flûtes
68
Flûte, Violon
68
Flûte, Alto (duo)
67
Clarinette et Alto
64
Flûte, Saxophone (duo)
57
Flûte, Trompette (duo)
49
Ensemble de Flûtes
48
Cor anglais, Piano
45
Hautbois, Flûte
45
3 Clarinettes (trio)
38
Trio de Flûtes: 3 flûtes
37
Saxophone Soprano
33
Flûte, Hautbois (duo)
30
Ensemble De Flûte à bec
30
Saxophone Baryton
29
Flûte à bec Soprano
28
Flûte, Clarinette et Basson
28
Clarinette (partie séparée)
26
Flûte, Hautbois, Clarinette (trio)
22
Clarinette, Basson (duo)
22
Flûte et Guitare
21
Flûte à Bec
20
Flûte, Violoncelle
19
Cor Anglais
18
Hautbois, violon (duo)
17
Flûte à bec Alto
16
Flute (partie séparée)
15
Clarinette Basse, Piano
15
Quatuor de Flûtes à bec
15
Hautbois, Violoncelle
15
Clarinette, Trombone (duo)
15
Clarinette, Violoncelle (duo)
14
Harmonica
12
Flûte, Clarinette, Piano (trio)
12
Flûte à bec Tenor
11
Flûte, Violoncelle, Piano (trio)
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Violon et Violoncelle
10
Clarinette, Guitare (duo)
10
5 Flûtes à bec
10
Flûte, Hautbois, Piano (trio)
8
Clarinette, Violoncelle, Piano (trio)
8
Hautbois et alto (duo)
7
Flûte, Hautbois, Basson
7
Piccolo, Piano
6
Saxophone et Orgue
6
Flûte, Violon, Piano
6
Flûte à bec Soprano, Piano
6
3 Flûtes à bec (trio)
6
Flûte à bec Alto, Piano
6
Flûte, Alto et Piano
6
2 Flûtes traversières, Piano
5
Clarinette, Contrebasse (duo)
5
2 Clarinettes, Piano
5
Flûte, Violon, Violoncelle et Piano
5
Flûte, Trombone (duo)
5
Flûte, Basson et Piano
4
Clarinette, Tuba
4
Flûte, trombone et piano
4
Piccolo
4
Clarinette Basse
4
Clarinette, Basson, Piano (trio)
3
2 Saxophones, Piano
3
Hautbois, Violon, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Tuba (duo)
3
Clarinette, Alto et Piano (trio)
3
3 Hautbois
2
Hautbois, trombone (duo)
2
4 Hautbois
2
Clarinette, Harpe (duo)
2
Hautbois, Guitare (duo)
2
Hautbois, Harpe
2
Flûte, Violoncelle, Guitare
2
Clarinette, Orgue
2
Flûte à Bec, Piano
1
Flûte traversière, Orgue (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Ensemble de Hautbois
1
Clarinette, trompette et piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Saxophone et Harpe
1
Hautbois, Trompette (duo)
1
Saxophone, Violon (duo)
1
Flute, harpe et violon
1
Saxophone
1
+ 117 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
443
Trombone et Piano
247
Trompette
245
Trompette, Piano
221
Trombone
207
Cor et Piano
197
Cor
193
Quatuor de Cuivres : 2 trompettes, trombone, tuba
190
Quatuor de Cuivres: 2 trompettes, Cor, trombone
171
Tuba et Piano
161
2 Trombones (duo)
159
2 Trompettes (duo)
157
Tuba
130
Trompette, Trombone (duo)
114
Quatuor de Cuivres
107
Trompette, Saxophone (duo)
106
Ensemble de Trompettes
96
2 Cors (duo)
84
Trompette (partie séparée)
61
Trombone (partie séparée)
55
Ensemble de Trombones
48
Cor anglais, Piano
45
2 Tubas (duo)
42
Euphonium, Piano (duo)
41
Trompette, Cor (duo)
31
Quatuor de cuivres: 4 trombones
24
Cor Anglais
18
Cor (partie séparée)
15
Quatuor de cuivres: 4 cors
15
Trio de Cuivres
14
2 Euphoniums (duo)
14
Ensemble de Cors
13
Quatuor de cuivres: 4 trompettes
12
Trompette, Basson (duo)
7
Tuba (partie séparée)
6
Cor, Violoncelle (duo)
6
2 Euphoniums et 2 Tubas
6
Tuba et Orgue
6
3 Trombones (trio)
6
Trompette, Violoncelle (duo)
6
Trombone, Tuba (duo)
5
Quatuor de cuivres: 2 trompettes, 2 trombones
5
Trompette, Trombone, Piano
4
Cor et Basson (duo)
4
4 Tubas
4
Trompette et Guitare
3
Trombone, Cor (duo)
3
3 Cors (trio)
3
Cor anglais, Guitare (duo)
3
Trompette, Harpe
3
Trombone, Violon (duo)
3
3 Trompettes (trio)
3
Euphonium
3
3 Tubas (trio)
2
Trompette, Tuba (duo)
2
Trombone basse et Piano
2
Cor, Tuba (duo)
2
Cor et Harpe
2
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Euphonium, Tuba (duo)
2
Clarinette, Cor (duo)
1
Trompette, violon (duo)
1
Cor et Orgue
1
Trombone, Orgue
1
Trombone et orchestre
1
Ensemble de Tubas
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
866
Violon
509
Violon et Piano
459
Violon, Violoncelle (duo)
416
Trio à Cordes: violon, alto, violoncelle
322
Violoncelle
313
Violoncelle, Piano
300
Quintette à cordes: 2 violons, alto, violoncelle, basse
288
Alto, Piano
271
2 Violons (duo)
232
Alto seul
194
2 Violoncelles (duo)
175
2 Altos (duo)
160
Violon, Alto (duo)
152
Contrebasse, Piano (duo)
131
Contre Basse
120
Harpe
86
Trio à Cordes: 2 violons, violoncelle
59
Alto (partie séparée)
54
Alto, Violoncelle (duo)
41
2 Contrebasses (duo)
39
Violon (partie séparée)
30
2 Harpes (duo)
28
Ensemble d'Altos
28
Ensemble de Violons
27
Contrebasse (partie séparée)
26
Piano Trio: Violon, Alto, Piano
20
Trio à cordes: 3 violins
18
4 Violoncelles
17
Trio à Cordes: 3 violoncelles
16
Violon, Guitare (duo)
14
Violon, Basson (duo)
13
Quatuor à cordes: 4 violons
13
Trio à cordes: 3 altos
13
Violoncelle, Contrebasse (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Alto et Basson
8
Quintette à cordes: 2 violons, 2 altos, violoncelle
7
Violoncelle (partie séparée)
7
Quatuor à cordes : 4 altos
6
Violoncelle , Guitare (duo)
5
Violon, Tuba (duo)
5
Harpe, Voix
5
Flûte, Contrebasse (duo)
5
Violon, Clarinette, Piano (trio)
4
Trio à Cordes: 2 violons, alto
4
4 Harpes
3
Harpe, Flûte (duo)
3
Harpe, Violoncelle (duo)
3
Alto, Guitare (duo)
3
Harpe, Violon (duo)
3
3 Harpes
2
5 Harpes
2
Harpe, Violon, Violoncelle
2
2 Violoncelles, Piano
2
Ensemble de Violoncelles
2
2 Violons, Piano
2
Violoncelle, Orgue
1
Trio à cordes
1
3 Contrebasses
1
Alto et orchestre
1
Violon, Violoncelle, Clarinette
1
Harpe et Piano
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 371
Orchestre à Cordes
425
Orchestre
294
Cloches
183
Ensemble de cuivres
144
Ensemble Jazz
126
Fanfare
78
Orchestre de chambre
64
Batterie
38
Jazz combo
29
Marimba
16
Ensemble de Percussions
16
Percussion (partie séparée)
14
Batterie (partie séparée)
9
Xylophone, Piano
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Vibraphone
5
Percussion
3
Timbales (partie séparée)
2
Xylophone
2
2 Xylophones
2
Vibraphone et Marimba
1
Cajon
1
+ 18 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BASSE
BASSON
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CLOCHES
CONTREBASSE
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DOBRO - GUI…
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FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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LIVRES
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MARIMBA
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To the Sea
Partitions à imprimer
35 965 partitions trouvées
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9976
The Story of a Leader
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Chorale SATB
#
AVANCÉ
#
Classique
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
We Must Learn to Walk Together
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Piano, Voix et Guitare
#
FACILE
#
Musique Sacrée
#
Lisa Waites
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worshi...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
Beyond The Sea
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Under The Sea
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Piano Facile
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DÉBUTANT
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Alan Menken and Howard Ashman
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Catherine Wilson
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Under The Sea
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Catherine Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,I...
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Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,Instructional,Musical/Show. Score. 5 pages. Catherine Wilson #933907. Published by Catherine Wilson (A0.1349167). Under the Sea from The Little Mermaid is part of a series of Disney piano solo arrangements for late beginner / grade 1.  Everyone can benefit by learning pieces they recognise, but in the early stages of learning, this can sometimes prove to be a challenge too far.  If the piece is too far outside the ability level of the student, frustration and self-doubt can creep in.The arrangements in this series concentrate on building connections between how the music looks, how it feels, and what it sounds like. To simplify learning, the arrangements are notated at half speed (where needed), do not require any use of sharps or flats, and are harmonised using a 5 - note hand position in the left hand.Short introductions have been added to highlight the hand position changes used in the song.  These give students the opportunity to build their confidence by navigating the changes of hand positions before encountering them in the recognisable part of the song.Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces.Please check out Catherine’s other arrangements and original compositions here: www.catherinewilsonmusic.comhttps://www.sheetmusicplus.com/en/category/arrangeme/224/catherine-wilson/.
$4.99
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Trebled Seas: A Sea Shanty Melody
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Angelica Dunsavage
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Trebled Seas: A Sea Shanty Mel
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Canorous Music Publishing
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.1317505 Composed by Traditional. Arranged by Angelica Dunsavage. A Cappella,Contest,Festival,Instructional,Traditional. 19 pages. Canorous Music Publishing #906169. Published by Canorous Music Publishing (A0.1317505). Trebled Seas combines three popular 19th-century sea shanties into an epic voyage on the high seas. Cape Cod Girls, originating from North America, is traditionally thought of as a short-drag shanty used in activities such as raising sails. Its lyrics vary from version to version between “heaveâ€, “haulâ€, and “bound†away, depending on the physical activity required. Jolly Sailor Bold first appears in a collection of sailing songs out of London, but has many similarities to the Irish ballad The Banks of Claudy. While not used as a working song, its minor tonality and association to sailing folklore makes for an interesting middle point along the journey. This setting contains a newly written verse warning of the dangers of sirens, mythical creatures known to sing to lure sailors to their doom. Lastly, Leave Her, Johnny is a pump shanty, usually one of the last activities done as a ship docks. In these types of pieces, sailors sing to complain about the rough conditions aboard, knowing they are soon to leave and will face no punishment. While sea shanties have been popular repertoire for tenor/bass ensembles, there has been a distinct lack of arranging for treble choirs. Historical research is discovering more and more evidence that while piracy and sailing was male-dominated, female captains like Anne Bonny, Mary Read, Zheng Yi Sao and others made their mark on the high seas. This piece is dedicated to the women that his-tory has forgotten.
$2.50
The Snow Queen, A Ballet in 3 Acts, PIANO VOCAL SCORE
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James Nathaniel Holland
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The Snow Queen, A Ballet in 3
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James Nathaniel Holland
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. Jame...
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Choral Piano,Vocal,Voice - Level 4 - SKU: A0.730418 Composed by James Nathaniel Holland. Children,Christmas,Contemporary,Holiday. Score. 150 pages. James Nathaniel Holland #3376293. Published by James Nathaniel Holland (A0.730418). The Piano Vocal Score (with SA Chorus) New Contemporary Classical Music from American Costa Rican composer James Nathaniel Holland in his masterful ballet adaptation of Hans Christian Andersen's classic tale, The Snow Queen. Ballet yet to be premiered. Be the first to produce it! Highlights are The Dance of the Evil Snow Sprite and the Distorted Mirror, Innocence and Kai and Gerde's Special Friendship, The Waltz of the Roses ('Think of my love as a Rose'), The Waltz of the Snowflakes (Snowbees), Gerde Morns Kai's Death, The Suite of the Lady of Spring (Tale of the Tiger Lillies, The Dream of the Morning Glories, The Tale of the Snowdrops, the Hyacinth's Tale), The Waltz of the Summer Palace, Dance of the Thieves and Kai's Joyous Dance Finale. Ballet Synopsis: Evil Snow Sprites make a mirror that reflects all that is mean and evil. When it shatters, its splinters drift to the far corners of the world. Gerde and Kai are two poor children who live in Copenhagen in the early 19th Century. They live innocently with their parents and Grandmother and tend a rooftop rose garden. One winter night Kai meets the Snow Queen and a splinter from the mirror enters his eye. The Snow Queen returns and abducts Kai. Although accepted as dead, Gerde deeply feels otherwise and begins her quest to find her friend, traveling through the four seasons, sometimes beautiful and sometimes frightening. The Lady of Spring takes her as an addition to her fantastical garden filled with tales and dreams of the flowers who dwell there. But when Gerde sees the rose on Spring's bonnet she wakes from her enchantment. Her tears spring back the roses who tell her Kai is not dead. She flees from the garden. Gerde grows up in the wilderness and a crow says that he has seen Kai at the Palace of the Queen of Summer. They hurry there to find a magnificent ball in progress. Gerde is introduced to the Kai lookalike but knows something is not right. The Queen of Summer helps Gerde on her way and lends her a coach and gives her a magic red rose that will never fade.As coach searches for Kai, it enters the season of Autumn and is accosted by robber girl and a band of theives. They dance in an rousing, energetic dance taunting her. When the morning comes Gerde tells her fellow captive animals of her quest to find Kai and that all hope is lost. The pigeons finally tell Gerde that Kai was abducted by the Snow Queen many years ago. The robber girl overhears them and has a change of heart letting her go with her reindeer to the far North of the Snow Queen.Gerde finds Kai in the palace of the Snow Queen piecing together the evil mirror. She gives Kai up for dead but leaves the rose of summer beside him. Kai spots the rose and he sheds a tear. The splinter falls out and he completes the mirror.They head back for home to their families were there is a big finale of a beautiful wedding on a late summer day and live happily ever after.YouTube Complete Ballet presentation: https://youtu.be/-zDAJ-Ttw70Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlTwo part performance CDs sold separately. Full score and parts sold separately. Many arrangements of the Waltz of the Roses ('Think of my love as a Rose'), The Lady of Spring and her Garden, and the Waltz of the Summer Palace sold separately. Orchestral Scores and Parts sold separately.
$19.95
Beyond The Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Bobby Darin
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Tobi A Crawford
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Beyond The Sea
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Tobi Crawford
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SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
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Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00
Seven Seas Shanty Pack for choirs SSA (inc The Wellerman)
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Chorale 3 parties
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Folklorique/Traditionel
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Traditional Sea Shanty
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Debbie Warren
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Seven Seas Shanty Pack for cho
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Keep Calm and Keep Singing
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SheetMusicPlus
Choir, SSA, Sea Shanty - Composed by Traditional Sea Shanty. Arranged by Debbie Warren. Folk. 29 pages. Published by Keep Calm and Keep Singing...
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Choir, SSA, Sea Shanty - Composed by Traditional Sea Shanty. Arranged by Debbie Warren. Folk. 29 pages. Published by Keep Calm and Keep Singing
Sea Shanty pack for choir leaders. Seven traditional shantiesand sea songs to get your choirs rollin' along in true shanty styleincluding The Wellerman.
SSA version also works with mixed voices - 3 part women and add your men to the indicated part for each song
This packincludes scores and lyric sheets plus notes on the songs and sea shanties ingeneral. There are FREE resources to accompany this pack including performanceand backing tracks to rehearse, plus individual pdfs of everything fordistribution to your singers. Details of how to claim these resources inside.Mixture of a cappella and accompanied songs (excerpts on the demo mp3)
THEWELLERMAN; SOUTH AUSTRALIA; DROP OF NELSON'S BLOOD (Roll the Chariot); RANDYDANDY O!; SPANISH LADIES; ROLL THE WOODPILE; BONEY WAS A WARRIOR
For a bonusFREE Drunken Sailor warm up/round (sheet music & track) head over to www.keepcalmandkeepsinging.com/seashanties
Easy Level
Also available in SAB
$24.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
A Trilogy of Joy, three short anthems on poems by Sara Teasdale for women's chorus and piano
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Robert Debbaut
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A Trilogy of Joy, three short
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ROBERT DEBBAUT
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT ...
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Choral Choir (SSAA) - Level 4 - SKU: A0.939403 Composed by Robert Debbaut. Contemporary. Octavo. 31 pages. ROBERT DEBBAUT #6342191. Published by ROBERT DEBBAUT (A0.939403). American lyric poet Sara Trevor Teasdale (1884-1933) was the first woman and the first poet to win the Pulitzer Prize for Literature. She won the 1918 Pulitzer Prize for her 1917 collection entitled Love Songs. Teasdale was roundly praised for her lyric mastery and romantic subjects. Her poems most often take on the first person role of their female narrators and protagonists. Teasdale’s first poem was published in 1907. Later that year she published her first collection of poems, Sonnets to Duse and Other Poems, written mainly for the Italian actress Eleonora Duse. In 1911 her second collection Helen of Troy and Other Poems received high praise from critics. Her third collection, Rivers to the Sea from 1915 was and remains a best seller and has been reprinted several times. The three poems used here, Joy, The Answer, and .To Joy all date from 1915. These three poems were also included in her Pulitzer Prize-winning collection Love Songs. Teasdale was born in St. Louis, Missouri on August 8, 1884. She was a sickly child, so much so that she was home schooled. As a young woman she had many suitors, including the poet Vachel Lindsay, who thought he could never provide for her. She eventually married businessman Ernst Filsinger, a great admirer of her poems. The couple relocated to New York City. Filsinger’s constant business travel left Teasdale very lonely and depressed. She eventually relocated to another state so she could quickly divorce him. Filsinger was shocked. Teasdale took up again with Vachel Lindsay, who has himself married and had children. Lindsay committed suicide in 1931 and Teasdale followed likewise two years later. She is interred at Bellefontaine Cemetery in St. Louis.
$9.95
Down to the Sea in Ships (from the NBC TV Film Project 20): Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_BBC1 Baritone B.C.. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 page...
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Concert Band - SKU: AX.00-PC-0017528_BBC1 Baritone B.C.. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_BBC1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): Tuba
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_TB1 Tuba. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred ...
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Concert Band - SKU: AX.00-PC-0017528_TB1 Tuba. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_TB1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): Flute
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_F1 Flute. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfred ...
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Concert Band - SKU: AX.00-PC-0017528_F1 Flute. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_F1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): Mallets
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_M1 Mallets. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 4 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0017528_M1 Mallets. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_M1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 3rd B-flat Cornet
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_CO3 3rd B-flat Cornet. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 6 p...
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Concert Band - SKU: AX.00-PC-0017528_CO3 3rd B-flat Cornet. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_CO3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_CO3). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 2nd Oboe
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_O2 2nd Oboe. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfr...
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Concert Band - SKU: AX.00-PC-0017528_O2 2nd Oboe. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_O2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_O2). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 2nd Trombone
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_TN2 2nd Trombone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages....
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Concert Band - SKU: AX.00-PC-0017528_TN2 2nd Trombone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_TN2). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 4th F Horn
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_H4 4th F Horn. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Al...
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Concert Band - SKU: AX.00-PC-0017528_H4 4th F Horn. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_H4). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 2nd B-flat Cornet
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_CO2 2nd B-flat Cornet. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 6 p...
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Concert Band - SKU: AX.00-PC-0017528_CO2 2nd B-flat Cornet. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_CO2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_CO2). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): E-flat Baritone Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_BTX E-flat Baritone Saxophone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. P...
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Concert Band - SKU: AX.00-PC-0017528_BTX E-flat Baritone Saxophone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_BTX). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): 2nd Bassoon
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_B2 2nd Bassoon. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. A...
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Concert Band - SKU: AX.00-PC-0017528_B2 2nd Bassoon. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_B2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_B2). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): Piccolo
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_P1 Piccolo. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0017528_P1 Piccolo. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 7 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_P1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_P1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
Down to the Sea in Ships (from the NBC TV Film Project 20): E-flat Alto Saxophone
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Orchestre d'harmonie
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Methodes
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Robert Russell Bennett
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Kyle Glaser
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Down to the Sea in Ships
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017528_AX1 E-flat Alto Saxophone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part....
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Concert Band - SKU: AX.00-PC-0017528_AX1 E-flat Alto Saxophone. Composed by Robert Russell Bennett. Arranged by Kyle Glaser. Instructional. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0017528_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017528_AX1). UPC: 038081507484.An outgrowth of NBC's 1952 successful tele-documentary Victory at Sea, was Project 20 two years later: a 30-episode series that was scored completely by Robert Russell Bennett. The episode, called Down to the Sea in Ships, utilized this score that initially aired in December of 1968. The magic of the sea, the beauty of ships, and fascination for the men who sail them, are fully explored in this five-movement epic work that relies heavily on sea shanties and folk material. In regarding the work in Bennett's own words, it had a lot to tell us about our struggles, triumphs, and defeats on the mighty ocean. The movements are titled; The Way of the Ship, Mists and Mystery, Songs of the Salty Air, Waltz of the Clipper Ships, and Finale, Introducing the S.S. Eagle March. This fresh, carefully edited concert band transcription has been extensively researched and will be a cherished addition to serious band literature for generations to come. (14:00)Concert/Contest; Festival.
$3.00
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To the Sea
