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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Tout de Suite
Non classifié
7
Piano & claviers
Piano seul
2
Orgue
1
Guitares
Ligne De Mélodie, (Paroles) et Accords
2
Voix
Vents
3 Clarinettes (trio)
2
Trio de Flûtes: 3 flûtes
2
3 Flûtes à bec (trio)
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
+ 1 instrumentations
Retracter
Cuivres
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
1
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Ensemble de cuivres
1
Orchestre d'harmonie
1
Autres
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CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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Partitions Gratuites
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Partitions Numériques
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Tout de Suite
Partitions à imprimer
23 partitions trouvées
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1
Tout de Suite (or Toot Sweet) for brass trio
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.580336 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 20 pages. David Warin Solomons #...
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Brass Ensemble - Level 4 - SKU: A0.580336 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 20 pages. David Warin Solomons #4289663. Published by David Warin Solomons (A0.580336). Jolly trio based on my Suite for lute tuning for guitar, a curious mix of ragtime and renaissance.
$13.00
Tout de Suite (or Toot Sweet) for clarinet trio (E flat, B flat and Alto clarinet)
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3 Clarinettes (trio)
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INTERMÉDIAIRE
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - SKU: A0.578930 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime,Renaissance. 20 ...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - SKU: A0.578930 Composed by David Warin Solomons. 20th Century,Contemporary,Ragtime,Renaissance. 20 pages. David Warin Solomons #2001957. Published by David Warin Solomons (A0.578930). Jolly trio based on my Suite for lute tuning for guitar, a curious mix of ragtime and renaissance. The sound sample here is an electronic preview The pdf file contains score and parts.
$13.00
Tout de Suite (or Toot Sweet) for recorder trio
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3 Flûtes à bec (trio)
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.579714 Composed by David Warin Solomons. 20th Century,Concert,Contempor...
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Small Ensemble Alto Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.579714 Composed by David Warin Solomons. 20th Century,Concert,Contemporary. Score and parts. 17 pages. David Warin Solomons #3242821. Published by David Warin Solomons (A0.579714). Jolly trio based on my Suite for lute tuning for guitar, a curious mix of ragtime and renaissance.
$13.00
Tout de Suite (or Toot Sweet) for reed trio
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Hautbois, Clarinette, Basson (trio d'anches)
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - SKU: A0.580347 Composed by David Warin Solomons. 20th Century,Contemporary. 16 pages. ...
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Woodwind Ensemble,Woodwind Trio Bassoon,Clarinet,Oboe - Level 3 - SKU: A0.580347 Composed by David Warin Solomons. 20th Century,Contemporary. 16 pages. David Warin Solomons #4302455. Published by David Warin Solomons (A0.580347). Jolly trio based on my Suite for lute tuning for guitar, a curious mix of ragtime and renaissance.
$13.00
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'...
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Guitar - Advanced - SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Tout De Suite
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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Miles Davis
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Tout De Suite
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.470115 By Miles Davis. Jazz. Real Book - Melody/Chords. 3 pages. Published by Hal Leonard - Digital (HX.470115). ...
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SKU: HX.470115 By Miles Davis. Jazz. Real Book - Melody/Chords. 3 pages. Published by Hal Leonard - Digital (HX.470115).
$1.99
Tout de suite (Toot Sweet) for flute trio (mp3)
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Trio de Flûtes: 3 flûtes
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Contemporain
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David Warin Solomons
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Tout de suite
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David Warin Solomons
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SheetMusicPlus
Alto Flute - SKU: A0.1059830 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 397. David Warin Solomons #4884891....
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Alto Flute - SKU: A0.1059830 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 397. David Warin Solomons #4884891. Published by David Warin Solomons (A0.1059830). Score:
$3.00
An English Suite
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Orgue
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INTERMÉDIAIRE
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Hubert Parry
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Wolfgang Stockmeier
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An English Suite
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Schott Music - Digital
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SheetMusicPlus
Organ - intermediate - SKU: S9.Q11650 Arranged for the organ on the basis of the original string orchestra version. Composed by Hubert Parry. Arr...
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Organ - intermediate - SKU: S9.Q11650 Arranged for the organ on the basis of the original string orchestra version. Composed by Hubert Parry. Arranged by Wolfgang Stockmeier. This edition: Sheet music. Downloadable. Duration 12 minutes. Schott Music - Digital #Q11650. Published by Schott Music - Digital (S9.Q11650). The composer, pianist, choir director and teacher Sir Charles Hubert Parry (1848-1918) was one of the most remarkable figures of the British music scene at the turn of the century. Among his most charming compositions are two suites for string orchestra. The well-known organist and composer Wolfgang Stockmeier has arranged 'English Suite' for the organ while keeping close to the original. The arrangement can be performed on the organ with brilliant effect, transferring the atmosphere of the English late Romantic era onto the organ.Sir Charles Hubert Parry (1848-1918) fut l’une des figures les plus remarquables de la vie musicale anglaise au tournant du siècle. Wolfgang Stockmeier a arrangé pour l’orgue l’â€English Suite†tout en restant proche de l’original pour orchestre à cordes. L’arrangement apporte à l’instrument l’atmosphère du romantisme tardif anglais.
$21.99
Suite
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Suite
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SheetMusicPlus
The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.The canonical utilization of the fixed da...
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The Suite for guitar aims to blend tradition and modernity through the use of a language with a neobaroque imprint.The canonical utilization of the fixed dances of the Suite (Allemande, Courante, Sarabande and Gigue preceded by an introductory Prelude) serves as a clear reference to the corresponding Baroque model characterized by alternation between slow and fast movements. The style, on the other hand, appears to be moderately dissonant, yet still focused on a well-defined tonal framework. A personal use of both dissonances and modulations is intended to enhance the auditory experience while maintaining a strong connection to a specific tonal center (E), which serves as a stable reference point in the organization of the musical material.La Suite pour guitare vise à mêler tradition et modernité à travers l’utilisation d’un langage à l’empreinte néobaroque.L’utilisation canonique des « danses fixes » de la Suite (Allemande, Courante, Sarabande et Gigue précédées d’un Prélude introductif) sert de référence claire au modèle baroque correspondant caractérisé par une alternance entre mouvements lents et rapides.Le style, en revanche, semble modérément dissonant, tout en restant centré sur une structure tonale bien définie. Une utilisation personnelle des dissonances et des modulations vise à améliorer l’expérience auditive tout en maintenant une forte connexion à un centre tonal spécifique (E), qui sert de point de référence stable dans l’organisation du matériau musical
Song List
:
1. Prelude
2. Allemande
3. Courante
4. Sarabande
5. Gigue
$7.95
LA SUITE AU CHALET
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Contemporain
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François Couture
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LA SUITE AU CHALET
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Francois Couture
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SheetMusicPlus
Small Ensemble English Horn,Harp,Oboe - Level 4 - SKU: A0.970846 Composed by François Couture. 20th Century,Contemporary. Score and parts. 116 pages....
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Small Ensemble English Horn,Harp,Oboe - Level 4 - SKU: A0.970846 Composed by François Couture. 20th Century,Contemporary. Score and parts. 116 pages. Francois Couture #4883289. Published by Francois Couture (A0.970846). Album - LA SUITE AU CHALETOboe & English Horn - Jean-Luc CÔTÉHarp - Antoine MALETTE-CHÉNIER12 piecesTOUT LES DEUXLA BELLE ENDORMIEL,ALBUM PHOTOLE SENTIER DE FEUILLESAU FIL DE L,EAUPAR LA FENÊTRE, IL Y A LES ÉTOILESCHANTS DES SOUS-BOISL,ÉVEILUN BON LIVREHUMORESQUEAU COIN DU FEULES BRUITS DE LA NUIT
$19.95
Tout de Suite (or Toot Sweet) for flute trio (2 flutes 1 alto flute)
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). For Flute,2 flutes 1 alto flute. 21st Century,20th Century,Renaissance,Contemporary Classical,Ragtime. Advanced Interm...
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Composed by David Warin Solomons (1953-). For Flute,2 flutes 1 alto flute. 21st Century,20th Century,Renaissance,Contemporary Classical,Ragtime. Advanced Intermediate. Score,Set of Parts. 18 pages. Published by David Warin Solomons
$13.00
Miles Davis: Tout De Suite - voice & other instruments (real book)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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Miles Davis
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Virtualsheetmusic
Instantly printable sheet music by Miles Davis for voice & other instruments (real book) of MEDIUM skill level. / jazz
Instantly printable sheet music by Miles Davis for voice & other instruments (real book) of MEDIUM skill level. / jazz
$4.97
Tout de Suite (or Toot Sweet) for wind trio
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Flûte, Hautbois, Clarinette (trio)
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). For Flute,Oboe,Clarinet. 21st Century,20th Century,Renaissance,Contemporary Classical,Ragtime. Intermediate. Score,Set...
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Composed by David Warin Solomons (1953-). For Flute,Oboe,Clarinet. 21st Century,20th Century,Renaissance,Contemporary Classical,Ragtime. Intermediate. Score,Set of Parts. 21 pages. Published by David Warin Solomons
$13.00
Tout de Suite (or Toot Sweet) for piccolo, flute and alto flute
Flute,piccolo,flute and alto flute
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Contemporary Classical, Ragtime. Score, Set of Parts. 21 pages. Published by ...
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Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Contemporary Classical, Ragtime. Score, Set of Parts. 21 pages. Published by David Warin Solomons (S0.118007). - Score,Set of Parts - 21st Century,20th Century,Renaissance,Contemporary Classical,Ragtime - David Warin Solomons
$13.00
Tout de Suite (or Toot Sweet) for saxophone trio
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3 Saxophones (trio)
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Neo-Classical, Ragtime. Score, Set of Parts. 20 pages. Published by David War...
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Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Neo-Classical, Ragtime. Score, Set of Parts. 20 pages. Published by David Warin Solomons (S0.118231). - Score,Set of Parts - 21st Century,20th Century,Renaissance,Neo-Classical,Ragtime - David Warin Solomons
$13.00
Tout de Suite (or Toot Sweet) for clarinet trio (3 B flat clarinets)
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3 Clarinettes (trio)
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Contemporain
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David Warin Solomons
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Tout de Suite
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David Warin Solomons
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SheetMusicPlus
Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Neo-Classical, Ragtime. Score, Set of Parts. 20 pages. Published by David War...
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Composed by David Warin Solomons (1953-). 21st Century, 20th Century, Renaissance, Neo-Classical, Ragtime. Score, Set of Parts. 20 pages. Published by David Warin Solomons (S0.118233). - Score,Set of Parts - 21st Century,20th Century,Renaissance,Neo-Classical,Ragtime - David Warin Solomons
$13.00
La Noyee by Serge Gainsbourg for easy piano
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Piano seul
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FACILE
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Chanson Française
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Serge Gainsbourg
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La Noyee by Serge Gainsbourg f
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Martin Tucker
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download By Serge Gainsbourg. Arranged by Martin Tucker. 4 pages. Published by Martin Tucker...
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Piano Solo - Early Intermediate - Digital Download By Serge Gainsbourg. Arranged by Martin Tucker. 4 pages. Published by Martin Tucker
This sad and beautiful song by Serge Gainsbourg ("The drowned woman") tells of the loss of a woman drowning in the river of memory. In a 1972 live recording, and ironically for such a great song, the host introduces Gainsbourg with the words "Vous ne l?avez jamais entendue, vous ne l?entendrez peut tre jamais plus, alors autant en profiter tout de suite, c?est une chanson indite, elle s?appelle La Noye" ("You have never heard it, you might never hear it again, so you might as well enjoy it right away, it?s a brand new song called La Noye"). The song has been covered by Anna Karina, Carla Bruni and Lulu Gainsbourg, amongst others. This is a simple arrangement with complete fingering to make the piece accessible to as many pianists as possible. 4 pages, 72 bars.
$4.99
La Noyee by Serge Gainsbourg for intermediate piano
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Piano seul
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INTERMÉDIAIRE
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Chanson Française
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Serge Gainsbourg
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La Noyee by Serge Gainsbourg f
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Martin Tucker
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SheetMusicPlus
Piano Solo - Intermediate - By Serge Gainsbourg. Arranged by Martin Tucker. 4 pages. Published by Martin Tucker...
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Piano Solo - Intermediate - By Serge Gainsbourg. Arranged by Martin Tucker. 4 pages. Published by Martin Tucker
This sad and beautiful song by Serge Gainsbourg ("The drowned woman") tells of the loss of a woman drowning in the river of memory. In a 1972 live recording, and ironically for such a great song, the host introduces Gainsbourg with the words "Vous ne l?avez jamais entendu, vous ne l?entendrez peut tre jamais plus, alors autant en profiter tout de suite, c?est une chanson indite, elle s?appelle La Noye (You have never heard it, you might never hear it again, so you might as well enjoy it right away, it?s a brand new song called La Noye"). The song has been covered by Anna Karina, Carla Bruni and Lulu Gainsbourg, amongst others.
$4.99
Ada
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Mehmet Refik Kaya
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Celil Refik Kaya
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Ada
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Intermediate - SKU: ZZ.DZ-4316 Composed by Mehmet Refik Kaya. Arranged by Celil Refik Kaya. Score. 4 pages. Les Productions d'OZ - Digital #DZ ...
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Guitar - Intermediate - SKU: ZZ.DZ-4316 Composed by Mehmet Refik Kaya. Arranged by Celil Refik Kaya. Score. 4 pages. Les Productions d'OZ - Digital #DZ 4316. Published by Les Productions d'OZ - Digital (ZZ.DZ-4316). Ada (Island) is a captivating composition that was originally written in 2011 for the Turkish lute. This piece draws its inspiration from the tranquil and picturesque atmosphere of Büyükada, one of the charming islands in the Sea of Marmara. Büyükada, with its serene landscapes, historical architecture, and tranquil shores, serves as a perfect muse for the evocative melodies and intricate harmonies that characterize Ada (Island).Ada (Island) was later arranged for classical guitar. This adaptation allows the composition to reach a broader audience while retaining its original charm and depth. The classical guitar arrangement highlights the versatility of the piece, maintaining its delicate nuances and evocative melodies, while offering a new perspective through the guitar's distinctive tonal qualities.Whether performed on the Turkish lute or the classical guitar, Ada (Island) remains a poignant tribute to the enchanting beauty of Büyükada, capturing the island's essence and transporting listeners to its serene shores.«Ada (Island)» est une composition captivante écrite à l'origine en 2011 pour le luth turc. Cette pièce s'inspire de l'atmosphère tranquille et pittoresque de Büyükada, l'une des charmantes îles de la mer de Marmara. Büyükada, avec ses paysages sereins, son architecture historique et ses rivages tranquilles, constitue une muse parfaite pour les mélodies évocatrices et les harmonies complexes qui caractérisent « Ada (l'île) ».Ada (Island) a ensuite été arrangé pour guitare classique. Cette adaptation permet à la composition de toucher un public plus large tout en conservant son charme et sa profondeur d'origine. L'arrangement de guitare classique met en valeur la polyvalence du morceau, en conservant ses nuances délicates et ses mélodies évocatrices, tout en offrant une nouvelle perspective à travers les qualités tonales distinctives de la guitare.Qu'il soit interprété au luth turc ou à la guitare classique, Ada (Île) reste un hommage poignant à la beauté enchanteresse de Büyükada, capturant l'essence de l'île et transportant les auditeurs vers ses rivages sereins.
$3.95
Trois Chansons Folkloriques Françaises
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Orchestre d'harmonie
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DÉBUTANT
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J
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James Bicigo
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Trois Chansons Folkloriques Fr
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Polar Publications
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.758030 Composed by J.L. Batman and traditional. Arranged by James Bicigo. Concert,Folk,Instructional,Standards. Score a...
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Concert Band - Level 1 - SKU: A0.758030 Composed by J.L. Batman and traditional. Arranged by James Bicigo. Concert,Folk,Instructional,Standards. Score and parts. 69 pages. Polar Publications #6304151. Published by Polar Publications (A0.758030). This is a nice suite of three French folksongs. Perfect for any school program, and especially for Francophone schools. It includes A Mon beau Chateau, Au Clair De La Lune, and Aux Marches du Palais.C'est une belle suite de trois chansons folkloriques françaises. Parfait pour tout programme scolaire, et particulièrement pour les écoles francophones. Il comprend A Mon beau Château, Au Clair De La Lune et Aux Marches du Palais.
$50.00
Twinkle Pluto planet no more for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Anonymous
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David Warin Solomons
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Twinkle Pluto planet no more f
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages...
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String Quartet String Quartet - Level 4 - SKU: A0.575837 Composed by Anonymous. Arranged by David Warin Solomons. Contemporary. Score and parts. 9 pages. David Warin Solomons #2028709. Published by David Warin Solomons (A0.575837). Originally written for a Delian suite for various composers remembering Schoenberg back in 2006, I have now revised it and provided separate parts. The piece is atonal and satirically based on Twinkle twinkle little star by way of a supposed reaction from Pluto after it was relegated from planet to dwarf planet by astronomers here on earth. I wrote the following introduction for the Delian suite version: 'Twinkle, Twinkle Little Star' (Jane Taylor's poem used for the tune to the French song Ah, vous dirai-je maman) is given an atonal treatment, for string quartet, in memory of the 'lost' planet of Pluto. Of course Pluto is still there, merely changed in the human taxonomy, which deems it to be no longer a planet. Similarly Twinkle, Twinkle is no longer a nursery rhyme but a strange atonal piece with memories of its past self moving towards an unknown space. It will be curious to know at which age a child recognises the twinkle-twinkle motif in this new, totally untraditional version. However, atonal though it is, it still appears to have some kind of 'home.' 'Ah, vous dirai-je maman, ce qui cause mon tourment,' ce n'est plus la petite chanson d'enfants, elle s'en va vers les étoiles dans un astronef de quatuor à cordes atonal. Son tourment?: Sa lamentation ne vise que la taxonomie humaine des planètes-Pluton, tu n'est plus planète? Maman! où se trouve la réalité, où se trouve notre domicile? Nous avons tous nos taxonomies, mais la réalité est en dehors... Le sens de tonalité est en dehors... Mais malgré tout, on reconnaît la mélodie... N'est-ce pas?.
$10.00
Eve’s Diary
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David Leisner
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Eve’s Diary
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published ...
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Guitar and voice - Intermediate - SKU: ZY.DO-1538 Composed by David Leisner. Score. 23 pages. Les Editions Doberman-Yppan (digital) #DO 1538. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1538). When guitarist John Olson and soprano Gioia De Cari commissioned me to write a piece for them, I envi- sioned writing something theatrical that might especially suit Gioia, who is both a singer and an actress. Eventually, I thought of Mark Twain. The great American writer and humorist of substance wrote a short, little-known book called The Diary of Adam and Eve, which is, of course, about the first days of human life on this earth, in Twain’s witty, but touching take on the Bible story. Adam and Eve each write diary entries. I chose several passages from Eve’s diary that convey the sense of constant wonder that she felt because absolutely everything in her world was new.Setting prose, rather than poetry, is a challenge for a composer because it has neither the innate rhythm nor the lyricism of poetry. On some intuitive level, this challenge led me to a process that allowed the music to evolve mostly from the guitar part. Whereas normally the vocal melody might emerge first, motivated by the text and with the accompaniment then added for support, here the guitar part was the prime mover. An example of this is the last song, which is a passacaglia played by the guitar, providing the ground over which the vocal line can soar. Eve’s Diary was composed in 2015.Lorsque le guitariste John Olson et la soprano Gioia De Cari m'ont commandé une pièce pour eux, j'ai imaginé écrire quelque chose de théâtral qui pourrait particulièrement convenir à Gioia, qui est à la fois chanteuse et actrice. Finalement, j'ai pensé à Mark Twain. Le grand écrivain et humoriste américain a écrit un petit livre peu connu intitulé Le Journal d'Adam et Ève, qui raconte les premiers jours de la vie humaine sur terre selon l'interprétation spirituelle et espiègle de Twain de l'histoire biblique. Adam et Ève tiennent chacun un journal. J'ai choisi plusieurs passages du journal d'Ève qui expriment ce sentiment d'émerveillement constant qu'elle ressentait, car absolument tout dans son monde était nouveau.Mettre en musique de la prose, plutôt que de la poésie, est un défi pour un compositeur car elle n'a ni le rythme inné ni le lyrisme de la poésie. Intuitivement, ce défi m'a conduit à un processus qui a permis à la musique d'évoluer principalement à partir de la partie de guitare. Alors que normalement la mélodie vocale pourrait émerger en premier, motivée par le texte et avec l'accompagnement ajouté ensuite pour le soutien, ici la partie de guitare était le moteur principal. Un exemple en est la dernière chanson, qui est une passacaille jouée à la guitare, fournissant le fond sur lequel la ligne vocale peut s'élever. Le Journal d'Ève a été composé en 2015.
$10.95
Duo G Major
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Classique
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Francois Couperin
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Duo G Major
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Schott Music - Digital
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SheetMusicPlus
Bass-instruments (cellos, violas da gamba, bassoons) - intermediate to advanced - SKU: S9.Q2528 Composed by Francois Couperin. This edition: performance...
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Bass-instruments (cellos, violas da gamba, bassoons) - intermediate to advanced - SKU: S9.Q2528 Composed by Francois Couperin. This edition: performance score. Downloadable, Performance score. Schott Music - Digital #Q2528. Published by Schott Music - Digital (S9.Q2528). Key: G major.This duo has been taken from the siginificant collection 'Les Goûts-réünis ou Nouveaux Concerts à l'usage de toutes sortes d'instruments' by François Couperin (1668-1733). Written in the typical French style of that time, richly ornamented and of moderate difficulty, this duo, which corresponds to the 13th concerto of the collection, is perfectly suited for music lessons and music-making at home.
$10.99
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