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Tone Poems for Guitar
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CLARINETTE
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CORNET
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Crtitères actifs :
Tone Poems for Guitar
Partitions à imprimer
9 partitions trouvées
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Tone Poems for Guitar
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Mandoline
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INTERMÉDIAIRE
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David Grisman
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Tone Poems for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Mandolin - Intermediate - SKU: M0.95696EB Composed by David Grisman. Solos. Flatpicking Guitar. E-book. Mel Bay Publications - Digital Sheet Music #9569...
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Mandolin - Intermediate - SKU: M0.95696EB Composed by David Grisman. Solos. Flatpicking Guitar. E-book. Mel Bay Publications - Digital Sheet Music #95696EB. Published by Mel Bay Publications - Digital Sheet Music (M0.95696EB). ISBN 9781619117211. 8.75x11.75 inches.In 1994, Acoustic Disc issued a landmark CD by David Grisman and Tony Rice. The central idea behind the album called for the artists to play a different vintage mandolin or guitar on each cut. On this remarkable recording, David and Tony perform 17 original compositions on a wide range of vintage instruments. Mel Bay Publications, Inc., is proud to present this guitar edition and a separate mandolin edition of Tone Poems, both transcribed by noted guitarist/arranger John Carlini. All 17 solos in each book are written in notation and tablature.
$19.99
50 Easy Contemporary Pieces for Fingerstyle Guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Jazz
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Contemporain
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50 Easy Contemporary Pieces fo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Contemporary. Jazz. Ebook and online audio. 93 pages. Mel Bay Publications - Digital Sheet Music #31004MEB. Published by Mel Bay Publications - Digita...
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Contemporary. Jazz. Ebook and online audio. 93 pages. Mel Bay Publications - Digital Sheet Music #31004MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513468990. 8.75x11.75 inches.
Belgian guitarist and composer Gilbert Isbin presents 50 original, short, contemplative pieces in this book and online recording. Designed for sight reading and performance by classical and fingerstyle players of all ages, these World, blues and jazz-influenced tone poems are written entirely in first and second position in guitar-friendly keys..Adventurous rhythmic concepts with frequent use of pickup notes, syncopated basslines and meter changes make these contemporary guitar solos creative and extremely interesting. The solos feature singable melodies and are easily within the skill level of the intermediate level guitarist. Ideal for concert, recital or just playing for fun. Includes access to an online recording of the author performing each piece.
$17.99
En Tardes de Lluvia
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Guitare
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Tulio Peramo Cabrera
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En Tardes de Lluvia
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Roba Music Verlag
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SheetMusicPlus
Solo guitar - SKU: RX.9783944345154 Composed by Tulio Peramo Cabrera. Sheet music. With Language: Spanish. 15 pages. Published by Roba Music Verlag (RX....
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Solo guitar - SKU: RX.9783944345154 Composed by Tulio Peramo Cabrera. Sheet music. With Language: Spanish. 15 pages. Published by Roba Music Verlag (RX.9783944345154). ISBN 978-3-944345-15-4.A collection of tone poems for solo guitar after a long remembered visit to the small town of Cojimar.
$13.49
Beyond Her Only Dreaming
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Violon et Piano
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INTERMÉDIAIRE
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Contemporain
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Classique
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J
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J
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Beyond Her Only Dreaming
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J.Francis Ball
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. ...
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Piano,Violin - Level 3 - SKU: A0.1444309 Composed by J. Francis Ball, Mercedes M Yardley. Arranged by J.Francis Ball. Classical,Contemporary. 30 pages. J.Francis Ball #1024223. Published by J.Francis Ball (A0.1444309). Program Notes Mercedes M. Yardley is a dark fantasist who wears poisonous flowers in her hair. She is a two-time Bram Stoker Award winner for Little Dead Red and “Fracture.” She is the author of Darling, the Stabby Award-winning Apocalyptic Montessa and Nuclear Lulu: A Tale of Atomic Love, Pretty Little Dead Girls, and Love is a Crematorium. Mercedes lives in Las Vegas and can be found at mercedesmyardley.com. J. Francis Ball Is a composer, violinist, and guitarist who has performed in multiple bands, in collaborations, in orchestras, and solo projects. He has recorded and released ten studio albums with The Unwieldies and The Psyatics. His classical, jazz, romantic, and punk musical influences can be heard in all his contemporary compositions. J. Francis Ball was born and raised in Pittsburgh, PA, and currently lives and performs in Las Vegas. His Words This collaboration began with a powerful name. I asked Mercedes to listen to and name an early piano composition I wrote. Her reply was “Beyond Her Only Dreaming.” The original composition was ultimately scrapped, but the name stuck with me. It inspired the muses whispering in my haunted ear. I wrote five musical tone poems that were loosely based on a woman’s dream. During the creative process, I asked Mercedes to listen to the tones and use her imagination to create sketches for each section. Her spoken poetry powerfully frames a woman’s dreams, fears, desires, and hope for love. They blend seamlessly with the music and are so masterfully written that they create a picture frame to use as structure but leave the canvas blank. This allows the listener to also take part in this collaboration and paint their own visions of how they experience the music. J.F.B.Her Words I’m a dreamer and writer of words, but I love music. When John asked me to name his original musical piece, I was delighted. I had recently written a story based on Robert Chamber’s famed The King in Yellow collection and, due to the sound and feel of John’s piece, loosely named the composition after my short story. John took this title and created a brilliant new musical composition. After listening to it, I was influenced to create spoken- word pieces that match the emotion of the music while also hearkening back to the original short story. The piece you’ll hear contains poetry influenced by original music inspired by a short story based on a collection written in 1895. Time is a flat circle. This is how art moves and breathes, and I’m truly honored to take part. MMY.
$5.99
Halevi Songs (piano/vocal score only)
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Voix Soprano, Piano
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AVANCÉ
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Elissa Brill Pashkin
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Halevi Songs
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Elissa Brill Pashkin
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Publi...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.938913 Composed by Elissa Brill Pashkin. Concert,Contemporary. 23 pages. Elissa Brill Pashkin #73895. Published by Elissa Brill Pashkin (A0.938913). NOTE: This piano/vocal score is included as part of the full score package of this piece. It is not necessary to purchase it separately if you are buying the score and parts already. Halevi Songs is a 3-movement song cycle, composed in 2002. It is a setting of three poems (in English translation of the original Hebrew) of Judah Halevi, who was a Jewish scholar and poet who lived in Spain in the Middle Ages. The three movements are I. The Mirror, II. Do the Tears Know?, and III. Calm After the Storm. Each is just under three minutes. The total duration of the piece is between 8.5 and 9 minutes. The audio clip is from the third movement, in a performance of the sextet version of this piece. A complete recording is available upon request from the composer at ebrill@hcc.edu. The performers are Dianne Smith (soprano), Janet Polvino (flute), Isabelle Boggs (clarinet), Bob Ferrier (guitar), Craig Bitterman (percussion), and Joyce Crouch (piano). It may be performed with just piano accompaniment as well. Composer's Notes: The translation of the first poem, The Mirror, is by the 19th century American poet Emma Lazarus, most famous for her familiar words engraved on the Statue of Liberty: Give me your tired, your poorâ?¦ There has been some interesting academic discussion concerning this poem. It is generally attributed to Halevi, but some scholars now believe it may have been written by someone else. (I have also seen the translation attributed to someone else.) The second poem, Do the Tears Know? was originally a tombstone inscription for one of Haleviâ??s friends. This setting was written to honor my father, Harold Allan Brill, who passed away in January, 2000. The third poem, Calm After the Storm, is actually the second half of a longer poem about a sea voyage. The three songs are meant to be performed continuously, without a break in between. Licensed by BMI.
$8.99
At Dead of Night, an Accompanied Reading
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Contemporain
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Paul Burnell
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At Dead of Night, an Accompani
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Paul Burnell
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SheetMusicPlus
Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Le...
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Large Ensemble Alto Saxophone,Cello,Clarinet,Flute,Guitar,Handbell,Horn,Multi-Percussion,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 3 - SKU: A0.835775 Composed by Paul Burnell. Contemporary. Score and parts. 66 pages. Paul Burnell #3222585. Published by Paul Burnell (A0.835775). Composed 2017. One of a series of fourteen accompaniments to texts published between 1896 – 1899 Mary Elizabeth Coleridge (1861 – 1907) was a British novelist and poet who also wrote essays and reviews. 'At Dead of Night' appeared in her collection of poems 'Fancy's Following' published in 1896 under the pseudonym Anodos. Duration 5:00 For ensemble and narrator The wind/brass instrumentation is flexible. Examples of possible instrumentations are given below. If a multiple-octave handbells set is available play at a higher octave from rehearsal letter F. The conductor may lengthen or shorten the narrated sections at A, C and E, using the 3/4 bars to cue the ensemble before B, D and F. All trills are to be performed as semitone trills beginning on the written pitch. Score in CFluteWind/Brass 1 (Oboe, Clarinet, Horn, Trumpet)Wind/Brass 2 (Clarinet, Alto Saxophone, Horn) Wind/Brass 3 (Tenor Saxophone,Trombone) Wind/Brass 4 (Bassoon,Tenor Saxophone,Trombone,Tuba) Percussion 1 - Two Brake Drums (or similar) doubling Cymbal, Percussion 2 - High/Mid Toms (or similar), Percussion 3 - Bass Drum (or resonant Floor Tom) Vibraphone and/or Handbells and/or Piano/Celesta/Toy Piano Electric guitar Violin 1 Violin 2 Viola Violincello Narrator
$7.95
PASSION CANTATA - the Passion of Jesus Christ (Full score)
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Chorale SATB
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AVANCÉ
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Stephen Keeling
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PASSION CANTATA - the Passion
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Stephen Keeling
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1457134 Composed by Stephen Keeling. Easter,Religious,Sacred. 162 pages. Stephen Keeling #1036166. P...
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Choral Choir,Choral,SATB Chorus - Level 5 - SKU: A0.1457134 Composed by Stephen Keeling. Easter,Religious,Sacred. 162 pages. Stephen Keeling #1036166. Published by Stephen Keeling (A0.1457134). For SATB, Evangelist (Baritone), Christ (Tenor), Flute, Organ, Acoustic Guitar and Percussion (Timpani, Triangle and Tambourine). It is in three parts - Part 1 Christ's Coming and Maundy Thursday, Part 2 Crucifixion, Part 3 Resurrection. The mp3 plays back the first part using a sound library. I have always wanted to write a Passion piece. The piece is a 33 minute hybrid choral cantata with musical theatre overtones and folk music sections with words I’ve selected from St Luke’s Gospel as well as two lovely Christina Rossetti poems plus a new folk setting I’ve done of There is a Green Hill Far Away.
$5.00
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Tone Poems for Guitar