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--INSTRUMENTS--
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Two Cadenzas
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31 partitions trouvées
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1
26
Cadenzas
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Flûte traversière
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AVANCÉ
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Bernd Alois Zimmermann
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Cadenzas
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Schott Music - Digital
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SheetMusicPlus
Flute - advanced - SKU: S9.Q19152 Concertos for Flute and Orchestra G major KV 313 and D-major KV 314 by W. A. Mozart. Composed by Bernd Alois Zi...
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Flute - advanced - SKU: S9.Q19152 Concertos for Flute and Orchestra G major KV 313 and D-major KV 314 by W. A. Mozart. Composed by Bernd Alois Zimmermann. This edition: Sheet music. Cadenza. Downloadable. Op. 10. Duration 2 minutes. Schott Music - Digital #Q19152. Published by Schott Music - Digital (S9.Q19152). The fact that one of the outstanding composers of the second half of the 20th century writes cadenzas for flute concertos by Mozart can be regarded as a curiosity. For Zimmermann, it was a good turn for a friend, a flutist. Unfortunately, the latter has never performed these cadenzas. The cadenza for the Concerto in G major and the two cadenzas for the Concerto in D major are not difficult to play and follow the spirit of Mozart. This edition continues the successful Cadenza series of Schott Music, this time with the flute as solo instrument.
$9.99
Germaine Tailleferre: Trois Études for two pianos
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2 Pianos, 4 mains
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AVANCÉ
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achieving the physical decline
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Germaine Tailleferre
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Germaine Tailleferre: Trois &E
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century.
$32.95
Vivaldi – 3 Cadenzas for Concerto RV 208 "Grosso Mogul" (PDF)
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Violon
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AVANCÉ
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Classique
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Antonio Vivaldi
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Sneakwood Editions
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Vivaldi – 3 Cadenzas for
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Sneakwood Editions
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.890765 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. 9 pages. Sneakwood Editions #4781...
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Violin Solo - Level 5 - SKU: A0.890765 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. 9 pages. Sneakwood Editions #4781031. Published by Sneakwood Editions (A0.890765). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin.A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto.The present edition present the modern edition of the cadenzas contained in Schwerin and Cividale del Friuli manuscript.Although the cadence for the first movement is almost identical in both manuscripts, the cadence for the third movement is different in each one of them. This is the modern edition of these cadences:Cadenza, first movement from Cividale del Friuli. Archivio Capitulare ms. senza signature and Schwering, Mecklenburgishe Landsbibliothek ms. 5565.Cadenza, third movement from Cividale del Friuli. Archivio Capitulare ms. senza signature.Cadenza, third movement from Schwering, Mecklenburgishe Landsbibliothek ms. 5565.www.snakewoodeditions.com
$10.00
Cadenzas for Haydn's violin concerto in G major HobVIIa 4
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Violon
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INTERMÉDIAIRE
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Classique
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Alberto Bologni
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Alberto Bologni
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Cadenzas for Haydn's violin co
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Torre Rossa
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.1311438 By Alberto Bologni. By Alberto Bologni. Arranged by Alberto Bologni. Classical. 2 pages. Torre Rossa #900443. Pu...
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Violin Solo - Level 3 - SKU: A0.1311438 By Alberto Bologni. By Alberto Bologni. Arranged by Alberto Bologni. Classical. 2 pages. Torre Rossa #900443. Published by Torre Rossa (A0.1311438). Two charming little cadenzas for a delightful concerto.
$6.00
Cadenzas for Mozart's Violin Concerto KV 211
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Violon
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AVANCÉ
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Classique
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Alberto Bologni
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Alberto Bologni
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Cadenzas for Mozart's Violin C
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Torre Rossa
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SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.1304297 By Alberto Bologni. By Alberto Bologni. Arranged by Alberto Bologni. Classical. 2 pages. Torre Rossa #893805. Pu...
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Violin Solo - Level 5 - SKU: A0.1304297 By Alberto Bologni. By Alberto Bologni. Arranged by Alberto Bologni. Classical. 2 pages. Torre Rossa #893805. Published by Torre Rossa (A0.1304297). A set of two lovely cadenzas for a little gem in Mozart's violin and orchestra output.
$7.00
Cadenzas for KICHO
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Contre Basse
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INTERMÉDIAIRE
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Tango
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Lila Horovitz
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Lila Horovitz
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Cadenzas for KICHO
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Lila Horovitz
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SheetMusicPlus
Double Bass,String Bass Solo - Level 3 - SKU: A0.1293385 Composed by Lila Horovitz. Arranged by Lila Horovitz. 20th Century,Classical,Contemporary,Multi...
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Double Bass,String Bass Solo - Level 3 - SKU: A0.1293385 Composed by Lila Horovitz. Arranged by Lila Horovitz. 20th Century,Classical,Contemporary,Multicultural,World. Individual part. 6 pages. Lila Horovitz #883911. Published by Lila Horovitz (A0.1293385). Kicho is a piece for soloist double bass written by Astor Piazzolla and dedicated to his double bass player, Kicho DÃaz. There are original versions by Piazzolla for quintet and for double bass and piano. I wrote two different cadences for solo double bass to precede the performance as a classical music concerto. Which do you like the best?
$12.00
Two Cadenzas
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Mandoline
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INTERMÉDIAIRE
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Classique
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David Braid
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Two Cadenzas
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Les Editions Doberman-Yppan (digital)
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SheetMusicPlus
Composed by David Braid. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1313. Published by Les Editions Doberman-Yppan (digital)...
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Composed by David Braid. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1313. Published by Les Editions Doberman-Yppan (digital)
$3.95
Taiwan Fantasia for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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van Deursen, John
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Taiwan Fantasia for Brass Quin
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792096 Composed by van Deursen, John. World. Score and parts. 41 pages. Gordon Cherry #3429341. Published by Gordon C...
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Brass Ensemble - Level 5 - SKU: A0.792096 Composed by van Deursen, John. World. Score and parts. 41 pages. Gordon Cherry #3429341. Published by Gordon Cherry (A0.792096). About the Taiwan Fantasia, van Deursen states: After having lived in Taipei for a number of years, I learned many of the local folk and popular songs. Some of the melodies are exceptionally beautiful, and my idea was to somehow combine all the elements that have made up my musical experiences over these years - Chinese melodies, western orchestral music and jazz; I wanted to see if these songs could survive with a totally different harmonic structure and concept. My original goal was to write a simple arrangement of the two songs, but quickly I discovered more melodies building upon the original ones and thus the Variations were born. Composed in 1995, this work of about 10 minutes in length is in one continuous movement, but is divided into seven short sections of contrasting moods including two cadenzas, for Trumpet and Trombone. The music is appropriate for advanced performers. Parts in C and B-flat are supplied for the Trumpets. A recording of Taiwan Fantasia can be purchased on iTunes from the album by the Yeh Shu Han Brass Quintet.
$30.00
Sonata No. 2 for Horn and Wind Ensemble
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Orchestre d'harmonie
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AVANCÉ
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Classique
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Luigi Cherubini
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Richard Decker
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Sonata No. 2 for Horn and Wind
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Gordon Cherry
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.792736 Composed by Luigi Cherubini. Arranged by Richard Decker. Classical,Romantic Period. Score and parts. 83 pages. G...
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Concert Band - Level 5 - SKU: A0.792736 Composed by Luigi Cherubini. Arranged by Richard Decker. Classical,Romantic Period. Score and parts. 83 pages. Gordon Cherry #6132593. Published by Gordon Cherry (A0.792736). Sonata No. 2 for Horn by Luigi Cherubini was first published in 1804 and is comprised of two movements: a slow introduction, Largo, and a showy technical fast section, Allegro Moderato. The work has two cadenzas that show off the technical side of the instrument. Richard Decker has beautifully arranged this popular solo for Horn and Wind Ensemble or Concert Band.The work is about 6 minutes in length and appropriate for advanced performers.
$52.50
Concert Etude for the Left Hand, "Descent into Darkness"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Sal Haddad
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Concert Etude for the Left Han
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Sal Haddad
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1441861 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Sal Haddad #1021849. Published by Sa...
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Piano Solo - Level 4 - SKU: A0.1441861 Composed by Sal Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Sal Haddad #1021849. Published by Sal Haddad (A0.1441861). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@salhaddadmusic/about
$2.00
Concert Etude for the Left Hand Alone, "Descent into Darkness"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Samuel Hadden
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Concert Etude for the Left Han
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Samuel Hadden
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1412121 Composed by Samuel Hadden. 19th Century,21st Century,Classical,Contemporary. Score. 7 pages. Samuel Hadden #99435...
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Piano Solo - Level 4 - SKU: A0.1412121 Composed by Samuel Hadden. 19th Century,21st Century,Classical,Contemporary. Score. 7 pages. Samuel Hadden #994354. Published by Samuel Hadden (A0.1412121). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer.
$2.00
Concert Etude for the Left Hand, "Descent into Darkness"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Salim Haddad
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Concert Etude for the Left Han
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Salim Haddad
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1373860 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Salim Haddad #958334. Published by...
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Piano Solo - Level 4 - SKU: A0.1373860 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 7 pages. Salim Haddad #958334. Published by Salim Haddad (A0.1373860). A lively piece dominated by rapid semiquavers, it has a dark atmosphere. Ravel's D major piano Concerto for the left hand is an influence here, particularly the two cadenzas. I feel it is an effective concert study for the single hand, and a valuable addition to this repertoire. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$2.00
Friendship
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Luke Vella
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Friendship
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Luke Vella
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.966489 Composed by Luke Vella. Romantic Period,Standards. Score and parts. 116 pages. Luke Vella #3129393. Published by...
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Concert Band - Level 4 - SKU: A0.966489 Composed by Luke Vella. Romantic Period,Standards. Score and parts. 116 pages. Luke Vella #3129393. Published by Luke Vella (A0.966489). A Prelude for concert band including two cadenzas for B-flat and Euphonium. It can be performed by school bands and professional bands. The themes in the prelude are catchy and easy to remember and can be performed during any occasion. .
$25.00
Vivaldi – Concerto in D RV 208 "Grosso Mogul" Score and parts (PDF)
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Orchestre à Cordes
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AVANCÉ
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Classique
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Antonio Vivaldi
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Sneakwood Editions
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Vivaldi – Concerto in D
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Sneakwood Editions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. S...
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String Orchestra - Level 5 - SKU: A0.890766 Composed by Antonio Vivaldi. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781033. Published by Sneakwood Editions (A0.890766). Vivaldi’s violin concerto in D major, RV 208, survives in three manuscripts:Vivaldi’s autograph score, conserved in Turin. [This edition is based on this source]A copy of the parts, conserved in the Landesbibliothek Mecklenburg-Vorpommern Günther Uecker [de] in Schwerin.Another copy of the parts conserved in Cividale del Friuli.The Grosso Mogul title appears on the Schwerin manuscript, which was written before 1717. According to Michael Talbot, the name of the concerto can possibly be linked to Domenico Lalli’s Il gran Mogol opera libretto, a setting of which had been presented in Naples in 1713. Later settings of this libretto include Giovanni Porta’s, staged in Venice in 1717, and Vivaldi’s RV 697 (1730).The Schwerin and Cividale del Friuli copies of the concerto contain two variants of extended cadenzas for unaccompanied violin, in the first and last movements of the concerto. The autograph version indicates where such cadenzas can be inserted in these movements, but does not contain the cadenzas. A manuscript with the written-out cadenzas must have been circulating before c. 1713–1714 when Bach transcribed such version for solo organ (BWV 594).An earlier version of the concerto, RV 208a, was probably composed by c. 1712–1713. This version has a different middle movement than the RV 208 version.Vivaldi seems to have had no supervision over the Op. 7 collection, published around 1720 in Amsterdam by the Roger firm, in which the older RV 208a version of the concerto was retained.This version of the concerto does not contain the extended cadenzas, nor an indication where such cadenzas could be inserted. (Wikipedia)www.snakewoodeditions.com
$18.00
Liebesleid for Solo Violin and Pianoforte
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Friedrich Fritz Kreisler
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Keith Terrett
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Liebesleid for Solo Violin and
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 4 - SKU: A0.1446731 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Historic,Instructional,Multicultural,Romantic Period,World. 13 pages. Keith Terrett #1026497. Published by Keith Terrett (A0.1446731). Liebesleid for Solo Violin and Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99
Liebesfreud for Solo Violin & Pianoforte
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Violon et Piano
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AVANCÉ
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Friedrich Fritz Kreisler
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Keith Terrett
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Pianoforte
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Liebesfreud for Solo Violin &a
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Keith Terrett
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terre...
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Piano,Violin - Level 5 - SKU: A0.1446732 By Friedrich Fritz Kreisler (February 2, 1875 – January 29, 1962). By Fritz Kreisler. Arranged by Keith Terrett. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. 19 pages. Keith Terrett #1026498. Published by Keith Terrett (A0.1446732). Liebesfreud for Solo Violin & Pianoforte.Kreisler wrote a number of pieces for the violin, including solos for encores, such as Liebesleid and Liebesfreud. Some of Kreisler's compositions were pastiches ostensibly in the style of other composers. They were originally ascribed to earlier composers, such as Gaetano Pugnani, Giuseppe Tartini and Antonio Vivaldi, and then, in 1935, Kreisler revealed that it was he who wrote the pieces. When critics complained, Kreisler replied that they had already deemed the compositions worthy: The name changes, the value remains, he said. He also wrote operettas, including Apple Blossoms in 1919[8] and Sissy [de] in 1932, a string quartet, and cadenzas, including ones for Brahms's Violin Concerto, Paganini's D major Violin Concerto, and Beethoven's Violin Concerto. His cadenzas for the Beethoven concerto are the ones most often played by violinists today.He wrote the music for the 1936 movie The King Steps Out directed by Josef von Sternberg, based on the early years of Empress Elisabeth of Austria.Kreisler performed and recorded his own version of the first movement of Paganini's D major Violin Concerto. The movement is rescored and in some places reharmonised, and the orchestral introduction is completely rewritten in some places. The overall effect is of a late-nineteenth-century work.The mausoleum of Kreisler in Woodlawn Cemetery.Kreisler owned several antique violins made by luthiers Antonio Stradivari, Pietro Guarneri, Giuseppe Guarneri, and Carlo Bergonzi, most of which eventually came to bear his name. He also owned a Jean-Baptiste Vuillaume violin of 1860, which he often used as his second violin, and which he often loaned to the young prodigy Josef Hassid. In 1952 he donated his Giuseppe Guarneri to the Library of Congress in Washington, D.C. where it remains in use for performances given in the library.On recordings, Kreisler's style resembles that of his younger contemporary Mischa Elman, with a tendency toward expansive tempi, a continuous and varied vibrato, expressive phrasing, and a melodic approach to passage-work. Kreisler makes considerable use of portamento and rubato. The two violinists' approaches are less similar in big works of the standard repertoire, such as Felix Mendelssohn's Violin Concerto, than in smaller pieces.A trip to a Kreisler concert is recounted in Siegfried Sassoon's 1928 autobiographical novel Memoirs of a Fox-Hunting Man.The Australian manufacturer of electronics and consumer goods Kriesler (later a subsidiary of Philips) supposedly took its name after Fritz Kreisler but had intentionally misspelled the name as to avoid possible juristical actions from other parties.
$8.99
Mini Concerto For Alex (Cello and Piano Arrangement)
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldin...
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Cello,Piano - Level 4 - SKU: A0.1298011 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and part. 14 pages. Geraldine (Denny) Green at Oakmountmusic #887912. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298011). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra.Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$9.00
Mini Concerto For Alex (School Orchestra Arrangement)
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Orchestre
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INTERMÉDIAIRE
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (D...
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Full Orchestra - Level 3 - SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
I Don’t Want to Play in Your Yard: Trumpet Feature
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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H
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F
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I Don’t Want to Play in
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 2...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95
Fantasy on themes from Verdi's opera "La Traviata"
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Harpe
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Anna-Maria Ravnopolska-Dean
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Fantasy on themes from Verdi's
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Arpa d'Oro
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SheetMusicPlus
Pedal Harp - SKU: A0.1493483 By Anna-Maria Ravnopolska-Dean. By Anna-Maria Ravnopolska-Dean. Opera,Romantic Period. Score. 22 pages. Arpa d'Oro #1070130...
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Pedal Harp - SKU: A0.1493483 By Anna-Maria Ravnopolska-Dean. By Anna-Maria Ravnopolska-Dean. Opera,Romantic Period. Score. 22 pages. Arpa d'Oro #1070130. Published by Arpa d'Oro (A0.1493483). This fantasy is a romantic work based on the opera La Traviata, one of Verdi's masterpieces.It uses the great capabilities of the harp to show the emotions provoked in the main moments of the opera.The main arias are modified through the harp spectrum. The whole composition follows my interpretation of the opera,my way of thinking and logic. The original themes are modified and combined with my own themes, transitions , and Cadenzas.I combine the two of the most important tunes in the opera: Libiamo and Addio del'passato. Tha most significant thing for me is that they show two very important and contrasting moments in Violeta's life: wnen she falls in love and is happy, and when she senses the near approach of death. I recorded a CD with different opera fantasies, and this inspired me to compose my fantasy on La Traviata. Enjoy!
$39.99
Four Famous Concertos for E-Flat Trumpet by Haydn, Hummel, Neruda & Sasche (Eb & Bb solo parts only)
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Trompette (partie séparée)
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AVANCÉ
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Classique
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Franz Joseph Haydn, Johann Nep
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Charles Decker
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Four Famous Concertos for E-Fl
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical...
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Trumpet Solo - Level 5 - SKU: A0.817140 Composed by Franz Joseph Haydn, Johann Nepomuk Hummel, Neruda, and Sasche. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Individual part. 53 pages. Charles Decker Music Press #3905635. Published by Charles Decker Music Press (A0.817140). Now in in one collection are the four famous concertos for E-flat trumpet by Franz Josef Haydn (1796), Johann Nepomuk Hummel (1803), Johann Baptiste Neruda (ca. 1750) and Sasche (1871) that are the core of the trumpet's solo literature edited with dynamics, articulations, and new cadenzas. This essential collection for ambitious trumpeters comes with two sets of solo parts for E-flat trumpet and B-flat trumpet with no piano accompaniment. For more trumpet study materials to improve performance capabilities and musicianship see my Intermediate Serial Studies for Trumpet (highly recommended by the International Trumpet Guild Journal) and Supplemental Practice Approaches for Trumpet, as well as my First Technical Studies for Trumpet for young students, all with Charles Decker Music Press at Sheet Music Plus. To further expand your solo literature knowledge see my collection at Sheet Music Plus of Three Famous Baroque Works for Two Trumpets which has D, C, piccolo A and B-flat trumpet solo parts for the frequently performed Vivaldi and Manfredini Concertos and Francheschini Sonata. If looking for more trumpet solo features with brass quintet check out my SMP editions of Clarke’s Carnival of Venice, Puccini’s Che Gelida Manina from La Boheme, Verdi's Caro Nome from Rigoletto, Rossini's Non Piu Mesta from Cinderella, Sasche Concertino for Eb Cornet of 1871, and use this like to Kendor Music for my editions of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.  For more brass quintet editions by Charles Decker use these links to Kendor Music  and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.99
Exploring the Bassment
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Orchestre d'harmonie
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FACILE
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Kara Williams
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Kara Williams
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Ob
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Exploring the Bassment
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Kara Williams
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1456147 Composed by Kara Williams. Arranged by Kara Williams. Classical,Contemporary,Contest,Festival,March. 59 pages. ...
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Concert Band - Level 2 - SKU: A0.1456147 Composed by Kara Williams. Arranged by Kara Williams. Classical,Contemporary,Contest,Festival,March. 59 pages. Kara Williams #1035299. Published by Kara Williams (A0.1456147). Solo for euphonium (or baritone B.C.), bassoon, baritone sax or baritone T.C. with wind ensemble accompaniment.Band scoring:Fl 1-2; Ob; Cl1-2-3; B.Cl; AS 1-2; TS; BS (band); Bsn (band); FHn 1-2; Tpt 1-2; Tbn 1-(2 BarT.C band); Euph (band) Tba (SBass); Timp (x2) Glock; Vibes; Perc (suscym, tria); SD & BDFull of capability, but often scored as the bass backbone in many compositions and arrangement, tenor-bass instruments rarely get to shine as a featured soloist – especially in more novice or community band settings.If you would like to feature one of your ensemble’s lower-voiced instruments, this is the perfect piece for you.“Exploring the Bassment” keeps the band accompaniment scoring relatively simple but interesting for players; and makes allowance for one of several potential players (or a whole section!) to take the soloist role. At just over 4 minutes in length, this accessible work is jam-packed with learning points, and features a maestoso introduction section, a cheerful, upbeat and catchy melody, and the opportunity for the soloist to be musically creative in two small (fully notated) cadenzas.karawilliamsmusic.com.
$40.00
Duel: for Viola and Cello - Viola
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Alto seul
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INTERMÉDIAIRE
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Contemporain
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Thomas Marples
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Duel: for Viola and Cello - Vi
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Thomas Marples
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.1026052 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775783. Published by Thomas ...
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Viola Solo - Level 3 - SKU: A0.1026052 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775783. Published by Thomas Marples (A0.1026052). Viola part only - This piano trio performs as a dramatic battle between the Violist and Cellist to have the last word, or in this case, the last note, and win the overall piece. The exciting and fast-paced musical dialogue between the two players is interrupted by a series of expressive but furious cadenzas, which builds to a series of unsuspecting climaxes.Thoughts from the composer - I found it a great challenge to build up and explore the narrative of the piece musically, but ultimately a rewarding one, especially in concert, where the true theatricality of the Duel can be brought to life..
$4.99
Duel: for Viola and Cello - Cello
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Violoncelle
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INTERMÉDIAIRE
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Contemporain
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Thomas Marples
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Duel: for Viola and Cello - Ce
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Thomas Marples
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1026051 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775771. Published by Thomas ...
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Cello Solo - Level 3 - SKU: A0.1026051 Composed by Thomas Marples. Contemporary. Individual part. 6 pages. Thomas Marples #5775771. Published by Thomas Marples (A0.1026051). Cello part only - This piano trio performs as a dramatic battle between the Violist and Cellist to have the last word, or in this case, the last note, and win the overall piece. The exciting and fast-paced musical dialogue between the two players is interrupted by a series of expressive but furious cadenzas, which builds to a series of unsuspecting climaxes.Thoughts from the composer - I found it a great challenge to build up and explore the narrative of the piece musically, but ultimately a rewarding one, especially in concert, where the true theatricality of the Duel can be brought to life..
$4.99
Fantasy on the 12 Days of Christmas for Pompous Egocentric Soloist and String Orchestra
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Orchestre à Cordes
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FACILE
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Noël
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Traditional
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Kenneth Baird
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Fantasy on the 12 Days of Chri
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Kenneth Baird Music
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1275415 Composed by Traditional. Arranged by Kenneth Baird. Christmas,Classical,Comedy,Holiday,Traditional. Score a...
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String Orchestra - Level 2 - SKU: A0.1275415 Composed by Traditional. Arranged by Kenneth Baird. Christmas,Classical,Comedy,Holiday,Traditional. Score and Parts. 28 pages. Kenneth Baird Music #867338. Published by Kenneth Baird Music (A0.1275415). Fantasy on the Twelve Days of Christmas for Pompous Egocentric Soloist and String Orchestra.Hilarious! This solo feature will undoubtedly be the most talked-about selection on your Winter concert! While the Twelve Days of Christmas has long been a Christmas holiday favorite, you’ve never heard it played like this before. Here is an opportunity for the musical AND comedic talents of one of your most advanced players to be featured! The soloist plays the role of an accomplished, yet most pretentious and self-aggrandizing soloist. The accompanying orchestra parts are not difficult, although a more advanced orchestra will be able to make even more of the light-hearted and occasionally dramatic accompaniment. A two-page outline of suggestions are also provided to help enhance the comedy, but you are invited to put your own comedic stamp on the performance. Early in the work, the soloist has a few very simple solo passages which he or she deftly and smugly executes flawlessly. As the music proceeds, the soloist is highlighted with several showy, but brief, cadenzas. The mood then changes and becomes melodramatic and sorrowful, perhaps requiring a stagehand to produce a handkerchief and dry the tears of the soloist (and perhaps the conductor). The work ultimately concludes in a joyful and spirited manner. Your audience will long remember Fantasy on the Twelve Days of Christmas. Arranged for Solo Cello with string orchestra, optional solo parts for viola and for violin are also provided.
$35.00
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Two Cadenzas