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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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Trio for Oboe Cello and Piano Movement 4
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Trio for Oboe Cello and Piano Movement 4
Hautbois, Piano (duo)
Cello,Oboe,Piano - Level 3 - Digital Download SKU: A0.1344011 By Rob J Kennedy. By …
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Cello,Oboe,Piano - Level 3 - Digital Download SKU: A0.1344011 By Rob J Kennedy. By Rob J Kennedy. 21st Century,Classical. 3 pages. Rob J Kennedy #929493. Published by Rob J Kennedy (A0.1344011). Trio for Oboe Cello and Piano. Movement 4
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Hautbois, Piano (duo)
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Rob J Kennedy
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Trio for Oboe Cello and Piano Movement 4
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Rob J Kennedy
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SheetMusicPlus
Trio for Oboe Cello and Piano Movement 1
1 Piano, 4 mains
1 Piano,4 Hands,Cello,Oboe - Level 3 - Digital Download SKU: A0.1344006 By Rob J Ke…
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1 Piano,4 Hands,Cello,Oboe - Level 3 - Digital Download SKU: A0.1344006 By Rob J Kennedy. By Rob J Kennedy. 21st Century,Classical. 7 pages. Rob J Kennedy #929488. Published by Rob J Kennedy (A0.1344006). Trio for Oboe, Cello and Piano. Movement 1
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1.83 €
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1 Piano, 4 mains
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Rob J Kennedy
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Trio for Oboe Cello and Piano Movement 1
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Rob J Kennedy
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SheetMusicPlus
Trio 803 (2020) for clarinet, cello and piano
Clarinette, Violoncelle, Piano (trio)
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Downloa…
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.869648 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 43 pages. Thomas Oboe Lee #5648535. Published by Thomas Oboe Lee (A0.869648). I met Deok Yong Kim as a member of the Nico Quartet at the New England Conservatory of Music, in Boston, Massachusetts. I saw her on two occasions performing in Jordan Hall: once as the soloist in a Shostakovich Cello Concerto in Jordan Hall with Hugh Wolff and the NEC Philharmonic and then in an Honors String Quartet concert with Nico in Jordan Hall. Both concerts were in the spring of 2019, and they were fantastic. I was so impressed with her and her quartet that I wrote a string quartet for them that summer, NICO. They recorded it for me @ NEC in the fall and I love the recording. The next thing I did was to write a violin sonata for Minami Yoshida, the first violinist of Nico. It is called Mi-la-mi, after her name. Then I wrote this work for Claire, Kim’s American name. When I asked her what was the meaning of 803 in her email address, she said that is the street number of her apartment in Korea. So, that is how the title Trio 803 came about. Trio 803 (2020) is in five movements. 1. Adagio, Andante moderato 2. Adagio 3. Allegro con moto, TRIO 4. Adagio 5. Vivace, TRIO Enjoy!
$9.99
9.15 €
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Clarinette, Violoncelle, Piano (trio)
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Thomas Oboe Lee
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Trio 803
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Thomas Oboe Lee
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SheetMusicPlus
Canções e sambinhas (1996) for cello and piano
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee.…
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Cello Solo - Level 4 - Digital Download SKU: A0.869211 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Individual part. With Sambinha bachiana ... III. 36 pages. Thomas Oboe Lee #30911. Published by Thomas Oboe Lee (A0.869211). Program note: Canções e Sambinhas is the third of a triptych of compositions written for my friend, the enormously gifted cellist, Andrés DÃaz. The first was Eurydice, a tone poem on the Orpheus myth for cello and orchestra, and the second was La Chimera Fantastica for the DÃaz Trio. Canções e Sambinhas is in four movements. I. Canção de amor ... II. Sambinha bachiana ... III. Valsa lenta ... IV. Mais uma vêz ... Having lived in Brazil during my teen-age years, I inevitably continue to return to the wonderful music of that country for inspiration: the chôros of Ernesto Nazareth, Jacob do Bandolim, Pixinginha, and Heitor Villa-Lobos. The first movement begins with a slow, dark introduction before the love song emerges .... The second movement is a lively samba. As the title indicates, it is a little samba infused with Bach-like counterpoint, although a bit crazier. Villa-Lobos might find this amusing .... The third movement is a slow meditation for the cello on a passacaglia-like theme in the piano. The last movement, Mais uma vêz (meaning One Mo' Time in English), is a samba like the second movement, but it is set more homophonically, more dance-like in character .... The work is dedicated to my wife, Kris, who is an inspiration to my life and work.Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/can-es-e-sambinhas-1996-for-cello-and-pianoVideo link: https://youtu.be/X2gFRiypqTA
$9.99
9.15 €
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Violoncelle
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Thomas Oboe Lee
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Canções e sambinhas
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Thomas Oboe Lee
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SheetMusicPlus
Piano Trio No. 4 ... Le Gondole Lugubri (2022) for violin, cello and piano
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1033…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1033515 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 48 pages. Thomas Oboe Lee #638822. Published by Thomas Oboe Lee (A0.1033515). Full score. Program note: I am a huge fan of Veronique Gens. On her album Nuits there is a cello and piano duo called La Lugubre Gondola. It is a beautiful work that Franz Liszt wrote on the occasion of Wagner's death in 1833 in Venice. The original version was for piano solo. Liszt subsequently made versions for the cello and the violin. I am a frequent visitor to the city of Venice, especially in the summer during the Biennale. I thought the Franz Liszt work would be a fertile seed for a trio of violin, cello and piano. I will make each movement a musical portrait of an expatriate who had an indelible connection to the city of Venice. Piano Trio No. 4 … Le Gondole Lugubri (2022) 1. Richard Wagner, d. 1883 2. Franz Liszt, d. 1886 3. Henry James, d. 1916 4. Serge Diaghilev, d. 1929 5. Thomas Mann, d. 1955 6. Igor Stravinsky, d. 1971 7. Ezra Pound, d. 1972 8. Peggy Guggenheim, d. 1979.
$9.99
9.15 €
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Piano Trio: piano, violon, violoncelle
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Thomas Oboe Lee
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Piano Trio No. 4 ... Le Gondole Lugubri
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Thomas Oboe Lee
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SheetMusicPlus
Concerto
Piano et Orchestre
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. . The markings of the movements are the following: . 1. Vivace molto ritmico e preciso . 2. Lento e deserto . 3. Vivace cantabile . 4. Allegro risoluto . 5. Presto luminoso. The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. . The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. . In the Piano Concerto I realized new concepts of harmony and rhythm. . The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. . In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. . The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. . In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. . Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). . The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). . Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. . These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. . The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). . The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. . Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. . Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. . This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. . The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. . I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. . (Gyorgy Ligeti)I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
21.98 €
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Piano et Orchestre
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Éclair (2021) for cello and piano
Violoncelle, Piano
Cello,Piano - Level 4 - Digital Download SKU: A0.869857 Composed by Thomas Oboe Lee…
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Cello,Piano - Level 4 - Digital Download SKU: A0.869857 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and part. 54 pages. Thomas Oboe Lee #6416343. Published by Thomas Oboe Lee (A0.869857). I met Deok Yong Kim as a member of the Nico Quartet at the New England Conservatory of Music, in Boston, Massachusetts. She is an amazing cellist, and she has recorded four of my works since 2019. Every time I hear her perform either in person or in the recordings I would exclaim, OMG!!! Claire!!! She calls herself Claire here in America. This is the second work I have written for her. The first was Trio 803 (2020) for clarinet, cello and piano. I am calling this one, a duo for cello and piano, Éclair, as a pun on her American name; plus I know Claire loves desserts!!! Additionally, every time when I exclaim OMG!!! Claire!!!, I feel like I have been struck by lightning. LOL!!! Éclair (2021) is in six movements. 1. Allegro, TRIO 2. Moderato, TRIO 3. Adagio 4. Allegro 5. Molto allegro, TRIO 6. Adagio Enjoy!
$9.99
9.15 €
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Violoncelle, Piano
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Thomas Oboe Lee
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Éclair
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Thomas Oboe Lee
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SheetMusicPlus
Piano Quartet (2019) for violin, viola, cello and piano
String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600
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String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.869600 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 34 pages. Thomas Oboe Lee #4639473. Published by Thomas Oboe Lee (A0.869600). Sally Pinkas and I go way back!!! She has performed my music on many occasions, both as soloist and in chamber music settings. She and her husband Evan Hirsch recorded my Visconti-Sforza Tarot Cards, opus 66 (1996) on the Arsis label. I wrote Twenty-nine Fireflies Book V ... Four Pieces [xxvi-xxix] (2002) for them.Last year Sally as a member of the Schumann Ensemble asked me to write a trio for oboe, viola and piano. I gave them Parodia Schumanniana (2016) which they have performed quite a few times and then recorded it for my bandcamp page. This year Sally asked me to write a piano quartet for her and the Adaskin Trio. So I started it on April 11 and competed it on May 28th, 2019.Piano Quartet (2019) is in five movements. 1. Moderato2. Vivace3. Adagio4. Allegro vivace5. LargoAudio link: https://thomasoboelee.bandcamp.com/album/piano-quartet-2019YouTube link: https://youtu.be/3Uw7rJUj_rA
$9.99
9.15 €
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Thomas Oboe Lee
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Piano Quartet
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Thomas Oboe Lee
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SheetMusicPlus
Minuet by Boccherini for Oboe
Hautbois, Piano (duo)
Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherin…
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Oboe,Piano - Level 1 - Digital Download SKU: A0.1160604 Composed by Luigi Boccherini. Arranged by Ander. Baroque,Classical,Instructional,Traditional,Wedding. Score and part. 4 pages. Woods Only, Arrangements #760899. Published by Woods Only, Arrangements (A0.1160604). This simple arrangement adapted for oboe and piano was imagined for a group of beginner students who want to start their immersion in classical music, of course with the help of a teacher. Even though the original work is for strings, this did not prevent this beautiful adaptation, where the original essence of the work was maintained, being made only an adaptation of the tonality and some adaptations in the tessitura of the instruments. This piece can be used for professional and academic recitals, didactic material and repertoire for ensemble practice as well, which does not prevent professional musicians and instructors from using it for performances of their preference.Luigi Boccherini was born in the city of Lucca, in northern Italy. He studied cello and became a virtuoso who eventually moved to Spain, where he worked with the Spanish royal family for the rest of his life. His String Quintet in E major, Op. 11, No. 5, G 275, was written in 1771 and published in 1775, and is one of his most famous works.The quintet is famous for its minuet and trio, third movement which is often played as an independent piece outside the context of the full quintet. This is notably the most famous, it is in 3/4 time, in the key of E Major modulating to A Major. This is a beautiful work, and not just the third movement, with good partial writing for all. The lovely, flowing melodies and rhythms are typical of Boccherini. The quintet is suitable for both concerts and home performances.
$1.99
1.82 €
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Hautbois, Piano (duo)
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Luigi Boccherini
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Ander
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Minuet by Boccherini for Oboe
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Woods Only, Arrangements
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SheetMusicPlus
Horn Trio (2017) for violin, horn and piano
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.869558 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #3381053. Published by Thomas Oboe Lee (A0.869558). Irina Muresanu has been a huge champion of my music since 2009 when I wrote a violin concerto for her and the Boston Civic Symphony Orchestra. Since then I have written other works for her.Partita for Solo Violin (2011)Grand Duo (2012) for violin and pianoPiano Trio No. 3 ... Keith Jarrett (2014) for violin, cello and pianoAnd now the Horn Trio (2017).I have always admired the Brahms Horn Trio, although it's not my favorite Brahms work. LOL! My Trio is in five movements.1. Moderato 2. Presto in 10/8 with a TRIO3. Allegro ... alla Marcia.4. Presto in 6/8 with a TRIO5. Apotheosis ... LargoEnjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/horn-trio-2017Video link: https://youtu.be/qSXT5IdQQok
$9.99
9.15 €
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Thomas Oboe Lee
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Horn Trio
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Thomas Oboe Lee
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SheetMusicPlus
Nonet (2019) for chamber ensemble
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 -…
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.869619 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 41 pages. Thomas Oboe Lee #4969819. Published by Thomas Oboe Lee (A0.869619). Nancy Braithwaite has been a champion of my music since 1996 when I wrote a solo clarinet piece (Trinca de Chôros) for her to play at her sister Ann's wedding that year in Vermont. After the wedding Nancy asked me if I would write a new piece for her group the Arto Ensemble. I said yes, and I gave them Yo Picasso (1997) for clarinet, viola, cello and piano. Subsequently Nancy asked for more works from me over the years. Octet in D (2012)Clarinet Quintet (2013) La Serenissima (2013) Alice (2015)B.A.C.H. (2018) This year she asked me to write a Nonet so that she could feature it with her group the Rietveld Ensemble in a program with nonets by Bohuslav Martinu and Louis Farrenc. I said yes. This work is scored for flute, oboe, clarinet, bassoon, horn, violin, viola, cello and double bass. It is in five movements. 1. Introduction, Moderato 2. Largo, Vivace, TRIO 3. Prestissimo 4. Largo, Adagio 5. Vivace, TRIO Enjoy!!! Audio link: https://thomasoboelee.bandcamp.com/album/nonet-2019 YouTube link: https://youtu.be/xpn2Ov-37tk
$9.99
9.15 €
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Thomas Oboe Lee
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I said yes.
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Nonet
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Thomas Oboe Lee
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SheetMusicPlus
Arab Dance from The Nutcracker for Piano Quartet (Violin, Viola, Cello, PIano) Set of 4 Parts
Piano Quatuor: piano, violon, alto, violoncelle
Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download
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Small Ensemble Bassoon,Cello,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.530062 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Christmas,Concert,Romantic Period,Standards. Score and parts. 12 pages. Last Resort Music Publishing #506317. Published by Last Resort Music Publishing (A0.530062). Arab Dance from the Nutcracker brilliantly arranged for Piano Quartet (Violin, Viola, Cello, Piano). Part 1 is also playable by Flute or Oboe. Part 3 is also playable by Bassoon. The Piano Part (Keyboard or Guitar) encompasses Part 2 and Part 3. Therefore, the arrangements could be played as a piano trio or an entire trio could play with a pianist - as long as Part 1 is being played. 7 more movements from the Nutcracker are also available: Chinese Dance, March, Dance of the Reed Flutes, Dance of the Sugar Plum Fairy, Overture, Scene in the Snowy Pine Forest & Trepak. Don't miss our other fabulous arrangements for trio. www.lastresortmusic.com.
$6.95
6.37 €
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Piano Quatuor: piano, violon, alto, violoncelle
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Peter Ilyich Tschaikovsky
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Daniel Kelley
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Trepak
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Arab Dance from The Nutcracker for Piano Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, cello
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869304 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50815. Published by Thomas Oboe Lee (A0.869304). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, violin 1 part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869305 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 9 pages. Thomas Oboe Lee #50809. Published by Thomas Oboe Lee (A0.869305). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Pq2 ... (2014) for piano and string quartet, viola part
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869307 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 8 pages. Thomas Oboe Lee #50811. Published by Thomas Oboe Lee (A0.869307). Program notes. I met Lila Brown a year ago when she and members of the Boston Conservatory faculty performed my Octet in D, opus 144 (2012) at Seully Hall. Lila told me she had a summer festival in Salem, NY, and wondered if I would like to write a piece for her. I said sure. Just as in Hollywood, you never say no. At first Lila asked me if I would like to write a companion piece for Anton Webern’s Saxophone Quartet. I said sure!!! One thing led another and somehow I ended up agreeing to write a piano quintet for her. In the meanwhile Lila contacted Delores Stevens, artistic director of the Martha’s Vineyard Chamber Music Festival, and asked her if she would also premiere the work at her festival. Delores did a little research on me and my music online and she said yes. So, here we are. Siamo d’accordo. I wrote my first piano quintet in 1988 for the Apple Hill Chamber Players. That was not the usual quintet of a piano and string quartet. The Schubert Trout quintet was my model: piano, violin, viola, cello and double bass. I titled that work, Piano Quintet … apple strudel (1988). At that time I was a huge fan of the Entenmann’s Apple Strudel. I imagined the piano being encased/surrounded by the four string instruments. My first real piano quintet was written for the Formosa Quartet and pianist Tammy Lum. They premiered the work at Nyack College during the spring of 1988. My current piano quintet (no. 2) is titled Pq2 … (2014). It is a work in five movements. I. Moderato … Trio II. Adagio … III. Tsiaj 1 … Allegro IV. Tsiaj 2 … Prestissimo! V. Adagio What’s tsiaj? I got this from Charles E. Ives. The title of the middle movement of his Piano Trio is TSIAJ. It’s an acronym of This Scherzo is a joke. Enjoy!
$9.99
9.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Pq2 ...
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Thomas Oboe Lee
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SheetMusicPlus
Menuetto from Eine Kleine Nachtmusik for String Quartet or Wind Quartet or Mixed Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
Small Ensemble - Level 4 - Digital Download SKU: A0.621468 Composed by Wolfgang Ama…
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Small Ensemble - Level 4 - Digital Download SKU: A0.621468 Composed by Wolfgang Amadeus Mozart. Arranged by Daniel Kelley. Classical,Traditional,Wedding. Score and parts. 18 pages. Last Resort Music Publishing #230609. Published by Last Resort Music Publishing (A0.621468). The Allegretto movement from Mozart’s Eine kleine Nachtmusik is not just sprightly and delightful, it’s easily danceable! A fun but surprising fact about Eine kleine Nachtmusic: there is no record of its commission or original performance, and it wasn’t published until 1827, 36 years after Mozart’s death! An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Set of 11 Parts plus Score Part 1 Flute or Oboe or Violin Part 1 Clarinet in Bb Part 2 Flute or Oboe or Violin Part 2 Clarinet in Bb Part 3 Viola Part 3 Violin Part 3 Clarinet in Bb Part 3 English Horn or French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Keyboard or Guitar Score (Parts 1-4 in C) Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com String Quartet, Mixed Quartet, Wind Quartet, Clarinet Quartet, 3 Violins and Cello, String Trio or Quartet plus Piano.
$9.95
9.12 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Wolfgang Amadeus Mozart
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Daniel Kelley
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Menuetto from Eine Kleine Nachtmusik for String Quartet or Wind Quartet or Mixed Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Orchestral Suite No.4 in D major - 4. Menuetto-Trio - Piano version
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.516622 Composed by Bach Johann Seba…
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Piano Solo - Level 3 - Digital Download SKU: A0.516622 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score. 2 pages. Santino Cara #36389. Published by Santino Cara (A0.516622). Fourth movement (Menuetto - Trio) of the Orchestral Suite no.4 BWV 1069 for 3 oboes, bassoon, 3 trumpets, timpani, 2 violins, viola, cello, violone and B.C. by Johann Sebastian Bach. Transcribed for piano solo by Santino Cara in Rome, 2015.
$6.20
5.68 €
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Piano seul
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Bach Johann Sebastian
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Santino Cara
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Orchestral Suite No.4 in D major - 4. Menuetto-Trio - Piano version
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Santino Cara
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SheetMusicPlus
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,…
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - Digital Download SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00
18.32 €
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Various
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Daniel Kelley
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Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Last Resort Music Publishing
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SheetMusicPlus
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Var…
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Bassoon,Cello - Level 3 - Digital Download SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00
18.32 €
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Last Resort Music Publishing
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SheetMusicPlus
Horn Trio (2017) piano part
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.869563 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 38 pages. Thomas Oboe Lee #3381059. Published by Thomas Oboe Lee (A0.869563). Irina Muresanu has been a huge champion of my music since 2009 when I wrote a violin concerto for her and the Boston Civic Symphony Orchestra. Since then I have written other works for her.Partita for Solo Violin (2011)Grand Duo (2012) for violin and pianoPiano Trio No. 3 ... Keith Jarrett (2014) for violin, cello and pianoAnd now the Horn Trio (2017).I have always admired the Brahms Horn Trio, although it's not my favorite Brahms work. LOL! My Trio is in five movements.1. Moderato 2. Presto in 10/8 with a TRIO3. Allegro ... alla Marcia.4. Presto in 6/8 with a TRIO5. AdagioEnjoy!!!
$9.99
9.15 €
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Thomas Oboe Lee
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Horn Trio
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Thomas Oboe Lee
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SheetMusicPlus
Horn Trio (2017) violin part
Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Horn,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.869562 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 11 pages. Thomas Oboe Lee #3381055. Published by Thomas Oboe Lee (A0.869562). Irina Muresanu has been a huge champion of my music since 2009 when I wrote a violin concerto for her and the Boston Civic Symphony Orchestra. Since then I have written other works for her.Partita for Solo Violin (2011)Grand Duo (2012) for violin and pianoPiano Trio No. 3 ... Keith Jarrett (2014) for violin, cello and pianoAnd now the Horn Trio (2017).I have always admired the Brahms Horn Trio, although it's not my favorite Brahms work. LOL! My Trio is in five movements.1. Moderato 2. Presto in 10/8 with a TRIO3. Allegro ... alla Marcia.4. Presto in 6/8 with a TRIO5. AdagioEnjoy!!!
$9.99
9.15 €
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Thomas Oboe Lee
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Horn Trio
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Thomas Oboe Lee
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SheetMusicPlus
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.14887…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95
13.7 €
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Johannes Brahms
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Ray Thompson
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in C for movement II
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Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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RayThompsonMusic
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SheetMusicPlus
Tanzsuite für E.W.K (2023) - Score Only
Piano Quartet - Level 4 - Digital Download SKU: A0.1271449 Composed by Thomas Oboe …
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Piano Quartet - Level 4 - Digital Download SKU: A0.1271449 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #863850. Published by Thomas Oboe Lee (A0.1271449). Program note:Looking for something to do after finishing a song cycle of poems by P.B. Shelley but translated into Italian by Roberto Ascoli, I stumbled upon Erich Wolfgang Korngold's Suite opus 23 for violin, viola, cello and piano left hand. The work was commissioned by Paul Wittgenstein, who famously commissioned Ravel to write his world renowned Piano Concerto for the Left Hand in 1930. I was inspired by the Suite opus 23 for its many dance related movements. 1. Präludium und Fuge 2. Walzer 3. Groteske 4. Lied 5. Rondo - Finale My work will follow suit and also be dance related. The title of my work will be Tanzsuite für E.W.K., with the same instrumentation albeit for piano two-hands. 1. Präeludium ... Moderato 2. Intermezzo I ... Adagio 3. Groteske ... Presto TRIO 4. Lied ... Largo 5. Walzer ... Allegro 6. Intermezzo II ... Agitato TRIO 7. Nachtmusik ... LargoEnjoy!
$9.99
9.15 €
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Thomas Oboe Lee
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Tanzsuite für E.W.K
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Thomas Oboe Lee
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SheetMusicPlus
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1211524 Composed…
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #809135. Published by Thomas Oboe Lee (A0.1211524). In 2021 I dedicated SQ15 to Dmitri Shostakovich because ... he wrote fifteen string quartets.  Then I dedicated SQ17 to Heitor Villa-Lobos because he wrote seventeen.  What happened to SQ16?  We all know that Beethoven wrote sixteen string quartets.  But, I am not a fan of his work in general, and I did not find anything inspiring among his string quartets.  So, instead I dedicated SQ16 ... Música Callada (2022) to Federico Mompou.  His music I love!In my search for a string quartet inspiration I discovered that Darius Milhaud wrote eighteen string quartets.  I knew he spent a few years in Brazil as a diplomat, and I have always admired the Brazilian influences in his own music, like the twelve-movement work for solo piano, Saudades do Brasil.† So it became obvious that SQ18 is dedicated in memoriam to Darius Milhaud.SQ18 ... Hommage à Darius Milhaud (2023) is in six movements.I.  Très lent ... Vif, très rythmé  TRIOII.  LentIII.  Très animé  TRIOIV.  FunèbreV.  Très vifVI.  Très lent   TRIO.
$9.99
9.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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SQ18 ... Hommage à Darius Milhaud
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Thomas Oboe Lee
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SheetMusicPlus
SQ16 ... Música Callada (2022) full score
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.8…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869879 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 34 pages. Thomas Oboe Lee #6794109. Published by Thomas Oboe Lee (A0.869879). I have been a huge admirer of Federico Mompou since my first encounter with his Música Callada on the ECM label with pianist Herbert Henck. Years later I found an album of the same work with Jenny Lin on the Steinway & Sons label. I was so impressed with her work on the Mompou that I hired her to record my Twenty-nine Fireflies for solo piano (1977-2002). I have subsequently hired her to record other solo piano works of mine: For Morton Feldman (2017), Préludes ... Hommage à C.D. (2020), Via Crucis ... Hommage à Franz Liszt (2020) and Huit Épigraphes (2021). So when it came time to write my 16th string quartet, I decided that Beethoven wasn't as inspiring as Shostakovich was when I wrote SQ15 ... Hommage à DSCH (2021). So, instead I thought maybe I should write a tribute to Mompou for my 16th string quartet.  SQ16 ... Música Callada (2022) is in 6 movements. 1. Adagio - Moderato 2. Adagio - Moderato 3. Presto - TRIO 4. Adagio 5. Allegro - TRIO 6. Largo NB: The entire work is played muted, con sordino.
$9.99
9.15 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Sons label
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SQ16 ... Música Callada
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Thomas Oboe Lee
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SheetMusicPlus
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