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Transformations for Bb Trumpet and Percussion
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--INSTRUMENTS--
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ALTO
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Transformations for Bb Trumpet and Percussion
Partitions à imprimer
19 partitions trouvées
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1
Transformations for Bb Trumpet and Percussion
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Contemporain
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Sy Brandon
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Transformations for Bb Trumpet
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Sy Brandon
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SheetMusicPlus
Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and par...
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Instrumental Duet,Mixed Percussion Instrumental Duet,Trumpet - Level 5 - SKU: A0.755234 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 5 pages. Sy Brandon #3534951. Published by Sy Brandon (A0.755234). Transformations is a five-movement composition for trumpet and percussion. The title is derived from the way the organic material of the first movement is altered during the ensuing movements. Movement two mainly explores the sixteenth note material that is presented during the first movement and is at a faster tempo. The slow third movement is at a slow tempo and is very coloristic. The muted trumpet presents material reminiscent of the opening motivic cell, but it is highly decorated through the use of half-step trills. A sextuplet section has a similar contour to the second germ cell used in the first movement. The lyrical ending to this movement also has its roots in the first movement. The fourth movement is very fast with shifting odd meters and represents the climax of the composition. Hints of motivic cells from the first movement can be heard throughout. The last movement serves as an epilogue by being more closely related to the material of the first movement but it has a characteristic of reflection rather than an exposition. The percussion part serves many roles by imitating the trumpet, adding color and punctuation, and serving as an equal voice in the presentation and development of material. Both musicians perform from the score.
$9.99
New Divide (from "Transformers: Revenge Of The Fallen") (22-Piece Digital Pack)
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Fanfare
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FACILE
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Film/TV
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Linkin Park
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Tim Waters
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New Divide
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Hal Leonard - Digital
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SheetMusicPlus
Level 2-3 - SKU: HX.133788 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Tim Wa...
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Level 2-3 - SKU: HX.133788 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Tim Waters. Film/TV,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.133788).
Digital Pack includes
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New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Full Score
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Flute/Piccolo
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Bb Clarinet
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Eb Alto Sax
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Bb Tenor Sax
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Eb Baritone Sax
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - 1st Bb Trumpet
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - 2nd Bb Trumpet
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - 3rd Bb Trumpet
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - F Horn
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Bb Horn/Flugelhorn
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Trombone
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Baritone B.C. (Opt. Tbn. 2)
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Baritone T.C.
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Tuba
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Electric Bass
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Bells/Xylophone
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Snare Drum
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Cymbals
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Quad Toms
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Multiple Bass Drums
New Divide (from andquot;Transformers: Revenge Of The Fallenandquot;) - Aux Percussion
$55.00
Andaluza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Manuel de Falla
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Robert Myers
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Baritone T.C. 1, 2
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Andaluza
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WheatMyer Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. Whea...
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Concert Band - Level 3 - SKU: A0.976737 Composed by Manuel de Falla. Arranged by Robert Myers. 20th Century,Folk,World. Score and parts. 113 pages. WheatMyer Music #6621545. Published by WheatMyer Music (A0.976737). Andaluza, taken from Manuel de Falla’s piano suite Cuatro Piezas Españolas, is aimed at the mainstream high school band in the United States at the grade 4 level. Boisterous tuttis, intimate solos, and passionate melodies make for an engaging excursion into Spanish folk music that allows students to explore the adventurous harmonies of de Falla's impressionistic vocabulary. The variety of colors and energy in the modern concert band amplify the life, drama, and humanity de Falla poured into his piano version. Andaluza will thus prove a thrill for both performers and audience as it celebrates this life, drama, and humanity.Soprano Sax is called for on an expressive solo but is fully cued in oboe. The absence of this instrument need not prevent an integral performance of the music.Optional parts are provided for Eb Clarinet, Treble Clef Baritone, and Double Bass for those bands having these available.View a full preview score of Andaluza at my website (wheatmyermusic.com/product/andaluza) or drop an email and I'll provide a pdf of the score for your perusal.Andaluza is the fourth member of Manuel de Falla’s Cuatro Piezas Españolas for solo piano first published in 1909. My imagination runs wild contemplating what may be pictured in de Falla’s music. It certainly seems to be a civic gathering: perhaps a wedding, a baptism, a dedication, or a feast taking place in the civic square of perhaps on a hacienda. There are scenes that may be dancing, speeches, passionate sonnets, arguments, celebrations, all ending in a lingering mysterious question with a tinge of hopefulness. Whatever Falla may have have had in mind it is full of life, drama, and humanity.I first became aware of de Falla’s work, particularly Andaluza, in the summer of 2021 during an online orchestration seminar. Each of Cuatro Piezas’s movements expresses Spanish folk music idioms through an impressionistic lens reflecting Debussy’s influence on de Falla. Andaluza immediately struck me as music that would shine in the realm of the concert band. It was a joy to explore de Falla’s music, transforming the implications of the piano stylings into the nuances and colors available to the modern wind ensemble. It was just as much if not more challenging to develop this arrangement than creating my own original music typically proves to be. But it was so rewarding to have done so and I hope you find the rewards of listening just as much worth your effort.Robert MyersS.D.G.INSTRUMENTATION:PiccoloFlute 1, 2OboeBassoon 1,2Bb Clarinet 1, 2Bb Bass ClarinetBb Soprano SaxophoneEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Trumpet 1, 2, 3Horn in F 1, 2, 3, 4Trombone 1, 2Bass TromboneEuphonium TubaTimpani (4) Mallets: Xylophone, Glockenspiel, Vibraphone, MarimbaPercussion 1: Almglocken/Cowbell, Suspended Cymbal, Marimba, Snare Drum, Glockenspiel, Triangle, XylophonePercussion 2: Hand Cymbals, Suspended Cymbals, Snare Drum, Bongos, Mark TreePercussion 3: Tambourine, Castanets, Hand Cymbals, Rainstick, Gong, Tam, TamPercussion 4: Bass Drum, Suspended Cymbal, Gong, Tam Tam, WoodblocksOptional Parts: Eb Clarinet; Baritone T.C. 1, 2; Double Bass
$75.00
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, full set of parts on
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #303...
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Small Ensemble - Level 5 - SKU: A0.533673 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 134 pages. Musik Fabrik Music Publishing #3037307. Published by Musik Fabrik Music Publishing (A0.533673). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the complete set of parts. The full score and the individual parts are avaialbe as seperate items.
$64.95
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Transformers Soundtrack Highlights (25-Piece Digital Pack)
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Orchestre d'harmonie
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FACILE
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Film/TV
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Steve Jablonsky
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Michael Brown
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Transformers Soundtrack Highli
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Hal Leonard - Digital
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SheetMusicPlus
Concert band - Level 2 - SKU: HX.144894 Composed by Steve Jablonsky. Arranged by Michael Brown. Film/TV. 1 pages. Duration 265. Hal Leonard - Digital #0...
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Concert band - Level 2 - SKU: HX.144894 Composed by Steve Jablonsky. Arranged by Michael Brown. Film/TV. 1 pages. Duration 265. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144894).
Digital Pack includes
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Transformers Soundtrack Highlights - Full Score
Transformers Soundtrack Highlights - Flute
Transformers Soundtrack Highlights - Oboe
Transformers Soundtrack Highlights - Bassoon
Transformers Soundtrack Highlights - Bb Clarinet 1
Transformers Soundtrack Highlights - Bb Clarinet 2
Transformers Soundtrack Highlights - Bb Clarinet 3
Transformers Soundtrack Highlights - Eb Alto Clarinet
Transformers Soundtrack Highlights - Bb Bass Clarinet
Transformers Soundtrack Highlights - Eb Alto Saxophone 1
Transformers Soundtrack Highlights - Eb Alto Saxophone 2
Transformers Soundtrack Highlights - Bb Tenor Saxophone
Transformers Soundtrack Highlights - Eb Baritone Saxophone
Transformers Soundtrack Highlights - Bb Trumpet 1
Transformers Soundtrack Highlights - Bb Trumpet 2
Transformers Soundtrack Highlights - F Horn
Transformers Soundtrack Highlights - Trombone
Transformers Soundtrack Highlights - Baritone B.C.
Transformers Soundtrack Highlights - Baritone T.C.
Transformers Soundtrack Highlights - Tuba
Transformers Soundtrack Highlights - Convertible Bass Line
Transformers Soundtrack Highlights - Percussion 1
Transformers Soundtrack Highlights - Percussion 2
Transformers Soundtrack Highlights - Mallet Percussion
Transformers Soundtrack Highlights - Timpani
$60.00
Transformers: Revenge Of The Fallen (23-Piece Digital Pack)
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Fanfare
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INTERMÉDIAIRE
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Film/TV
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Steve Jablonsky
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Michael Brown
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Transformers: Revenge Of The F
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Hal Leonard - Digital
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SheetMusicPlus
Marching band - Level 3-4 - SKU: HX.133625 Composed by Steve Jablonsky. Arranged by Michael Brown. Film/TV. Individual instrument part. 1 pages. Hal Leo...
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Marching band - Level 3-4 - SKU: HX.133625 Composed by Steve Jablonsky. Arranged by Michael Brown. Film/TV. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.133625).
Digital Pack includes
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Transformers: Revenge Of The Fallen - Full Score
Transformers: Revenge Of The Fallen - Flute/Piccolo
Transformers: Revenge Of The Fallen - Bb Clarinet
Transformers: Revenge Of The Fallen - Eb Alto Sax
Transformers: Revenge Of The Fallen - Bb Tenor Sax
Transformers: Revenge Of The Fallen - Eb Baritone Sax
Transformers: Revenge Of The Fallen - 1st Bb Trumpet
Transformers: Revenge Of The Fallen - 2nd Bb Trumpet
Transformers: Revenge Of The Fallen - 3rd Bb Trumpet
Transformers: Revenge Of The Fallen - F Horn
Transformers: Revenge Of The Fallen - Bb Horn/Flugelhorn
Transformers: Revenge Of The Fallen - 1st Trombone
Transformers: Revenge Of The Fallen - 2nd Trombone
Transformers: Revenge Of The Fallen - Baritone B.C.
Transformers: Revenge Of The Fallen - Baritone T.C.
Transformers: Revenge Of The Fallen - Tuba
Transformers: Revenge Of The Fallen - Electric Bass
Transformers: Revenge Of The Fallen - Bells/Xylophone
Transformers: Revenge Of The Fallen - Snare Drum
Transformers: Revenge Of The Fallen - Cymbals
Transformers: Revenge Of The Fallen - Quad Toms
Transformers: Revenge Of The Fallen - Multiple Bass Drums
Transformers: Revenge Of The Fallen - Aux Percussion
$60.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
Erzherzog Albrecht Marsch - for symphonic orchestra (A3-A4 version)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Karl Komzak
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Jozsef Remenyi
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Erzherzog Albrecht Marsch - fo
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Jozsef Remenyi
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1516769 Composed by Karl Komzak. Arranged by Jozsef Remenyi. Classical,March. 48 pages. Jozsef Remenyi #1090947. Publ...
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Full Orchestra - Level 4 - SKU: A0.1516769 Composed by Karl Komzak. Arranged by Jozsef Remenyi. Classical,March. 48 pages. Jozsef Remenyi #1090947. Published by Jozsef Remenyi (A0.1516769). Experience the grandeur of the Erzherzog Albrecht Marsch in a newly crafted orchestral arrangement, transforming this beloved wind band march into a rich, full-bodied symphonic piece. Perfect for concert performances, this arrangement maintains the original's spirited character while showcasing the dynamic possibilities of a full orchestra.Instruments: 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 horns (in F), 2 trumpets (in Bb - alt. parts for C), 3 trombones, percussions (snare drum, triangle, bass drum, cymbals - alt. parts for drum set), stringsThis is an A3-A4 version. Check my library for the Letter version.(The audio was made with Sibelius and Noteperformer.).
$59.99
Erzherzog Albrecht Marsch - for symphonic orchestra (Letter version)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Karl Komzak
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Jozsef Remenyi
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Erzherzog Albrecht Marsch - fo
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Jozsef Remenyi
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1516775 Composed by Karl Komzak. Arranged by Jozsef Remenyi. Classical,March. 48 pages. Jozsef Remenyi #1090952. Publ...
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Full Orchestra - Level 4 - SKU: A0.1516775 Composed by Karl Komzak. Arranged by Jozsef Remenyi. Classical,March. 48 pages. Jozsef Remenyi #1090952. Published by Jozsef Remenyi (A0.1516775). Experience the grandeur of the Erzherzog Albrecht Marsch in a newly crafted orchestral arrangement, transforming this beloved wind band march into a rich, full-bodied symphonic piece. Perfect for concert performances, this arrangement maintains the original's spirited character while showcasing the dynamic possibilities of a full orchestra.Instruments: 2 flutes, 2 oboes, 2 clarinets (in Bb), 2 bassoons, 4 horns (in F), 2 trumpets (in Bb - alt. parts for C), 3 trombones, percussions (snare drum, triangle, bass drum, cymbals - alt. parts for drum set), stringsThis is a Letter version. Check my library for the A3-A4 version.(The audio was made with Sibelius and Noteperformer.).
$59.99
Theme From Transformers (18-Piece Digital Pack)
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Orchestre d'harmonie
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DÉBUTANT
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Film/TV
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Steve Jablonsky
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Michael Sweeney
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Theme From Transformers
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Hal Leonard - Digital
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SheetMusicPlus
Level 1.5 - SKU: HX.144919 Composed by Steve Jablonsky. Arranged by Michael Sweeney. Film/TV. 1 pages. Duration 110. Hal Leonard - Digital #0. Published...
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Level 1.5 - SKU: HX.144919 Composed by Steve Jablonsky. Arranged by Michael Sweeney. Film/TV. 1 pages. Duration 110. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.144919).
Digital Pack includes
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Theme From Transformers - Full Score
Theme From Transformers - Flute
Theme From Transformers - Oboe
Theme From Transformers - Bb Clarinet 1
Theme From Transformers - Bb Clarinet 2
Theme From Transformers - Bb Bass Clarinet
Theme From Transformers - Eb Alto Saxophone
Theme From Transformers - Bb Tenor Saxophone
Theme From Transformers - Eb Baritone Saxophone
Theme From Transformers - Bb Trumpet 1
Theme From Transformers - Bb Trumpet 2
Theme From Transformers - F Horn
Theme From Transformers - Trombone/Baritone B.C./Bassoon
Theme From Transformers - Baritone T.C.
Theme From Transformers - Tuba
Theme From Transformers - Percussion 1
Theme From Transformers - Percussion 2
Theme From Transformers - Bells
$55.00
I Was Born To Love You
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Queen
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Freddie Mercury
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Lorenzo Bocci
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I Was Born To Love You
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1474019 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 117 pages. Lorenzo Bocci #1051683. Published...
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Concert Band - Level 3 - SKU: A0.1474019 By Queen. By Freddie Mercury. Arranged by Lorenzo Bocci. Pop,Rock. 117 pages. Lorenzo Bocci #1051683. Published by Lorenzo Bocci (A0.1474019). I WAS BORN TO LOVE YOU performed by Queenfor Concert Band - Grade 3 - - More Queen MusicComposed by Freddie Mercury. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'29''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Sus. Cymb., Tambourine, Castanets), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.I Was Born to Love You is a 1985 song by Freddie Mercury that was released as a single from his first solo album, Mr. Bad Guy. After Mercury's death, Queen re-worked this song for their album Made in Heaven in 1995, by having the other members play their instrumental parts over the original track, transforming the song from disco to rock. The Queen version from the Made in Heaven album also includes snippets of Mercury's ad-lib vocals taken from A Kind of Magic and from Living on My Own.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Blinding Lights
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Jazz combo
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INTERMÉDIAIRE
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The Weeknd
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Julián Guacaneme
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Blinding Lights
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Julian Guacaneme
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1288288 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by JuliÃ...
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Jazz Combo - Level 3 - SKU: A0.1288288 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Julián Guacaneme. Jazz,Latin,Multicultural,Pop,World. 31 pages. Julian Guacaneme #879332. Published by Julian Guacaneme (A0.1288288). Experience the electrifying fusion of The Weeknd's 'Blinding Lights,' reimagined with the vibrant rhythms of Salsa, as passionately performed by Nando F.V. This unique adaptation showcases the essence of the original track, transformed into a captivating Salsa sensation.The arrangement features a Bb Trumpet, Alto Sax and Tenor Sax, Trombone, Piano, Bass, and a percussion chart.This Salsa rendition of 'Blinding Lights' is a rhythmic journey that will invigorate your senses and infuse your dancefloor with undeniable energy. Whether you're a Salsa enthusiast, a musician seeking new material, or simply looking for an exciting musical experience, this arrangement promises to deliver an unforgettable performance.Don't miss the opportunity to add this Salsa masterpiece to your repertoire or collection. Immerse yourself in the passionate world of Salsa and 'Blinding Lights' like you've never heard it before!
$30.00
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Transformations for Bb Trumpet and Percussion