Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Too High
Non classifié
307
Piano & claviers
Piano seul
67
Piano, Voix
43
Piano Facile
30
Piano, Voix et Guitare
26
2 Pianos, 4 mains
22
Instruments en Do
13
1 Piano, 4 mains
6
Piano (partie séparée)
6
Orgue
5
Orgue et Orchestre
3
Accompagnement Piano
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
22
Guitare
19
Guitare (partie séparée)
10
Ligne De Mélodie, (Paroles) et Accords
7
Ensemble de guitares
1
Paroles et Accords
1
Ukulele
1
2 Guitares (duo)
1
Banjo
1
Piano, Guitare (duo)
1
Guitare, Quatuor à cordes
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
92
Chorale 3 parties
35
Voix haute
21
Chorale SSAA
17
Chorale 2 parties
16
Chorale TTBB
15
Chorale Unison
9
Voix Soprano, Piano
4
Voix Tenor, Piano
2
Voix basse, Piano
1
Voix seule
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
31
Clarinette
27
Quintette de Saxophone: 5 saxophones
24
Ensemble De Flûte à bec
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
23
Flûte traversière
16
Quatuor de Saxophones: 4 saxophones
16
Saxophone Tenor
15
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Alto
14
Flûte traversière et Piano
13
3 Saxophones (trio)
13
Ensemble de Clarinettes
13
Hautbois, Piano (duo)
12
Ensemble de saxophones
11
2 Clarinettes (duo)
10
Clarinette et Piano
10
2 Flûtes traversières (duo)
9
Ensemble de Flûtes
9
Saxophone Alto et Piano
8
Saxophone Tenor et Piano
7
Saxophone Baryton, Piano
7
Hautbois
6
Quatuor de Flûtes : 4 flûtes
6
Hautbois (partie séparée)
6
Saxophone Soprano et Piano
6
2 Saxophones (duo)
5
Saxophone Baryton
5
Saxophone Soprano
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte, Hautbois, Clarinette (trio)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette (duo)
4
Flute (partie séparée)
3
Flûte à bec Soprano
3
Flûte, Clarinette et Basson
3
Flûte à bec Alto
3
Trio de Flûtes: 3 flûtes
3
2 Flûte à bec (duo)
2
Flûte à Bec
2
2 Hautbois (duo)
2
Piccolo
2
Hautbois, Basson (duo)
2
3 Clarinettes (trio)
2
Flûte, Violon, Piano
1
Flûte irlandaise
1
Hautbois, Clarinette (duo)
1
Cor anglais, Piano
1
Saxophone
1
2 Clarinettes, Piano
1
Clarinette, Violoncelle (duo)
1
Clarinette, Basson (duo)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Cor Anglais
1
+ 51 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
29
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette (partie séparée)
28
2 Trombones (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette
16
Trompette, Piano
13
Cor
13
Trombone
12
Ensemble de Trombones
10
2 Euphoniums (duo)
9
Cor et Piano
9
Trombone et Piano
9
Tuba et Piano
8
Tuba
7
Quatuor de cuivres: 4 trombones
4
Cor (partie séparée)
4
Trompette, Trombone (duo)
4
Ensemble de Trompettes
3
Tuba (partie séparée)
3
Quatuor de cuivres: 4 cors
2
2 Trompettes (duo)
2
3 Trombones (trio)
2
Trombone basse et Piano
1
2 Trompettes, Clavier (piano ou orgue)
1
3 Trompettes (trio)
1
Quatuor de Cuivres
1
Trombone, Cor (duo)
1
Trombone basse
1
Cor anglais, Piano
1
Euphonium, Tuba (duo)
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
3 Tubas (trio)
1
2 Tubas (duo)
1
2 Cors (duo)
1
Cor Anglais
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Harpe
20
Violoncelle
15
Violoncelle, Piano
15
Alto seul
14
Trio à Cordes: violon, alto, violoncelle
14
Violon et Piano
13
Violon, Violoncelle (duo)
10
Violon
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Contrebasse (partie séparée)
8
Contrebasse, Piano (duo)
8
2 Violoncelles (duo)
8
Alto, Piano
8
Violon, Alto (duo)
6
2 Violons (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Contre Basse
5
Alto, Violoncelle (duo)
3
Trio à cordes
3
Ensemble d'Altos
3
2 Altos (duo)
3
Ensemble de Violons
3
Harpe, Flûte (duo)
2
2 Harpes (duo)
2
Violoncelle, Contrebasse (duo)
2
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à cordes: 3 violins
1
4 Harpes
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Violon (partie séparée)
1
Alto (partie séparée)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
60
Ensemble Jazz
40
Orchestre à Cordes
23
Orchestre
15
Ensemble de cuivres
9
Fanfare
7
Orchestre de chambre
7
Cloches
7
Batterie (partie séparée)
6
Ensemble de Percussions
4
Batterie
4
Jazz combo
3
Marimba
2
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Too High
Partitions à imprimer
2 000 partitions trouvées
<
1
26
51
....
1976
Too High
#
Contemporain
#
Stevie Wonder
#
Drew Zaremba
#
Too High
#
ZarembaMusic
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Horn TC,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1035241...
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Large Ensemble Alto Saxophone,Baritone Horn TC,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1035241 Composed by Stevie Wonder. Arranged by Drew Zaremba. Contemporary. Score and parts. 78 pages. ZarembaMusic #4764673. Published by ZarembaMusic (A0.1035241). This adaptation of Stevie's Too High really highlights the fact that this is an anti-drug song. The hazy intro makes for a mysterious beginning for the classic track, and then gets into the main funk groove, with lots of time to feature the male vocalist. Then after a tenor solo and shout chorus, the charts ends on a pensive note and takes a different turn. Hope you enjoy this fun arrangement! Plenty of doubles on alto 1, and a little soprano on the tenor 2 chair. Trumpet high note - Eb6.
$75.00
He Was Too Good To Me (High Voice)
#
Voix haute
#
He Was Too Good To Me
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470342 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470342).
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(High Voice) - SKU: HX.470342 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470342).
$1.99
Too Young To Go Steady (High Voice)
#
Voix haute
#
Too Young To Go Steady
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470268 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470268). ...
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(High Voice) - SKU: HX.470268 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470268).
$1.99
Have I Stayed Away Too Long (High Voice)
#
Voix haute
#
Have I Stayed Away Too Long
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470439 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470439). ...
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(High Voice) - SKU: HX.470439 Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470439).
$1.99
Too Marvelous For Words (High Voice)
#
Voix haute
#
Too Marvelous For Words
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470824 Jazz,Pop,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470824).
(+)
(High Voice) - SKU: HX.470824 Jazz,Pop,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470824).
$1.99
Too Darn Hot (High Voice)
#
Voix haute
#
Too Darn Hot
#
Hal Leonard - Digital
#
SheetMusicPlus
(High Voice) - SKU: HX.470828 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470828).
(+)
(High Voice) - SKU: HX.470828 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470828).
$1.99
Kopprasch Op.5 - Sixty Studies for (Not So) High Horn
#
Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Kopprasch, Georg
#
M
#
Kopprasch Op.5 - Sixty Studies
#
Michael V. Hindrichs
#
SheetMusicPlus
French Horn Solo - Level 4 - SKU: A0.1001610 Composed by Kopprasch, Georg. Arranged by M. V. Hindrichs. Classical,Instructional. Individual part. 51 pag...
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French Horn Solo - Level 4 - SKU: A0.1001610 Composed by Kopprasch, Georg. Arranged by M. V. Hindrichs. Classical,Instructional. Individual part. 51 pages. Michael V. Hindrichs #6362197. Published by Michael V. Hindrichs (A0.1001610). The standard set of studies on the horn player's shelf is the Kopprasch Op. 6 etudes for Low Horn. Kopprasch also wrote another set of etudes in a similar style - Op. 5 for High Horn. These lesser known studies were written for 'high horn' which meant, in the 1830s, specialized players and instruments. Most modern horn players will find these studies too high for everyday use. This carefully edited arrangement takes all of the 60 studies down a 4th. This puts them in the same range as the popular Op. 6 Low Horn studies and makes them accessible to all level of horn player. If you have enjoyed working on Kopprasch, you'll enjoy this addition to your library.
$8.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
#
Voix haute
#
AVANCÉ
#
Classique
#
Richard Strauss
#
Nicole Elyse DiPaolo
#
Strauss - Zueignung from Acht
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Angels We Have Heard On High (for horn duet, suitable for grades 2-6)
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Cor
#
DÉBUTANT
#
Noël
#
Traditional
#
Edwin Sung
#
Angels We Have Heard On High
#
Edwin Sung
#
SheetMusicPlus
French Horn Solo - Level 1 - SKU: A0.731083 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Indiv...
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French Horn Solo - Level 1 - SKU: A0.731083 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 3 pages. Edwin Sung #2037. Published by Edwin Sung (A0.731083). This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!
$3.99
Angels We Have Heard On High (for trombone duet (treble clef), suitable for grades 2-6)
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2 Trombones (duo)
#
DÉBUTANT
#
Noël
#
Traditional
#
Edwin Sung
#
Angels We Have Heard On High
#
Edwin Sung
#
SheetMusicPlus
Trombone Solo - Level 1 - SKU: A0.731055 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individu...
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Trombone Solo - Level 1 - SKU: A0.731055 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 3 pages. Edwin Sung #1969. Published by Edwin Sung (A0.731055). This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally! Date published: 1st November, 2014 Enjoy!
$3.99
Angels We Have Heard On High (for bassoon duet, suitable for grades 2-6)
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2 Bassons (duo)
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DÉBUTANT
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Noël
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Traditional
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Edwin Sung
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Angels We Have Heard On High
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Edwin Sung
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SheetMusicPlus
Bassoon Solo - Level 1 - SKU: A0.731075 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individua...
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Bassoon Solo - Level 1 - SKU: A0.731075 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 3 pages. Edwin Sung #2021. Published by Edwin Sung (A0.731075). This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!
$3.99
Angels We Have Heard On High (for Eb-Clarinet duet, suitable for grades 2-6)
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2 Clarinettes (duo)
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DÉBUTANT
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Noël
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Traditional
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Edwin Sung
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Angels We Have Heard On High
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Edwin Sung
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SheetMusicPlus
Clarinet Solo - Level 1 - SKU: A0.731076 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individu...
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Clarinet Solo - Level 1 - SKU: A0.731076 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 3 pages. Edwin Sung #2023. Published by Edwin Sung (A0.731076). This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That's why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!
$3.99
Angels We Have Heard On High (for oboe duet, suitable for grades 2-6)
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Hautbois (partie séparée)
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DÉBUTANT
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Noël
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Traditional
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Edwin Sung
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Angels We Have Heard On High
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Edwin Sung
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SheetMusicPlus
Oboe Solo - Level 1 - SKU: A0.731082 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual p...
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Oboe Solo - Level 1 - SKU: A0.731082 Composed by Traditional. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,Instructional. Individual part. 3 pages. Edwin Sung #2035. Published by Edwin Sung (A0.731082). This duet piece emphasises on teamwork / co-operation, while not setting the bar too high for the players - music appreciation / enjoyment is what all musicians like! Beginners get to enjoy to play the main tune, while the intermediates/teachers can enjoy wider range and more note decorations from their instruments while supporting the melodies. That’s why this piece is recommended to everyone, ranging from beginners to advanced, to perform professionally or leisurely during Christmas ideally!
$3.99
I Stood On The River Of Jordan (arr. Richard Walters) (High Voice)
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Voix haute
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Gospel Spirituel
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Jazz
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Harry T
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I Stood On The River Of Jordan
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Hal Leonard - Digital
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SheetMusicPlus
Piano Accompaniment,Vocal,Voice (High Voice) - SKU: HX.1477603 Arranged by Harry T. Burleigh and Richard Walters. This edition: scorch. Spiritual. Score...
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Piano Accompaniment,Vocal,Voice (High Voice) - SKU: HX.1477603 Arranged by Harry T. Burleigh and Richard Walters. This edition: scorch. Spiritual. Score. 3 pages. Hal Leonard - Digital #16215. Published by Hal Leonard - Digital (HX.1477603).
$4.99
I Took My Harp to a Party voice and piano (high key)
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Voix haute
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FACILE
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Noel Gay and Desmond Carter
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Kim Kirkman
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I Took My Harp to a Party voic
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Kim Kirkman
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.779560 Composed by Noel Gay and Desmond Carter. Arranged by Kim Kirkman. Broadway,Christmas,Concert,Contempora...
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High Voice,Vocal Solo - Level 2 - SKU: A0.779560 Composed by Noel Gay and Desmond Carter. Arranged by Kim Kirkman. Broadway,Christmas,Concert,Contemporary. 4 pages. Kim Kirkman #5298295. Published by Kim Kirkman (A0.779560). I Took My Harp to a Party as sung by Gracie FieldsHigh Key in FArranged for voice and piano/guitarHas chordsSome changes in harmony and words to make it more accessible.
$3.99
Good Friday (Vocal Solo - High Key)
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Voix haute
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FACILE
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Musique Sacrée
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Stephen DeCesare
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Good Friday
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.625488 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 5 pages. Ex...
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High Voice,Vocal Solo - Level 2 - SKU: A0.625488 By Stephen DeCesare. By Stephen DeCesare. Christian,Lent,Praise & Worship,Sacred,Spiritual. 5 pages. Exultet Music #5012553. Published by Exultet Music (A0.625488). Sorrowful and passionate hymn that describes the events that took place on Good Friday from Jesus' walk to down the Via Dolorosa to the Crucifixion.  Scored for a High Vocal Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting.
$4.99
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Toot Toot Tootsie Goodbye
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Contemporain
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Ernie Erdman, Gus Dp Kahn, and
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Michael C
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Toot Toot Tootsie Goodbye
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Michael McDonough A.S.C.A.P.
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.965475 Composed by Ernie Erdman, Gus Dp Kahn, and Ted Fiorito. Arranged by Michael C. McDonough A.S.C.A.P. C...
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Brass Ensemble Trombone - Level 3 - SKU: A0.965475 Composed by Ernie Erdman, Gus Dp Kahn, and Ted Fiorito. Arranged by Michael C. McDonough A.S.C.A.P. Contemporary. Score and parts. 10 pages. Michael McDonough A.S.C.A.P. #5754923. Published by Michael McDonough A.S.C.A.P. (A0.965475). This is a barber shop like arrangement for a trombone quartet. All performers get a chance to play the melody. The top note in the 3 tenor parts is an A above the staff. This would be a fun chart for a good high school quartet to play. .
$12.99
Toot-Toot Tootsie (TTBB & Piano)
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Chorale TTBB
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FACILE
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Contemporain
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Kahn/Erdman/Russo
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David B Horn
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Toot-Toot Tootsie
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David B Horn
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.960641 Composed by Kahn/Erdman/Russo. Arranged by David B Horn. Contemporary. Octavo. 9 pages. David B Horn #189...
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Choral Choir (TTBB) - Level 2 - SKU: A0.960641 Composed by Kahn/Erdman/Russo. Arranged by David B Horn. Contemporary. Octavo. 9 pages. David B Horn #1892579. Published by David B Horn (A0.960641). 2016 Arrangement New Release This is a new arrangement of the fun old chestnut, arranged for 4 part men's voices and piano. It's bouncy, upbeat and a little jazzy, suitable for a good high-school men's choir or a college/adult men's chorale.
$2.00
A New Tattoo: Scottish Landscape (for flute ensemble or large flute choir - score and parts)
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Jeffrey Hoover
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A New Tattoo: Scottish Landsca
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Musicart Publications
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SheetMusicPlus
Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #433011...
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Woodwind Ensemble Flute - Level 3 - SKU: A0.971647 Composed by Jeffrey Hoover. 20th Century,Contemporary,World. 200 pages. Musicart Publications #4330117. Published by Musicart Publications (A0.971647). A New Tattoo: Scottish Landscape. Score and parts available for immediate download and use - 199 pages. 12 min. 30 sec. For five flutes (picc, 3 fl, alto fl) expandable to large flute choir with optional string bass and small percussion. A tattoo is an exciting performance of pipe and drum bands. In recent years tattoos have come to include other entertainments as well. In five movements, A New Tattoo: Scottish Landscape shares a range of Scottish life – from a contemporary Tattoo to rich stories captured in lyrical ballads, the skirl and sound of bagpipes, dancing, and celebrations. A New Tattoo was commissioned by Lee Glendening Koss for The Silvertones of Maplewood Community Music, Maplewood, New Jersey.Required: piccolo, 3 flutes, alto flute. Full choir: 2 picc, G treble flute, Eb flute, flutes 1 - 5 (5th flute may double on percussion), 6th flute as alto 1 substitute for rehearsals, 2 alto flutes, bass flute, contrabass flute, string bass, small percussion.Jeffrey Hoover's compositions- music ranging from soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.
$38.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
Angels We Have Heard On High
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol, Jame
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Jake Smolowe
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Angels We Have Heard On High
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ArrangeMe
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. A...
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Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00
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