Theme music from the movie "Back To The Future" arranged for Trombone Quartet.

Peak high note in the1st part is high G.

4th Partdoes not require F-trigger trombone as smaller cue notes areindicated an octave higher on trigger notes.

Perform as a TromboneQuartet / Choir or mix with EuphoniumQuartet

The Addams FamilyTheme
Program Notes

The Addams Family Theme is from the Addams Family TV Showand Movie. This flute choir arrangementcan be performed with as few as 5 players or a full flute choir with multipleplayers on a part. It is scored for 4trombones.

Halloween
Broadway
Movies
Television
Musicals

Phyllis Avidan Louke is an award-winning composer andarranger with more than 70 published pieces to her credit. www.phyllislouke.com

From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.

This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.

As played by Super Bone on YouTube.

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

The Clef Studies by Vladislav Blazhevich, composed in 1925 are a staple of the Trombone repertoire. Their quality is superb, not only for teaching the clefs, but solid technique and musical style as well.

Karl Lyden has brilliantly arranged Three Studies for Trombone Quartet inspired by the Blazhevich Clef Studies for Trombone based on numbers 56, 54 and 65 (subtitled Five Etude having a funk feel to it). They are very musically interesting, rhythmically challenging and fun to perform.

Here is a description of the Three Studies by arranger Karl Lynden:

"The seed for the Blazhevich Three Studies for Trombone Quartet came from my desire to write for my trombone quartet during undergraduate studies at Nebraska-Lincoln. I was tinkering with study No. 64 from Blazhevich?s Clef Studies for Trombone book and began to imagine pulsating trombone chords and ostinatos. The original was in 5/8 so I dubbed that arrangement ?Five Etude?.

Several years later, I had similar experiences with two other works from the book (No. 54 and 56). For the latter No. 56, I originally imagined it as a mournful duo between trombone and cello. I then flushed out the implied harmony to allow for four trombones.

No. 54 is more harmonically dense with an active bass line. It should be played majestically but come to rest in a subsided manner.For all three studies, I deviate slightly from the written form. However, the melody always remains constant as a means of generating new textures, harmonies, and rhythms. My hope is that trombonists in quartets will experience these familiar etudes in a new light."

Wagner began writing the opera Parsifal in 1857 but didn't complete it until 1882. It's first performance was given at Bayreuth just 4 months before his death. It is loosely based on a 13th-century epic poem of King Arthur and his quest for the Holy Grail.

Randall Malmstrom's beautiful arrangement of the music for 8-part Trombone Ensemble is noble and spiritual.

This 4-minute excerpt contains much of the Introduction or Vorspiel and is appropriate for advanced performers.

The instrumentation is for: 2 alto trombones, 4 tenor trombones, 2 bass trombones

Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich?s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince?s coffin.

Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.

Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones.

Diversions is a work by Canadian composer Elizabeth Raum for Trombone quartet written in 1998 for the Aurora Trombone Quartet. Elizabeth Raum's writing is influenced by the school of the tone poem in that her music seems often to tell a story.

Diversions consists of several sections, each with its own personality. It opens with a signal call from the first trombone that is answered in turn by each of the others. This leads to the first rather contrapuntal theme combining the Baroque with the Romantic; then a bridge consisting of variations on the signal brings us to the second theme of three muted trombones playing a lively dance-like accompaniment to the open sound of the first trombone. The continuity of the dance is interrupted by occasional asides or "diversions."

Finally, all four instruments, unmuted, join together bringing the piece to a rousing finish. This work of about 6 1/2 minutes in length is appropriate for advanced performers.

Ciacona (original key of F minor for organ) has been beautifully arranged for trombone quartet in C minor by Mark LaFratta. It is probably Pachelbel?s second most famous work, after the Kanon in D. As is typical for a Ciacona (Chaconne), there is a short simple tune in triple meter over a repeating bass ostinato that provides a vehicle for variation, ornamentation, and melodic invention. It is somewhat similar to a passacaglia. There is a passage or two that even have hints of Bach's great Passacaglia, which didn't appear for many years in the future.



Pachelbel's Ciacona states an opening theme followed by 22 variations, the last of which is an almost exact repeat of the opening theme.



This fantastic 8-minute arrangement is appropriate for advanced performers and is scored for: alto trombone, 2 tenor trombones, and a bass trombone

Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ?band? (for this version, read: ?trombones?) and intricate saxophone lines which are challenging but very rewardingly playable.

David Fletcher has done a magnificent job of translating the richness of Thad?s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.

David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar.

This sophisticated arrangement of Cohen's Classic goes through 3 keys and features all instruments, a real highlight of you upcoming performances. Far from being just a transcription of the world famous pop song by Leonard Cohen. A must for every challenges taking ensemble! Have Fun! Instrumentation: 4 Trombones (incl. Bass Trombone) in C/Bb

Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!

Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.

Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.

The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.

This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers.

Volume five of ten in a large collection of arranged hymns, spirituals, and spiritual songs for trombone or euphonium and bass trombone or tuba duet. Difficulty level: 2 to 4

List: Immortal, Invisible, God Only Wise, In the Garden, I've Got Peace Like a River, Jesus Loves Me, Jesus, Lover of My Soul, Joyful, Joyful, We Adore Thee, Just As I Am, Lead On, Eternal King, Leaning On the Everlasting Arms, and Let Us Break Bread Togetherand#65279;

Scott Joplin's effervescent, rollicking "Pineapple Rag" is arranged here as a ragtime brass trio for trombone. Recommended for concerts, recitals and other multiple venues; especially popular as an encore! Key: Bb major / modulates to Eb major. 14 pages of music (that includes the score and separate two-page pullout parts for each instrument)

L?Amour, (Love in French),is a beautiful original composition by David McKeown, arranged as a duet for two Trombones. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.


This duet is inspired by the French Chanson style associated with café life in Paris and beyond. This music has its roots in La Belle Epoque and was popularized by singers such as Édith Piaf, Jacques Brel and Charles Aznavour. Long associated with romance, L?Amour is just what?s needed when love is in the air.

L?Amour is written for players at an intermediate standard and upwards. The melody should always flow; following the articulation in the score and adding plenty of expression will help convey the style. L?Amour has a performance time of around three minutes.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Barumba is an original composition by former iTromboni Bass Trombonist Kenneth Pearce. It was the very first original composition written for the ensemble.

Barumba is a light hearted, playful Bossa Nova which attempts to capture a bit of the droll humour of its composer!

This 3-minute composition is scored for 4 Tenor Trombones, 1 Bass Trombone and is suitable for medium-advanced performers. Trombone 1 contains a repeated 16 bar improvised solo and Trombone 3 contains a high D!

This work is featured on the iTromboni album There Goes the Neighbourhood

A simple arrangement of the classic Herbie Hancock "cool" tune. The melody get's passed around the quartet and allows for improvisation, with a Bass Trombone and 1st Trombone solo in the middle. Aimed at amateur ensembles with an intermediate range, with solos that explore the harmony of the tune without getting too crazy.

As recorded by Super Bone on YouTube.

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

Deck The Halls for Trombone Quartet or mix and match with Euphonium / Baritone B.C.

Configure as quartet or super size it by doubling up on parts for trombone choir use. Excellent addition to your Christmas holiday music library for small ensembles, concerts, community events, etc,

Note Range:
Highest note is in 1st part on a high B-flat.
4th part does not require F-trigger trombone

Skill level:
Intermediate to Advanced due to higher range in first part. Great for high school and up musicians.

Comes with full score and parts.

Eine Alpensinfonie is Strauss's final and largest scale tone poem. Composed in 1915 (during WWI) Strauss puts into music his feelings of joy and mystery about the glory of nature, especially the mountains. He so loved the mountains that he built a home in the Bavarian Alps with stunning views.

The original work is scored for an enormous orchestra of at least 125 musicians and is about 50 minutes in length. This fantastic 6-minute arrangement by Randall Malmstrom, appropriate for advanced performers is for an 8-part Trombone Ensemble (1 alto, 5 tenors, and 2 bass trombones) and features excerpts from the work that highlight the trombone section's glorious chorals.

A hallmark of this American TV series is each episode's opening scene, in which Briggs or Phelps receives his instructions from a faceless voice, delivered on a recording which then self-destructs; this is immediately followed by the theme music, composed by Lalo Schifrin. This music is presented here in an exciting arrangement for trombone quartet with optional drum kit; it works as a great opener to a concert.

Killer Queen by Freddie Mercury arranged for trombone duet, in original key.



Full score and parts included.
Parts: Trombone 1, Trombone 2
Approximate duration: 2.15 minutes.

Christmas Time Is Here from A Charlie Brown Christmas - arranged for Trombone Quartet

Perform as quartet or double up parts to create a robust sonorous Trombone Choir (Ensemble) sound.

Score and parts included.

Sergei Rachmaninoff's Prelude Op. 3, No. 2 is one of the composer's most famous compositions and is also known as The Bells of Moscow since the introduction seems to reproduce the Kremlin's most solemn carillon chimes. (Wikipedia).

This fantastic arrangement in C minor (the original is in C#) by Kevin Dombrowski for 8-part Trombone Ensemble certainly retains the immense gravity and solemnity of the piano version if not more, with the rich and dramatic sounds of the trombones.

The 4-minute arrangement is appropriate for advanced performers.

Ryan Diefenderfer's clever arrangement of the Traditional Christmas carol God Rest You Merry, Gentlemen for Trombone Quartet begins as a Bass Trombone feature ballad with accompanying jazz chords. Then it ramps up to a jazz waltz giving all parts a good workout.

This almost 4-minute work is appropriate for advanced performers.

The digital sound track is a rough guide to who this arrangement sounds  

A full on arrangement of the classic James Bond theme from GOLDFINGER for 8 trombones. Parts for 6 tenors and two basses. Lead part goes to high E and bass trombone 2 includes some low B naturals. Enjoy the overly loud demonstration recording I did!