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TRI ET FILTRES
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Vous avez sélectionné:
Too Close: Flute
Partitions à imprimer
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Too Close: Flute
Flute (partie séparée)
Marching Band - Digital Download SKU: AX.00-PC-0016474_F1 Flute. Composed by…
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Marching Band - Digital Download SKU: AX.00-PC-0016474_F1 Flute. Composed by Alex Claire and Jim Duguid. Arranged by Jerry Burns. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016474_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016474_F1). UPC: 038081475806.Alex Clare's soulful alternative rock tune is the basis for this solidly scored arrangement. Jerry Burns gives us a big sounding chart that will be ready to perform today! (1:20).
$3.00
2.75 €
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Flute (partie séparée)
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Alex Claire and Jim Duguid
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Jerry Burns
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Too Close: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018874 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056055. Published by Benjamin Sajo (A0.1018874). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Flûte traversière
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 1
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Benjamin Sajo
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
Flûte traversière
Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry …
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Flute Solo - Level 5 - Digital Download SKU: A0.1018875 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6056059. Published by Benjamin Sajo (A0.1018875). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Flûte traversière
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Flute 2
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Benjamin Sajo
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SheetMusicPlus
The Third Book of Songs for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766
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Flute Quartet,Woodwind Ensemble Alto Flute - Level 3 - Digital Download SKU: A0.559766 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 66 pages. Lisa L Ochoco #4726485. Published by Lisa L Ochoco (A0.559766). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.This collection of 20 songs from his Third Book of Songs is arranged for flute quartet – 4 C flutes or 3 C flutes and alto. Most of these songs are rather short, so it is recommended that each song is played in its entirety at least twice. I arranged these songs so that the 1st flute always has the melody. To practice fairness in all parts, the parts should be rotated, to give each musician a chance to play the melody. Song list: 1. Farewell Too Fair 2. Time Stands Still 3. Behold a Wonder Here 4. Daphne Was Not so Chaste 5. Me, Me, and None but Me 6. When Phoebus First did Daphne Love 7. Say Love if Ever Thou Didst Find 8. Flow Not so Fast Ye Fountains 9. What if I Never Speed? 10. Love Stood Amaz’d 11. Lend Your Ears to My Sorrow 12. By a Fountain Where I Lay 13. O What Hath Overwrought 14. Farewell Unkind 15. Weep You no More, Sad Fountains 16. Fie on This Feigning 17. I Must Complain 18. It was a Time When Silly Bees 19. The Lowest Trees Have Tops 20. What Poor Astronomers are They If each song is played twice in its entirety, you will have almost an hour's worth of music. If you love Renaissance music, this will be a great addition to your repertoire!
$12.00
11.02 €
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Quatuor de Flûtes : 4 flûtes
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a Fountain Where I Lay
13
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John Dowland
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Lisa Ochoco
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The Third Book of Songs for Flute Quartet
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Lisa L Ochoco
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SheetMusicPlus
Bibbidi-Bobbidi-Boo for Flute Choir
Ensemble de Flûtes
Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Arrang…
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Flute, Woodwind Choir or Ensemble, Flute Choir - Intermediate - Digital Download Arranged by Lisa Ochoco. Score, Set of Parts. 17 pages. Published by Lisa Ochoco
Of all fun songs, this one is at the top of the list! Walt Disney's 1950 animated movie, Cinderella is a classic movie with classic songs. This song was also used in the remake movie in 2015. Play this piece light and bouncy, and not too fast. It is set at the typical "march" tempo. This arrangement is simple enough for musicians with intermediate skill. The upright bass part is optional, and can be substituted by any C instrument in a similar range, like a cello or bassoon. This is a great closer for your recitals, and will have your audience going home happy. Scored for 4 C flutes, alto, bass, contrabass, and optional upright string bass. Duration: 1.25 minutes
$14.00
12.86 €
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Ensemble de Flûtes
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Lisa Ochoco
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Bibbidi-Bobbidi-Boo for Flute Choir
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Lisa Ochoco
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SheetMusicPlus
Five - a - Side - Flute Quintet
Quintette de Flûte : 5 flûtes
Flute Quintet,Woodwind Ensemble Alto Flute - Level 2 - Digital Download SKU: A0.1458168…
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Flute Quintet,Woodwind Ensemble Alto Flute - Level 2 - Digital Download SKU: A0.1458168 Composed by Phil Rawle. Classical,Contemporary. 11 pages. Phillip Rawle #1037142. Published by Phillip Rawle (A0.1458168). A close harmony piece for five flutes (4 + Alto Flute).Not too difficult but requires good intonation.
$5.00
4.59 €
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Quintette de Flûte : 5 flûtes
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Phil Rawle
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Five - a - Side - Flute Quintet
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Phillip Rawle
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SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549201 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3460719. Published by jmsgu3 (A0.549201). Instrumentation: 2 piccolos, 3 concert flutes, 1 alto flute, 1 bass flute, 1 cello. Arranged in two antiphonal choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg ea. Duration: ca. 3:00 Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni Ch 172 for Flute Choir
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jmsgu3
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SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
Ensemble de Flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gab…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.549210 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3464701. Published by jmsgu3 (A0.549210). A musical monument: the first composition to employ dynamics. Instrumentation: 1 piccolo, 5 concert flutes, 1 alto flute, 1 bass flute 1 cello. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.03 €
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Ensemble de Flûtes
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte Ch. 175 for Flute Choir
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jmsgu3
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SheetMusicPlus
Farewell Too Fair & Time Stands Still for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 C…
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559786 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 20 pages. Lisa L Ochoco #4790641. Published by Lisa L Ochoco (A0.559786). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$3.00
2.75 €
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Quatuor de Flûtes : 4 flûtes
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John Dowland
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Lisa Ochoco
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Farewell Too Fair & Time Stands Still for Flute Quartet
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Lisa L Ochoco
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.770435 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299285. Published by www.dalsegno.eu (A0.770435). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger player to the polite and light style of Mozart.Complete set with score and parts: Flute, Oboe, Clarinet (both Bb and A), Bassoon.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Flûte, Hautbois, Clarinette, Basson
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Too Good At Goodbyes
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Te…
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Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Soprano Recorder,Tenor Recorder,Trombone,Tuba,Viola,Violin - Intermediate - Digital Download SKU: A0.510056 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 61 pages. Published by Andrea La Rose (A0.510056). • Melody and four-part harmony parts for C instruments in treble, alto, and bass clefs: voice, flute, recorder, oboe, bassoon, violin, viola, cello, bass, trombone, baritone horn• Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.36 €
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
They Saw a Star - Epiphany/Christmas - SATB (optional flute, violin or cello) and piano
Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - L…
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Alto Voice,Bass Voice,Cello,Flute,Piano Accompaniment,Soprano voice,Tenor Banjo,Violin - Level 3 - Digital Download SKU: A0.1317838 Composed by Connie Boss. Christian,Christmas,Holiday. 17 pages. Connie Boss #906529. Published by Connie Boss (A0.1317838). This is an original song I composed about the Wisemen coming from the East searching for the infant King. When they saw the star, they knew they had to follow it. It is a great song for Epiphany. It contains 3 verses and a bridge. If you think it's too long, you could cut out the bridge. This is for SATB with optional parts for flute, cello and violin accent instruments and piano. It can be sung with solo for verses, adding the harmonies for the refrain and bridge and final ending. email cdboss@cvalley.net for requests or questionsLyrics below:They Saw a StarVerse 1:Three wisemen came from the eastA desert camel, their traveling beastThey traveled far, they traveled wideSearching for the infant child.Then they looked toward the sky….. Refrain:They saw a star, They saw a star, They saw a starLighting up in the darkest nightThey saw a star, They saw a star, They saw a starOh …..what a wondrous sight Verse 2:They followed where the light shown downAnd came upon a tiny townThen they scarce believed their eyesWhere it stopped a big surpriseThen they looked toward the light…… Refrain: Verse 3:A crowd of people gathered roundIncluding shepherds kneeling downTheir flocks of sheep by their sideThen the noise would subsideThey made it to the light……. Bridge:They saw the tiniest of KingsLying in a mangerHis mother was close by His sideKeeping him from dangerHe was the son of GodThe greatest King of KingsThe wisemen brought from their landsThe greatest gifts they could bring. Final Refrain:
$7.99
7.34 €
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Connie Boss
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They Saw a Star - Epiphany/Christmas - SATB
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Connie Boss
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Brass Quartet
Trompette, Trombone (duo)
Trombone,Trumpet - Level 2 - Digital Download SKU: A0.770436 Composed by Wolfgang A…
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Trombone,Trumpet - Level 2 - Digital Download SKU: A0.770436 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299335. Published by www.dalsegno.eu (A0.770436). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger players to the polite and light style of Mozart.Complete set with score and parts: Trumpet 1 (up to high F), Trumpet 2, Trombone 1 (up to high Eb), F Horn (instead of Trombone 1), Trombone 2. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Trompette, Trombone (duo)
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Tuba Quartet
4 Tubas
Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed …
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Brass Ensemble Euphonium,Tuba - Level 2 - Digital Download SKU: A0.770442 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 9 pages. Www.dalsegno.eu #5299393. Published by www.dalsegno.eu (A0.770442). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger brass players to the polite and light style of Mozart.Complete set with score and parts: Euphonium 1 (Bass Clef and Treble Clef), Euphonium 2 (Bass Clef and Treble Clef), Tuba 1, Tuba 2. Ideal for larger ensembles too.Duration: approx. 3 mins., 9 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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4 Tubas
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Trombone Quartet
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wol…
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Brass Ensemble Trombone - Level 2 - Digital Download SKU: A0.770439 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 7 pages. Www.dalsegno.eu #5299371. Published by www.dalsegno.eu (A0.770439). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger trombonists to the polite and light style of Mozart.Complete set with score and parts: Trombone 1 (up to high Ab, notated in Bass Clef), Trombone 2, Trombone 3, Trombone 4 (bass) or Tuba. Ideal for larger ensembles too.Duration: approx. 3 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Quatuor de cuivres: 4 trombones
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.770434…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.770434 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. 8 pages. Www.dalsegno.eu #5299323. Published by www.dalsegno.eu (A0.770434). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger clarinetists to the polite and light style of Mozart.Complete set with score and parts: Clarinet 1, Clarinet 2, Clarinet 3 (below the break) or Alto Clarinet, Bass Clarinet. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Quatuor de Clarinettes: 4 clarinettes
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.770340 Com…
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Saxophone Quartet,Woodwind Ensemble - Level 2 - Digital Download SKU: A0.770340 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional,Opera,Standards,Wedding. 8 pages. Www.dalsegno.eu #3386439. Published by www.dalsegno.eu (A0.770340). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger saxophonists to the polite and light style of Mozart.Complete set with score and parts: Soprano, Alto (instead of soprano), Alto, Tenor, Baritone. Ideal for larger ensembles too.Duration: approx. 3 mins., 8 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Quatuor de Saxophones: 4 saxophones
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
#
SheetMusicPlus
MARCH OF THE PRIESTS (from The Magic Flute by W. A. Mozart) - for Horn Quartet
Quatuor de cuivres: 4 cors
Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.770438 Composed by Wolfgan…
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Brass Ensemble Horn - Level 2 - Digital Download SKU: A0.770438 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Multicultural,Opera,Standards,Wedding,World. Score and parts. 7 pages. Www.dalsegno.eu #5299357. Published by www.dalsegno.eu (A0.770438). Easy and accurate arrangement of this classic extract from The Magic Flute by Wolfgang Amadeus Mozart.Ideal as a solemn overture for every concert or as a entrance for weddings, but fits in really every serious context.Playable during concerts at school too, due to the easy grade despite the closeness to the original. An ideal approach for the younger hornists to the polite and light style of Mozart.Complete set with score and parts: Horn 1 (high, up to written high F), Horn 2 (high), Horn 3 (low), Horn 4 (low).Duration: approx. 3 mins., 7 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99
2.75 €
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Quatuor de cuivres: 4 cors
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Wolfgang Amadeus Mozart
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Ivan Marini
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MARCH OF THE PRIESTS
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www.dalsegno.eu
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital…
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Small Ensemble Clarinet,Soprano Saxophone,Tenor Saxophone,Trumpet - Intermediate - Digital Download SKU: A0.510057 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 51 pages. Published by Andrea La Rose (A0.510057). • Melody and four-part harmony parts for Bb instruments (clarinet, bass clarinet, soprano saxophone, tenor saxophone, trumpet). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$19.99
18.36 €
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Too Good At Goodbyes
Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Di…
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Small Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,English Horn - Intermediate - Digital Download SKU: A0.510058 By Sam Smith. By James Napier, Mikkel Eriksen, Sam Smith, and Tor Hermansen. Arranged by Andrea La Rose. Pop. Score and parts. 47 pages. Published by Andrea La Rose (A0.510058). • Melody and four-part harmony parts for Eb & F instruments (alto saxophone, baritone saxophone, alto horn, Eb clarinet, alto clarinet, English horn, French horn). • Chords included in every part, to encourage use of song as a vehicle for improvisation. • In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$17.99
16.52 €
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Sam Smith
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Andrea La Rose
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Too Good At Goodbyes
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Andrea La Rose
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.35 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Goin' Home - From the New World Op. 95
Harpe, Flûte (duo)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502…
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
$4.99
4.58 €
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Harpe, Flûte (duo)
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Antonin Dvorak
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Goin' Home - From the New World Op. 95
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
WER GUTES TUT (Silcher) - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silc…
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Concert Band - Level 1 - Digital Download SKU: A0.770427 Composed by Friedrich Silcher. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #5221643. Published by www.dalsegno.eu (A0.770427). Finally THE definitive transcription of this beloved round by Friedrich Silcher for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Euphonium TC and BC, Tuba).Duration ad lib. (about 45'' for the three entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.29 €
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Orchestre d'harmonie
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Friedrich Silcher
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Ivan Marini
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WER GUTES TUT
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www.dalsegno.eu
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SheetMusicPlus
Wo der perlende Wein... (Mozart) - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amade…
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Concert Band - Level 1 - Digital Download SKU: A0.770357 Composed by Wolfgang Amadeus Mozart. Arranged by Ivan Marini. Classical,Instructional. Score and parts. 42 pages. Www.dalsegno.eu #3820009. Published by www.dalsegno.eu (A0.770357). Finally THE definitive transcription of this beloved round by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! You can develop stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc.Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:Recorders (Sopranino, Soprano, Alto, Tenor, Bass)Flutes (Piccolo, C flute, G Alto flute, C Bass flute)Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C and Bb)Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)Low Brass (Trombone, Baritone/Euphonium TC and BC, Tuba).Duration ad lib. (min. 1'20'' for the six entrances), 41 pages and foldable cover.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.29 €
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Orchestre d'harmonie
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Wolfgang Amadeus Mozart
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Ivan Marini
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Wo der perlende Wein...
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www.dalsegno.eu
#
SheetMusicPlus
Kind of Mozart - Every combination of Winds
Orchestre d'harmonie
Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. C…
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Concert Band - Level 1 - Digital Download SKU: A0.770351 Composed by Ivan Marini. Classical,Instructional,Sacred. Score and parts. 42 pages. Www.dalsegno.eu #3580247. Published by www.dalsegno.eu (A0.770351). Easy round inspired by Wolfgang Amadeus Mozart for EVERY ensemble of winds. An essential, flexible and handy working tool for every conductor to develop the basics of the ensemble playing and, of course, a great concert piece too (ideal for a walk-in begin or to close the concert while walking off the stage).Forget about chorales and other warm-ups! Develope stronger sense of intonation, phrasing, articulation and blend with your ensemble of younger or even experienced players. Ideal as warm-up, for masterclasses, young band classes etc. Every part is transposed in the most comfortable range (to grant playability and a warm, rich sound) and combines with every other part in this set.Set of 41 convenient card size parts covering virtually any combination of Woodwinds and Brass instruments:- Recorders (Sopranino, Soprano, Alto, Tenor, Bass)- Flutes (Piccolo, C flute, G Alto flute, C Bass flute)- Double Reeds (Oboe, English Horn, Bassoon, Contrabassoon)- Clarinets (Eb Piccolo, Clarinets in Bb and A, Basset horn, Alto, Bass, Eb ContraAlto, Bb ContraBass)- Saxophones (Soprillo, Sopranino, Soprano, Alto, Tenor, Baritone, Bass, Eb Tubax)- Trumpets (Piccolo in Bb and A, Trumpets in Eb, D, C, Bb)- Horns (in F and Eb, also 3-Valves Mellophone/Alto Horn)- Low Brass (Trombone, Euphonium TC and BC, Tuba). Duration ad lib. (min. 1 minute for the three entrances), 41 pages and foldable cover. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.49
2.29 €
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Orchestre d'harmonie
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Ivan Marini
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Kind of Mozart - Every combination of Winds
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www.dalsegno.eu
#
SheetMusicPlus
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