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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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Transient
Partitions à imprimer
26 partitions trouvées
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Transient Illusion - Solo Bassoon
Basson
Bassoon Solo - Level 5 - Digital Download SKU: A0.740668 Composed by Ellen Macphers…
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Bassoon Solo - Level 5 - Digital Download SKU: A0.740668 Composed by Ellen Macpherson. Concert,Contemporary,Instructional. Individual part. 2 pages. Ellen Macpherson #5722559. Published by Ellen Macpherson (A0.740668). Transient Illusion - Solo Bassoon by Ellen Macpherson .
$6.99
6.4 €
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Basson
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Ellen Macpherson
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Transient Illusion - Solo Bassoon
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Ellen Macpherson
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SheetMusicPlus
Transient Gestures [A4] (for solo flute, A4 print format)
Flûte traversière
Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1365692 Composed by W…
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Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1365692 Composed by Wolfgang von Stuermer. 20th Century,21st Century,Chamber,Classical,Contemporary. Individual part. 5 pages. WOLFGANG VON STUERMER #950034. Published by WOLFGANG VON STUERMER (A0.1365692). This composition is a short Impromptu for solo concert flute. It was inspired by listening to the outdoor rehearsing of a flutist who jumped around while playing various fragments of music.Print format is A4. The score is in concert pitch.See the YouTube video link for score preview.Audio on Bandcamp: https://wolfgangvonstuermer.bandcamp.com/track/transient-gesturesInstagram: (@nyc.wvs) https://www.instagram.com/nyc.wvs/Composer website: https://wvs.nyc© Wolfgang von Stuermer (GEMA) 2015 (rev. 2023)
$5.50
5.04 €
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Flûte traversière
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Wolfgang von Stuermer
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Transient Gestures [A4]
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WOLFGANG VON STUERMER
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SheetMusicPlus
Transient Gestures (for solo flute)
Flûte traversière
Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1365569 Composed by W…
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Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1365569 Composed by Wolfgang von Stuermer. 20th Century,21st Century,Chamber,Classical,Contemporary. Individual part. 5 pages. WOLFGANG VON STUERMER #949900. Published by WOLFGANG VON STUERMER (A0.1365569). This composition is a short Impromptu for solo concert flute. It was inspired by listening to the outdoor rehearsing of a flutist who jumped around while playing various fragments of music.The score is in concert pitch. Print format is US Letter (8.5 x 11). See the YouTube video link for score preview.Audio on Bandcamp: https://wolfgangvonstuermer.bandcamp.com/track/transient-gesturesInstagram: (@nyc.wvs) https://www.instagram.com/nyc.wvs/Composer website: https://wvs.nyc© Wolfgang von Stuermer (GEMA) 2015 (rev. 2023)
$5.50
5.04 €
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Flûte traversière
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Wolfgang von Stuermer
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Transient Gestures
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WOLFGANG VON STUERMER
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SheetMusicPlus
Transient
Ensemble de Percussions
Percussion Ensemble - Level 4 - Digital Download SKU: A0.1024654 Composed by Ryan K…
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Percussion Ensemble - Level 4 - Digital Download SKU: A0.1024654 Composed by Ryan Kemmer. New Age,Pop,Rock. Score and parts. 42 pages. Ryan Kemmer #3399399. Published by Ryan Kemmer (A0.1024654). For steel drum ensemble.
$40.00
36.65 €
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Ensemble de Percussions
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Ryan Kemmer
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Transient
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Ryan Kemmer
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SheetMusicPlus
I'm Forever Blowing Bubbles
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1452471 By George Gershwin. By John…
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Piano Solo - Level 4 - Digital Download SKU: A0.1452471 By George Gershwin. By John W. Collette. Arranged by Timothy Stapay/George Gershwin. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 5 pages. Timothy Stapay #1031803. Published by Timothy Stapay (A0.1452471). Here is George Gershwin's version of I'm Forever Blowing Bubbles, which I arranged based on a Gershwin piano roll from the early 20th century. It was held in a private collection for decades. Here for the first time is my sheet music arrangement for this classic from long ago. Before he was famous, George was what was known as a song plugger. He would play newly composed songs to help generate record sales. In the early 20th century, many homes had player pianos. George's performance was preserved on such a roll and is only now available to the general public.Composed in 1918 by John W. Collette. The phrase “blowing bubbles” symbolizes the act of chasing dreams, hopes, and aspirations. Just like soap bubbles that float away and disappear, dreams can be elusive, fleeting, and transient. Famously covered by Doris Day.Lyrics:[Verse 1]I'm dreaming dreamsI'm scheming schemesI'm building castles highThey're born anewTheir days are fewJust like a sweet butterflyAnd as the daylight is dawningThey come again in the morning[Chorus]I'm forever blowing bubblesPretty bubbles in the airThey fly so highNearly reach the skyThen like my dreams.
$6.99
6.4 €
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Piano seul
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George Gershwin
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I'm Forever Blowing Bubbles
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Timothy Stapay
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SheetMusicPlus
Last Breath
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1391475 By Cristian Vivaldi. By Cri…
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Piano Solo - Level 3 - Digital Download SKU: A0.1391475 By Cristian Vivaldi. By Cristian Vivaldi. Arranged by Cristian Vivaldi. Classical,Contemporary,Film/TV,New Age. Score. 1 pages. Cristian Vivaldi #975019. Published by Cristian Vivaldi (A0.1391475). Last Breath is a sensitive piano composition that delves into the depths of human emotion with its melancholic melody. With each note, it paints a vivid portrait of life's journey, from the poignant moments of joy to the somber inevitability of its conclusion. The slow-paced rhythm and emotive nuances evoke a sense of introspection, inviting listeners to contemplate the transient nature of existence. As the melody unfolds, it gently guides the listener towards a peaceful acceptance of life's cycle, culminating in a poignant depiction of a final, tranquil breath. Last Breath offers a heartfelt soundtrack for reflection on the profound mysteries of life and mortality.
$1.99
1.82 €
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Piano seul
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Cristian Vivaldi
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Cristian Vivaldi
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Last Breath
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Cristian Vivaldi
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SheetMusicPlus
Timeless Love
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1368441 By Jose Valladares. By Jose…
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Piano Solo - Level 3 - Digital Download SKU: A0.1368441 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 5 pages. Circlesquare Music #952787. Published by Circlesquare Music (A0.1368441). Introducing Timeless Love, a captivating and elegant piano composition that resonates with the enduring and unchanging nature of true love. This exquisite piece, from the evocative album A Celebration of Love, and Life by the renowned artist and composer Jose Valladares, is a musical tribute to love that knows no bounds and transcends the very essence of time.With an uplifting tempo of 85, Timeless Love gracefully flows like an ageless river, meandering through the landscapes of the heart with elegance and poise. The composition is a harmonious journey through moments of joy, serenity, and the profound depth of a bond that remains steadfast through life's ebb and flow. Each note is a testament to the steadfastness of love, each chord a reflection of its unwavering strength, painting a musical portrait of a bond that endures beyond the transient tick of the clock.Timeless Love is not merely a piece of music; it's an ode to the everlasting nature of true affection and companionship. It invites listeners to bask in the beauty of a love that remains constant through seasons of change, to celebrate the unity that weathers all storms, and to cherish the timeless journey shared with a soulmate. This composition is perfect for those who seek to celebrate the depth and permanence of their love through the timeless language of music, for pianists who wish to convey the enduring narrative of a lasting bond, and for anyone who honors the timeless nature of true love.Let Timeless Love sweep you away in its melodious embrace, guiding you through a celebration of love's eternal nature. Allow this piece to be a testament to the lasting beauty of your own love story, resonating with the timeless melody of a bond that knows no end. This composition is a tribute to love's ageless beauty, a serene meditation on the unbreakable ties that bind two hearts, and a celebration of the love that stands as a testament to time itself.
$8.99
8.24 €
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Piano seul
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Jose Valladares
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Jose Valladares
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Timeless Love
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Circlesquare Music
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SheetMusicPlus
Message Exchange for bass clarinet & marimba
Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: …
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Instrumental Duet Clarinet,Instrumental Duet,Marimba - Level 4 - Digital Download SKU: A0.916296 Composed by Rain Worthington. Concert,Contemporary,Standards. Score and parts. 12 pages. SR Worthington #6408747. Published by SR Worthington (A0.916296). A duet for solo wind (or brass) and marimba in two continuous movements.I. That’s What I HeardII. Are You Sure?(Video features the US premiere performed by Transient Canvas at 2021 SCI Online Convention, Concert No. 6, Amy Advocat, bass clarinet and Matt Sharrock, marimba) (audio is a midi realization of the version for Alto Flute and Marimba) https://soundcloud.com/rain-worthington/message-exchange-alto-flute-marimba-midi-1Duration: ca. 3:40
$4.50
4.12 €
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Rain Worthington
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Message Exchange for bass clarinet & marimba
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SR Worthington
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SheetMusicPlus
Fall, Leaves, Fall
Chorale SATB
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1284509 Composed by…
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1284509 Composed by Charles Griffin. 20th Century,21st Century,Classical,Contemporary. Octavo. 6 pages. Coriolis Press #875682. Published by Coriolis Press (A0.1284509). Evocative Choral Setting of Emily Brontë's Fall, Leaves, Fall Perfect for Fall ConcertsFall, leaves, fall; die flowers, away;Lengthen night and shorten day;Every leaf speaks bliss to me,Fluttering from the autumn tree.I shall smile when wreaths of snowBlossom where the rose should grow;I shall sing when night's decayUshers in a drearier day. --Emily BrontëScored for SSATTB choir with piano accompaniment, Fall, Leaves, Fall by Charles Griffin brings Emily Brontë's autumnal poem to life through lush, intertwining vocal lines and vivid imagery. This expert choral setting perfectly captures the scene of leaves falling from trees through suspensions and gentle chromaticism that musically depicts leaves fluttering downward. Brief moments of uplifting vocal lines evoke the poem's imagery of leaves caught in an autumn breeze. Premiered by the renowned San Francisco Choral Artists under Magen Solomon, this stirring work is ideal for advanced high school, college, and community choirs. The gorgeous choral writing showcases your ensemble's tone and technique through Griffin's colorful, expressive harmonic language. Audiences will love the evocative setting of Brontë's text exploring autumn's transient beauty. Program your fall concert with this gorgeous, moving choral work that is perfect for the season. Fall, Leaves, Fall is available from Coriolis Press, and your audiences will love Griffin's artistic setting of a classic autumnal poem.Â
$2.25
2.06 €
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Chorale SATB
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Charles Griffin
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die flowers, away
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Fall, Leaves, Fall
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Coriolis Press
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SheetMusicPlus
THE HIGHEST GLORY: A Lesson - for SATB Chorus a Capella (on KJV John VII:18)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939814 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939814 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Sacred. Octavo. 8 pages. Richard St. Clair #4766839. Published by Richard St. Clair (A0.939814). This short (2'30) and emotionally powerful motet for unaccompanied SATB chorus sets the verse of John VII:18 from the Bible. The music is dramatic, filled with contrapuntal invention, and attains a high level of expressive intensity. It is a commentary on the self-serving nature of people and their transient glory as opposed to the highest glory for people who listen to a higher power as their spiritual source. The musical style is tonal (with some free harmonies), in relatively simple rhythms, and reflects the composer's debt to Renaissance music as an inspirational fount.
$4.00
3.66 €
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Chorale SATB
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Richard St
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THE HIGHEST GLORY: A Lesson - for SATB Chorus a Capella
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Richard St. Clair
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SheetMusicPlus
Mono No Aware
Clarinette Basse
Bass Clarinet,Instrumental Solo - Level 5 - Digital Download SKU: A0.1187183 Compos…
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Bass Clarinet,Instrumental Solo - Level 5 - Digital Download SKU: A0.1187183 Composed by Piers Hudson. Classical,Multicultural,World. Individual part. 8 pages. Piers Hudson #786814. Published by Piers Hudson (A0.1187183). Audio files 'TAPE 1.wav' and 'TAPE 2.wav' can be downloaded via this link:https://drive.google.com/drive/folders/1zHpcp8ACURW6W9emsHyvi5U-nB-17a0wMono no aware (物ã®å“€ã‚Œ), literally the pathos of things, and also translated as an empathy toward things, or a sensitivity to ephemera, is a Japanese term for the awareness of impermanence (無常, mujÅ), or transience of things, and both a transient gentle sadness at their passing as well as a longer, deeper gentle sadness about this state being the reality of life. https://web.archive.org/web/20200529083756/https:/en.wikipedia.org/wiki/Mono_no_aware.
$6.00
5.5 €
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Clarinette Basse
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Piers Hudson
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Mono No Aware
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Piers Hudson
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SheetMusicPlus
The Sun and Stars are Mine
Chorale 3 parties
SSA chorus and piano - Digital Download SKU: OX.9780193541566 Composed by Bob Chilc…
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SSA chorus and piano - Digital Download SKU: OX.9780193541566 Composed by Bob Chilcott. Sheet music. Octavo. 12 pages. Oxford University Press Digital #9780193541566. Published by Oxford University Press Digital (OX.9780193541566). ISBN 9780193541566.For SSA and piano. This piece is a lyrical setting of words by the metaphysical poet Thomas Traherne (1637-74). With a rippling piano accompaniment, melodious vocal lines, and warm harmonies, Chilcott's setting captures the wonder in the text, as Traherne reflects with awe on the transient nature of life.
$3.65
3.34 €
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Chorale 3 parties
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Bob Chilcott
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The Sun and Stars are Mine
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Oxford University Press Digital
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Vanitas Vanitatum (for Violoncello and Piano) Op. 102 - as played by YO YO MA
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Y…
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Cello,Piano - Level 4 - Digital Download SKU: A0.597444 By Robert Schumann and Yo Yo Ma. By Robert Schumann. Arranged by Flavio Regis Cunha. Classical,Contest,Festival,Instructional,Romantic Period,Standards. Score and part. 16 pages. Flavio Regis Cunha #6074553. Published by Flavio Regis Cunha (A0.597444). Vanitas is a symbolic work of art showing the transience of life, the futility of pleasure, and the certainty of death, often contrasting symbols of wealth and symbols of ephemerality and death. Best-known are vanitas still lifes, a common genre in Low countries of the 16th and 17th centuries; they have also been created at other times and in other media and genres.The Latin noun vanitas (from the Latin adjective vanus 'empty') means 'emptiness', 'futility', or 'worthlessness', the traditional Christian view being that earthly goods and pursuits are transient and worthless. It alludes to Ecclesiastes 1:2; 12:8, where vanitas translates the Hebrew word hevel, which also includes the concept of transitoriness.The first movement of the composer Robert Schumann's 5 Pieces in a Folk Style, for Cello and Piano, Op. 102 is entitled Vanitas vanitatum: Mit Humor. The arrangement we present here is a very close transcription of Yo Yo Ma's interpretation with pianist Kathryn Stott, recorded on the album Songs from the Arc of Life.Original Ad libitum violin part was included.Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$5.99
5.49 €
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Violoncelle, Piano
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Robert Schumann and Yo Yo Ma
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Flavio Regis Cunha
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Vanitas Vanitatum
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Flavio Regis Cunha
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SheetMusicPlus
Pointed Sphere
B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.128…
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B-Flat Bass Clarinet,Instrumental Duet,Marimba - Level 5 - Digital Download SKU: A0.1289229 Composed by Blake Buehler. 21st Century,Chamber,Contemporary. 15 pages. Blake Buehler #879995. Published by Blake Buehler (A0.1289229). For Bass Clarinet & MarimbaOrigionally performed by Transient Canvas5'30.
$12.99
11.9 €
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Blake Buehler
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Pointed Sphere
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Blake Buehler
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SheetMusicPlus
Fleeting Love
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1249225 By Max Potseluiev. By Max P…
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Piano Solo - Level 3 - Digital Download SKU: A0.1249225 By Max Potseluiev. By Max Potseluiev. 20th Century,21st Century,Film/TV,New Age,Pop. Score. 3 pages. Max Potseluiev #843691. Published by Max Potseluiev (A0.1249225). Introducing Fleeting Love - A Melodious Tapestry of Romance and TransienceExperience the tender allure of Fleeting Love, the captivating score that forms an integral part of the enchanting album Emotional Vibes, composed by the talented artist Max Potseluiev. This evocative composition weaves a melodic tapestry of emotions, capturing the essence of love's ephemeral nature.Fleeting Love invites you to immerse yourself in a world where emotions blossom and love takes center stage. The piano melodies gracefully intertwine, reflecting the delicate balance between passion and impermanence. As the music unfolds, it evokes a sense of nostalgia and longing, reminding us of the transient beauty that resides within the realms of the heart.This composition serves as a lyrical embodiment of the human experience, where relationships evolve, and moments of connection are cherished. Fleeting Love encapsulates the bittersweet nature of love, embracing both its ephemeral joys and tender farewells. It resonates with those who have experienced the ebb and flow of romance, evoking a profound sense of empathy and introspection.With its emotive melodies and heartfelt harmonies, Fleeting Love stands as a testament to Max Potseluiev's ability to create music that stirs the soul. This composition offers a poignant reminder of the beauty found in transience, inspiring us to cherish each fleeting moment of love and embrace the journey it unfolds.Whether you seek a musical companion for quiet reflection, a poignant backdrop for intimate gatherings, or a soulful addition to your repertoire as a pianist, Fleeting Love delivers a melodic experience that resonates on a deeply personal level.Indulge in the heartfelt melodies of Fleeting Love today and allow yourself to be swept away by its tender nuances. Let the piano's delicate notes carry you through a realm of emotional introspection, where love and transience intertwine in a harmonious embrace.Experience the captivating essence of Fleeting Love and allow its melodic beauty to touch your heart, reminding you of the ephemeral nature of love and the profound impact it leaves on our lives.
$4.99
4.57 €
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Piano seul
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Max Potseluiev
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Fleeting Love
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Max Potseluiev
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SheetMusicPlus
Two Settings from "Finnegan's Wake"
Voice Part (Sopran) and 2 Flutes - difficult - Digital Download SKU: S9.Q46265 T…
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Voice Part (Sopran) and 2 Flutes - difficult - Digital Download SKU: S9.Q46265 Text by James Joyce. Composed by Harry Partch. This edition: performance score. The Harry Partch Edition. Downloadable, Performance score. Duration 3 minutes. Schott Music - Digital #Q46265. Published by Schott Music - Digital (S9.Q46265). English.Harry Partch met soprano Ethel Luening in 1942 and two years later composed this work for her. Initial performances featured Luening as soprano with Partch playing his kithara, and composer Henry Brant playing double flageolet; Partch would eventually replace the double flageolet with two flutes. The use of the complex text from James Joyce’s Finnegan’s Wake contrasts strongly with Partch’s other works at the time, which used texts from Partch’s experiences as a transient or from authors like Thomas Wolfe.
$7.99
7.32 €
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Harry Partch
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Two Settings from "Finnegan's Wake"
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Schott Music - Digital
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SheetMusicPlus
Golgatha
Trombone and organ - Digital Download SKU: S9.Q6968 Introduktion und Chaconne
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Trombone and organ - Digital Download SKU: S9.Q6968 Introduktion und Chaconne. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 11 minutes. Schott Music - Digital #Q6968. Published by Schott Music - Digital (S9.Q6968). To the composer Enjott Schneider, Golgatha, the biblical place of crucification, is a symbol of both the transient and transcendental in human life. For his composition of the same name, he chose the form of a chaconne with introduction. Full of number symbolism, the work was premiered by the solo trombonist of the Hamburg NDR Symphony Orchestra and the organist of the Trier Cathedral to whom it has been dedicated.
$18.99
17.4 €
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Enjott Schneider
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Golgatha
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Schott Music - Digital
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SheetMusicPlus
The Sundials: II; Pereunt et Imputantur (They pass and are counted)
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew …
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String Ensemble,String Trio - Digital Download SKU: A0.1004149 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 13 pages. Matthew Scott Phillips #3510885. Published by Matthew Scott Phillips (A0.1004149). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Trio à Cordes: violon, alto, violoncelle
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Matthew Scott Phillips
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The Sundials: II; Pereunt et Imputantur
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Matthew Scott Phillips
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SheetMusicPlus
Pasajera eterna [piano]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarÃa So…
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Piano Solo - Level 3 - Digital Download SKU: A0.596505 Composed by Juan MarÃa Solare. 20th Century,Concert,Standards. Score. 9 pages. Juan Maria Solare #3360751. Published by Juan Maria Solare (A0.596505). Pasajera eterna [Eternal passenger] was composed in 2011 in Bremen and Worpswede (Germany). This piano prelude is dedicated to Belén Rouco. Duration: 5 minutes (or slightly less). ISWC: T-803.153.190-6 Video clip: https://www.youtube.com/watch?v=KBeZFFrVE8g Recording on Spotify: https://open.spotify.com/album/4fWhzoB99Se9BrLrZ9f7yd Pasajera eterna is also part of the CD Sombras blancas (White shadows) by Juan MarÃa Solare. The title 'Pasajera eterna' is in Spanish an oxymoron, that is, a figure of thought that consists of complementing a word with another word that has a contradictory or opposite meaning. 'Pasajera' (temporary, transient), as an adjective, is a situation that does not last forever, ephemeral, while 'eternal' is just the opposite. Furthermore, if we read 'pasajera' (traveller, passenger) as a noun, the title alludes to a person on a constant journey, on the move. The expression 'Pasajera eterna' was invented by the dedicatee of this work, Belén Rouco, who kindly authorised me to use it to title this music. Under the literary name of 'Pasajera eterna', Belén signs and publishes her writings, poems and reflections. Keywords: romantic piano music, easy listening, post-romantic, neo-classical, contemporary classical, melodic. World Premiere: by Juan MarÃa Solare on Tue 16/OCT/2012, recital Neue Konsonanz (New Consonance) at the Theater of the University of Bremen. Argentine premiere by Juan MarÃa Solare on 25/APR/2014 at the Legislatura Porteña (cycle Música Clásica Argentina), Buenos Aires. British premiere: by Juan MarÃa Solare on 23/MAY/2014 at the BolÃvar Hall in London (recital Tango Bar). There is also a second version for quintet (flute, alto saxophone, cello, double bass and piano), recorded in Birmingham (UK) by the ensemble El ultimo tango and a third version for alto saxophone and piano (2016).
$2.50
2.29 €
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Piano seul
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Juan MarÃa Solare
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Pasajera eterna [piano]
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Juan Maria Solare
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SheetMusicPlus
Black Lotus
Piano seul
Piano Solo - Digital Download SKU: A0.1252474 By Scholler. By Scholler. Arranged by…
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Piano Solo - Digital Download SKU: A0.1252474 By Scholler. By Scholler. Arranged by Scholler. Classical,Contemporary,Contest,Festival,Film/TV,Multicultural,World. Score. 5 pages. Scholler #846449. Published by Scholler (A0.1252474). Black Lotus is a captivating and challenging piano solo that combines intricate rhythms with contrasting moods. The piece is characterized by its unconventional time signatures, ranging from 7/16 to 3/8 to 7/8, which continually challenge the pianist's rhythmic precision and adaptability.The composition begins with a constant exploration of rhythmic variations, creating a sense of musical chaos. However, amidst the rhythmic complexity, a serene and delicate melody emerges, offering a contrasting calm and quiet atmosphere. This melodic line serves as a tranquil oasis within the rhythmic storm, providing moments of respite for both the performer and the listener.As the piece progresses, it transitions into the second part, where the atmosphere becomes calm and peaceful. However, the tranquility is periodically interrupted by unexpected and irregular measures, which serve as subtle reminders of the earlier rhythmic challenges. These interruptions add an element of surprise and unpredictability to the overall musical narrative.After the intermittent disruptions, the composition briefly ventures into a peaceful waltz-like section. The lilting and graceful waltz rhythm provides a temporary escape from the previous complexities, offering a soothing and elegant respite. However, this tranquility is transient, as the piece returns to the main theme, rekindling the initial chaos.Finally, Black Lotus concludes with a powerful rendition of the main theme, showcasing the pianist's virtuosity and the culmination of the piece's diverse elements. The final moments bring the composition to a dramatic close, leaving the audience captivated and in awe of the journey they have experienced.Black Lotus is a unique and challenging piano solo that demands technical mastery and a deep understanding of rhythm. It offers an opportunity for pianists to showcase their skill and artistry while navigating through the intricate rhythmic landscape and delivering the contrasting emotions of calmness and chaos.SchollermusicTheodosius Bates
$2.99
2.74 €
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Piano seul
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Scholler
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Scholler
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Black Lotus
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Scholler
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SheetMusicPlus
My Best Friend Moved Away
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.864673 Composed by Dan Severino. Co…
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Piano Solo - Level 1 - Digital Download SKU: A0.864673 Composed by Dan Severino. Contemporary. Score. 4 pages. Piano Teacher Press #35483. Published by Piano Teacher Press (A0.864673). In our transient society young people often lose a friend because a parent gets transferred to a new city. Here is a piece to help students express that loss. This piece has proved to be popular in my student recitals, even from boys who generally enjoy more energetic pieces.
$3.99
3.66 €
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Piano seul
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Dan Severino
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My Best Friend Moved Away
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Piano Teacher Press
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SheetMusicPlus
Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holl…
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Full Orchestra - Digital Download SKU: A0.1347063 By Hudson Holland. By Hudson Holland. Arranged by Hudson Holland. Classical. 17 pages. Hudson Holland #931855. Published by Hudson Holland (A0.1347063). This piece of music was written as an impressionistic interpretation of the wind and weather patterns here in Florida.The piece begins in a windy afternoon with storms building in the distance. By rehearsal marking A, a small whirlwind forms lifting the listener up into the clouds.What began as a soaring flight quickly turns into dark, dismal clouds of a thunderstorm. At rehearsal marking D, the listener is taken even higher into the sky, above the clouds to see a beautiful purple sunset.The score is marked Ephemerally. In this piece, ephemerally is used to evoke a sense of transient and evanescent beauty, often leaving a lasting impression despite its brevity..
$99.99
91.61 €
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Orchestre
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Hudson Holland
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Hudson Holland
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Forever in the Wind | Symphony No. 1, Mov. 1 - Score Only
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Hudson Holland
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.28 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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