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Twenty-four Preludes
Piano seul
Partitions à imprimer
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Twenty-Four Preludes: XIII by HDpiano - Piano Solo
Piano seul
Performed by: HDpiano: Twenty-Four Preludes: XIII Digital Sheetmusic plus an interactive, …
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Performed by: HDpiano: Twenty-Four Preludes: XIII Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Post-Romantic~~Classical~~20th-Century
$6.99
6.54 €
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Piano seul
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HDpiano
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Piano Solo
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Musicnotes
Twenty-Four Preludes: XV by HDpiano - Piano Solo
Piano seul
Performed by: HDpiano: Twenty-Four Preludes: XV Digital Sheetmusic plus an interactive, do…
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Performed by: HDpiano: Twenty-Four Preludes: XV Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
6.54 €
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Piano seul
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HDpiano
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Piano Solo
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Musicnotes
Twenty-Four Preludes: I by HDpiano - Piano Solo
Piano seul
Performed by: HDpiano: Twenty-Four Preludes: I Digital Sheetmusic plus an interactive, dow…
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Performed by: HDpiano: Twenty-Four Preludes: I Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
6.54 €
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Piano seul
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HDpiano
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Piano Solo
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Musicnotes
Twenty-Four Preludes: IX by HDpiano - Piano Solo
Piano seul
Performed by: HDpiano: Twenty-Four Preludes: IX Digital Sheetmusic plus an interactive, do…
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Performed by: HDpiano: Twenty-Four Preludes: IX Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Solo Instrumental~~Post-Romantic
$6.99
6.54 €
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Piano seul
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HDpiano
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Piano Solo
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Musicnotes
Twenty-Four Preludes: I by Alexander Scriabin - Piano Solo
Piano seul
Alexander Scriabin - Twenty-Four Preludes: I Digital Sheet Music, scoring: Instrumental So…
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Alexander Scriabin - Twenty-Four Preludes: I Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Classical~~20th-Century~~Post-Romantic
$5.50
5.15 €
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Piano seul
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Piano Solo
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Musicnotes
Op. 3, 24 Naturszenen
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1149272 Composed by Terrence Niska.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1149272 Composed by Terrence Niska. 20th Century,Classical,Contemporary,Romantic Period. Score. 72 pages. Niska Music Publishing #749412. Published by Niska Music Publishing (A0.1149272). A collection of twenty-four preludes for solo piano with influences from the early Romantic composers of Schubert and Schumann to the later romantic works of Rachmaninoff and Scriabin. The pieces are given names to reflect scenes in nature from realistic to fantastical and dream-like imagery. Difficulty level ranges from intermediate-advanced to advanced.
$20.00
18.72 €
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Piano seul
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Terrence Niska
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Op. 3, 24 Naturszenen
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Niska Music Publishing
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SheetMusicPlus
Twenty-Four Preludes and Fugues
Piano seul
Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, …
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Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 1. Duration 40 minutes. Schott Music - Digital #Q24602. Published by Schott Music - Digital
$29.99
28.06 €
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Piano seul
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Nikolai Kapustin
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Twenty-Four Preludes and Fugues
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Schott Music - Digital
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SheetMusicPlus
Twenty-Four Preludes and Fugues
Piano seul
Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, …
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Composed by Nikolai Kapustin. This edition: Sheet music. Downloadable. Volume op. 82, Op Band 2. Duration 40 minutes. Schott Music - Digital #Q24616. Published by Schott Music - Digital
$29.99
28.06 €
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Piano seul
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Nikolai Kapustin
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Twenty-Four Preludes and Fugues
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Schott Music - Digital
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SheetMusicPlus
Wait (Verbs 1)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.995799 Composed by Kathleen Ryan. 2…
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Piano Solo - Level 5 - Digital Download SKU: A0.995799 Composed by Kathleen Ryan. 20th Century,Contemporary. Score. 7 pages. Indigo Mesa Music LLC #5197945. Published by Indigo Mesa Music LLC (A0.995799). Verbs is a set of 24 impressionistic preludes for piano left hand alone, composed by Kathleen RyanEach prelude evokes the energy and mood of its title verb. Thus, the preludes utilize a wide range of modern styles and harmonic languages.Wait - to be in readiness or expectation. These preludes hark back to earlier antecedents by Debussy, Rachmaninov, Chopin and J S Bach in their variety and appeal, creating an album rich in contrasts. Ryanâs composing style is eclectic, referencing jazz, contemporary classical, traditional classical, and American folk songs and hymns: Play, for example, is a vibrant anthem, redolent of sacred harp singing, while other Preludes are more contemplative, tender and wistful (Forgive, Bloom). Push is energetic and rumbling, suggesting bustling city life, Bounce scampers playfully around the keyboard with jazzy syncopations and colourful harmonies, and Tangle is redolent of some of Prokofievâs more introspective âVisions Fugitivesâ. The album closes with the meditative Bless. Frances Wilson, The Cross-Eyed PianistVerbs: 24 Preludes for Piano Left Hand is a fascinating collection of pieces composed by Kathleen Ryan. The project originated in 2006 when [Keith] Porter-Snell asked Ryan to create a set of twenty-four piano preludes for left hand only, one in each key. In her search for a unifying theme, Ryan settled on the idea of verbs, one for each prelude, because a verb conveys a distinct quality of energy and motion. ... Ryanâs eclectic composing style contains elements of jazz, contemporary classical, traditional classical, and her own vision that includes making the piano sing. ... It is hard to believe that these preludes are played with only one hand, as they are full, rich, and sound like they move all over the piano keyboard. All of the titles are one-word verbs and the preludes range in duration from 34 seconds to a little more than four minutes. Some are light and playful and some are more complex and dramatic. All are very different from each other and specific to their individual âverbs.â Kathy Parsons, MainlyPiano.com
$5.25
4.91 €
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Piano seul
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Kathleen Ryan
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Wait
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Indigo Mesa Music LLC
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SheetMusicPlus
Prelude 12 in Bb Minor Dorian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1216197 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #812808. Published by Brian Golden (A0.1216197). Prelude 12 in Bb Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 12 in Bb Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 21 in D Major Mixolydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292437 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883010. Published by Brian Golden (A0.1292437). Prelude 21 in D Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 21 in D Major Mixolydian
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Brian Golden
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SheetMusicPlus
Prelude 11 in Db Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216196 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 11 pages. Brian Golden #812807. Published by Brian Golden (A0.1216196). Prelude 11 in Db Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 11 in Db Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 6 in G Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1191536 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #791038. Published by Brian Golden (A0.1191536). Prelude 6 in G Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 6 in G Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 23 in G Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292495 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883013. Published by Brian Golden (A0.1292495). Prelude 23 in G Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 23 in G Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 2 in A Minor Aolian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1189809 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 12 pages. Brian Golden #789404. Published by Brian Golden (A0.1189809). Prelude 2 in A Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden   The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 2 in A Minor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 1 in C Major Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1189545 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #789177. Published by Brian Golden (A0.1189545). Prelude 1 in C Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden.  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
#
Prelude 1 in C Major Ionian
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Brian Golden
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SheetMusicPlus
Prelude 17 in E Major Lydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248579 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843071. Published by Brian Golden (A0.1248579). Prelude 17 in E Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 17 in E Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 7 in Eb Ionian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1216178 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #812790. Published by Brian Golden (A0.1216178). Prelude 7 in Eb Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 7 in Eb Ionian
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Brian Golden
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SheetMusicPlus
Prelude 22 in B Minor Phrygian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292494 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 2 pages. Brian Golden #883011. Published by Brian Golden (A0.1292494). Prelude 22 in B Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 22 in B Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 18 in C# Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248586 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #843078. Published by Brian Golden (A0.1248586). Prelude 18 in C# Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 18 in C# Minor Dorian
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Brian Golden
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SheetMusicPlus
Prelude 20 in F# MInor Aolian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292438 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #883008. Published by Brian Golden (A0.1292438). Prelude 20 in F# Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 20 in F# MInor Aolian
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Brian Golden
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SheetMusicPlus
Prelude 4 in D Minor Phrygian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
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SheetMusicPlus
Prelude 5 in Bb Major Lydian
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian G…
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Piano Solo - Level 5 - Digital Download SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 5 in Bb Major Lydian
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Brian Golden
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SheetMusicPlus
Prelude 15 in B Major Mixolydian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1248572 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #843064. Published by Brian Golden (A0.1248572). Prelude 15 in B Major Mixolydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 15 in B Major Mixolydian
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Brian Golden
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SheetMusicPlus
Prelude 24 in E Minor Dorian
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian G…
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Piano Solo - Level 4 - Digital Download SKU: A0.1292440 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 4 pages. Brian Golden #883014. Published by Brian Golden (A0.1292440). Prelude 24 in E Minor Dorian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bachâs and Chopinâs examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures â Bachâs being a pattern of major to parallel minor progressing chromatically through all keys, and Chopinâs a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99
5.61 €
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Piano seul
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Brian Golden
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Brian Golden
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Prelude 24 in E Minor Dorian
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Brian Golden
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SheetMusicPlus
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