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TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
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Non classifié
254
PIANO & CLAVIERS
Piano seul
150
Piano Facile
113
Piano, Voix
38
Piano, Voix et Guitare
33
Orgue
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1 Piano, 4 mains
6
Accordéon
5
Instruments en Do
5
Piano grosses notes
4
Piano Trio: piano, violon, violoncelle
3
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1
Clavier
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GUITARES
Guitare
33
Ligne De Mélodie, (Paroles) et Accords
13
Ukulele
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8
Banjo
2
2 Guitares (duo)
1
Mandoline
1
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1
Basse electrique
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VOIX
Chorale SATB
31
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3
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3
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2
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VENTS
2 Saxophones (duo)
54
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34
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28
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25
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21
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18
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17
Flûte traversière
17
3 Saxophones (trio)
16
Saxophone Alto et Piano
15
2 Clarinettes (duo)
14
2 Flûtes traversières (duo)
14
2 Hautbois (duo)
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette, Basson (duo)
12
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9
Clarinette
9
Trio de Flûtes: 3 flûtes
9
Saxophone Tenor et Piano
9
Quatuor de Flûtes : 4 flûtes
8
Hautbois, Basson (duo)
7
Hautbois, Violoncelle
7
Saxophone Alto
7
3 Clarinettes (trio)
7
Clarinette, Violoncelle (duo)
6
Saxophone Baryton, Piano
6
Quintette de Saxophone: 5 saxophones
6
Flûte, Hautbois, Clarinette (trio)
6
Saxophone Soprano et Piano
5
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5
Cor anglais, Piano
5
Hautbois
4
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4
Flûte à bec Tenor
4
Flûte à bec Soprano
4
Flûte, Hautbois, Clarinette, Basson
4
Flûte, Hautbois (duo)
3
Saxophone (partie séparée)
3
Flûte, Clarinette et Basson
3
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3
3 Flûtes à bec (trio)
3
Flûte à bec Alto
3
Ensemble de Clarinettes
3
Flûte, Clarinette, Piano (trio)
2
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2
Saxophone Tenor
2
Flûte à Bec
2
Saxophone Baryton
2
Hautbois, Clarinette (duo)
2
Saxophone Soprano
2
Quintette de Flûte : 5 flûtes
2
Hautbois (partie séparée)
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
1
Flûte à bec Alto, Piano
1
Flûte, Basson et Piano
1
Saxophone
1
Clarinette, trompette et piano
1
Flûte, Violon et Violoncelle
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Clarinette Basse
1
Hautbois, Harpe
1
Ocarina
1
Flûte, Violoncelle, Guitare
1
Clarinette, Harpe (duo)
1
Clarinette, Violon (duo)
1
2 Flûtes traversières, Piano
1
Saxophone, Violon (duo)
1
Ensemble de Hautbois
1
Flûte, Alto et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone et Harpe
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violoncelle, Piano (trio)
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
49
2 Cors (duo)
14
2 Trombones (duo)
14
2 Trompettes (duo)
13
Trompette, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Trombone et Piano
11
Cor et Piano
11
Trompette, Trombone (duo)
9
Trompette
9
Trompette, Cor (duo)
9
Tuba et Piano
9
Quatuor de cuivres: 4 trombones
7
Quatuor de cuivres: 4 trompettes
6
Trompette, Basson (duo)
6
Quatuor de cuivres: 4 cors
5
2 Tubas (duo)
5
Trompette, Violoncelle (duo)
5
Cor, Violoncelle (duo)
5
Cor anglais, Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Trombone
4
Cor
4
Cor et Basson (duo)
3
Ensemble de Trompettes
3
Tuba
3
Trombone, Cor (duo)
3
Ensemble de Cors
2
3 Tubas (trio)
2
3 Cors (trio)
2
4 Tubas
2
2 Euphoniums (duo)
2
Euphonium, Piano (duo)
1
Trompette, Tuba (duo)
1
Trombone, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Saxophone (duo)
1
Euphonium, Tuba (duo)
1
Tuba et Orgue
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Cor et Harpe
1
Trompette, violon (duo)
1
Trompette, Harpe
1
Cor, Tuba (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
47
Violon et Piano
40
Alto, Piano
33
Violon, Violoncelle (duo)
30
Violoncelle, Piano
30
Violon
23
2 Violoncelles (duo)
19
2 Violons (duo)
15
Violon, Alto (duo)
15
Alto, Violoncelle (duo)
12
Violoncelle (partie séparée)
11
Violoncelle
10
Harpe
8
Trio à Cordes: violon, alto, violoncelle
8
2 Altos (duo)
8
Alto seul
7
Alto et Basson
5
Contre Basse
5
Trio à Cordes: 3 violoncelles
4
Quatuor à cordes: 4 violons
4
Contrebasse, Piano (duo)
4
Violon, Basson (duo)
4
2 Harpes (duo)
4
Harpe, Flûte (duo)
3
4 Violoncelles
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
2
Harpe, Violoncelle (duo)
2
Violoncelle, Contrebasse (duo)
2
Trio à cordes: 3 altos
2
Quatuor à cordes : 4 altos
2
Trio à cordes: 3 violins
2
Alto et Harpe
1
Harpe, Violon (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Contrebasses (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
34
Ensemble de cuivres
12
Orchestre de chambre
9
Orchestre d'harmonie
6
Cloches
4
Orchestre
3
2 Xylophones
2
Ensemble de Percussions
2
Ensemble Jazz
2
Quatuor à Vent : 4 instruments à vents
1
Vibraphone
1
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AUTRES
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Johann Sebastian Bach: My Heart Ever Faithful instantly for piano solo
Piano seul
Instantly downloadable sheet music by Johann Sebastian Bach for piano solo of MEDIUM/HIGH …
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Instantly downloadable sheet music by Johann Sebastian Bach for piano solo of MEDIUM/HIGH skill level. Contents: pentacoste / classical,wedding,traditional,easter,holiday,christian,inspirational,hymn,sacred,festival,love
$4.99
4.62 €
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Piano seul
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Johann Sebastian Bach
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Virtualsheetmusic
Bach - The Well-Tempered Clavier - Fugue 2 for String Trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1012129 Composed b…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.1012129 Composed by Johann Sebastian Bach. Arranged by JÃ der Cruz. Baroque. Score and parts. 7 pages. Jader Cruz #4296819. Published by Jader Cruz (A0.1012129). The traditional Bach's music revisited and revised in a new style for string trio, exploring the timbres offered by traditional strings instruments: violin, viola and cello.
$2.99
2.77 €
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Trio à Cordes: violon, alto, violoncelle
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Johann Sebastian Bach
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JÃ der Cruz
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Bach - The Well-Tempered Clavier - Fugue 2 for String Trio
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Jader Cruz
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SheetMusicPlus
5 Famous Songs by Bach for Saxophone Quintet
Quintette de Saxophone: 5 saxophones
Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sa…
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Composed by Bach, Martin Luther. Arranged by Ander. Baroque, Easter, Renaissance, Sacred, Wedding. 51 pages. Woods Only Music #6748251. Published by Woods Only Music
This album contains 5 of Johann Sebastian Bach\'s most famous and versatile pieces for saxophone quintet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther\'s A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. You can also buy each one individually by checking right at the end of each description of each work.<br> <br> 1: Air on the G String - The original piece is part of Johann Sebastian Bach\'s Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called \"Air on the G String\" dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the \"Air on the G String\". This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. ID: S0.1189781<br> <br> 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach\'s favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. ID: S0.1189985<br> <br> 3: Jesu, joy of man\'s desiring - This is one of Bach\'s most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary\'s Visitation. It is the final chorale of the cantata \"Herz und Mund und Tat und Leben\". Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. ID: S0.1190041<br> <br> 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. ID: S0.1190181<br> <br> 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. ID: S0.1190377<br> <br> Bonuses: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism.
$29.99
27.77 €
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Quintette de Saxophone: 5 saxophones
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Bach, Martin Luther
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Ander
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5 Famous Songs by Bach for Saxophone Quintet
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Woods Only Music
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SheetMusicPlus
Heno Heno Hen Blant Bach for Solo Guitar
Guitare notes et tablatures
Guitar Tab - Advanced Intermediate - Digital Download Composed by Traditional (Wale…
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Guitar Tab - Advanced Intermediate - Digital Download Composed by Traditional (Wales). Arranged by Dan Jones (danjonesguitarist.com). World, Folk. Individual Part. 6 pages. Published by danjonesguitarist.com
Heno Heno Hen Blant Bach (Tonight, Tonight My Little Child) is a beautiful, traditional Welsh lullaby.<br> <br> A film of the arranger performing the work can be viewed here:<br> <br> https://www.youtube.com/watch?v=wYHqMz6d7v0<br> <br> This arrangement is perfect for concert repertoire. The arrangement is presented in a number of harmonisations and uses a range of guitar techniques including right-hand and left-hand harmonics.<br> <br> Heno Heno Hen Blant Bach is the final item on the solo guitar album Les Cerisiers available at all digital download sites and at www.danjonesguitarist.com
$2.99
2.77 €
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Guitare notes et tablatures
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Traditional (Wales)
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Heno Heno Hen Blant Bach for Solo Guitar
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danjonesguitarist.com
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SheetMusicPlus
Ave Maria (Bach-Gounod)
Chorale SSAA
Voice (SSAA) - Level 4 - Digital Download SKU: A0.1038296 Composed by Johann Sebast…
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Voice (SSAA) - Level 4 - Digital Download SKU: A0.1038296 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by CAROLE PRIETTO. A Cappella,Classical,Praise & Worship,Sacred. Barbershop Quartet. 12 pages. Carole Prietto #643233. Published by Carole Prietto (A0.1038296). The traditional Bach-Gound Ave Maria, in an arrangement for high voices. Unaccompanied.Arranger's website: https://caroleprietto.com.
$18.95
17.55 €
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Chorale SSAA
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Johann Sebastian Bach, Charles Gounod
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CAROLE PRIETTO
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Ave Maria
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Carole Prietto
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SheetMusicPlus
Ave Maria (Bach-Gounod)
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1035628 Composed by Johann…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1035628 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by CAROLE PRIETTO. A Cappella,Barbershop,Classical,Religious,Sacred. Octavo. 3 pages. Carole Prietto #640852. Published by Carole Prietto (A0.1035628). The traditional Bach-Gounod Ave Maria, in an arrangement for high voices. Unaccompanied.Arranger's website: https://caroleprietto.com.
$3.00
2.78 €
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Chorale SSAA
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Johann Sebastian Bach, Charles Gounod
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CAROLE PRIETTO
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Ave Maria
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Carole Prietto
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SheetMusicPlus
Ave Maria (Bach-Gounod)
Chorale TTBB
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1232187 Composed by Johann…
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1232187 Composed by Johann Sebastian Bach, Charles Gounod. Arranged by CAROLE PRIETTO. A Cappella,Barbershop,Classical,Religious,Sacred. Octavo. 3 pages. Carole Prietto #827871. Published by Carole Prietto (A0.1232187). The traditional Bach-Gounod setting of Ave Maria, arranged for low voices. Unaccompanied.
$3.00
2.78 €
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Chorale TTBB
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Johann Sebastian Bach, Charles Gounod
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CAROLE PRIETTO
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Ave Maria
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Carole Prietto
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SheetMusicPlus
Come Thou Fount of Every Blessing x Bach's Cello Suite No.1 Prelude (Violin/Cello/Piano)
Piano Trio: piano, violon, violoncelle
Piano Trio - Advanced - Digital Download Composed by Traditional American Melody x J.S.B…
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Piano Trio - Advanced - Digital Download Composed by Traditional American Melody x J.S.Bach. Arranged by Grace Kim. Baroque Period, Christian, Sacred, Praise and Worship, Recital. Score, Set of Parts. 10 pages. Published by Encore Music
Arrangement that combines a hymn "Come Thou Fount of Every Blessing" with Bach's Cello Suite No.1 "Prelude"
$19.99
18.51 €
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Piano Trio: piano, violon, violoncelle
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Traditional American Melody x J
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Grace Kim
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Come Thou Fount of Every Blessing x Bach's Cello Suite No.1 Prelude
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Encore Music
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SheetMusicPlus
Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
Saxophone Tenor et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, …
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. General Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his<br> <br> own melody over a rippling keyboard accompaniment which was a slightly adapted version of the<br> <br> Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier,<br> <br> published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de<br> <br> Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major<br> <br> into F major and it was scored for violin (or cello), organ and piano. In 1859, the French<br> <br> music publishing company Jacques-Léopold Heugel brought out a vocal version based on the<br> <br> familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the<br> <br> Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.36 €
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Saxophone Tenor et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Tenor Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Clarinet and Piano
Clarinette et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Piano Reduction, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favourite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.36 €
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Clarinette et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Clarinet and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Alto Saxophone and Piano
Saxophone Alto et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Wedding, Bar or Bat Mitzvah, Funeral. Score, Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn<br> <br> ceremonial events. It has always been a favorite among instrumental players and often used in<br> <br> recitals or concert encores. This arrangement by Colin Kirkpatrick has been transposed into B<br> <br> flat to feature the middle to upper range of the saxophone. In is ideal for the intermediate<br> <br> player who can manage a top “b” with confidence.<br> In 1853, the well-known French composer Charles Gounod added his own melody over a rippling<br> <br> keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major,<br> <br> BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of<br> <br> the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s<br> <br> original arrangement transposed Bach’s keyboard part from C major into F major and it was<br> <br> scored for violin (or cello), organ and piano. In 1859, the French music publishing company<br> <br> Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria<br> <br> (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m.<br> <br> 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist<br> <br> Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered<br> <br> a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or<br> <br> possibly an error in the manuscript) remains a matter of conjecture but the fact remains that<br> <br> the most familiar-sounding version of this piece, recorded countless times by both singers and<br> <br> instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This<br> <br> arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859<br> <br> edition.
$7.95
7.36 €
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Saxophone Alto et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Alto Saxophone and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe and Piano
Hautbois, Piano (duo)
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother'…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Easter, Mother's Day, Wedding, Bar or Bat Mitzvah, Funeral. Set of Parts. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.36 €
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Hautbois, Piano (duo)
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Oboe and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Bach-Gounod: Ave Maria for Flute and Piano
Flûte traversière et Piano
Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Wors…
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Composed by J. S. Bach - C. Gounod. Arranged by Colin Kirkpatrick. Praise & Worship, Easter, Mother's Day, Wedding, Bar or Bat Mitzvah. Solo Part. 6 pages. Published by Colin Kirkpatrick Publications
This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.<br> The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.<br> Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.
$7.95
7.36 €
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Flûte traversière et Piano
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J
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Colin Kirkpatrick
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Bach-Gounod: Ave Maria for Flute and Piano
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Colin Kirkpatrick Publications
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SheetMusicPlus
Selections from Notebook for Anna Magdalena Bach (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Classical Guitar, Fingerstyle Guitar - Early Intermediate - Digital Down…
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Guitar Tab, Classical Guitar, Fingerstyle Guitar - Early Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Repertoire, Recital. Individual Part, Score, Tablature. 31 pages. Published by Kenneth Pasciak
Selections from Notebook for Anna Magdalena Bach for Guitar features 10 pieces from Bach's famous notebook arranged for guitar. The Notebook itself provides a glimpse of German music of the 18th century and provides a glimpse into the traditions of Baroque style. The selected pieces engage the beginner/intermediate guitarist in the art of two-voice counterpoint and develop a foundation for effectively interpreting the music of J.S. Bach. Includes 17-page score with tablature, plus 10-page guitar part without tab.<br> <br> Contents<br> <br> Menuet, BWV Anh. 114<br> Menuet, BWV Anh. 115<br> Menuet, BWV Anh. 118<br> Polonaise, BWV Anh. 119<br> Menuet, BWV Anh. 120<br> Menuet, BWV Anh. 121<br> Marche, BWV Anh. 122<br> Menuet, BWV Anh. 132<br> Menuet fait par Mons. Böhm<br> Aria, So oft ich meine Tobackspfeife, BWV 515a
$4.99
4.62 €
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Guitare notes et tablatures
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Johann Sebastian Bach
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Kenneth Pasciak
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Selections from Notebook for Anna Magdalena Bach
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Kenneth Pasciak
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SheetMusicPlus
The Violin and Viola Duet Book - 21 Traditional and Classical Melodies for Violin and Viola
Violon, Alto (duo)
Composed by Anon., Neefe, Antonio Vivaldi (1678-1741), Jean-Philippe Rameau (1683- 17…
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Composed by Anon., Neefe, Antonio Vivaldi (1678-1741), Jean-Philippe Rameau (1683- 1764), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Franz Schubert (1797-1828), Georges Bizet (1838-1875), Peter Ilyich Tchaikovsky (1840- 1893), George Frideric Handel (1685-1759), and Traditional. Arranged by Elin Korneliussen. Baroque, Classical, Concert, Romantic Period, Wedding. Score and parts. 28 pages. Elin Korneliussen #5770687. Published by Elin Korneliussen
A whole book of duets for violin and viola, ready to download and enjoy!<br> <br> 21 beautiful melodies, arranged especially to sound good on the violin and viola, without being too difficult. These duets are great to play at students\' recitals, wedding gigs, graduation, or just for fun!<br> <br> Level: from very easy to intermediate.<br> <br> <br> Contents:<br> Anon.: Polonaise from the music book of Anna Magdalena Bach<br> <br> L. v. Beethoven: An die Freude from Symphony no. 9<br> <br> L. v. Beethoven: Sonatina<br> <br> G. F. Händel: Lascia ch’io pianga from Rinaldo<br> <br> G. F. Händel: Sarabande<br> <br> W. A. Mozart: Komm, lieber Mai<br> <br> W. A. Mozart: Horn duet<br> <br> W. A. Mozart: Papageno’s Aria from The Magic Flute<br> <br> G. Bizet: Habanera from Carmen<br> <br> C. G. Neefe: Allegretto<br> <br> J. P. Rameau: Menuet<br> <br> F. Schubert: Willkommen, lieber schöner Mai (canon)<br> <br> Trad.: May Song (Alle Vögel sind schon da)<br> <br> Trad.: Wedding March from Lødingen, Norway<br> <br> Trad.: Wedding March from Seljord, Norway<br> <br> Trad.: Wedding March from Øre, Norway<br> <br> Trad.: Dudlebska, Czech polka<br> <br> Trad: The Beautiful Waltz from Helgeland, Norway<br> <br> P. I. Tchaikovsky: Waltz from Sleeping Beauty<br> <br> A. Vivaldi: Theme from Autumn<br> <br> A. Vivaldi: Theme from Spring
$6.99
6.47 €
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Violon, Alto (duo)
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Anon
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Elin Korneliussen
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The Violin and Viola Duet Book - 21 Traditional and Classical Melodies for Violin and Viola
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Elin Korneliussen
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SheetMusicPlus
Praise God From Whom All Blessings Flow / Bach 2-part Invention #13 (Solo Piano)
Small Ensemble Flute,Harp,Piano,Violin - Level 3 - Digital Download SKU: A0.774290 …
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Small Ensemble Flute,Harp,Piano,Violin - Level 3 - Digital Download SKU: A0.774290 Composed by Public Domain. Arranged by Peggy Duquesnel. 20th Century,Holiday,New Age,Sacred,Spiritual. Score and parts. 5 pages. Duquesnel Music Publishing #6630965. Published by Duquesnel Music Publishing (A0.774290). Peggy's unique arrangement of this classic hymn combines with J.S. Bach's 2-part Invention # 13 in Am is fresh and inspiring and a new approach to this traditional piece. The solo piano arrangement is suitable for intermediate level pianists and great for church services, memorials concerts and recitals. I've enjoyed playing the music of J.S. Bach since my early years. One day I was studying Bach's Invention #13 and was inspired to combine it with the popular hymn, Praise God From Who All Blessings Flow, also know as the Doxology. Enjoy! https://orcd.co/praisegod_bachinventionhttps://www.pianoorchestrations.com/MusicCDs/PraiseGod/https://joyspringmusic.com/product/praise-god/Nature Video: https://youtu.be/p-CJYxVcvkQDuquesnel Music Publishing Page on Sheet Music Plus: https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/2288 Piano Orchestrations Website Sheet Music: https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp Peggy Duquesnel Music & Social Media Links: https://www.pianoorchestrations.com/MusicCDs/sheetmusic.asp https://www.sheetmusicplus.com/publishers/duquesnel-music-publishing/228 https://joyspringmusic.com/ https://open.spotify.com/artist/3jMbAF5hPhRw3o6H8mD3ee https://itunes.apple.com/us/artist/peggy-duquesnel/id4259082 https://www.youtube.com/user/peggyduquesnel https://www.amazon.com/s?k=peggy+duquesnel+cds&ref=nb_sb_noss https://soundcloud.com/peggy-duquesnel https://twitter.com/peggyduquesnel http://www.reverbnation.com/peggyduquesnel https://www.facebook.com/PeggyDuquesnel https://www.linkedin.com/in/peggy-duquesnel-malbon-834aa19/ https://www.instagram.com/peggymusic1/
$4.99
4.62 €
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Public Domain
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Peggy Duquesnel
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Praise God From Whom All Blessings Flow / Bach 2-part Invention #13
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Duquesnel Music Publishing
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SheetMusicPlus
Happy Birthday / Bach's Cello Suite No. 1 Prelude
Guitare notes et tablatures
Guitar - Level 3 - Digital Download SKU: A0.1393268 By The Candlelight Guitarist. B…
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Guitar - Level 3 - Digital Download SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instructional,Traditional. Guitar Tab. 4 pages. Geofonica Artistworks #976750. Published by Geofonica Artistworks (A0.1393268). This is a mash-up of the traditional Happy Birthday melody superimposed over J.S. Bach's Cello Suite No. 1 Prelude, arranged for solo classical guitar. This arrangement involved careful editing of essential elements of the Cello Suite Prelude (not the entire piece), tuning the guitar's 5th and 6th strings down a whole step, and adjusting harmonies of the Cello Suite to match Happy Birthday, still retaining Bach's compositional style.  It's an intermediate level classical fingerstyle, similar in difficulty to the Sor Etudes. You can see & hear the full arrangement performed in the YouTube link provided. LYRICS are included in both English and German.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99
3.69 €
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Guitare notes et tablatures
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The Candlelight Guitarist
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Brad Powell
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Happy Birthday / Bach's Cello Suite No. 1 Prelude
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Geofonica Artistworks
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SheetMusicPlus
5 Famous Songs by Bach for Recorder Quartet
Quatuor de Flûtes à bec
Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download
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Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 2 - Digital Download SKU: A0.1137832 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. Recorder Ensemble. 44 pages. Woods Only, Arrangements #738086. Published by Woods Only, Arrangements (A0.1137832). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for recorder quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.62 €
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Quatuor de Flûtes à bec
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Recorder Quartet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Woodwind Quartet
Flûte, Hautbois, Clarinette, Basson
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.62 €
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Flûte, Hautbois, Clarinette, Basson
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
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Ander
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5 Famous Songs by Bach for Woodwind Quartet
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Woods Only, Arrangements
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SheetMusicPlus
5 Famous Songs by Bach for Clarinet Quartet
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.113784…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - Digital Download SKU: A0.1137849 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738108. Published by Woods Only, Arrangements (A0.1137849). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.62 €
#
Quatuor de Clarinettes: 4 clarinettes
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Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Clarinet Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Bassoon Quartet
4 Bassons
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855…
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 1 - Digital Download SKU: A0.1137855 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738116. Published by Woods Only, Arrangements (A0.1137855). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99
29.62 €
#
4 Bassons
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Bassoon Quartet
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Bassoon Trio
3 Bassons
Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514
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Woodwind Ensemble,Woodwind Trio Bassoon - Level 2 - Digital Download SKU: A0.1138514 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738854. Published by Woods Only, Arrangements (A0.1138514). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for bassoon trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.21 €
#
3 Bassons
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Bassoon Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Flute Trio
Trio de Flûtes: 3 flûtes
Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1138510 …
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Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.1138510 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Early Music,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738850. Published by Woods Only, Arrangements (A0.1138510). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for flute trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.21 €
#
Trio de Flûtes: 3 flûtes
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Flute Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Clarinet Trio
3 Clarinettes (trio)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1138513
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - Digital Download SKU: A0.1138513 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738853. Published by Woods Only, Arrangements (A0.1138513). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for clarinet trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.21 €
#
3 Clarinettes (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Clarinet Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
5 Famous Songs by Bach for Alto Sax Trio
3 Saxophones (trio)
Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.11…
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Saxophone Trio,Woodwind Ensemble Alto Saxophone - Level 2 - Digital Download SKU: A0.1138515 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738855. Published by Woods Only, Arrangements (A0.1138515). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for alto saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$23.99
22.21 €
#
3 Saxophones (trio)
#
Christian Petzold, Johann Sebastian Bach, and Martin Luther
#
Ander
#
5 Famous Songs by Bach for Alto Sax Trio
#
Woods Only, Arrangements
#
SheetMusicPlus
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