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TRI ET FILTRES
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Tri et filtres :
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Try It On My Own
Partitions à imprimer
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Try It On My Own
Chorale SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.776599 Composed by Aleese …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.776599 Composed by Aleese Simmons, Carole Bayer Sager, Jason Paul Edmonds, Kenneth B Edmonds, Kenneth Edmonds, Nate Walton, and Nathan V. Arranged by Tom Gentry. Contemporary. Octavo. 7 pages. Tom Gentry #6036957. Published by Tom Gentry (A0.776599).
$4.50
4.09 €
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Chorale SSAA
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Aleese Simmons, Carole Bayer Sager, Jason Paul Edmonds, Kenneth B Edmonds, Kenneth Edmonds, Nate Walton, and Nathan V
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Tom Gentry
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Try It On My Own
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Tom Gentry
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SheetMusicPlus
Try It On My Own
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Digital Download SKU: A0.496798 Composed by Carole Bayer Sager, Kenn…
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C Instrument - Digital Download SKU: A0.496798 Composed by Carole Bayer Sager, Kenneth B Edmonds, and Nathan V. Arranged by RWM. Pop. Lead Sheet / Fake Book. 4 pages. Published by RWM (A0.496798). CHORD GUIDE ONLY.
$4.99
4.54 €
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Ligne De Mélodie, (Paroles) et Accords
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Carole Bayer Sager, Kenneth B Edmonds, and Nathan V
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RWM
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Try It On My Own
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RWM
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SheetMusicPlus
Try It On My Own
Small Ensemble - Digital Download SKU: A0.918107 Composed by Aleese Simmons, Carole…
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Small Ensemble - Digital Download SKU: A0.918107 Composed by Aleese Simmons, Carole Bayer Sager, Jason Paul Edmonds, Kenneth B Edmonds, Kenneth Edmonds, Nate Walton, and Nathan V. Arranged by Ronn M. Contemporary. Score and parts. 4 pages. Ronn M #5983607. Published by Ronn M (A0.918107).
$4.99
4.54 €
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Aleese Simmons, Carole Bayer Sager, Jason Paul Edmonds, Kenneth B Edmonds, Kenneth Edmonds, Nate Walton, and Nathan V
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Ronn M
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Try It On My Own
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Ronn M
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SheetMusicPlus
Let It Be
Piano seul
Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Elena Fortin…
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Piano Solo - Intermediate - Digital Download By The Beatles. Arranged by Elena Fortin. Sheet Music Single. 4 pages. Published by Elena Fortin
Let It Be is one of my favourite songs from the Beatles. John Lennon and Paul McCartney are credited as the singer/songwriters of this beautiful ballad.<br> <br> I watched the movie "Yesterday" featuring so many of the Beatles iconic songs and had this song running through my head for days afterwards. Sitting down at the piano, this arrangement came to me in a few hours. I scribbled madly to get it all down and then was discouraged when I found out that the Beatles' collection of music was NOT in our catalog of arrangeable songs! (Normally I check before I write!)<br> <br> I contacted SMP Press to ask if it would be difficult to try to obtain the copyrights from Sir Paul! I was excited to see his music included in our catalog a few months later! I put the video up as a piano cover on YouTube and got a few requests for the sheet music. So glad to be able to make it available now.<br> <br> This year, I've been arranging songs that I consider to be important. The popular ballad's longevity is a testament to it's importance in songwriting history.<br> <br> My arrangement is written in 4/4 time, with left hand that provides the accompaniment. This is an expressive piano solo, and is a challenge to intermediate and early advanced players. The arrangement has four-note chords, some octave work, and an area where there are bass leaps in the left hand. Legato pedalling should be used throughout, with attention to careful fingering to ensure that the melody is played smoothly and expressively. The piano solo can be used as a recital piece, a solo in many different arenas or for your own private enjoyment.<br> <br> If you like this arrangement, please check out my other piano solos on my publisher page. You can also check out my YouTube channel "the-piano-studio.com", or my website at www.the-piano-studio.com.
$4.99
4.54 €
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Piano seul
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The Beatles
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Elena Fortin
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Let It Be
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Elena Fortin
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SheetMusicPlus
Put Your Head On My Shoulder
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1262590 By Paul Anka. By Paul Anka.…
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Piano Solo - Level 2 - Digital Download SKU: A0.1262590 By Paul Anka. By Paul Anka. Arranged by Mav Duo. 20th Century,Pop. Score. 2 pages. Musicial #855605. Published by Musicial (A0.1262590). Elevate Your Emotions: A Touching Piano Solo Arrangement of Put Your Head on My Shoulder by Paul AnkaAre you yearning for a musical journey that will sweep you off your feet and transport you to a place of heartfelt romance and tender nostalgia? Look no further, as we present to you a truly touching piano solo arrangement of Put Your Head on My Shoulder by the legendary Paul Anka.Indulge in the timeless charm and elegant simplicity of this beloved classic as it comes alive through the gentle keystrokes of the piano. Each note, carefully crafted and delicately executed, carries the weight of countless emotions, drawing you into a world where passion and longing intertwine with every heartfelt melody.This piano solo arrangement, created with meticulous attention to detail, allows you to experience the pure essence of Put Your Head on My Shoulder in a way that only a solo piano can convey. The piano's versatility and ability to evoke emotions with every touch come to the forefront, capturing the essence of Paul Anka's timeless masterpiece and infusing it with a newfound depth and intimacy.Whether you are an accomplished pianist seeking an evocative piece to showcase your artistry, a devoted fan of Paul Anka, or someone yearning for a nostalgic musical experience, this piano solo arrangement is an absolute gem. It offers a profound opportunity to immerse yourself in the beauty of this classic, allowing your fingers to breathe life into the heartfelt melodies and weaving your own personal interpretation into its enchanting tapestry.As the music unfolds, you will feel an undeniable connection to the emotions that Put Your Head on My Shoulder encapsulates. The gentle, melodic phrases will transport you to a place where memories of tender moments and bittersweet love intertwine. With each stroke of the keys, you'll find yourself swept away by a sense of longing and a profound yearning for connection.This piano solo arrangement of Put Your Head on My Shoulder is a testament to the enduring power of music to touch our souls. It invites you to embrace the evocative journey that unfolds through the intertwining melodies, allowing your heart to soar and your emotions to be set free. It is a musical testament to the beauty of human connection and the lingering emotions that live within our hearts.Don't miss this incredible opportunity to own a piece of musical magic. Order your piano solo arrangement of Put Your Head on My Shoulder today and let the tender melodies caress your senses, immersing you in a world of timeless romance and profound nostalgia. Elevate your emotions and let the piano transport you to a place where love and longing harmonize, leaving an indelible mark on your soul.Keywords: piano solo arrangement, Put Your Head on My Shoulder, Paul Anka, musical journey, heartfelt romance, tender nostalgia, timeless charm, elegant simplicity, countless emotions, pure essence, evocative piece, personal interpretation, enchanting tapestry, undeniable connection, bittersweet love, enduring power of music, evocative journey, lingering emotions, musical magic, timeless romance, profound nostalgia, elevate your emotions.
$5.00
4.55 €
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Piano seul
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Paul Anka
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Mav Duo
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Put Your Head On My Shoulder
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Musicial
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SheetMusicPlus
Study on Beethoven
Quatuor à cordes: 2 violons, alto, violoncelle
String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No.…
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String quartet - difficult - Digital Download SKU: S9.Q778767 String Quartet No. 6. Composed by Joerg Widmann. Downloadable, Score and parts. Duration 27 minutes. Schott Music - Digital #Q778767. Published by Schott Music - Digital (S9.Q778767). My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works ranging from the (in my opinion) quasi revolutionary Quartet No. 1 to the Quartet No. 5 entitled Versuch über die Fuge [Attempt at a Fugue]. The Quartet No. 6 – Study on Beethoven – composed fourteen years after No. 5 should be conceived as a new approach and the commencement of a new quartet cycle with an unknown ending. All that can be said is that the subsequent quartets will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Despite a reverence for Beethoven at a very early stage, my own compositions have steered well clear of this unapproachable cosmos with the exception of my concert overture Con brio. The perhaps only link with the five quartets of the first cycle of quartets is the single-movement structure of the thirty-minute Quartet No. 6. The fundamental coordinates have otherwise been reset to zero. This is therefore also a ‘study’ in a literal sense. In the Quartet No. 6, I set out with a state of tonality displaying significant extensions whose centrifugal forces are barely containable. My focus is the detection of the inherent gravitation of tonality, including phenomenons such as tension/relaxation, suspension/resolution and fixation/deviation. From a formal aspect, the work is too experimental and unsentimental for explorations in a nostalgic-romantic sense. On the contrary, tonality or at least its fundamental assumptions are initially set down in the sense of a study or test assembly in order to permit subsequent experimentation, variation and the formulation of exceptions with the desire and firm conviction that it is possible to express something innovative and never previously heard with this seemingly exhausted fundamental material. I have been repeatedly astonished by the unfolding in the progression of this piece which has taken me to unknown locations, especially from a formal aspect. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. The Quartet No. 6 has been created in close artistic and friendly cooperation with Anne-Sophie Mutter and she is the dedicatee of this work. Jörg Widmann, July 2019My quartets composed between 1997 and 2005 were conceived as an interconnected, self-contained cycle of works. The Quartet No. 6 composed fourteen years after No. 5 now opens a new cycle of quartets which will be devoted to an intense study of Ludwig van Beethoven’s unique and consummate artistry of quartet composition. Perhaps the only link with the five quartets of the first cycle is the single-movement structure of the almost thirty- minute Quartet No. 6. I am fascinated to see what forms the subsequent quartets in this ‘Beethoven study’ cycle will lead me to. Jörg Widmann.
$82.99
75.49 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Joerg Widmann
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Study on Beethoven
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Schott Music - Digital
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SheetMusicPlus
My Soul Is Thirsting (Psalm 63)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.921653 Composed by Tom D…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.921653 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #3689741. Published by Tom Dwight (A0.921653). A brief caveat: I apologize for the quality of the attached recording. I will try to get a better one up soon! That said, you can at least get a sense of what it sounds like :)My Soul Is Thirsting is based on Psalm 63 and is meant for two singers with the choir/assembly joining in on the refrain. I would love to hear this done with some good singers, bass, guitars and drums. At some point, I'd like to write some brass parts to go along with it.As with all my music, if you would like to send me a recording of your group doing this song, I'd be happy to promote it on my website!This should be done in a steady driving tempo although, be careful not to go too fast at the beginning because verse four can get a little hairy!Feel free to contact me at tommydwightmusic@gmail.com with any questions and if you'd like to receive updates on new music, I hope you'll consider joining my mailing list at:https://mailchi.mp/bfc4f2619558/tommydwightmusicThanks for taking a look - I think this piece is a ton of fun to play and sing - I hope you do too!
$2.25
2.05 €
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Chorale Unison
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Tom Dwight
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My Soul Is Thirsting
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Tom Dwight
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SheetMusicPlus
Take Me Home, Country Roads (Easy Piano)
Piano Facile
Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By Jo…
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Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!<br> <br> With this easy piano sheet music, you can play “Country Roads” on piano.<br> <br> I created a more challenging arrangement as well - you can find it here: https://www.sheetmusicplus.com/title/21148082<br> <br> This here is an easy piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.<br> <br> However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!<br> <br> Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!<br> <br> In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.<br> <br> "Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!<br> <br> Time to play some country music on piano!<br> <br> Here are the full lyrics to "Country Roads":<br> <br> "Almost heaven, West Virginia<br> Blue Ridge Mountains, Shenandoah River<br> Life is old there, older than the trees<br> Younger than the mountains, blowing like a breeze<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> All my memories gather round her<br> Miner's lady, stranger to blue water<br> Dark and dusty, painted on the sky<br> Misty taste of moonshine, teardrop in my eye<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> I hear her voice, in the morning hour she calls me<br> The radio reminds me of my home far away<br> And driving down the road I get a feeling<br> That I should have been home yesterday, yesterday<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> Take me home, down country roads<br> Take me home, down country roads"
$4.99
4.54 €
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Piano Facile
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John Denver
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Mario Stallbaumer
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Take Me Home, Country Roads
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Ar…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!<br> <br> With this piano sheet music, you can play “Country Roads” on piano.<br> <br> It’s a piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.<br> <br> However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!<br> <br> Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!<br> <br> In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.<br> <br> <br> <br> "Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!<br> <br> <br> <br> Time to play some country music on piano!<br> <br> <br> <br> Here are the full lyrics to "Country Roads":<br> <br> <br> “Almost heaven, West Virginia<br> <br> Blue Ridge Mountains, Shenandoah River<br> <br> Life is old there, older than the trees<br> <br> Younger than the mountains, blowing like a breeze<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> All my memories gather round her<br> <br> Miner's lady, stranger to blue water<br> <br> Dark and dusty, painted on the sky<br> <br> Misty taste of moonshine, teardrop in my eye<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> I hear her voice, in the morning hour she calls me<br> <br> The radio reminds me of my home far away<br> <br> And driving down the road I get a feeling<br> <br> That I should have been home yesterday, yesterday<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Take me home, down country roads<br> <br> Take me home, down country roads”
$4.99
4.54 €
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Piano, Voix
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John Denver
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Mario Stallbaumer
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Take Me Home, Country Roads
Piano seul
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Ar…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Take Me Home, Country Roads" on piano!<br> <br> It's an accurate, beautiful piano arrangement of the full song, in its original key of A major.<br> <br> The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.<br> <br> Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords!<br> <br> "Take Me Home, Country Roads" (also known as "Take me Home" or just "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises".<br> <br> It's arguably the most famous song about West Virginia, and was declared one of its official state anthems in 2014!<br> <br> Soon after its original release, "Country Roads" became one of John Denver's signature songs, one today it's one of the most famous country songs of all time.<br> <br> It also makes for a fantastic piano cover!<br> <br> Here are the full lyrics to "Country Roads":<br> <br> Almost heaven, West Virginia<br> Blue Ridge Mountains, Shenandoah River<br> Life is old there, older than the trees<br> Younger than the mountains, growin' like a breeze<br> <br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> <br> All my memories gather 'round her<br> Miner's lady, stranger to blue water<br> Dark and dusty, painted on the sky<br> Misty taste of moonshine, teardrop in my eye<br> <br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> <br> I hear her voice in the mornin' hour, she calls me<br> The radio reminds me of my home far away<br> Drivin' down the road, I get a feelin'<br> That I should've been home yesterday, yesterday<br> <br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> <br> Country roads, take me home<br> To the place I belong<br> West Virginia, mountain mama<br> Take me home, country roads<br> <br> Take me home, down country roads<br> Take me home, down country roads
$4.99
4.54 €
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Piano seul
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John Denver
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Mario Stallbaumer
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Don't It Make My Brown Eyes Blue
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.1410612 By Crystal Gayle. By Rich…
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C Instrument - Level 4 - Digital Download SKU: A0.1410612 By Crystal Gayle. By Richard Leigh. Arranged by John Fries. Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #993032. Published by John Fries (A0.1410612). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Don't It Make My Brown Eyes Blue is a song written by Richard Leigh, and recorded by American country music singer Crystal Gayle. It was released in June 1977 as the first single from Gayle's album We Must Believe in Magic.In a 2004 Country Music Television interview, Gayle stated that Leigh wrote the song because his dog had one brown eye and one blue eye. However, in a 2016 interview, Richard Leigh set the record straight and said that this was not the case. His dog, Amanda, a terrier, had two brown eyes. The song became a worldwide hit single. In the United States, it topped the Billboard country music chart for four weeks, and was Gayle's first (and biggest) crossover pop hit, reaching number 1 on the Cashbox Top 100 for two weeks, and number 2 on the Billboard Hot 100 for three weeks.
$3.99
3.63 €
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Instruments en Do
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Crystal Gayle
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John Fries
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Don't It Make My Brown Eyes Blue
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John Fries
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SheetMusicPlus
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandeli…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
1.91 €
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Chorale SATB
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Dandelion Music Press
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I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
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Dandelion Music Press
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SheetMusicPlus
Don't It Make My Brown Eyes Blue
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.508516 By Crystal …
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.508516 By Crystal Gayle. By Richard Leigh. Arranged by Eric Burger Music. Contemporary. Score and parts. 46 pages. Eric Burger Music #6637041. Published by Eric Burger Music (A0.508516). This Chrystal Gayle's single became a worldwide hit single. In the United States, it topped the Billboard country music chart for four weeks, and was Gayle's first (and biggest) crossover pop hit, reaching number 1 on the Cashbox Top 100 for two weeks, and number 2 on the Billboard Hot 100 for three weeks. It was the first great Country Pop crossover hit.
$60.00
54.58 €
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Ensemble Jazz
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Crystal Gayle
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Eric Burger Music
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Don't It Make My Brown Eyes Blue
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Eric Burger Music
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SheetMusicPlus
Santa Claus Is Comin' To Town
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven …
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Piano Solo - Level 3 - Digital Download SKU: A0.1323881 By Michael Buble. By Haven Gillespie and John Frederick Coots. Arranged by Thomas Gunther. Blues,Christmas,Jazz. Score. 5 pages. Thomas Gunther Music Productions #912057. Published by Thomas Gunther Music Productions (A0.1323881). Solo Piano Arrangement By Thomas GuntherSanta Claus Is Coming To Town is another one of my favorite Christmas songs. For some reason I love playing it in a bluesy style, with some jazz voicings. The bridge is more in stride piano style.About The ArrangementThe arrangement includes different stylistic elements found in more traditional popular piano music. It definitely has a bluesy vibe, but also shows elements of jazz and stride piano.When it comes to the form I extended it by adding an intro that comes back in-between sections in form of an interlude. There is also an outro. About The Sheet MusicThe sheet music is basically a transcription of my recording. It contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. My Arranging WorkflowI have different approaches for creating solo piano arrangements of songs. The one I took here is as follows. First I come up with different ideas, try them out, and after a while settle on those I like best. Once I practiced and internalized those ideas I press record and hope for the best. Before the final version is done, I record myself many times over. This gives me the opportunity to improve upon each version until I have one that I feel comfortable with.Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. This way you get a better understanding about the phrasing and the rhythmic feel.You may want to spend a little time just vamping a few bars to get into the groove. When that feels good move on to different sections.The bridge is different in feel because it is based on stride piano rather than blues. Stride piano features big jumps in the left hand and big intervals between the outer notes (up to a 10th). Should you have difficulty in playing those big intervals (smaller hands will make this hard) you may roll the notes and use the sustain pedal.Is This Arrangement For You?This solo piano arrangement is for every pianist who would like to try playing Santa Claus Is Comin' To Town in a more bluesy-jazzy style. Dependent on what your specialty is musically speaking, you made benefit from it in different ways. Here are some examples.Classical PianistsIf you are a classical pianist who rarely listens to jazz and blues music, this arrangement might be a great way to dip your feed into more contemporary genres and styles like blues and jazz. This said, it might be quite challenging. Not from a technical point of view, but from a musical point of view. For example, swung eighth notes and accents and phrasing in blues and jazz are somewhat contrary to classical music. It's gonna be a great learning experience for sure!Jazz PianistsShould you be a jazz musician or blues musician, you may not necessarily want to play the arrangement as written note for note. Instead, you might just fall in love with some of my ideas and create your own arrangement based on those.This goes especially for the solo section. You can play my solo or use it as inspiration for your own solo. Of course experiences blues and jazz musicians will prefer to make up their own solo.I truly hope you have fun playing this arrangement! Yes.
$5.99
5.45 €
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Piano seul
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Michael Buble
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Thomas Gunther
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Santa Claus Is Comin' To Town
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Thomas Gunther Music Productions
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SheetMusicPlus
My Grandfather's Clock - American Folk Song - Easy Piano
Piano Facile
Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Henry Clay Wo…
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Piano Solo, Easy Piano - Early Intermediate - Digital Download Composed by Henry Clay Work. Arranged by Dennis Ruello. Repertoire, General Instructional, Folk, Children's Music, Americana. Solo Part. 2 pages. Published by Chicory Music
"2018 Keyboard Contest Entry" "My Grandfather's Clock" was often played in Britain on Children's Favourites and during that period was recorded by the Radio Revellers. In the United States, a version, without the last stanza of lyrics, was on an extended-play 45 rpm record on the Peter Pan label (the other song on that side was The Syncopated Clock, and the flip side had The Arkansas Traveler and Red River Valley). Johnny Cash covered the song on his 1959 album Songs of Our Soil. Evelyn Knight recorded the song for Decca Records. Also in 1959, it was included on The Four Lads' album, Swing Along. Other versions became popular in other countries; it is well known to many generations in Japan, with a cover by singer Ken Hirai becoming massively popular in 2002. This easy piano piece is perfect for piano recitals and school performances. Performance Time Approx. 1 minute 30 seconds.
$3.99
3.63 €
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Piano Facile
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Henry Clay Work
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Dennis Ruello
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My Grandfather's Clock - American Folk Song - Easy Piano
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SheetMusicPlus
Don't It Make My Brown Eyes Blue
Orgue
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.454466 By C…
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.454466 By Crystal Gayle. This edition: scorch. E-Z Play Today. Country,Standards. Score. 2 pages. Hal Leonard - Digital #201100. Published by Hal Leonard - Digital (HX.454466). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.72 €
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Orgue
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Crystal Gayle
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Don't It Make My Brown Eyes Blue
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Hal Leonard - Digital
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SheetMusicPlus
My Saxophone and Me (E flat version)
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin …
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Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.522194 Composed by Colin Kirkpatrick. Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3134129. Published by Colin Kirkpatrick Publications (A0.522194). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679821The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Nice ‘n Easy (No 2); Lazy Days (No 4); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has writte.
$5.95
5.41 €
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Saxophone Alto et Piano
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Colin Kirkpatrick
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Lazy Days
(No 4)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
My Saxophone and Me (B flat version)
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin…
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Piano,Tenor Saxophone - Level 1 - Digital Download SKU: A0.522193 Composed by Colin Kirkpatrick. Contemporary,Instructional,Standards. Score and part. 28 pages. Colin Kirkpatrick Publications #3133717. Published by Colin Kirkpatrick Publications (A0.522193). My Saxophone and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The book comes in two versions, one for B flat saxophones and the other for E flat instruments. However, for obvious reasons you cannot mix B flat and E flat instruments in the same group. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for some beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary. An MP3 file of all the piano accompaniments is also available as a separate item. You can find it here: https://www.sheetmusicplus.com/title/20679835 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Island Song (No 3); Waltzing Around (No 7); Just a Minuet (No 11) and Donkey Trot (No 12). Colin Kirkpatrick studied at London’s Royal College of Music. He followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with responsibility for training teachers and directing the instrumental teaching service. The work in education gave him many opportunities for composing. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He holds MA and PhD degrees. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written.
$5.95
5.41 €
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Saxophone Tenor et Piano
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Colin Kirkpatrick
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Island Song
(No 3)
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My Saxophone and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
My Flute and Me
Flûte traversière et Piano
Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatri…
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Flute,Piano - Level 1 - Digital Download SKU: A0.522191 Composed by Colin Kirkpatrick. Contemporary,Instructional. Score and part. 28 pages. Colin Kirkpatrick Publications #3130519. Published by Colin Kirkpatrick Publications (A0.522191). My Flute and Me consists of fourteen short and delightful pieces written especially for absolute beginners up to students at elementary level. The pieces are intended as supplementary material to your usual tutor books. The music can be used with any number of players and the pieces remain in the lower register. Several early pieces use only the notes B, A and G and the key of G major predominates. Six of the pieces use only half notes (minims) and quarter notes (crotchets). The low C, a tricky note for many beginners, has been avoided almost completely. On the one occasion it appears, the note C an octave above is given as optional. Although the pieces are arranged in approximate order of difficulty you can play them in any order you want, depending on the musical needs of the student. Your students are sure to enjoy these pieces, which are both easy on the fingers and easy on the ear! The music is identical to that in the companion book My Recorder and Me. Several pieces have a few measures (bars) rest in the middle not only to give the player a break and add musical contrast but also to give the experience of counting empty bars during the music. When space allows, piano cues appear in the solo part. Some of the later pieces in the book have good performing potential and could be strung together in any order to create a small suite. Every piece has a short piano introduction so that the student can sense the tempo and musical style before playing. The keyboard accompaniments have been kept as simple as possible with the minimum number of notes. Dynamic markings (e.g. piano and mezzo-forte) are used from the start, but phrasing has been omitted from the solo part. This is because the teacher is usually in the best position to suggest phrasing within the physical capabilities of each student. Slurs have been employed sparingly and only when necessary.An MP3 file containing all the play-along piano accompaniments is available as a separate item here: https://www.sheetmusicplus.com/title/20679840 The book includes a well-known folk lullaby from Wales and a lively folk song from Thailand which is known by all Thai people because it’s taught in elementary schools throughout the country. The music has been converted into pdf files at 1,200 dpi which will produce professional looking printed copies of high quality. However, the output quality will also depend on your own printer settings and capabilities. The publication consists of a teacher's book (18 pages) and a student's book (8 pages) both contained in the same pdf file. The sample MP3 (click on the “Listen†button above) contains recordings of Starting Tune (No 1); Nice ‘n Easy (No 2); Waltzing Around (No 7) and Donkey Trot (No 12). The composer, Colin Kirkpatrick studied at London’s Royal College of Music. After graduation, he followed a career in music education and composed music as an active sideline. His publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. He was a High School Music Director for about fifteen years and then became a Music Education Adviser for local government, with the added responsibility for training teachers and overseeing the instrumental service. He has written articles for magazines in both the UK and the USA and holds MA (Hons) and PhD degrees.
$5.95
5.41 €
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Flûte traversière et Piano
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Colin Kirkpatrick
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My Flute and Me
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Colin Kirkpatrick Publications
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Trompette
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Timpani
Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Be…
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Percussion Solo,Timpani - Level 4 - Digital Download SKU: A0.1018954 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078699. Published by Benjamin Sajo (A0.1018954). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 2
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018949 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078683. Published by Benjamin Sajo (A0.1018949). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Bassoon 1
Basson
Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harr…
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Bassoon Solo - Level 4 - Digital Download SKU: A0.1018948 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078681. Published by Benjamin Sajo (A0.1018948). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Basson
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
Cor
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin …
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
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Cor
#
Benjamin Harry Sajo
#
Kommos
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Benjamin Sajo
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Trompette
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harr…
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.18 €
#
Trompette
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
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