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Vous avez sélectionné:
Tongue Tied
Partitions à imprimer
10 partitions trouvées
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Tongue Tied
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.993495 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.993495 Composed by Andrew Wessen, Christian Zucconi, Daniel Gleason, Hannah Hooper, and Ryan Rabin. Arranged by Bryan Sharpe. A Cappella,Pop. 14 pages. Bryan Sharpe (BSharpe Music) #599161. Published by Bryan Sharpe (BSharpe Music) (A0.993495). A cappella arrangement of Tongue Tied by Grouplove for Solo + SATB.
$2.50
2.3 €
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Chorale SATB
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Andrew Wessen, Christian Zucconi, Daniel Gleason, Hannah Hooper, and Ryan Rabin
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Bryan Sharpe
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Tongue Tied
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Bryan Sharpe
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SheetMusicPlus
me & ur ghost + SWEAR TO GOD + Tongue Tied by KimBo - Piano Solo
Piano seul
Performed by: KimBo: me & ur ghost + SWEAR TO GOD + Tongue Tied Digital Sheetmusic - i…
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Performed by: KimBo: me & ur ghost + SWEAR TO GOD + Tongue Tied Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Solo Instrumental~~Rap~~Alternative Rap~~Hip Hop~~Contemporary R & B~~Indie Pop
$9.99
9.2 €
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Piano seul
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KimBo
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Piano Solo
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Musicnotes
Tongue Tied by LittleTranscriber - Piano Solo
Piano seul
Performed by: LittleTranscriber: Tongue Tied Digital Sheetmusic - instantly downloadable s…
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Performed by: LittleTranscriber: Tongue Tied Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Solo Instrumental~~Pop~~Electronica
$9.99
9.2 €
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Piano seul
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LittleTranscriber
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Piano Solo
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Musicnotes
Tongue Tied by Dario D'aversa - Piano Solo
Piano seul
Performed by: Dario D'aversa: Tongue Tied Digital Sheetmusic - instantly downloadable…
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Performed by: Dario D'aversa: Tongue Tied Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Solo Instrumental~~Electronica~~Pop
$5.99
5.52 €
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Piano seul
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Dario D'aversa
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Piano Solo
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Musicnotes
Tongue Tied by MUSICHELP - Piano Solo
Piano seul
Performed by: MUSICHELP: Tongue Tied Digital Sheetmusic - instantly downloadable sheet mus…
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Performed by: MUSICHELP: Tongue Tied Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 4 pages -- Solo Instrumental~~Electronica~~Pop
$5.99
5.52 €
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Piano seul
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MUSICHELP
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Piano Solo
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Musicnotes
Tongue Tied by Grouplove - Piano/Vocal/Chords, Singer Pro
Piano, Voix
Performed by: Grouplove: Tongue Tied Digital Sheetmusic - instantly downloadable sheet mus…
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Performed by: Grouplove: Tongue Tied Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 7 pages --
$5.50
5.06 €
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Piano, Voix
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Grouplove
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
Horn Sonata No. 2 (Complete)
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
16.57 €
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Cor
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
Cor
French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons…
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French Horn Solo - Level 5 - Digital Download SKU: A0.767343 Composed by Mike Lyons. Contemporary. Individual part. 4 pages. Lyons Music Services #3516821. Published by Lyons Music Services (A0.767343). This is the first movement of my second Horn Sonata. The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall befor letter C, frome where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar.
$8.00
7.37 €
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Cor
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Mike Lyons
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Horn Sonata - No. 2 - 1st. Movement - Andante a piacere
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Lyons Music Services
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SheetMusicPlus
Ode to Joy Beginning Band Skill Builder
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.996453 Composed by Ludwig van Bee…
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Concert Band - Level 1 - Digital Download SKU: A0.996453 Composed by Ludwig van Beethoven. Arranged by A. Hutchison. Instructional. Score and parts. 11 pages. Alexandra Hutchison #4967155. Published by Alexandra Hutchison (A0.996453). This arrangement of variations on 8 bars of Ode to Joy by Beethoven allows teachers to introduce commonly taught beginning band skills (staccato/legato, tongue/slur piano/forte dynamics and tied notes). Introductory drum rudiments are included.
$12.99
11.96 €
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Orchestre d'harmonie
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Ludwig van Beethoven
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A
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Ode to Joy Beginning Band Skill Builder
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Alexandra Hutchison
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SheetMusicPlus
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienn…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
3.67 €
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Chorale SATB
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Adrienne Inglis
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In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Adrienne Inglis
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SheetMusicPlus
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