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Tuck's Letter
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Vous avez sélectionné:
Tuck's Letter
Partitions à imprimer
14 partitions trouvées
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1
Tuck's Letter
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Piano seul
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DÉBUTANT
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Film/TV
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Aaron Zigman
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Ben Fan
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Tuck's Letter
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Ben Fan
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.924475 Composed by Aaron Zigman. Arranged by Ben Fan. Film/TV. Score. 1 pages. Ben Fan #3549241. Published by Ben Fan (A0...
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Piano Solo - Level 1 - SKU: A0.924475 Composed by Aaron Zigman. Arranged by Ben Fan. Film/TV. Score. 1 pages. Ben Fan #3549241. Published by Ben Fan (A0.924475). Tuck's Letter by Aaron Zigman, from The Best Of Me. Arranged by Ben Fan. For Piano, requests can be made for other instruments or ensembles, contact benfan2001@gmail.com for more info.
$3.00
I've Received a Sweet Letter From Home. Song and Chorus
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Chorale SATB
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C
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I've Received a Sweet Letter F
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.149 Composed by C.F. Shattuck. Clothing & dress, Windows, Ships, Drapery, Portraits, Tables, Writing, C...
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Piano and voice (solo and SATB chorus) - SKU: LV.149 Composed by C.F. Shattuck. Clothing & dress, Windows, Ships, Drapery, Portraits, Tables, Writing, Correspondence. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.149). I've Received a Sweet Letter From Home. Song and Chorus. Words by A.G. Chase. Music by C.F. Shattuck. Published 1869 by W.W. Whitney's Palace of Music in Toledo. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Clothing & dress, Windows, Ships, Drapery, Portraits, Tables, Writing, Correspondence. First line reads My heart dawns with light and is beaming with joy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Funf Klavierstucke I sehr langsam
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Piano seul
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AVANCÉ
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Contemporain
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Stephen R Dalrymple
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Funf Klavierstucke I sehr lang
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Stephen R Dalrymple
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SheetMusicPlus
Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs)...
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Instrumental Solo - Level 5 - SKU: A0.818287 By Stephen R Dalrymple. By Arnold Schoenberg. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). 20th Century. Individual part. 8 pages. Stephen R Dalrymple #4979561. Published by Stephen R Dalrymple (A0.818287). Fünf Klavierstücke I Sehr Langsam (Opus 23 Number 1) (Five Piano Pieces) by Arnold Schönberg (1874-1951). ♫ This opus was written in 1923. Piece # 1 is written in Schoenberg's atonal style, but is a precursor to his 12 tone pieces. Number 5 in the series was Schönberg’s first published 12 tone composition. ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Sequenced by the editor ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99
Kentucky Waltz
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Piano Facile
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DÉBUTANT
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Eddy Arnold
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SilverTonalities
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Kentucky Waltz
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1503466 By Eddy Arnold. By Bill Monroe. Arranged by SilverTonalities. Contemporary,Country,Instructional. Score. 2 pages....
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Easy Piano - Level 1 - SKU: A0.1503466 By Eddy Arnold. By Bill Monroe. Arranged by SilverTonalities. Contemporary,Country,Instructional. Score. 2 pages. SilverTonalities #1078915. Published by SilverTonalities (A0.1503466). Kentucky Waltz is a 1946 song written and performed by Bill Monroe. The song was Bill Monroe's most successful release on the Country & Western charts peaking at number threeA SilverTonalities Arrangement!Easy Note Style Sheet MusicLetter Names of Notes embedded in each Notehead!By purchasing this arrangement, you agree to use them for personal use only; no re-selling of any or all of the contents is permitted
$4.99
My Old Kentucky Home
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Guitare
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FACILE
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Stephen Foster
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Brian Streckfus
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My Old Kentucky Home
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyr...
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Guitar - Level 2 - SKU: A0.1168489 Composed by Stephen Foster. Arranged by Brian Streckfus. Country,Folk,Instructional,Pop,Singer/Songwriter. Chords/Lyrics. 1 pages. Brian Streckfus #768792. Published by Brian Streckfus (A0.1168489). If you are looking for a historically accurate version, I would just get Hal Leonard's publications of it. This version really sprinkles some razzle dazzle on an otherwise straightforward public domain song in G major, though it does not use the exact original melody.1. The original melody is NOT intact, this is ghostwritten. Notes were flatted to give a bluesier sound.  2. The chords are very modern, despite this song being written in the mid 1850s. 3. Grace notes added 4. Background harmonies now have more thought put into part writing, originality, being idiomatic on guitar, and making the melody the forefront. 5. Left hand fingerings added to aid in sight-reading.6. Letter names added to note heads to aid in sight-reading.7. I like versions like this because it could be used for a guitarist who doesn't sing, a guitarist who does sing, or a guitarist in a band. In otherwords, the more band members, the more you are just focusing on background chords, the more you are a one-person band, the more you have to take everything in. Tips:1. I arranged this so that students could see how blues scales work as I drenched this song in more blues than it originally had (Bb - B...F - F#...E minor blues and G major blues respectively.) You'll notice I don't stay on these dissonant blues notes for very long, that's why there's so many grace notes in this song.2. The D9 in measure 6 was originally a D7. Some extensions like this don't really change the scale in use.3. The Ab7 in measure 7 was originally a D7, making the Ab7 a tritone substitution. If you know the key of G major well, that chord should stick out like a sore thumb. 4. The Bb7 in measure 14 was originally a G7. I call these kind of substituitions mediant substitutions as they are similiar to jazz tritone substitions, but at a 3rd instead of a tritone.5. The Cm(maj7) was originally a C major chord. This is a modal borrowing composition technique of borrowing from the parrallel minor, in this case, G minor.
$1.99
Jubilation
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Cloches
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FACILE
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Fred Gramann
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Jubilation
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, or 6 octaves handbells - Level 2+ - SKU: C7.CGB833 Composed by Fred Gramann. General. Score. 8 pages. Chorister's Guild - Digital #CGB833. Publ...
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3, 4, 5, or 6 octaves handbells - Level 2+ - SKU: C7.CGB833 Composed by Fred Gramann. General. Score. 8 pages. Chorister's Guild - Digital #CGB833. Published by Chorister's Guild - Digital (C7.CGB833). UPC: 749193019597.Margaret Tucker's Suite in A (subtitled Suite Charlotte) was commissioned in memory of handbell director Charlotte Williamson, known to many of her friends as Char. The four letters of her name serve as the opening notes in each of the three movements of the suite. The movements are entitled Chorale and Prelude, Sicilienne, and Polonaise.
$4.50
June 1974, Cohoes (Wish List Fundraising)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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June 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #577024...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837497 Composed by Brett L. Wery. Concert,Contemporary. 7 pages. Sonata Grendel Publishing #5770249. Published by Sonata Grendel Publishing (A0.837497). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 3. June 1974, Cohoes (duration – 2:15) Wish List Fundraising The new stage manager writes a letter to the producers asking for funds to equip the shop. All I need is some money for a hammer and nails, some duct tape, and a circular saw. That's all I need, and a C clamp, maybe two.
$7.99
Hold My Hand
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Saxophone (partie séparée)
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DÉBUTANT
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Film/TV
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Lady Gaga
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Fabio Eduardo de Oliveira
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Hold My Hand
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Fabio Eduardo
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SheetMusicPlus
Soprano Saxophone Solo - Level 1 - SKU: A0.1153494 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Fabio Eduardo de O...
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Soprano Saxophone Solo - Level 1 - SKU: A0.1153494 By Lady Gaga. By Michael Tucker P/k/a Bloodpop and Stefani Germanotta. Arranged by Fabio Eduardo de Oliveira. Film/TV,Pop. Individual part. 2 pages. Fabio Eduardo #753758. Published by Fabio Eduardo (A0.1153494). FREE DOWNLOAD PLAYBACKÂ https://www.fabioeduardomusiconline.com/freedownloadHold My Hand is a song by American singer Lady Gaga, released on May 3, 2022, through Interscope Records. It is the lead single to the soundtrack for the film Top Gun: Maverick (2022). The song was written and produced by Gaga and BloodPop as a love letter to the world during and after a very hard time.
$4.99
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99
May 1974, a Greyhound Bus (The Majik Bus to Cohoes)
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Brett L
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May 1974, a Greyhound Bus
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts....
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - Level 4 - SKU: A0.837494 Composed by Brett L. Wery. Concert,Contemporary,Rock. Score and parts. 13 pages. Sonata Grendel Publishing #5731611. Published by Sonata Grendel Publishing (A0.837494). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 2. May 1974, a Greyhound Bus (duration – 4:08) The Majik Bus to Cohoes A young stage manager takes a long bus ride to a new job in Cohoes, NY only to be visited in a dream by the ghost of Eva. There was a girl with wild eyes glaring from the house. She looked so wounded!
$9.99
Due South (Complete Collection) (Downloadable)
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Chorale SATB
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Stephen Chatman
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Due South
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - D...
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SATB choir unaccompanied - Moderately Difficult - SKU: MQ.7.0720-E Composed by Stephen Chatman. Instrument parts. 36 pages. Galaxy Music Corporation - Digital #7.0720-E. Published by Galaxy Music Corporation - Digital (MQ.7.0720-E). English.Due South is one in a series of four choral suites that explore the cultural and natural wonders of various regions of North America. Stephen Chatman’s choral settings are broad in scope and tone; the tone painting evokes the stunning landscapes and their diverse communities. Both his original texts and those of poet Tara Wohlberg capture the enchanted worlds of North, South, East, and West.1. Arise is the short opening of this suite of five pieces, and is set to glorious homophonic music with rising motives in the lower voices.2. What's Cookin'? takes its sweet time tantalizing the listener with all the menu items of a truly Southern feast. Music, set to a slow tempo in swing eighths, makes the recitation tempting, if not downright sultry.3. Bugs is a soundscape of insects and their songs. Precise vocal effects make this challenging but also whimsical, and the result is pure fun.4. Love, O Love recalls an old-fashioned love letter in which the writer compares the beloved to the moon and the sun and pledges eternal love. The music begins with lush chords sung together, moves to an over-arching soprano line with gentle undulations in the lower parts, and finishes with the choir singing together again, Love shines on you, my only one.5. A perfectly apt finale to this choral suite, Kentucky Derby begins with a nod to My Old Kentucky Home, and then it's off to the races, literally. The text of the suite is declaimed rapidly in patter-song format, almost as if the chorus is calling race as it progresses. A tour de force, and truly, ..a wild ride!
$4.50
Sixteen Tons
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Alan Galbraith, Andrew Mckay,
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John Fries
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Sixteen Tons
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1428331 Composed by Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews. Arranged by John Fries....
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1428331 Composed by Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews. Arranged by John Fries. 20th Century,Country,Standards. Score. 3 pages. John Fries #1009117. Published by John Fries (A0.1428331). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Sixteen Tons is a song written by Merle Travis about a coal miner, based on life in the mines of Muhlenberg County, Kentucky. The line another day older and deeper in debt from the chorus came from a letter written by Travis's brother John. This and the line I owe my soul to the company store are a reference to the trucking system and to debt bondage. Under this scrip system, workers were not paid cash; rather they were paid with non-transferable credit vouchers that could be exchanged only for goods sold at the company store. This made it impossible for workers to store up cash savings.
$4.99
Sixteen Tons
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Alan Galbraith, Andrew Mckay,
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John Fries
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Sixteen Tons
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1417391 Composed by Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews. Arranged by John Fries. 20th Centur...
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C Instrument - Level 4 - SKU: A0.1417391 Composed by Alan Galbraith, Andrew Mckay, Benny Trowell, and Mark Matthews. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #998938. Published by John Fries (A0.1417391). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. Sixteen Tons is a song written by Merle Travis about a coal miner, based on life in the mines of Muhlenberg County, Kentucky. The line another day older and deeper in debt from the chorus came from a letter written by Travis's brother John. This and the line I owe my soul to the company store are a reference to the trucking system and to debt bondage. Under this scrip system, workers were not paid cash; rather they were paid with non-transferable credit vouchers that could be exchanged only for goods sold at the company store. This made it impossible for workers to store up cash savings.
$3.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
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