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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Transition Jam
Sheetmusicplus
Non classifié
34
Piano & claviers
Piano seul
13
Orgue
3
Piano Trio: piano, violon, violoncelle
3
2 Pianos, 4 mains
2
Piano Facile
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accompagnement Piano
1
Piano, Voix et Guitare
1
+ 3 instrumentations
Retracter
Guitares
Banjo
1
Guitare
1
Basse electrique
1
3 Guitares (trio)
1
Voix
Chorale SATB
5
Chorale 3 parties
1
Chorale 2 parties
1
Vents
Quatuor de Saxophones: 4 saxophones
4
Saxophone Alto et Piano
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
4
2 Flûtes traversières (duo)
4
Clarinette et Piano
3
Saxophone Soprano et Piano
3
Hautbois, Piano (duo)
2
Saxophone Tenor et Piano
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Quatuor de Flûtes : 4 flûtes
2
Flûte traversière et Piano
2
Saxophone Baryton, Piano
2
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto
1
Flûte à Bec
1
2 Hautbois (duo)
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Hautbois, Flûte
1
+ 19 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Cors (duo)
2
Cor et Piano
2
Quatuor de cuivres: 4 trombones
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Cors Anglais Et Pianoforte
1
2 Trompettes (duo)
1
2 Euphoniums (duo)
1
Euphonium, Tuba (duo)
1
Trombone et Piano
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Trombone, Tuba (duo)
1
Trompette, Piano
1
Cor anglais, Piano
1
Trompette
1
2 Trombones (duo)
1
+ 12 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
7
Alto, Piano
4
Harpe
4
Violon et Piano
3
2 Violons (duo)
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violoncelle
2
Violon, Alto (duo)
1
4 Violoncelles
1
Violoncelle, Orgue
1
Violoncelle, Piano
1
+ 7 instrumentations
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Orchestre & Percussions
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Ensemble de cuivres
1
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FLUTE A DIX…
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FORMATION M…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLONCELLE
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Vous avez sélectionné:
Transition Jam
SheetMusicPlus
Partitions à imprimer
177 partitions trouvées
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176
Transition Jam
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Basse electrique
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AVANCÉ
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Contemporain
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0 Weckl, Marcello Valenzano, a
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Accubass
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Transition Jam
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Accubass
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SheetMusicPlus
Bass Guitar - Level 5 - SKU: A0.838662 Composed by 0 Weckl, Marcello Valenzano, and Tom Kennedy. Arranged by Accubass. Contemporary. Score. 10 pages. Ac...
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Bass Guitar - Level 5 - SKU: A0.838662 Composed by 0 Weckl, Marcello Valenzano, and Tom Kennedy. Arranged by Accubass. Contemporary. Score. 10 pages. Accubass #6439089. Published by Accubass (A0.838662). Tom Kennedy's complete bassline from the Dave Weckl band number.
$5.99
Voluntary 16 - Change and Transitions
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James F
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Voluntary 16 - Change and Tran
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WayWordBound
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SheetMusicPlus
Small Ensemble Organ,Piano,Trumpet - Level 2 - SKU: A0.729336 Composed by James F. Rickley. 20th Century,Christian,Sacred. Score and parts. 44 pages. Wa...
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Small Ensemble Organ,Piano,Trumpet - Level 2 - SKU: A0.729336 Composed by James F. Rickley. 20th Century,Christian,Sacred. Score and parts. 44 pages. WayWordBound #2894785. Published by WayWordBound (A0.729336). For 2 Trumpets in Bb, Organ/Keyboard (3 Staff).
$7.00
Need You Now
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Ensemble de Flûtes
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INTERMÉDIAIRE
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Lady Antebellum
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Jami Marie Kidwell Chavez
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Need You Now
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Jami Kidwell Chavez
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SheetMusicPlus
Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.799838 By Lady Antebellum. By Charles Kelley, Dave Haywood, Hillary Scott, and J...
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Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.799838 By Lady Antebellum. By Charles Kelley, Dave Haywood, Hillary Scott, and Josh Kear. Arranged by Jami Marie Kidwell Chavez. Country,Wedding. 11 pages. Jami Kidwell Chavez #3559613. Published by Jami Kidwell Chavez (A0.799838). Need You Now is one of those songs that was everywhere and will be recognized by a wide audience. This arrangement is scored as a quartet with 2 C Flutes, Alto Flute and Bass Flute. It contains a Concert Pitch copy of the Alto part as an optional flute 3, so it can easily be transitioned to 4 C flutes. .
$12.99
7 to 9
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Ben Pritchard
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Ben Pritchard
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7 to 9
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Benjamin Pritchard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. B...
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Concert Band - Level 4 - SKU: A0.986863 Composed by Ben Pritchard. Arranged by Ben Pritchard. 20th Century,Jazz,Latin,Rock. Score and parts. 19 pages. Benjamin Pritchard #5465. Published by Benjamin Pritchard (A0.986863). This piece was originally written for jazz ensemble and then arranged for concert band. This was done, in part, to make available concert band literature that utilizes jazz/rock instruments (guitar, bass, piano) and improvisation. There are many arrangements of rock and pop tunes available to band directors. While those arrangements sometimes include bass parts they rarely, if ever, have guitar or piano/keyboard parts. Why not? Why not include these parts, even if they are optional? In addition, I’ve noticed that there is very little concert band literature that involves improvisation. Again, why not? I believe that this is the concert band literature of the future – the integrated utilization of electric guitar, keyboards, and improvisation. This piece is my first attempt at such a venture. Having just finished the premier performance of the original jazz ensemble version of 7 to 9 I thought it would be a good platform. Most of 7 to 9 transitions between 7/4 and 9/4. It is a fun, quirky piece with a Latin feel. There is a short 5-bar swing section in the middle for open solos. There is also a one chord solo section later in the piece for less experienced improvisers. The students will really enjoy putting this together, especially with the electric guitar, piano, and bass. It adds a completely new dimension to the concert band as well as an overall excitement. The piece ends with a long building Latin groove with a jam feel to it. The guitarist ends this build with an improvised solo which soars above the rest of the band. It is a fun piece to play but requires a great deal of focus due to the changing meter and odd phrase lengths and entrances. There is only a midi recording available at this time. A live recording will be available soon.
$49.99
Questions 67 And 68
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Ensemble de cuivres
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AVANCÉ
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Rock
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Chicago
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James Gagne
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Questions 67 And 68
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Jam Engages Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.940098 By Chicago. By Robert Lamm. Arranged by James Gagne. Pop,Rock. Score and parts. 18 pages. Jam Engages Music #4...
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Brass Ensemble - Level 5 - SKU: A0.940098 By Chicago. By Robert Lamm. Arranged by James Gagne. Pop,Rock. Score and parts. 18 pages. Jam Engages Music #4793281. Published by Jam Engages Music (A0.940098). This classic off the Chicago Transit Authority (1) album is arranged for brass quintet and captures much of the original version.
$12.99
Up on the Housetop for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Benjamin Russell Hanby
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James M
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Up on the Housetop for String
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1510076 Composed by Benjamin Russell Hanby. Arranged by James M. Guthrie. 19th Cent...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1510076 Composed by Benjamin Russell Hanby. Arranged by James M. Guthrie. 19th Century,Chamber,Christmas,Historic,Traditional. 15 pages. Jmsgu3 #1085258. Published by jmsgu3 (A0.1510076). Up On The Housetop holds significant importance in American Christmas music as it is recognized as one of the earliest secular Christmas songs, explicitly focusing on the figure of Santa Claus. Composed by Benjamin Russell Hanby in 1864, it is often cited as the first Christmas song to center around Santa, a theme likely inspired by Clement C. Moore's poem A Visit from St. Nicholas, also known as The Night Before Christmas.Historical ContextHanby, born in 1833 and died at a young age in 1867, was a minister and composer who faced challenges in his career due to his progressive views on music and his opposition to slavery. During a difficult period, he wrote Up On The Housetop as part of his efforts to support his family. This song and others he composed reflect his innovative spirit and contribution to holiday music.Cultural ImpactThe song has been embraced in popular culture, recorded by numerous artists, including Gene Autry, and remains a staple in Christmas celebrations. Its catchy melody and festive lyrics evoke the joy of Christmas, depicting Santa Claus delivering gifts to children, which has helped solidify Santa's place in American holiday traditions.ConclusionOverall, Up On The Housetop is a beloved Christmas carol and a pivotal work in the evolution of Christmas music in the United States. It marks the transition towards a more secular celebration of the holiday centered around Santa Claus. Its legacy continues to influence how Christmas is celebrated and experienced today.
$34.95
Guthrie: Concert Fantasia for Solo Cello
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Violoncelle
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INTERMÉDIAIRE
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James M
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Guthrie: Concert Fantasia for
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jmsgu3
#
SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. ...
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Cello Solo - Level 3 - SKU: A0.549261 Composed by James M. Guthrie. 20th Century,Contemporary,Instructional. Individual part. 7 pages. Jmsgu3 #3479689. Published by jmsgu3 (A0.549261). The Fantasia follows the general scheme of the classical sonata-allegro form. A repeated fragmented motive characterizes the primary theme. The transition introduces pentatonic and synthetic materials that dissipate into a Lydian chord. The Lydian mode provides materials for the lyrical secondary theme section. A closing section revisits elements of the synthetic scale from the transition. After a repeat of the exposition, the development section begins agitato, fragmenting and transposing various diminutions of the primary motive. This is interrupted by a double augmentation and then a bariolage passage leading to declamatory statements of the primary theme transposed eventually to the subdominant. After modulating the transition materials, the secondary theme is developed in the subdominant. This time, the music is adjusted to explore a quotation of the first measure of Bach’s Cello Suite I. This treatment dissolves into a two-part transition (quasi-spiccato), leading to a final development of the Lydian motive, this time in double stops. A final transition section provides the thematic impetus for the third movement. The recapitulation ensues with the re-transition somewhat truncated and the secondary theme transposed to the tonic. A coda section dissipates excess energy while developing Lydian ideas in preparation for a quiet closing that repeats the now-broken Lydian chord.
$27.95
Liberation
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Rock
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Chicago
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Patrick Sheehan
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Liberation
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - SKU: A0.747852 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 307 pages. Patrick Sheeha...
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Small Ensemble - Level 5 - SKU: A0.747852 By Chicago. By James Pankow. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 307 pages. Patrick Sheehan #4968513. Published by Patrick Sheehan (A0.747852). INSTRUMENTATION: Lead Vocal, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Hammond B-3 Organ, Electric Guitar, Bass, Drumset. Full score for rock band and set of parts included. All parts transcribed by ear from the original recording from Chicago Transit Authority released in 1969. The last track, and a true jam from the first album that the world had ever heard from the legendary rock supergroup CHICAGO. In full score, this transcription contains the verbatim parts played by the entire band, including an extended solo from guitarist Terry Kath. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$20.00
Viva la Wagner!
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Classique
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Richard Wagner
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James Haynor
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Viva la Wagner!
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James Haynor
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SheetMusicPlus
Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782183 Composed by Richard Wagner. Arranged by James Haynor. Contemporary. Score and...
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Small Ensemble Drums,Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782183 Composed by Richard Wagner. Arranged by James Haynor. Contemporary. Score and parts. 100 pages. James Haynor #3223471. Published by James Haynor (A0.782183). The hardest part about arranging a Wagner Greatest Hits piece is to decide which music to include. This arrangement includes his Pilgrim’s Chorus ( Lohengrin ), Opening to Act Three ( Lohengrin ), Finale ( Tristan and Isolde ), Selections ( The Flying Dutchman ), Elsa’s Procession to the Cathedral ( Lohengrin ) and The Ride of the Valkyries ( The Valkyries ). These selections offer musicians, particularly brass players, the chance to sample some of Wagner’s greatest music. Beauty and power take equal stage as the arrangement presents Wagner’s brilliance as a composer. The selections are transitioned to provide a smooth flow between the ups and downs of emotion. Viva La Wagner! is playable by itermediate/advanced players and is a rousing addition to any concert. I’m sure your brass players will enjoy playing, and your audiences will enjoy listening to, this emotional arrangement. ( Duration 7:30.)
$15.00
O Christmas Tree for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Traditional
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James M
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O Christmas Tree for String Qu
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1500348 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Hi...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1500348 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 16 pages. Jmsgu3 #1076427. Published by jmsgu3 (A0.1500348). O Christmas Tree, originally known as O Tannenbaum, is a significant holiday carol with deep cultural and historical roots. Here are some key points regarding its importance: Origins and EvolutionGerman Roots: The carol originated in Germany, where O Tannenbaum was a traditional folk song that celebrated the fir tree's beauty and symbolized faithfulness and endurance. The melody dates back to the 16th century, and the modern lyrics were adapted by German composer Ernst Anschütz in 1824.Cultural Adaptation: In the 19th century, the song transitioned into English as O Christmas Tree, aligning with the growing Christmas tree tradition in Western cultures, particularly in the UK and the US. This adaptation reflects the broader cultural exchange and the incorporation of German customs into English-speaking Christmas celebrations.SymbolismEvergreen Significance: The lyrics of O Christmas Tree emphasize the tree's evergreen nature, which serves as a metaphor for reliability and hope. The fir tree is celebrated for its beauty and ability to remain vibrant throughout the seasons, symbolizing steadfastness and renewal.Christmas Tradition: The song has become synonymous with Christmas celebrations, marking the festive season for many families. It encapsulates the joy and warmth associated with decorating Christmas trees, a practice that has become a worldwide central aspect of holiday traditions.Musical and Cultural ImpactWidespread Popularity: O Christmas Tree is one of the most recognized Christmas carols, performed in various versions across different cultures. Its melody and themes resonate with audiences, making it a staple in holiday music repertoires.Educational Value: The carol serves as an educational tool, introducing children to concepts of cultural heritage, music history, and the significance of seasonal traditions. It allows for discussions about the evolution of holiday practices and the blending of cultural influences.In summary, O Christmas Tree is important as a beloved holiday song and a cultural artifact that reflects historical traditions, symbolism, and the spirit of Christmas.
$34.95
Guthrie: Chaconne for Cello & Organ
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Violoncelle, Orgue
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INTERMÉDIAIRE
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James M
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Guthrie: Chaconne for Cello &a
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jmsgu3
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SheetMusicPlus
Cello,Instrumental Duet,Pipe Organ - Level 3 - SKU: A0.549919 Composed by James M. Guthrie. 20th Century,Sacred,Standards. 10 pages. Jmsgu3 #3914741. Pu...
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Cello,Instrumental Duet,Pipe Organ - Level 3 - SKU: A0.549919 Composed by James M. Guthrie. 20th Century,Sacred,Standards. 10 pages. Jmsgu3 #3914741. Published by jmsgu3 (A0.549919). The chaconne has evolved from a quick dance song in Spanish culture to a significant musical form. Initially, it was a dance accompaniment, often with somewhat bawdy lyrics, and was characterized by a repeated harmonic progression. Over time, it transitioned into an instrumental form in slow triple time, built on a recurring harmonic pattern or a repeated bass line called a ground. The chaconne's spread in Europe through guitar music and theater further transformed the genre, and it became prevalent during the Baroque era, with many chaconnes existing from the 17th and 18th centuries. In more recent times, the chaconne, like the passacaglia, need not be in 3/4 time, showcasing its continued evolution and adaptability.
$27.95
CPE BACH: Sonata in E Minor WQ124 for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,S...
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Piano,Trombone - Level 4 - SKU: A0.551531 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5309593. Published by jmsgu3 (A0.551531). Sonata Wq. 124 in E Minor: 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach. The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
CPE BACH: Sonata in E Minor WQ124 for French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Philipp Emanuel Bach
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James Guthrie, ASCAP
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CPE BACH: Sonata in E Minor WQ
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jmsgu3
#
SheetMusicPlus
French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructiona...
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French Horn,Piano - Level 4 - SKU: A0.551523 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by James Guthrie, ASCAP. Classical,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5308693. Published by jmsgu3 (A0.551523). Sonata Wq. 124 - 1. Adagio 2. Allegro 3. Menuett & 2 VariationsCarl Philipp Emanuel Bach (1714-1788) was an influential composer who worked during a transition between the Baroque and Classical styles of music. His approach, empfindsamer Stil or sensitive style, applied the principles of rhetoric and drama to musical structures. The duets composed by C.P.E. Bach are significant because they showcase his unique style and are considered some of his most important works. They are known for their unpredictability and expressive qualities, which were a departure from his father's style, Johann Sebastian Bach.The historical context of C.P.E. Bach's Wq 124 Sonatas lies in the mid-18th century during the transition between the Baroque and Classical periods. This period was characterized by significant changes in musical style, with composers exploring new forms and expressive techniques. As a prominent figure of this era, C.P.E. Bach played a crucial role in shaping the emerging Classical style, and his keyboard sonatas, including the Wq 124 Sonatas, reflect the expressive and innovative characteristics of this transitional period. The Wq 124 Sonatas are a testament to Bach's unique musical language. Their historical significance lies in their contribution to the development of keyboard music during this pivotal period in music history.
$24.95
Auld Lang Syne
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Traditional
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Jami Marie Kidwell Chavez
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Auld Lang Syne
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Jami Kidwell Chavez
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.799840 Composed by Traditional. Arranged by Jami Marie Kidwell Chavez. Celtic,...
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Flute Quartet,Woodwind Ensemble Alto Flute,Bass Flute - Level 2 - SKU: A0.799840 Composed by Traditional. Arranged by Jami Marie Kidwell Chavez. Celtic,Christmas,Contemporary,Holiday,Irish. 10 pages. Jami Kidwell Chavez #3568051. Published by Jami Kidwell Chavez (A0.799840). Auld Lang Syne is a traditional melody that will work in a variety of settings. This arrangement starts with the traditional melody and transitions to a major key at the end. Scored as a quartet for 2 C Flutes, Alto Flute and Bass Flute. An option C flute is included to cover the Alto flute if needed. This piece can also be easily played by flute choirs of all sizes.
$3.99
Pure Imagination
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Anthony Newley and Leslie Bric
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Jami Marie Kidwell Chavez
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Pure Imagination
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Jami Kidwell Chavez
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.799846 Composed by Anthony Newley and Leslie Bricusse. Arranged by Jami Marie Kidwel...
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Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - SKU: A0.799846 Composed by Anthony Newley and Leslie Bricusse. Arranged by Jami Marie Kidwell Chavez. Broadway,Children,Film/TV,Musical/Show,Pop. 19 pages. Jami Kidwell Chavez #3663405. Published by Jami Kidwell Chavez (A0.799846). This song brings vision of a chocolate wonderland and childhood joy to most of us. This arrangement for flute choir starts with the haunting melody and transitions to a major key. Scored for Piccolo, 3 C Flutes, Alto Flute, Bass Flute and Contrabass Flute .
$12.99
The Water Is Wide For Guitar-Tablature Edition
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Guitare
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INTERMÉDIAIRE
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Traditional
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Neal Fitzpatrick
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The Water Is Wide For Guitar-T
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages...
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Solo Guitar - Level 3 - SKU: A0.955271 Composed by Traditional. Arranged by Neal Fitzpatrick. Folk,Standards,Traditional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #4833389. Published by Neal Fitzpatrick Editions (A0.955271). The traditional folk song The Water Is Wide here is arranged for solo guitar. This edition is in standard notation form with accompanying tablature and is in the key of G Major. This arrangement is ideal for anyone looking to transition to intermediate level and more advanced finger style playing or for players of any level.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$4.99
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Take Me To Your Heart Again
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Edith Piaf
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James Pybus
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Take Me To Your Heart Again
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1105045 By Edith Piaf. By Ed...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.1105045 By Edith Piaf. By Edith Piaf and Louiguy. Arranged by James Pybus. Contest,Festival,Pop,Singer/Songwriter,Standards. 54 pages. James Pybus #708289. Published by James Pybus (A0.1105045). Édith Piaf, also known as “The Little Sparrow,†rose to international stardom in the late 1930s as a symbol of French passion and tenacity. Of Piaf’s many ballads, La Vie en Rose, which she wrote, is remembered as her signature song. Other favorites among the singer's repertoire include Milord, Padam Padam, Mon Dieu, the charming Mon Manège à Moi and the anthemic Non, Je Ne Regrette Rien. Having a life beset by addictions and related health issues, Piaf died in France in 1963 at the age of 47. She continues to be revered as a national treasure. This arrangement for SATB Saxophone Quartet is a medley of some of Piaf's most well-known songs and may be performed in its entirety, or each song may be played individually. If you choose the latter option do not play the transition measures between songs. In order, the songs are La Vie en rose (Take Me To Your Heart Again), Piaf’s signature song; Milord (or Ombre de la Rue [Shadow of the Street]); Sous le ciel de Paris; Padam, padam and Non, je ne regrette rien (No, I do not regret anything). This arrangement is suitable for a wide variety of performance and concert settings. The duration is 10:02. Contact me at james.pybus56@gmail.com.
$28.00
Peace to My Mind ("A New Thought for Choirs" Edition)
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Chorale SATB
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FACILE
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James C
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Moderate to Easy
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Peace to My Mind
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James C Vandenburg
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1003536 Composed by James C. Vandenburg. Gospel,New Age,Sacred,Spiritual. Octavo. 16 pages. James C Vandenburg #...
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Choral Choir (SATB) - Level 2 - SKU: A0.1003536 Composed by James C. Vandenburg. Gospel,New Age,Sacred,Spiritual. Octavo. 16 pages. James C Vandenburg #2858299. Published by James C Vandenburg (A0.1003536). For SATB Choir; Moderate to Easy; Prayerful, Meditative, Contemplative, and Flowing. This piece was originally written to honor the passing/transition of a beloved practitioner and choir member and the lyric of the chorus is based on one of her prayers. It has since become a favorite for our choir and congregation and has also been selected for inspirational music festivals and other occasions. Themes: Peace, Love, God within; God as Source, Meditation, Prayer. ... I speak Peace to my mind; Peace to my inner most being​where God is my Source, always flowing as Peace to my mind; Peace to my mind.** This edition is part of the collection, A New Thought for Choirs and includes a Vocals-Only version to save on copying/printing and help with rehearsals.
$2.50
Bravo Beethoven for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James Haynor
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Bravo Beethoven for Brass Quin
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782197 Composed by Ludwig van Beethoven. Arranged by James Haynor. Classical,Romantic Peri...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.782197 Composed by Ludwig van Beethoven. Arranged by James Haynor. Classical,Romantic Period. Score and parts. 25 pages. James Haynor #3384015. Published by James Haynor (A0.782197). Ludwig van Beethoven 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western Art Music, he remains one of the most famous and influential of all composers. This medley of his Greatest Hits is scored for brass quintet. Selections include: the Allegretto ( Symphony #7 ), Turkish March, Minuet in G, Adagio ( Sonata # 8 ), Allegro ( Symphony #5 ), Violin Concerto and Ode to Joy. Duration 6:33.
$10.00
Bravo Beethoven for Clarinet Quintet
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James Haynor
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Bravo Beethoven for Clarinet Q
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James Haynor
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - SKU: A0.782199 Composed by Ludwig van Beethoven. Arranged by James Haynor. Classical,Romantic Pe...
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Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - SKU: A0.782199 Composed by Ludwig van Beethoven. Arranged by James Haynor. Classical,Romantic Period. 25 pages. James Haynor #3387255. Published by James Haynor (A0.782199). Ludwig van Beethoven 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western Art Music, he remains one of the most famous and influential of all composers. This medley of his Greatest Hits is scored for clarinet quintet. Selections include: the Allegretto ( Symphony #7 ), Turkish March, Minuet in G, Adagio ( Sonata # 8 ), Allegro ( Symphony #5 ), Violin Concerto and Ode to Joy. Duration 6:33.
$10.00
The Castle Walk
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Europe's Society Orchestra
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John Benoit
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The Castle Walk
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John Benoit Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.481923 By Europe's Society Orchestra. By James Reese Europe & Ford T. Dabney. Arranged by ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.481923 By Europe's Society Orchestra. By James Reese Europe & Ford T. Dabney. Arranged by John Benoit. Jazz,Traditional. Score and parts. 25 pages. John Benoit Music #100226. Published by John Benoit Music (A0.481923). James Reese Europe was an African-American composer and band leader whose music helped effect the transition from ragtime to jazz in the 1910s and whose “Harlem Hellfighter†regimental band popularized “Negro music†in France during the first World War. “The Castle Walk†was written by Europe and Ford Dabney in 1914 for the famous exhibition dancers Vernon and Irene Castle. This upbeat toe-tapper combines elements of the march, ragtime, and jazz. Instrumentation: 2 trumpets, horn, trombone, tuba, opt. percussion. Duration: c. 3:20â€. Grade 4.
$12.00
Guthrie: Deck the Halls for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Welsh Traditional
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James M
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Guthrie: Deck the Halls for St
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489644 Composed by Welsh Traditional. Arranged by James M. .Guthrie. Chamber,Chris...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1489644 Composed by Welsh Traditional. Arranged by James M. .Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 14 pages. Jmsgu3 #1066516. Published by jmsgu3 (A0.1489644). Deck the Halls is a traditional Christmas carol with a rich history and cultural significance:Origin and Melody: The melody of Deck the Halls is derived from a Welsh tune called Nos Galan, which dates back to at least the 16th century. The carol's melody was initially associated with Welsh New Year's Eve celebrations.Lyrics: The English lyrics were written by Scottish musician Thomas Oliphant in 1862. These lyrics were published alongside the original Welsh lyrics in a collection of Welsh melodies.Cultural Context: Originally, Nos Galan was a competitive Welsh drinking song. Participants would take turns singing verses around a fire during New Year's Eve gatherings. The transition from a New Year's song to a Christmas carol occurred when the English lyrics were adapted to focus on Christmas themes.Meaning and Usage: The phrase deck the halls means to decorate for Christmas, traditionally with boughs of holly and other festive adornments. The term deck in this context means to decorate or adorn, and it is derived from the Middle Dutch word dekken, meaning to cover.Variations and Adaptations: Over time, the lyrics have been adapted in various ways, including changing the words to reflect different cultural or religious contexts, such as replacing Christmas with Yule or Yuletide.Overall, Deck the Halls is a beloved carol that combines elements of Welsh tradition with Victorian-era English lyrics, celebrating the festive spirit of the holiday season.
$34.95
Landini: Ecco la Primavera for Brass Trio
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
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SheetMusicPlus
Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standa...
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Bass Trombone,Cornet,Horn - Level 3 - SKU: A0.1486246 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Renaissance,Standards. 15 pages. Jmsgu3 #1063306. Published by jmsgu3 (A0.1486246). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures.The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389.As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings.Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95
Landini: Ecco la Primavera for Clarinet Trio
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Landini
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James M
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Landini: Ecco la Primavera for
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Ren...
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Woodwind Ensemble Bass Clarinet - Level 3 - SKU: A0.1486287 Composed by Landini. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Renaissance. 15 pages. Jmsgu3 #1063348. Published by jmsgu3 (A0.1486287). Francesco Landini's Ecco la Primavera is a significant work from the early Renaissance that exemplifies several essential aspects of 14th-century Italian music. The piece is a ballata, a popular form of Italian secular music during the Trecento period (14th century), also known as the Italian Ars Nova. This era marked the beginning of a new musical epoch. Ecco la Primavera is composed as an isorhythmic duet. Isorhythm was a crucial compositional technique in medieval and early Renaissance music, demonstrating Landini's mastery of complex musical structures. The work celebrates spring and love, reflecting the humanist ideals emerging during the early Renaissance. This focus on secular themes and natural beauty was a departure from the predominantly religious music of the medieval period. The piece provides insight into the cultural and social life of 14th-century Florence. It was likely performed at gatherings of intellectuals and artists, such as the one described at Villa del Paradiso near Florence in 1389. As the foremost composer of the Trecento period, Landini's works, including Ecco la Primavera, are crucial for understanding the musical developments of this era. The composition features flowing melodies that were characteristic of early Renaissance Italian music. This melodic style would influence the development of Renaissance music more broadly. The work has endured over centuries and continues to be performed and appreciated today, as evidenced by its inclusion in contemporary classical music rankings. Ecco la Primavera thus serves as an important example of the musical, cultural, and intellectual shifts occurring in Italy during the transition from the medieval period to the Renaissance.
$34.95
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