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GUITARE PED…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
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EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
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MANDOLINE
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OCARINA
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SYNTHETISEUR
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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FILM - TV
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PIANO & CLAVIERS
Piano, Voix et Guitare
2
Accompagnement Piano
1
Piano (partie séparée)
1
GUITARES
Guitare (partie séparée)
1
VOIX
Chorale SATB
1
VENTS
CUIVRES
2 Trombones (duo)
1
2 Tubas (duo)
1
2 Cors (duo)
1
CORDES
Contrebasse (partie séparée)
1
2 Violons (duo)
1
2 Violoncelles (duo)
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Quatuor à cordes: 2 violons, alto, violoncelle
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PERCUSSIONS & ORCHESTRES
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2
Batterie (partie séparée)
1
Cloches
1
AUTRES
Vous avez sélectionné:
Together from Afar
SheetMusicPlus
Partitions à imprimer
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For Children, Volume 2: 1. All the Girls Will Marry, 2. I Love Him from Afar, 3. A Rose for My Belov
Cloches
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302247 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302247 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classical,Folk,Multicultural,World. Individual part. 3 pages. Singing Winds Music Company #891852. Published by Singing Winds Music Company (A0.1302247). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of piano music by Béla Bartók adapted to the range and tonalities of a carillon. The shorter pieces are grouped together. The pieces in Volume 2 are based on Slovakian Folk Songs.
$2.00
1.82 €
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Cloches
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Béla Bartók
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Richard Giszczak
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For Children, Volume 2: 1. All the Girls Will Marry, 2. I Love Him from Afar, 3. A Rose for My Belov
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Singing Winds Music Company
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SheetMusicPlus
A Call from Afar
Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Sa…
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Large Ensemble Alto Saxophone,Clarinet,Cornet,Flute,Horn,Oboe,Piano Accompaniment,Tenor Saxophone,Trumpet - Level 2 - Digital Download SKU: A0.998307 Composed by Graham Hickey. Classical,Contemporary. Score and parts. 36 pages. Graham Hickey #6273521. Published by Graham Hickey (A0.998307). A three movement solo for Bb trumpet/cornet or other suitable instrument with piano accompaniment - mixed ensemble available on request. A fairly easy solo but with much movement for expression. (about Grade 5 standard). Suitable for Concerts and Reflective worship.1: Elegy for the lost, 2: Hope for a future 3: A place for all.This solo came about as I reflected on the past year as a muscian thinking about all the friends that I have missed seeing and performing with, but also the joy that we will all have when we once again perform together. My faith gives me hope that there is a place for all and so everyone we have lost this year and in past years we will see once more and every tear shall be wiped away. (rev 21:4)The solo was improvised and recorded first and then later the accompaniment was added.
$11.99
10.91 €
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Graham Hickey
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A Call from Afar
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Graham Hickey
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SheetMusicPlus
Together From Afar (from How to Train Your Dragon: The Hidden World) (arr. Mac Huff) - Synthesizer
Piano (partie séparée)
Choral - Digital Download SKU: HX.448166 Composed by Jon Thor Birgisson. Arranged b…
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Choral - Digital Download SKU: HX.448166 Composed by Jon Thor Birgisson. Arranged by Mac Huff. This edition: scorch. Film/TV,Pop. Choral Instrumental Pak. 2 pages. Duration 170. Hal Leonard - Digital #308131. Published by Hal Leonard - Digital (HX.448166).
$7.00
6.37 €
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Piano (partie séparée)
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Jon Thor Birgisson
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Mac Huff
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Together From Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together From Afar (from How to Train Your Dragon: The Hidden World) (arr. Mac Huff) - Drums
Batterie (partie séparée)
Choral - Digital Download SKU: HX.448169 Composed by Jon Thor Birgisson. Arranged b…
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Choral - Digital Download SKU: HX.448169 Composed by Jon Thor Birgisson. Arranged by Mac Huff. This edition: scorch. Film/TV,Pop. Choral Instrumental Pak. 1 pages. Duration 170. Hal Leonard - Digital #308131. Published by Hal Leonard - Digital (HX.448169).
$7.00
6.37 €
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Batterie (partie séparée)
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Jon Thor Birgisson
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Mac Huff
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Together From Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together From Afar (from How to Train Your Dragon: The Hidden World) (arr. Mac Huff) - Guitar
Guitare (partie séparée)
Choral - Digital Download SKU: HX.448167 Composed by Jon Thor Birgisson. Arranged b…
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Choral - Digital Download SKU: HX.448167 Composed by Jon Thor Birgisson. Arranged by Mac Huff. This edition: scorch. Film/TV,Pop. Choral Instrumental Pak. 1 pages. Duration 170. Hal Leonard - Digital #308131. Published by Hal Leonard - Digital (HX.448167).
$7.00
6.37 €
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Guitare (partie séparée)
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Jon Thor Birgisson
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Mac Huff
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Together From Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together From Afar (from How to Train Your Dragon: The Hidden World) (arr. Mac Huff) - Bass
Contrebasse (partie séparée)
Choral - Digital Download SKU: HX.448168 Composed by Jon Thor Birgisson. Arranged b…
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Choral - Digital Download SKU: HX.448168 Composed by Jon Thor Birgisson. Arranged by Mac Huff. This edition: scorch. Film/TV,Pop. Choral Instrumental Pak. 1 pages. Duration 170. Hal Leonard - Digital #308131. Published by Hal Leonard - Digital (HX.448168).
$7.00
6.37 €
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Contrebasse (partie séparée)
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Jon Thor Birgisson
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Mac Huff
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Together From Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together From Afar (from How to Train Your Dragon: The Hidden World)
Piano, Voix et Guitare
By Jonsi. This edition: Interactive Download. Children, Film/TV. Piano/Vocal/Guitar.…
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By Jonsi. This edition: Interactive Download. Children, Film/TV. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital
$4.99
4.54 €
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Piano, Voix et Guitare
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Jonsi
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Together From Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together from Afar
(Full Performance) - Digital Download SKU: HX.449374 Composed by Jon Thor Birgisson…
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(Full Performance) - Digital Download SKU: HX.449374 Composed by Jon Thor Birgisson. Arranged by Mac Huff. Film/TV,Pop. Choral. Duration 161. Published by Hal Leonard - Digital (HX.449374).
$1.99
1.81 €
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Jon Thor Birgisson
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Mac Huff
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Together from Afar
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Hal Leonard - Digital
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SheetMusicPlus
Together from Afar
(Accompaniment Only) - Digital Download SKU: HX.449375 Composed by Jon Thor Birgiss…
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(Accompaniment Only) - Digital Download SKU: HX.449375 Composed by Jon Thor Birgisson. Arranged by Mac Huff. Film/TV,Pop. Choral. Duration 161. Published by Hal Leonard - Digital (HX.449375).
$24.99
22.73 €
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Jon Thor Birgisson
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Mac Huff
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Together from Afar
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Hal Leonard - Digital
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SheetMusicPlus
Surfin' Safari
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.786005 By The Beach Boys. By Brian Wilson and Mike Love. Arranged by Andrew R. Guarrine. Pop,Rock. Score and parts. 15 pages. GuarrineMusic #6076775. Published by GuarrineMusic (A0.786005). An early classic hit from the classic band The Beach Boys is a great selection for any of your lighter performances. Played in the key of Bb with ‘cello playing harmony to the violin melody, unison melody and even the melody in the viola. Listen carefully how the ‘vocal parts’ are put together with everyone else. A neat adaptation of the orchestra sections playing ‘vocal parts.’ Bass plays both arco and pizzicato. I suggest a Grade 2+/3 only because of the key and how the parts are independently put together. Add a drumset (no part) and really get your audience rockin’ in the aisles!
$12.99
11.82 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Beach Boys
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Andrew R
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Surfin' Safari
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GuarrineMusic
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SheetMusicPlus
I'm A Poor Wafarin' Stranger and Water is Wide for Violin Duet
2 Violons (duo)
Violin Duet Violin - Level 1 - Digital Download SKU: A0.1321353 By Practicing with …
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Violin Duet Violin - Level 1 - Digital Download SKU: A0.1321353 By Practicing with the Pros. By Traditional. Arranged by Stefanie Fife. Classical,Folk,Instructional,Spiritual,Traditional. 15 pages. Stefanie Fife #909811. Published by Stefanie Fife (A0.1321353). I’m A Poor Wayfarin’ Stranger and Water is Wide for Violin DuetLevel One, First Position Violin Duets with optional piano accompanimentSheet music.  15 pages including coverArranged by Stefanie Fife; Published by Fife and Drum Publishing; ©2023; All rights reserved.Guide your beginning violin student from lesson to recital with the sheet music of these Level 1 Violin Duets, part of the “Practicing with the Pros†American folk song series. During the lesson, use the fun, imaginative violin duet second parts to accompany the student. Then, for the recital, use the piano accompaniment. A “Practicing with the Pros†recording (MP3) of both the violin duet version, and the piano accompaniment version is available separately on this website. Great for home practice. Used together, this series is a powerful learning resource that helps develop sound, intonation, rhythm and the confidence to perform. MP3 ArrangeMe Practice Track ID Numbers:I'm A Poor Wafarin' Stranger ArrangeMe ID 909812Water Is Wide ArrangeMe ID 909814
$4.99
4.54 €
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2 Violons (duo)
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Practicing with the Pros
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Stefanie Fife
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I'm A Poor Wafarin' Stranger and Water is Wide for Violin Duet
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Stefanie Fife
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SheetMusicPlus
I'm A Poor Wafarin' Stranger and Water Is Wide for String Bass Duet
2 Contrebasses (duo)
Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1321292 By Pract…
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Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1321292 By Practicing with the Pros. By Traditional. Arranged by Stefanie Fife. 19th Century,Classical,Folk,Instructional,Traditional. 15 pages. Stefanie Fife #909747. Published by Stefanie Fife (A0.1321292). I’m A Poor Wayfarin’ Stranger and Water is Wide for String Bass DuetLevel One String Bass Duets with optional piano accompanimentSheet music.  15 pages including coverArranged by Stefanie Fife; Published by Fife and Drum Publishing; ©2023; All rights reserved.Guide your beginning bass student from lesson to recital with the sheet music of these Level 1 Bass Duets, part of the “Practicing with the Pros†American folk song series. During the lesson, use the fun, imaginative bass duet second parts to accompany the student. Then, for the recital, use the piano accompaniment. A “Practicing with the Pros†recording (MP3) of both the bass duet version, and the piano accompaniment version is available separately on this website. Great for home practice. Used together, this series is a powerful learning resource that helps develop sound, intonation, rhythm and the confidence to perform. MP3 Practice Track ArrangeMe ID Numbers:I'm A Poor Wafarin' Stranger ArrangeMe ID Number 909750Water Is Wide ArrangeMe ID Number 909752
$4.99
4.54 €
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2 Contrebasses (duo)
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Practicing with the Pros
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Stefanie Fife
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I'm A Poor Wafarin' Stranger and Water Is Wide for String Bass Duet
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Stefanie Fife
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SheetMusicPlus
I'm A Poor Wafarin' Stranger; Water is Wide for Cello Duet
2 Violoncelles (duo)
Cello Duet Cello - Level 1 - Digital Download SKU: A0.1320906 By Practicing with th…
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Cello Duet Cello - Level 1 - Digital Download SKU: A0.1320906 By Practicing with the Pros. By Traditional. Arranged by Stefanie Fife. Classical,Folk,Instructional,Spiritual,Traditional. Score. 15 pages. Stefanie Fife #909345. Published by Stefanie Fife (A0.1320906). I’m A Poor Wayfarin’ Stranger; Water is WideLevel One, First Position Cello Duets with optional piano accompanimentSheet music.  15 pages including coverArranged by Stefanie Fife; Published by Fife and Drum Publishing; ©2023; All rights reserved.Guide your beginning cello student from lesson to recital with the sheet music of these Level 1 Cello Duets, part of the “Practicing with the Pros†American folk song series. During the lesson, use the fun, imaginative cello duet second parts to accompany the student. Then, for the recital, use the piano accompaniment. A “Practicing with the Pros†recording (MP3) of both the cello duet version, and the piano accompaniment version is available separately on this website. Great for home practice. Used together, this series is a powerful learning resource that helps develop sound, intonation, rhythm and the confidence to perform. MP3 Practice Tracks:I'm A Poor Wafarin' Stranger: ArrangeMe ID 909346 Water Is Wide: ArrangeMe ID 909347
$4.99
4.54 €
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2 Violoncelles (duo)
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Practicing with the Pros
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Stefanie Fife
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I'm A Poor Wafarin' Stranger; Water is Wide for Cello Duet
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Stefanie Fife
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SheetMusicPlus
Fifteen Safari Duets for Tubas
2 Tubas (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.<br> <br> In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc “Tuba Safari” (Troy 1173) on Albany Records.<br> <br> 1. Elephants at Stave<br> <br> This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.<br> <br> 2. Gallop – Thompson Gazelle at Amboseli<br> <br> This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo – a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya. <br> <br> 3. Rhinos at Nairobi Game Park<br> <br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.<br> <br> 4. Giraffes at Nairobi Twiga Park<br> <br> This is in a “rock” style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.<br> <br> 5. Warthogs at Ngulia<br> <br> Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.<br> <br> 6. Baboons at Kiliguni<br> <br> This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists’ tables. They will work together where one causes a diversion while the others steal. <br> <br> 7. Pastoral – Cape Buffalo at Samburu<br> <br> The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.<br> <br> 8. Song - Hippos at Mzima Springs<br> <br> This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.<br> <br> 9. Leopards at Kimana Lodge<br> <br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night. <br> <br> 10. Colobus Monkeys at the Ark<br> <br> This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest. <br> <br> 11. Zebra Migration at Masai Mara<br> <br> This duet is in a “Medium Swing” jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.<br> <br> 12. Ostrich at Samburu<br> <br> This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.<br> <br> 13. Cheetah at Voi<br> <br> This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.<br> <br> 14. Gallop – Gerenuk at Buffalo Springs<br> <br> This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.<br> <br> 15. Lions at Mara Sopa<br> <br> This duet is in the style of a fanfare. The lion is considered the king of the savanna. <br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud. <br> <br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.19 €
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2 Tubas (duo)
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.43 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.24 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/ We Three Kings) - piano accompaniment
Accompagnement Piano
Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H.…
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Choir,Piano - Digital Download SKU: A0.1069619 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Accompaniment. Duration 223. Cartecay River Music Publishing #3493773. Published by Cartecay River Music Publishing (A0.1069619). This is the piano accompaniment track for SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings). This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40 The score is available through SheetMusicPlus.com and SheetMusicDirect.com. Preview more titles on YouTube.com at Richard Donn Music for Worship.
$4.00
3.64 €
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Accompagnement Piano
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Kings of Orient, John H
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Richard Donn
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SAW YOU NEVER, IN THE TWILIGHT
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Cartecay River Music Publishing
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SheetMusicPlus
SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings)
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings o…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Octavo. 12 pages. Cartecay River Music Publishing #3493767. Published by Cartecay River Music Publishing (A0.891181). SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings) This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior. It opens with unison men singing the refrain of We Three Kings (as from afar). These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time. Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas. Duration: 3:40  A piano accompaniment track is available through SheetMusicPlus.com.
$2.00
1.82 €
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Chorale SATB
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Kings of Orient, John H
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Richard Donn
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SAW YOU NEVER, IN THE TWILIGHT
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Cartecay River Music Publishing
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SheetMusicPlus
The True Colors of Weedle • Vocal Selections
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by M…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1143939 Composed by Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa. Arranged by Allison Brewster Franzetti. Broadway,Contemporary,Musical/Show. Score. 87 pages. Shining Sharon Music #744248. Published by Shining Sharon Music (A0.1143939). 11 songs, by June Rachelson-Ospa and Allison Brewster Franzetti, from this very funny and sometimes sobering musical for Young People in Piano-Vocal settings help to tell the story of a boy, born colorless. As such, he has been bullied, because everyone else around him has lots of colors. Ostracized, Weedle sets out to find a companion/soul-mate, Marvello Maxumo Marmaduke (who ends up having three heads) after he receives a sympathetic letter from him. Like Weedle, Marmaduke has been forced into seclusion by the Falafarinians of Falifarinum, so together they hatch a plan for revenge on those who hurt have them. Weedle then must decide if he will take revenge on those who have wronged him, or if he will live his life in peace. After choosing to take revenge, Weedle feels so bad that he cries. Then, to everyone's amazement, his tears are full of vibrant colors, proving that he had it within himself all the time... Bullying has become an epidemic, causing many children pain. Our story confronts this issue in a fun-filled way, without shying away from the issue at hand. Perhaps, this show is needed now more than ever! It is the hope of the authors that the producers will utilize actors of all genders, abilities/disabilities, and special needs, aiming to entertain and teach an important life lesson to kids: that anything is possible with the right outlook. Teaching children and families to accept people for who they are, no matter what they look like… is vital, especially when the outcome includes forgiveness. From Leicester Bay Theatricals. The most moving theatrical experience... -- Peter Filichia, Broadway Radio The True Colors of Weedle is also available as an illustrated storybook for children in Kindle and Paperback editions. Look for it.
$19.95
18.15 €
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Piano, Voix et Guitare
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Music by Allison Brewster Franzetti • Lyrics by June Rachelson-Ospa
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Allison Brewster Franzetti
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The True Colors of Weedle • Vocal Selections
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Shining Sharon Music
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SheetMusicPlus
Nineteen Skeletal Duets for Euphoniums (in treble clef)
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.9174…
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
18.19 €
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Gregory Fritze
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Nineteen Skeletal Duets for Euphoniums
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Musica Nova USA
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SheetMusicPlus
Twenty-two Skeletal Duets for Horns
2 Cors (duo)
Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.917408
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Instrumental Duet Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.917408 Composed by Gregory Fritze. Classical,Concert,Contemporary,Instructional,Jazz. Score and parts. 50 pages. Musica Nova USA #6015057. Published by Musica Nova USA (A0.917408). Twenty-two Skeletal Duets for Horns is a set of duets of easy to moderate difficulty specifically designed for teachers to play with their students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional seven duets were added in 2020. The title of each duet is a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones and Nineteen Skeletal Duets for Euphoniums are the same duets but in bass and treble clef respectively. Twenty- two Skeletal Duets for Horns includes the first 19 as in the trombones set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the horn. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThis duet is based on a theme by Beethoven.
$20.00
18.19 €
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2 Cors (duo)
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Gregory Fritze
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Twenty-two Skeletal Duets for Horns
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Musica Nova USA
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SheetMusicPlus
Nineteen Skeletal Duets for Trombones
2 Trombones (duo)
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, …
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.<br> <br> 1. Cranium<br> This duet presents the cantabile “singing” style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.<br> <br> 2. Stirrup<br> This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos – a common choice for all of the duets.<br> 3. Humerus<br> This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.<br> 4. Vertebra<br> This is in a “rock” style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.<br> 5. Axis<br> Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.<br> 6. Tibia<br> This duet alternates in rock style and swing. Articulations and manipulation of “swing” rhythms are important.<br> 7. Clavicle<br> The key of A for this duet provides variation for the students.<br> 8. Fibula nd<br> This duet uses the easiest of rhythms and range, especially for the 2<br> 9. Scapula<br> This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.<br> 10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.<br> <br> (student) part.<br> <br> 11. Radius<br> This duet is in a “Medium Swing” jazz style. Each part has a chance to play a little bit of a “walking” bass line. Articulations and manipulation of “swing” rhythms are important in this duet.<br> 12. Femur<br> This duet works on double time and half time tempo changes.<br> 13. Patella<br> This is another duet that includes graphic notation. In this duet “Free rapid legato lines” are used.<br> 14. Anvil<br> This gallop displays different types of articulation.<br> 15. Hammer<br> This duet is in the style of a fanfare.<br> 16. Rib<br> This duet is a melody, “Magallon Blues”, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.<br> 17. Sacrum<br> This duet is a short arrangement of Mozart’s “Eine Kleine Nachtmusic”.<br> 18. Ulna<br> This duet is a short arrangement of the traditional Irish folk song “Londonderry Air”, more commonly known as “Danny Boy”.<br> 19. Ilium<br> This duet is a short arrangement of the Beethoven’s song “Ode to Joy” which represents the triumph of universal brotherhood against war and desperation.<br> <br> Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.<br> His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00
18.19 €
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2 Trombones (duo)
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Gregory Fritze
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Nineteen Skeletal Duets for Trombones
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Musica Nova USA
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SheetMusicPlus
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