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Turn the World Around
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Nocturne No 1 - A restless night in June 2016
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Co…
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Piano Solo - Level 4 - Digital Download SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
2.31 €
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Piano seul
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Stuart Brown
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Nocturne No 1 - A restless night in June 2016
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Stuart Brown Music
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SheetMusicPlus
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
Piano seul
Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporar…
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Piano Solo - Digital Download SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00
4.61 €
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Piano seul
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
People Need The Lord
Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608
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Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!
$18.00
16.61 €
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Steve Green
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Peet du Toit
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People Need The Lord
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Peet du Toit
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SheetMusicPlus
Candlemas Carol
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.505695 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Holiday,Irish,Jewish,Traditional. Octavo. 23 pages. Alan Wagstaff #117353. Published by Alan Wagstaff (A0.505695). This original song uses English folk idioms to retell a traditional snowdrop legend. The chorus is an English 'weather rhyme'. It has been set for choir (SSAA), piano, harp, fiddle, and flute. One of the Snowdrop’s folk names is ‘Eve’s Comforter’; another ‘Maid of February’. Candlemas Carol Maid of February, if you will, grace mantle, hearth, and windowsill. So let us all be of goodwill and gather round, together. When Winter holds the world in thrall, and ice and snow lie over all, the Maiden can at once recall, the coming Summer weather. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. When Eve and Adam left Eden fair, the snow and ice lay ev’rywhere, which filled their hearts with bleak despair, for they could find no pardon. They glimpsed the flowers of paradise, beyond the earthly cold and ice, but they could not be perfect, twice, nor get back to the garden. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. A teardrop fell from Eve’s sad eye, and froze upon the ground close by. An angel raised it up on high, and called for Heaven’s power. The ice became a snowdrop, then. Thus hope returned to Eve again. And all the people say: ‘Amen!’ in praise of Winter’s flower. If Candlemas is fair and bright, cold Winter will take a second bite. But if this day brings clouds and rain, Winter won’t return again. Alan Wagstaff The legend tells that, after Adam and Eve were banished from Eden’s perpetual summer, they wandered, despondently, into Earth’s freezing winter. Eve wept as the snow fell around them. Seeing her tears, an angel intervened. He caught a teardrop when it froze and breathed on it, turning it into a snowdrop. When the angel left more snowdrops sprang up. Thus, snowdrops in Winter, serve as a reminder, that better times will come around. The tale was often recalled at Candlemas: February 2nd.
$100.00
92.25 €
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Chorale SSAA
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Alan Wagstaff
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Alan Wagstaff
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Candlemas Carol
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Alan Wagstaff
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SheetMusicPlus
Turn the World Around (arr. Roger Emerson)
Choral - Digital Download SKU: HX.1180667 By Harry Belafonte. By Harry Belafonte an…
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Choral - Digital Download SKU: HX.1180667 By Harry Belafonte. By Harry Belafonte and Robert Freedman. Arranged by Roger Emerson. Calypso,Caribbean,Folk,Multicultural,Oldies,Pop,Singer/Songwriter,World. Octavo. Duration 298. Hal Leonard - Digital #56447. Published by Hal Leonard - Digital (HX.1180667).
$1.99
1.84 €
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Harry Belafonte
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Roger Emerson
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Turn the World Around
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Hal Leonard - Digital
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SheetMusicPlus
Turn the World Around (arr. Roger Emerson)
Chorale 2 parties
Choral (2-Part) - Digital Download SKU: HX.1180668 By Harry Belafonte. By Harry Bel…
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Choral (2-Part) - Digital Download SKU: HX.1180668 By Harry Belafonte. By Harry Belafonte and Robert Freedman. Arranged by Roger Emerson. Calypso,Caribbean,Folk,Multicultural,Oldies,Pop,Singer/Songwriter,World. Octavo. Duration 298. Hal Leonard - Digital #56447. Published by Hal Leonard - Digital (HX.1180668).
$26.99
24.9 €
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Chorale 2 parties
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Harry Belafonte
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Roger Emerson
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Turn the World Around
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Hal Leonard - Digital
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SheetMusicPlus
The Harvest of the Earth (See How Brown Autumn Spreads the Fields) [Lead Sheet Version]
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By…
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C Instrument - Level 3 - Digital Download SKU: A0.1381727 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 4 pages. Anastace #966363. Published by Anastace (A0.1381727). Here is the lead sheet version of the hymn, The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and even anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the chords for the whole song including the reharmonized verse with a different melody.Also available, by searching Stacey Plays Hymns and the song title on this site is the full piano vocal arrangement as played in the original recording.For other formats including large print, simplified, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$4.00
3.69 €
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Instruments en Do
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
The Harvest of the Earth (See How Brown Autumn Spreads the Fields)
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1381714 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #966349. Published by Anastace (A0.1381714). Here is the full piano vocal arrangement of The Harvest of the Earthâ€, as heard on my YouTube channel and requsted by listeners. Originally titled “See How Brown Autumn Spreads the Fieldsâ€, this song is so rare that I couldn’t find any music for it online, and therefore wrote a new melody and accompaniment for it that captures the the solemnity and anguish of the lyrics. It’s one of the songs of harvest off of my album entitled “Hymns of Autumnâ€, but doesn’t talk about harvest in the traditional sense we normally sing about these days.Not many talk about the judgement of God in today’s church, and this hymn will send chills down the spine of the most devout believer as we realize the full spectrum of God's character, including His wrath and power on Judgement Day. I found this in an old hymnal that was so old that the “Sâ€s were still written as “Fâ€s, and I had to squint to read it while learning to sing for this recording. I hope this ancient and powerful hymn finds a place to minister to today's church and believers around the world, perhaps after a sermon on God’s judgement, or for a Lent or Advent service about repentance and turning to God, both individually and as a nation.This version is in B Minor to match the original recording, and includes the full piano accompaniment as played in the recording. Also available, by searching Stacey Plays Hymns and the song title on this site is a lead sheet version for those who prefer to play off a chart.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.61 €
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Piano, Voix
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Stacey Plays Hymns
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Anastace
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The Harvest of the Earth
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Anastace
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SheetMusicPlus
The Seed
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1There’s a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
$2.25
2.08 €
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Chorale 2 parties
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words and music by Glyn Lehmann
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The Seed
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Glyn Lehmann
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SheetMusicPlus
Ceilidh Music - Gay Gordons - For Accordion
Instruments en Do
C Instrument - Level 3 - Digital Download SKU: A0.1289648 By Traditional. By Tradit…
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C Instrument - Level 3 - Digital Download SKU: A0.1289648 By Traditional. By Traditional. Arranged by Martin Hay. 19th Century,Celtic,Irish,Multicultural,Traditional,Wedding,World. Lead Sheet / Fake Book. 2 pages. Martin Hay #880353. Published by Martin Hay (A0.1289648). The Gay Gordons is a lively Scottish country dance that is popular at social gatherings and ceilidhs (traditional Scottish dances). It is a partner dance that involves a combination of skipping steps and waltz-like moves. The dance is typically done in a circular formation with couples facing each other. Here is a basic description of how the Gay Gordons dance is performed:1. **Starting Position:** Couples stand facing each other in a large circle, holding hands. The dance begins with partners side by side, with the man's right hand holding the woman's left hand.2. **Skipping Steps:** The dance starts with a series of skipping steps, where couples move in a circle to the right, taking small skipping steps.3. **Turns:** After a few rounds of skipping, couples will turn 180 degrees to face the opposite direction, still holding hands.4. **Waltz Hold:** Once turned, couples adopt a waltz hold, with the man's right hand around the woman's waist, and the woman's left hand on the man's shoulder. The other hands are joined together.5. **Waltz:** Couples then waltz around the dance floor in a clockwise direction, often taking a few spins.6. **Repeat:** The dance continues with more skipping steps, turns, and waltzing. It is a joyful and energetic dance that is typically danced to traditional Scottish music.The songs in this Gay Gordons set are:**1. The Thistle of Scotland:**The Thistle of Scotland is not a widely recognized or specific song title in Scottish music. Scotland has a rich musical tradition with many songs that celebrate its culture, history, and symbols. The thistle is the national emblem of Scotland, so there may be various songs that reference it indirectly.**2. Mhairi's Wedding:**Mhairi's Wedding is a popular Scottish folk song often played at weddings and celebrations. It tells the story of a wedding celebration and is known for its catchy melody and lyrics that celebrate the joyous occasion of Mhairi's wedding.**3. The Barren Rocks of Aden:**The Barren Rocks of Aden is a famous Scottish military march. It is often played by bagpipe bands and has a distinctive and stirring melody. The tune is associated with the British Army and is a common choice for military processions and parades.**4. Scotland the Brave:**Scotland the Brave is another well-known Scottish patriotic song and march. It is often played at national and sporting events in Scotland. The song celebrates the beauty and spirit of Scotland and is characterized by its uplifting and proud melody. It is a favorite among bagpipers and is often performed with great enthusiasm.These songs are all part of Scotland's rich musical heritage and are played at various occasions to celebrate its culture and history.
$3.99
3.68 €
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Instruments en Do
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Traditional
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Martin Hay
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Ceilidh Music - Gay Gordons - For Accordion
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Martin Hay
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SheetMusicPlus
Il mondo che non c'è
Piano seul
Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary…
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Piano Solo - Digital Download SKU: A0.976869 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3239709. Published by Monica Bergo (A0.976869). 2017 Holiday Contest Entry The world that there isn’t How did Dante one day in the hell and after I return Down in the world that there is not In pieces of ice It reduced your heart you walk, walk, do not you think the pain of lost things, caresses denied the cold that you feel and clouds the mind At What you cling and where are you going? it is dark at night and you think only that Close the eyes it means to die in this station might end the life,the joy, but which ? future and that what you have inside It makes you tougher you mirrors, reflect in the void of others Look at them in the eye precipitates, reel this is the life in the world that there is no and while run after a blind butterfly and meanwhile look back on fairy tale ever read and you search the laughter, games and friends return back, hope of happy days everyone is inside his sick world and that who you are looking for is not there, is lost only shadows lurking and the moon that shines but she is not always that here in the world that there is no and while you get lost in 1000 miseries and then you start up into the nothingness that awaits if you touch people they hastens and takes offense and lengthens the step that knows where it goes you don’t look, you don’t dare don’t hope and don’t you think and the snow falls and while you pray that this god distracted realizes that exist a deeper world what light does not but your soul is not dead yet walk, walk and she opens the door that goes to the world that out shines there is still a spark of love that awaits and here it is that rises the charm the flower is reborn fear and fright heat that feeds sun is shining and with its rays protects, defends and while you mirrors ,with the sun in your eyes and while you look back the dark of before there is that girl that inside the night smiles, turns and then goes away ... you look at her, until she is a distant shadow Turn around and answer to life calling As Dante did one day in the hell and after I return Down in the world that there is no ... Monica Bergo
$3.99
3.68 €
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Piano seul
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Monica Bergo
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Il mondo che non c'è
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Monica Bergo
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SheetMusicPlus
Excerpt from the Lyric Suite
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arr…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
4.61 €
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Guitare
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
The High Priestess (for flute, violin, horn in F, & piano)
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by Jo…
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00
36.9 €
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Just The Right Amount of Wrong
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930354 Composed by Music…
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.930354 Composed by Music: Joel Evans, Lyrics: Adryan Russ. Film/TV,Jazz,Latin,Pop. 6 pages. One Hundred Percent Pub. Co. #3436797. Published by One Hundred Percent Pub. Co. (A0.930354). For lovers of the Great American Songbook who wish to expand their listening and performing repertoire - a delightfully endearing new and original jazz song in the standard style. As sung by Tami Damiano, this Piano Vocal Arrangement is a companion to the Joel Evans and Friends CD, Cozy Cool, which is available on iTunes, Amazon & CDBaby. Joel’s extensive list of credits includes major Hollywood films, hip indie flicks, network and daytime television dramas, more than 85 big screen credits and 350 television episodes. From Friends to Life in Pieces, Miss Congeniality to Passengers, Joel's music is heard constantly around the world.Adryan Russ conceived and wrote music and lyrics for Inside Out, an award-winning off-Broadway musical, with multi-talented playwright Doug Haverty. Inside Out was published by Samuel French, and the original cast CD distributed by DRG Records. It has been produced across the U.S., and twice in Europe. In her cabaret life, Adryan participated in a tribute to Charles Strouse, with Michael Feinstein, at Carnegie Hall; and at Chicago Humanities Festival’s ASCAP Cabaret: Her Turn with Karen Mason. LML Music (www.lmlmusic.com) released Everyone Has A Story: The Songs of Adryan Russ, produced by Bruce Kimmel and arranged by Grant Geissman, featuring Susan Egan, Jason Graae, David Burnham, Joan Ryan, Tami Tappan Damiano and Sharon McNight. For the past ten years, Adryan has received an ASCAP Award for Popular Music. She is a member of The Dramatists Guild, the Academy for New Musical Theatre (ANMT), the National Academy of Recording Arts & Sciences (NARAS), and currently serves on the Board of the Society of Composers & Lyricists (SCL). Adryan & Joel's songs are heard in films ranging from Doubt, starring Meryl Streep, to Lifetime's Sorority Nightmare, and TV shows ranging from The Mindy Project to The Young & Restless.
$3.99
3.68 €
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Voix Alto, Piano
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Music: Joel Evans, Lyrics: Adryan Russ
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CDBaby
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Just The Right Amount of Wrong
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One Hundred Percent Pub. Co.
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SheetMusicPlus
He Walked Right in, Turned Around and Walked Right Out Again
Piano, Voix
Piano and voice - Digital Download SKU: LV.6821 Composed by Maxwell Silver. Portrai…
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Piano and voice - Digital Download SKU: LV.6821 Composed by Maxwell Silver. Portraits, Caricatures, Twins, Deception, Jails. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6821). He Walked Right in, Turned Around and Walked Right Out Again. Words by Ed. Rose. Music by Maxwell Silver. Published 1906 by F.A. Mills, 48 West 29th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Caricatures, Twins, Deception, Jails. First line reads I've got a brother looks like me, in fact, I am his twin.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.53 €
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Piano, Voix
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Maxwell Silver
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He Walked Right in, Turned Around and Walked Right Out Again
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Spanish Nocturne
Piano seul
Piano Solo - Early Intermediate - Digital Download SKU: F0.S4030 Composed by Kathle…
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Piano Solo - Early Intermediate - Digital Download SKU: F0.S4030 Composed by Kathleen Massoud. Sheet Music. Spotlight Solo Sheets. Playful little piece is written in 5-finger position. Around the World. Solo Sheet. 5 pages. The FJH Music Company - Digital #S4030. Published by The FJH Music Company - Digital (F0.S4030). UPC: 674398203192.With lush Spanish harmonies, this composition serves as an introduction to rubato through its naturally expressive music.
$3.50
3.23 €
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Piano seul
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Kathleen Massoud
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Spanish Nocturne
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The FJH Music Company - Digital
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SheetMusicPlus
The Girl from Ipanema for Solo Trumpet & Piano
Trompette, Piano
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Musi…
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.<br> <br> The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.<br> <br> Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.<br> <br> Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.<br> <br> <br> Helô Pinheiro, the woman who inspired the song, in 2006.<br> The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.<br> <br> During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.<br> <br> The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.<br> <br> In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone—it is a gift of life in its beautiful and melancholic constant ebb and flow."<br> <br> Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.<br> <br> The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99
7.37 €
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Trompette, Piano
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Various
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Keith Terrett
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The Girl from Ipanema for Solo Trumpet & Piano
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Music for all Occasions
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SheetMusicPlus
Mysterious Moment for alto flute and string trio
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by…
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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Trio à Cordes: violon, alto, violoncelle
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David Warin Solomons
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Mysterious Moment for alto flute and string trio
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David Warin Solomons
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SheetMusicPlus
Mysterious Moment for oboe and string trio
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 …
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
7.38 €
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David Warin Solomons
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Mysterious Moment for oboe and string trio
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David Warin Solomons
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SheetMusicPlus
If I Ruled the World
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015724 By Tony Bennett. By Cyr…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015724 By Tony Bennett. By Cyril Ornadel. Standards. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0015724. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015724). ISBN 9780739099339. UPC: 038081464053. Leslie Bricusse.No one in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. This collection of classics spans his career from the beginning, to the current hits he continues to send onto the charts. Also included are rare photos, a biography, and a timeline of Tony's career highlights. Titles: Because of You * The Best Is Yet to Come (with Diana Krall) * Blue Velvet * Body and Soul (with Amy Winehouse) * The Boulevard of Broken Dreams * Don't Get Around Much Anymore (with Michael BublA(c)) * Fly Me to the Moon (In Other Words) * For Once in My Life (with Stevie Wonder) * How Do You Keep the Music Playing? * I Left My Heart In San Francisco * I Wanna Be Around (with Bono) * If I Ruled the World * It Don't Mean a Thing (If It Ain't Got That Swing) * It Had To Be You (with Carrie Underwood) * Just in Time * The Lady Is a Tramp (with Lady Gaga) * Mood Indigo * My Favorite Things * Night and Day * Once Upon a Time * One for My Baby (And One More for the Road) * Put On a Happy Face (with James Taylor) * Rags to Riches * The Shadow of Your Smile * Smile (with Barbra Streisand) * Speak Low (with Norah Jones) * Steppin' Out with My Baby * Stranger in Paradise (with Andrea Bocelli) * This Is All I Ask (with Josh Groban) * The Very Thought of You (with Paul McCartney) * The Way You Look Tonight (with Faith Hill) * When Do the Bells Ring for Me (with Mariah Carey) * When Joanna Loved Me * Who Can I Turn To When Nobody Needs Me (with Queen Latifah) * Yesterday I Heard the Rain (with Alejandro Sanz).
$3.99
3.68 €
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Piano, Voix et Guitare
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Tony Bennett
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If I Ruled the World
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
On the Ground Where We Live
Digital Download SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemp…
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Digital Download SKU: A0.1071145 Composed by Greg Bartholomew. 20th Century,Contemporary. Full Performance. Duration 727. Burke & Bagley #2880415. Published by Burke & Bagley (A0.1071145). On the Ground Where We Live evokes the sense of walking through the community of an old town or city, where new sights and experiences are discovered around each corner. We sense a generally benign social-political environment in which individuals and small groups may interact harmoniously, although at times the world becomes ominous or chaotic. Individual voices are at turns confident, reflective, insistent or celebratory. As the ensemble builds, we may be entering a popular plaza. When the crowd gets too boisterous, we follow a pair of individual voices as they retreat for refuge in a quiet passage, but soon the larger forces return and build to a climatic conclusion.ERM Media awarded On the Ground Where We Live the Masterworks Prize. The work was recorded by the Czech Philharmonic in October 2005 for Volume 10 of the Masterworks of the New Era CD series. Duration approximately 12 minutes.For more information: www.gregbartholomew.com/groundindex.html  
$3.99
3.68 €
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Greg Bartholomew
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On the Ground Where We Live
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Burke & Bagley
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SheetMusicPlus
Nocturne
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015526 Composed by Brad Ross. …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015526 Composed by Brad Ross. Musical. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015526. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015526). ISBN 9780739093689. UPC: 038081452326. Ellen Greenfield.Little by Little premiered off-Broadway at The York Theatre Company, starring Liz Larsen, Christiane Noll, and Darrin Baker, with direction by Annette Jolles. After the York production, an original cast recording was released, the show was licensed and published by Samuel French, and it's performed around the world. With music by Brad Ross and lyrics by Ellen Greenfield and Hal Hackady, songs from the show have become favorites among musical theatre vocalists for auditions, recitals, and performances. Brad Ross and Alfred Music are proud to present this first-ever Little By Little vocal selections folio. Titles: Little by Little * Popcorn * I'm Not * Rainbows * Nocturne * Take the World Away * Okay * Tell Me * I Ought to Cry * Is This Real?
$3.99
3.68 €
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Piano, Voix et Guitare
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Little vocal selections folio
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Brad Ross
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Nocturne
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Killarney Carnivale
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hud…
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Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
$60.00
55.35 €
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Orchestre d'harmonie
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John P
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Killarney Carnivale
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John P.W. Hudson #872903.
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SheetMusicPlus
Take the World Away
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015527 Composed by Brad Ross. …
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Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015527 Composed by Brad Ross. Musical. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015527. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015527). ISBN 9780739093689. UPC: 038081452326. Ellen Greenfield.Little by Little premiered off-Broadway at The York Theatre Company, starring Liz Larsen, Christiane Noll, and Darrin Baker, with direction by Annette Jolles. After the York production, an original cast recording was released, the show was licensed and published by Samuel French, and it's performed around the world. With music by Brad Ross and lyrics by Ellen Greenfield and Hal Hackady, songs from the show have become favorites among musical theatre vocalists for auditions, recitals, and performances. Brad Ross and Alfred Music are proud to present this first-ever Little By Little vocal selections folio. Titles: Little by Little * Popcorn * I'm Not * Rainbows * Nocturne * Take the World Away * Okay * Tell Me * I Ought to Cry * Is This Real?
$3.99
3.68 €
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Piano, Voix et Guitare
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Little vocal selections folio
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Brad Ross
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Take the World Away
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
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