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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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FLUTE TRAVERSI…
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HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Towards The Sun
Sheetmusicplus
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29
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12
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3
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2
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1
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Towards The Sun
SheetMusicPlus
Partitions à imprimer
157 partitions trouvées
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151
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Dreaming Sea
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Ben Ledochowski
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The Dreaming Sea
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Ben Ledochowski
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Publis...
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Piano Solo - Level 4 - SKU: A0.1023644 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Score. 12 pages. Ben Ledochowski #6217585. Published by Ben Ledochowski (A0.1023644). The Dreaming Sea was my first paid composition commission, a piece I wrote in April 2020. For the composition commission, my author friend Sterling Wisniewski requested me to score a short story of his, with the score I provided being expected to tell the story of the words through music and accompany original artwork. His short story is included as follows:A cardboard boat sifts the surface of the sea. A little girl,eyes closed, arms wide and crowned with a paper hat, stands at the front of the deck. Unsinkable - that's what she was. Her imagination bounced the boat on the tension of theworld, almost like it wasn't there. Her eyes were closed, yet she saw everything. On shore, a crowd of dirty sailors went about their work. Nasty mouths swore and harsh fists carried their cargo to their strong, dirty boat. A boy, no taller than a barrel, was in the midst of the buff shoulders and fit forearms. He peaked between the muscle mountains.He saw her. Eyes closed and arms wide, sailing away from the Sun and into the appearing Moon. The wind flapped her hair like the sail of a boat. The boy pried between the men and ran to the end of the dock, stuck his flat hand over his forehead to see. The boy could've sworn that she saw him. He could've sworn the boat swooped in a foot from his face. He could've sworn he heard her giggle. If anything, he thought he knew she saw him.The boy's father, the largest of all the men, wearing a real sailor's hat, gripped the boy's shoulder, spun him away from view of the cardboard boat, and without a word dragged him to the solid wooden ship in front of them. The robust crew pulled ropes and pushed out to set sail towards the setting Sun in the west.The boy soon slipped out of his father's grip and ran to the edge of the boat. Standing on his tiptoes, he hovered his eyes over the dock. There she was - eyes closed and arms wide, the wind flowing through her hair while her cardboard boat skipped the seas like a stone. he could've sworn she was thinking about him. he could've sworn he would see her again. He could've&n.
$5.99
Southwest Sunrise Trumpet Solo with Piano
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Trompette, Piano
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DÉBUTANT
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Alex Lewis and Eddie Lewis
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Southwest Sunrise Trumpet Solo
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Tiger Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger M...
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B-Flat Trumpet,Piano - Level 1 - SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.
$6.72
Towards The Sun
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Rihanna
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Patrick Dunnevant
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Towards The Sun
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Patrick Dunnevant Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1335153 By Rihanna. By Gary Go, Robyn Fenty, and Tiago Carvalho. Arranged by Patrick Dunnevant. A Cappell...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1335153 By Rihanna. By Gary Go, Robyn Fenty, and Tiago Carvalho. Arranged by Patrick Dunnevant. A Cappella,Pop. 10 pages. Patrick Dunnevant Music #921001. Published by Patrick Dunnevant Music (A0.1335153). This SATB a cappella arrangement of Towards the Sun by Rihanna was arranged in 2022 for Ensworth High School.Learning tracks available for purchase. Contact the arranger for more information.
$1.99
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
March of the Kings
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Philip Le Bas
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Philip Le Bas
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March of the Kings
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Philip Le Bas
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious...
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Choral Choir (SAB) - Level 3 - SKU: A0.1120365 By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365). A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.
$1.99
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Flavio Regis Cunha
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Beethoven: 7 Variations on 'Go
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Stand...
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Piano Solo - Level 4 - SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
$4.99
Sunrise On Shrouded Mountains
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Cor et Piano
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AVANCÉ
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Matt Arnett
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Sunrise On Shrouded Mountains
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Matt Arnett Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.945548 Composed by Matt Arnett. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 9 pages. Matt A...
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French Horn,Piano - Level 5 - SKU: A0.945548 Composed by Matt Arnett. 20th Century,Concert,Contemporary,Romantic Period. Score and part. 9 pages. Matt Arnett Music #6132249. Published by Matt Arnett Music (A0.945548). Sunrise on Shrouded Mountains was inspired by many mornings looking east towards the Wasatch Mountains while I lived in Utah. As the sun rises on foggy spring mornings, the day warms and brightens – yet not until the sun breaks the peak of the mountains is the valley truly light. As the fog burns away, the majesty of the mountain range is revealed.This is a great contrasting piece to program for the middle of your recital. You'll explore both the sweet and heroic sounds of the horn - make sure you save enough to keep building to the apex of the piece at 78. I like to use a little vibrato on the sustained notes from 32 to 36, but that is optional.Find more of my work at https://mattarnettmusic.com/, or follow me at https://www.facebook.com/mattarnettmusic/
$8.45
Tsunami for 8-part Trombone Ensemble
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Ensemble de Trombones
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INTERMÉDIAIRE/AVANCÉ
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David F
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Tsunami for 8-part Trombone En
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.1088224 Composed by David F. Wilborn. Contemporary,Latin. Score and parts. 57 pages. Gordon Cherry #692477. ...
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Brass Ensemble Trombone - Level 4 - SKU: A0.1088224 Composed by David F. Wilborn. Contemporary,Latin. Score and parts. 57 pages. Gordon Cherry #692477. Published by Gordon Cherry (A0.1088224). Here is a description of this fine work by the composer, Dr David F. Wilborn: Tsunami, for eight trombones, is designed to capture some of the energy and drama of a tsunami wave speeding towards a coastline. The opening musical themes are powerful and bold. These melodies are accompanied by pulsating and aggressive rhythms. After a while, the tension of the music subsides as a calm serene sound of Polynesian music emerges. Here the joyful entertaining atmosphere is a total contrast to the previous themes. The scene captures a moment of frivolity and images of participants who are totally unaware of impending danger. But that moment is brief as the tsunami music abruptly returns. The work concludes by capturing the image of the powerful tsunami wave racing for the coastline. At this point, a tsunami siren blares, and the music builds with great intensity. Upon hearing unexpected silence followed by a loud minor chord, it becomes clear that the massive wave has hit the coast. The destruction is done and the dreadful event is over. All seems well until the siren again sounds and the infamous opening tsunami music returns. This 8-minute work is appropriate for moderately advanced performers. The range is moderate and all the parts are in bass clef.
$42.50
Parker: Jam Sol Recedit (Now sinks the Sun) - String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tim Cais
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Parker: Jam Sol Recedit
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Tim Cais
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.740364 Arranged by Tim Cais. Romantic Period. Score and parts. 19 pages. Tim Cais #2891471. Published by Tim Cais (...
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String Orchestra - Level 4 - SKU: A0.740364 Arranged by Tim Cais. Romantic Period. Score and parts. 19 pages. Tim Cais #2891471. Published by Tim Cais (A0.740364). Jam Sol Recedit (Now sinks the Sun) by Horatio Parker was originally written in 1900 for unaccompanied choir (SATB). It appears towards the end of Parker's oratorio, 'Saint Christopher' Op. 43, but it is most often sung as a piece in itself. Jam Sol Recedit has been described as one of Parker's most accomplished pieces of music. Arranged for String Orchestra by cellist Tim Cais www.timcaiscello.co.uk.
$40.00
Now Christ, Thou Sun of Righteousness
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Chorale SATB
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Musique Sacrée
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Richard J
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Now Christ, Thou Sun of Righte
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Sacred Music Press
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SheetMusicPlus
SATB choir, Organ - SKU: LX.10-4934S Composed by Richard J. Clark. Sacred Anthem, Lent. Octavo. 8 pages. Sacred Music Press #e10/4934S. Published by Sac...
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SATB choir, Organ - SKU: LX.10-4934S Composed by Richard J. Clark. Sacred Anthem, Lent. Octavo. 8 pages. Sacred Music Press #e10/4934S. Published by Sacred Music Press (LX.10-4934S). ISBN 9780787758363.John Dryden's English text melds with lyrical and expressive chant-like music from Richard J. Clark. A beautiful work for Lent that looks ahead towards the redemption of Easter. Soon will that day, Thy day, appear and all things with its brightness cheer..
$2.40
Now Christ, Thou Sun of Righteousness
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Chorale SATB
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Musique Sacrée
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Richard J
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Now Christ, Thou Sun of Righte
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Sacred Music Press
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SheetMusicPlus
SATB choir, organ SKU: LO.10-4934S Composed by Richard J. Clark. Choral. Sacred Anthem, Lent. Octavo. Sacred Music Press #10/4934S. Published by Sacred M...
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SATB choir, organ SKU: LO.10-4934S Composed by Richard J. Clark. Choral. Sacred Anthem, Lent. Octavo. Sacred Music Press #10/4934S. Published by Sacred Music Press (LO.10-4934S). ISBN 9780787758363.John Dryden's English text melds with lyrical and expressive chant-like music from Richard J. Clark. A beautiful work for Lent that looks ahead towards the redemption of Easter. Soon will that day, Thy day, appear and all things with its brightness cheer..
$2.75
Planet (The sun sets on Venus) for 2 contraltos and guitar (mp3)
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Contemporain
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András Csáki
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Planet
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1386864 By András Csáki (guitar), Bernadett Nagy (contralto 1), and Viola Thurnay (contralto 2). By David Wa...
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Alto Voice,Guitar - Level 4 - SKU: A0.1386864 By András Csáki (guitar), Bernadett Nagy (contralto 1), and Viola Thurnay (contralto 2). By David Warin Solomons. Contemporary. Full Performance. Duration 138. David Warin Solomons #970747. Published by David Warin Solomons (A0.1386864). Words by Graham Buck after SupervielleThe sun sets on Venus a whisper of sound goes abroad Is it a boat crossing an empty lake without an oarsman? is it a memory of the earth come stumbling here or a flower turning towards the light spicing the alien airamong those birdless trees ... The sun sets on Venus.
$5.50
(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Walter Kent
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Kevin P Holdgate
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(there'll Be Bluebirds Over) T
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgat...
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Brass Ensemble - Level 3 - SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
Here Comes The Sun
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Arr
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Here Comes The Sun
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Zack Smith
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SheetMusicPlus
Brass Quintet - Level 4 - SKU: A0.1277930 By The Beatles. By George Harrison. Arranged by Arr. Zack Smith. 20th Century,Pop,Standards,Wedding. 15 pages....
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Brass Quintet - Level 4 - SKU: A0.1277930 By The Beatles. By George Harrison. Arranged by Arr. Zack Smith. 20th Century,Pop,Standards,Wedding. 15 pages. Zack Smith #869633. Published by Zack Smith (A0.1277930). This is a faithful adaptation of the Beatles classic for brass quintet. Â Not too rangy, though the first trumpet has a written high Bb towards the end. Â Perfect song choice for weddings, graduations and summer concerts.
$14.99
Bring Me Sunshine
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Chorale 3 parties
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DÉBUTANT
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Willie Nelson
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Guy Bunce
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Bring Me Sunshine
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Enigma Music
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.879836 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Guy Bunce. Film/TV,Jazz,Pop. Octavo. 7 pages....
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Choral Choir (SAB) - Level 1 - SKU: A0.879836 By Willie Nelson. By Arthur Kent and Sylvia Dee. Arranged by Guy Bunce. Film/TV,Jazz,Pop. Octavo. 7 pages. Enigma Music #486247. Published by Enigma Music (A0.879836). This SAB arrangement of Bring me Sunshine would be suitable for community and professional choirs alike. The arrangement shares the melody between all voices giving everyone an opportunity to shine and the close harmony towards the end helps add a new flavour. The piano part was specifically written for this arrangement bringing together bluesy and jazz hints. Score preview: https://youtu.be/Y3Rpl01oT6M.
$1.99
Music for Holy Week-Palm Sunday
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Flûte, Harpe et Violoncelle
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INTERMÉDIAIRE
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Eoin Buchanan
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Music for Holy Week-Palm Sunda
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7plc Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Harp - Level 3 - SKU: A0.1017096 Composed by Eoin Buchanan. Christian,Concert,Contemporary,Easter. Score and parts. 11 pages....
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Small Ensemble Cello,Flute,Harp - Level 3 - SKU: A0.1017096 Composed by Eoin Buchanan. Christian,Concert,Contemporary,Easter. Score and parts. 11 pages. 7plc Music #6273565. Published by 7plc Music (A0.1017096). Palm Sunday heralds the start of Holy Week. In this interpretation the harp heralds the joyful and excited crowd waiting for the Messiah; Hosannas ring out from the flute and cello. The music becomes confused as it leads towards to Palm Sunday hymns, the first announced in the bottom harp line. Gradually the music starts to point towards the events of Holy Week.
$6.75
Nobody Does It Better from THE SPY WHO LOVED ME
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Ensemble Jazz
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INTERMÉDIAIRE
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Carly Simon
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Brad Esbensen
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Nobody Does It Better from THE
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774346 By Carly Simon. By Marvin Hamlisch. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score an...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.774346 By Carly Simon. By Marvin Hamlisch. Arranged by Brad Esbensen. Contemporary,Film/TV,Pop. Score and Parts. 55 pages. Brad Esbensen Music Services #3626575. Published by Brad Esbensen Music Services (A0.774346). This arrangement for vocalist and big band is written in the key of F major, and follows the form as sung on the sound track of the James Bond film, The Spy Who Loved Me, by Carly Simon. All brass parts are written mostly in a comfortable range (D5 required towards the end of the chart) and fully notated rhythm section parts are provided. The sax section requires doubles (clarinet with baritone sax doubling bassoon) but optional parts for saxes only are also included. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Equinox
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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John Coltrane
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Keith Terrett
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Equinox
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultu...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #749258. Published by Keith Terrett (A0.1149129). An arrangement of John Coltrane's classic Equinox for Brass Quintet with optional drum kit. Equinox is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound[ played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute Coltrane’s wife Naima named the song Equinox. The equinox occur twice a year, when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year. The release of Equinox was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed Equinox several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of Equinox were lost in the 1978 warehouse fire before they were released.Unlike Naima and My Favorite Things, Equinox would not become part of Coltrane's repertoire. Coltrane's attitude in writing Equinox is described by Dr Lewis Porter as Coltrane was a serious blues player and his blues pieces reflect the desire to get back to a primal mood, and away from the emotionally lighter, harmonically more complicated and complex blues of the boppers. Equinox is introduced by McCoy Tyner and Elvin Jones with a Latin rhythmic passage which shifts into the slower tempo of the theme. The composition evokes a sense of mystery. Coltrane then enters on the horn (a tenor), his playing slow and pensive. The theme is repeated for two choruses and then stating the theme twice. He then proceeds with an improvisation of unusual emotional depth - reminiscent of a preacher exhorting his congregation. Elvin Jones make dramatic use of drum rolls and cymbal crashes throughout the song to maintain the sense of mystery. McCoy Tyner comps with a light feel.
$14.99
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99
The quiet way you move me sung by Sheralyn Rennert (mp3)
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David Warin Solomons
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The quiet way you move me sung
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David Warin Solomons
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SheetMusicPlus
Guitar,Soprano voice - SKU: A0.1059290 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Folk. Full Performance. Duration 254. David Wa...
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Guitar,Soprano voice - SKU: A0.1059290 Composed by David Warin Solomons. 20th Century,Christian,Christmas,Folk. Full Performance. Duration 254. David Warin Solomons #42025. Published by David Warin Solomons (A0.1059290). This lovely performance by Sheralyn Rennert is one of several settings I have composed on a poem by Nevil Frenkiel. It is a lullaby to the baby Jesus, looking at him in the present and looking towards the glories of his future.Score:https://www.sheetmusicplus.com/title/19986424?aff_id=175705
$2.00
The Wassail Song - Voice and Piano
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Piano, Voix
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FACILE
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Noël
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Musique Sacrée
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Traditional
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The Wassail Song - Voice and P
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Music-Scores.com
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.721175 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 7 pa...
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Piano,Vocal,Voice - Level 2 - SKU: A0.721175 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 7 pages. Music-Scores.com #3913505. Published by Music-Scores.com (A0.721175). Here We Come a Wassailing, or The Wassail Song. A Wassail is the content of a drinking vessel and this is a song of beer and good cheer. It could be sung towards the end of an evening of carolling around the village, perhaps accompanied by a mug of steaming mulled wine.For Voice and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
11. Inyoka the Snake
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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11. Inyoka the Snake
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #7...
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Piano Solo - Level 4 - SKU: A0.1138616 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 5 pages. Louise du Toit #738964. Published by Louise du Toit (A0.1138616). Inyoka the Snake is the eleventh in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Inyoka the snake lurks behind a heap of stones in the dry Kalahari Desert. It is a few moments before sunrise, and he is aware of a small ground squirrel running around in the distance. He starts to move forward slowly, but soon his beautiful, patterned body sways left and right with exquisite elasticity as it rapidly glides over the dunes through the patches of dry yellow grass towards his devastated victim. Frantically trying to escape, the squirrel disappears into a tiny hole in the sand and after a few efforts to reach his prey, Inyoka decides to let go of it, not willing to get stuck in a narrow tunnel for his breakfast. Enjoying the early sunrays on his body, he glides lazily towards a dry riverbed, soon drifting off into a deep sleep..
$4.99
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Towards The Sun
