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Turning Page for STRING DUO
Partitions à imprimer
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Turning Page for STRING DUO
By Sleeping At Last. Arranged by Sherry Lewis. Set of Parts. 5 pages. Published by Publish…
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By Sleeping At Last. Arranged by Sherry Lewis. Set of Parts. 5 pages. Published by Published by Sherry Lewis Publishing (H0.237913-222815). - Set of Parts - - Published by Sherry Lewis Publishing
$4.99
4.52 €
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Sleeping At Last
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Sherry Lewis
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Turning Page for STRING DUO
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SheetMusicPlus
Turning Page
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.5…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521736 By Sleeping At Last. Arranged by Sherry Lewis. Contemporary. Score and parts. 14 pages. Sherry Lewis Publishing #6412161. Published by Sherry Lewis Publishing (A0.521736). TURNING PAGE from TWILIGHTString Duo for violin and cello Intermediate Level Score: 4 pages Parts: 4 pages Time: 3:26MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.52 €
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Violon, Violoncelle (duo)
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Sleeping At Last
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Sherry Lewis
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Turning Page
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Sherry Lewis Publishing
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SheetMusicPlus
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beeth…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
22.62 €
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Hautbois, Piano (duo)
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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jmsgu3
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SheetMusicPlus
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Compose…
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
11.42 €
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Violon, Alto (duo)
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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ACORDO Sheet Music
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SheetMusicPlus
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Compose…
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Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60
11.42 €
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Violon, Alto (duo)
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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ACORDO Sheet Music
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SheetMusicPlus
Rock of Ages for Double Bass
Contrebasse, Piano (duo)
Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.968456 Composed …
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Double Bass,Piano,String Bass - Level 3 - Digital Download SKU: A0.968456 Composed by Thomas Hastings. Arranged by Lawrence H. Underwood. Christian,Contemporary,Praise & Worship,Sacred. Score and part. 11 pages. Lawrence H Underwood #6566867. Published by Lawrence H Underwood (A0.968456). Arranged by veteran performer and music educator, Lawrence Underwood, as the ninth installment in his 2021 Hymn Song Collection series, this brand-new setting of Rock of Ages begins as with a classical treatment of the tune in 3 before reimagining the piece in 4, moving into a minor setting of the melody, through a waltz-feel, and into 9/8 time. . .all before returning home to the classical setting for this beloved melody. Suitable for use as special music in church or as a recital piece, this new arrangement is sure to be a favorite for listener and performer alike!
$5.99
5.43 €
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Contrebasse, Piano (duo)
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Thomas Hastings
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Lawrence H
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Rock of Ages for Double Bass
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Lawrence H Underwood
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SheetMusicPlus
Amazing Grace for Cello Duet
2 Violoncelles (duo)
Cello Duet Cello - Level 2 - Digital Download SKU: A0.1041865 Composed by Tradition…
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Cello Duet Cello - Level 2 - Digital Download SKU: A0.1041865 Composed by Traditional. Arranged by Clara Obsidian. Christmas,Easter,Sacred,Traditional,Wedding. Score. 3 pages. Clara Obsidian #646645. Published by Clara Obsidian (A0.1041865). Amazing Grace, a Christian hymn published in 1779. It is a timelessly popular hymn, used equally for both religious and secular purposes. The tune is arranged for 2 cellos as a duet, both taking turnings with the melody and counter melody (accompaniment) It is perfect for concerts, in class, weddings, and all events possible. Difficulty level: Beginner (1st positions with extensions) or Early intermediate (shifting up to 3rd position can be done to avoid open strings).
$2.99
2.71 €
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2 Violoncelles (duo)
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Traditional
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Clara Obsidian
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Amazing Grace for Cello Duet
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Clara Obsidian
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SheetMusicPlus
Blow away the morning dew for wind trio and piano
Hautbois, Piano (duo)
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.576922
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 4 - Digital Download SKU: A0.576922 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 16 pages. David Warin Solomons #520523. Published by David Warin Solomons (A0.576922). Traditional English folk song arranged for 3 melody instruments and piano with variations (divisions), the tune being assigned to each melody instrument in turn. The piece goes through various modulations eventually returning to the original key. The pdf file contains the score and separate parts (including a separate piano part). The sound sample is an electronic preview. Versions are available for wind trio and piano, saxophone trio and piano and string trio and piano. A simpler version for SAB choir and piano is also available.
$9.00
8.16 €
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Hautbois, Piano (duo)
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Traditional
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David Warin Solomons
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Blow away the morning dew for wind trio and piano
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David Warin Solomons
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SheetMusicPlus
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