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Twelve Bar Blues in guitar
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Vous avez sélectionné:
Twelve Bar Blues in guitar
Partitions à imprimer
5 partitions trouvées
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Twelve Bar Blues in guitar
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Guitare
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DÉBUTANT
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Tommy Emmanuel/ Chet Atkin
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arranged by Kee Kai
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Twelve Bar Blues in guitar
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KeeKai
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SheetMusicPlus
Solo Guitar - Level 1 - SKU: A0.1311057 By Tommy Emmanuel/ Chet Atkin. By arranged by Kee Kai. Arranged by arranged by Kee Kai. 20th Century,Blues,Comed...
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Solo Guitar - Level 1 - SKU: A0.1311057 By Tommy Emmanuel/ Chet Atkin. By arranged by Kee Kai. Arranged by arranged by Kee Kai. 20th Century,Blues,Comedy,Country,Funk. Individual part. 1 pages. KeeKai #900037. Published by KeeKai (A0.1311057). One chord shape through out the whole song in the style of Chet Atkin and Tommy Emmanuel, suitable for beginners.
$5.00
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Can't Buy Me Love
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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John Fries
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Can't Buy Me Love
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1205900 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Pop,Rock,St...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1205900 By The Beatles. By John Lennon and Paul McCartney. Arranged by John Fries. 20th Century,Pop,Rock,Standards. Score. 2 pages. John Fries #804091. Published by John Fries (A0.1205900). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Can't Buy Me Love is a song by the English rock band the Beatles that was released in March 1964 as the A-side of their sixth single.  It was written by Paul McCartney and credited to the Lennon–McCartney partnership.  The song was included on the group's album A Hard Day's Night and was featured in a scene in Richard Lester's film of the same title. The single topped charts in the United Kingdom, the United States, Australia, Ireland, New Zealand and Sweden.  In the UK, it was the fourth highest selling single of the 1960s.  The song's verse is a twelve-bar blues in structure, a formula that the Beatles seldom applied to their own material.  When pressed by American journalists in 1966 to reveal the song's true meaning, McCartney stated: I think you can put any interpretation you want on anything, but when someone suggests that 'Can't Buy Me Love' is about a prostitute, I draw the line.  He went on to say: The idea behind it was that all these material possessions are all very well, but they won't buy me what I really want.  However, he was to comment later: It should have been 'Can Buy Me Love' when reflecting on the perks that money and fame had brought him.
$4.99
Why Don't You Do Right (get Me Some Money, Too!)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Peggy Lee
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Michael Thomas Coull
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Why Don't You Do Right
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MTC Publishing
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267134 By Peggy Lee. By Joe McCoy. Arranged by Michael Thomas Coull. 20th Century,Blues,Contemporary,Jaz...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267134 By Peggy Lee. By Joe McCoy. Arranged by Michael Thomas Coull. 20th Century,Blues,Contemporary,Jazz,Standards. 10 pages. MTC Publishing #859768. Published by MTC Publishing (A0.1267134). Why Don't You Do Right (Get Me Some Money, Too) - Choral Arrangement for SATB and Piano arranged by Michael Thomas CoullWhy Don't You Do Right (Get Me Some Money Too!) was originally recorded as Weed Smoker's Dream and is an American blues and jazz-influenced pop song written by ‘Kansas Joe’ McCoy and Herb Morand in 1936.  Both men are given composer credits on the original 78 record label, although Morand’s name is misspelled. In 1936, the Harlem Hamfats recorded the Weed Smoker’s Dream.  Band member Joe McCoy later rewrote the song, refining both the composition and lyrics.  The new tune, titled Why Don't You Do Right (Get Me Some Money Too!), was recorded by Lil Green in 1941, with guitar by William ‘Big Bill’ Broonzy.  The minor key twelve-bar blues song, with a few chord substitutions, proved popular and quickly became a jazz standard. With its roots in blues music, the song originally dealt with a marijuana smoker reminiscing about lost financial opportunities.  After it was rewritten, it took on the perspective of the female partner, chastising her man for his irresponsible ways:  ‘Why don't you do right, like some other men do? Get out of here and get me some money too!’A wonderful bluesy arrangement for full SATB choir with piano accompaniment, not just fun for the choir to sing, but also one the audience will really enjoy too.
$3.99
Stolen Moments
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Jazz combo
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INTERMÉDIAIRE
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Jazz
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Oliver Nelson
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Robert V
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Stolen Moments
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Robert V. Parisi
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.773599 Composed by Oliver Nelson. Arranged by Robert V. Parisi. Jazz. Score and parts. 22 pages. Robert V. Parisi #381175...
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Jazz Combo - Level 3 - SKU: A0.773599 Composed by Oliver Nelson. Arranged by Robert V. Parisi. Jazz. Score and parts. 22 pages. Robert V. Parisi #381175. Published by Robert V. Parisi (A0.773599). Stolen Moments is a jazz standard, composed, and recorded by Oliver Nelson in 1961. After a four bar intro, the sixteen measure melody rides above a tight, dissonant, harmonic texture in the key of c minor. The solo section, which follows, offers the band members the opportunity to improvise on a standard twelve-bar minor blues progression. This arrangement is scored for two trumpets, two tenor saxes, a trombone, (which doubles the second tenor part), and the rhythm section, (guitar, piano, bass, and drums).
$50.00
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Twelve Bar Blues in guitar
