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Two Is Better Than One
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Two are Better than One
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031940 Composed by Max A.…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1031940 Composed by Max A. Clifford. Contemporary. Octavo. 5 pages. Max Clifford #3880365. Published by Max Clifford (A0.1031940). A beautiful, short piece for SATB choir. Everyone needs friends in their lives. This piece, inspired by verses from Ecclesiastes, is dedicated to all of my friends. The people who I lean on when I'm in trouble, the people who make me laugh, the people who make my life whole. This piece is easily accessible for vocalists of all ages and can be used for many occasions, from graduation, to worship, to general concert programming. .
$5.00
4.59 €
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Chorale SATB
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Max A
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Two are Better than One
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Max Clifford
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.5 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Two Is Better Than One
Guitare notes et tablatures
Guitar - Level 2 - Digital Download SKU: A0.1232077 By Boys Like Girls Featuring Ta…
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Guitar - Level 2 - Digital Download SKU: A0.1232077 By Boys Like Girls Featuring Taylor Swift. By Martin Johnson and Taylor Swift. Arranged by Douglas Becker. 19th Century,20th Century,Folk,Pop,Rock. Guitar Tab. 2 pages. Douglas Becker #827753. Published by Douglas Becker (A0.1232077).
$4.99
4.58 €
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Guitare notes et tablatures
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Boys Like Girls Featuring Taylor Swift
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Douglas Becker
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Two Is Better Than One
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Douglas Becker
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SheetMusicPlus
Two Is Better Than One
Quatuor à cordes: 2 violons, alto, violoncelle
By Boys Like Girls Featuring Taylor Swift. By Martin Johnson and Taylor Swift. Arran…
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By Boys Like Girls Featuring Taylor Swift. By Martin Johnson and Taylor Swift. Arranged by Denise Flatness. Contemporary, Pop, Wedding. Score and parts. 20 pages. Denise Flatness #721799. Published by Denise Flatness
$12.99
11.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Boys Like Girls Featuring Taylor Swift
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Denise Flatness
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Two Is Better Than One
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Denise Flatness
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SheetMusicPlus
Two Is Better Than One
Trio à Cordes: violon, alto, violoncelle
By Boys Like Girls Featuring Taylor Swift. By Martin Johnson and Taylor Swift. Arran…
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By Boys Like Girls Featuring Taylor Swift. By Martin Johnson and Taylor Swift. Arranged by Syneva Colle. Rock. Score and parts. 16 pages. Syneva Colle #688560. Published by Syneva Colle
$17.99
16.52 €
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Trio à Cordes: violon, alto, violoncelle
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Boys Like Girls Featuring Taylor Swift
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Syneva Colle
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Two Is Better Than One
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Syneva Colle
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SheetMusicPlus
Ballad Of Casey Jones
Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddi…
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Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.797763 Composed by Eddie Newton and Jill Gallina. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 14 pages. Derek Hasted #5206431. Published by Derek Hasted (A0.797763). CASEY JONES - 6 GUITARS or LARGE ENSEMBLEThe Ballad of Casey Jones - most famously used as the Theme Music to the TV series Casey Jones.Derek Hasted writes This is a great piece for six or more guitars, especially for those with limited experience of playing in ensemble.Schoolteachers - this is ideal for a school ensemble of mixed ability players, as there are parts from 'very much a novice' up to intermediate (which the teacher can help support).My arrangement sets out to make classical guitars sound like a steam locomotive - I hope you find that it works better than you imagined!The slow introduction and the gathering speed doesn’t require a collective accelerando, it’s all done in the writing - the metronome mark stays the same.Be sure to accent the beats where shown, and keep that pulsing accent rippling through the entire piece.Guitar 6 requires the bottom string tuned down to D - as this is the line suited to those with the least experience, you might want to mark up the fret numbers for the bass notes below the open A - they are all two frets higher than they normally are.This piece has featured in concerts played by The Hampshire Guitar Orchestra, and it’s always gone down well.I hope you enjoy playing this piece!
$4.99
4.58 €
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Eddie Newton and Jill Gallina
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Derek Hasted
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Ballad Of Casey Jones
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Derek Hasted
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SheetMusicPlus
All I Want For Christmas Is You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
18.37 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Justin Bieber Duet With Mariah Carey
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
Two Christmas Sing Alongs (Jingle Bells, Deck the Halls)
Chorale Unison
Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.931159 Composed by Tradi…
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Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.931159 Composed by Traditional. Arranged by S. Emmanuel Chambers. Christmas. Octavo. 5 pages. S. Emmanuel Chambers #6201173. Published by S. Emmanuel Chambers (A0.931159). These are fun and easy arrangements for sing-alongs on an elementary concert or to sing with family! The music is written for one voice part with an easy-intermediate piano accompaniment. There's no better way to enjoy the holiday spirit than singing carols that everyone knows! The arrangement includes Jingle Bells and Deck the Halls.Written for and performed by Morgan East Elementary 4th Grade Choir (McConnelsville, Ohio) on their Christmas Concert in December of 2019. Directed by Mr. Chamber and accompanied by Mrs. Muriel Bankes.
$2.49
2.29 €
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Chorale Unison
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Traditional
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S
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Two Christmas Sing Alongs
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S. Emmanuel Chambers
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SheetMusicPlus
Two Is Better Than One by ItsAMoney - Violin Solo
Violon
Sheet Music for Two Is Better Than One by ItsAMoney arranged for Instrumental Solo in C Ma…
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Sheet Music for Two Is Better Than One by ItsAMoney arranged for Instrumental Solo in C Major. Digital sheet music from Musicnotes. --
$4.99
4.58 €
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Violon
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Violin Solo
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Musicnotes
Two Bransles de Bourgogne and one Bransle de Champaigne - Claude Gervaise - 1556/1555
Level 2 - Digital Download SKU: A0.1442658 Composed by Claude Gervaise. Arranged by…
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Level 2 - Digital Download SKU: A0.1442658 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #1022644. Published by Wold Meridian (A0.1442658). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=klD8-PR_EUUAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=niwkktHVbL4Line 3 is featured at https://www.youtube.com/watch?v=Te8sPxvkd8QLine 4 is featured at https://www.youtube.com/watch?v=NKfYti7yEUE
$2.50
2.3 €
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Claude Gervaise
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Alastair Lodge
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Two Bransles de Bourgogne and one Bransle de Champaigne - Claude Gervaise - 1556/1555
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Wold Meridian
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SheetMusicPlus
Two Is Better Than One by Aldy Santos - Piano Solo
Piano seul
Performed by: Aldy Santos: Two Is Better Than One Digital Sheetmusic plus an interactive, …
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Performed by: Aldy Santos: Two Is Better Than One Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 6 pages -- Solo Instrumental~~Instrumental Pop~~Pop
$9.99
9.17 €
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Piano seul
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Aldy Santos
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Piano Solo
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Musicnotes
Two Is Better Than One by Boys Like Girls featuring Taylor Swift - Piano/Vocal/Guitar
Piano, Voix et Guitare
Performed by: Boys Like Girls featuring Taylor Swift: Two Is Better Than One Digital Sheet…
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Performed by: Boys Like Girls featuring Taylor Swift: Two Is Better Than One Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Emo~~Indie Rock~~Pop Rock~~Alternative Pop/Rock
$5.79
5.32 €
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Piano, Voix et Guitare
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Boys Like Girls featuring Taylor Swift
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Piano/Vocal/Guitar
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Musicnotes
Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411725 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Spiritual,World. 34 pages. Charles Decker Music Press #993974. Published by Charles Decker Music Press (A0.1411725). Early 20th century Black Canadian-American composer, conductor and pianist Robert Nathaniel Dett's  Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler combine his neo-romantic style and advocacy for spirituals in this engaging arrangement for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Music in the Mine provides a musical interpretation of the back-breaking and mind-numbing mining work in the steady accompaniment along with the dialogue of two miners yearning for better days, while Let Us Cheer the Weary Travelers is an upbeat dedication to our spiritual journey.  As Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and awarded an Honorary Masters Degree in 1932 from the Eastman School of Music . The recording is of the entire edition. To see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$17.99
16.52 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Robert Nathaniel Dett
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Richard Decker
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Two Spirituals: Music in the Mine and Let Us Cheer the Weary Traveler for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
My Soul Is Thirsting (Psalm 63)
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.921653 Composed by Tom D…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.921653 Composed by Tom Dwight. Christian,Praise & Worship,Sacred. Octavo. 8 pages. Tom Dwight #3689741. Published by Tom Dwight (A0.921653). A brief caveat: I apologize for the quality of the attached recording. I will try to get a better one up soon! That said, you can at least get a sense of what it sounds like :)My Soul Is Thirsting is based on Psalm 63 and is meant for two singers with the choir/assembly joining in on the refrain. I would love to hear this done with some good singers, bass, guitars and drums. At some point, I'd like to write some brass parts to go along with it.As with all my music, if you would like to send me a recording of your group doing this song, I'd be happy to promote it on my website!This should be done in a steady driving tempo although, be careful not to go too fast at the beginning because verse four can get a little hairy!Feel free to contact me at tommydwightmusic@gmail.com with any questions and if you'd like to receive updates on new music, I hope you'll consider joining my mailing list at:https://mailchi.mp/bfc4f2619558/tommydwightmusicThanks for taking a look - I think this piece is a ton of fun to play and sing - I hope you do too!
$2.25
2.07 €
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Chorale Unison
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Tom Dwight
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My Soul Is Thirsting
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Tom Dwight
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SheetMusicPlus
Better Now
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.820001
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.820001 By Post Malone. By Adam Feeney, Austin Post, Carl Rosen, Kaan Gunesberk, Louis Bell, and William Walsh. Arranged by Kathy Hirche. Pop. Score and parts. 11 pages. Kathy Hirche #4282263. Published by Kathy Hirche (A0.820001). The music of this popular song has been specially arranged to be suitable for Intermediate Level performers and for use as instructional repertoire. The melody is shared between the Primo and Secondo parts. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided. ISMN 979-0-7201-800-3-8 kathysprintmusic.com Dueto de Piano/Teclado La música en esta canción popular ha sido arreglada especialmente para ejecutantes de Nivel Intermedio asi como para formar parte del repertorio de enseñanza. El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
$5.99
5.5 €
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Post Malone
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Kathy Hirche
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Better Now
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Kathy Hirche
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SheetMusicPlus
Better Together
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521799 By Jack Johnson. By Ja…
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String Orchestra - Level 3 - Digital Download SKU: A0.521799 By Jack Johnson. By Jack Johnson. Arranged by Sherry Lewis. Pop. Score and Parts. 23 pages. Sherry Lewis Publishing #6478713. Published by Sherry Lewis Publishing (A0.521799). BETTER TOGETHER String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: yes Parts: 10 pages Time: 3'10 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.93 €
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Orchestre à Cordes
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Jack Johnson
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Sherry Lewis
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Better Together
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Sherry Lewis Publishing
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SheetMusicPlus
Better Together
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521064 By Jack …
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Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521064 By Jack Johnson. By Jack Johnson. Arranged by Sherry Lewis. Pop. 11 pages. Sherry Lewis Publishing #3421507. Published by Sherry Lewis Publishing (A0.521064). BETTER TOGETHER String Duo, Intermediate Level for violin and celloScore: yesParts: 4 pages Time: 3'10MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.58 €
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Violon, Violoncelle (duo)
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Jack Johnson
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Sherry Lewis
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https://www
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Better Together
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Sherry Lewis Publishing
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SheetMusicPlus
Hungry Five Two-Pack - Two E.T. Paull pieces for "Hungry Five" Band
Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.7821…
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Small Ensemble Clarinet,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.782102 Composed by Lincoln/Paull. Arranged by Aaron Hettinga. 20th Century,Folk,Patriotic,Traditional. Score and parts. 35 pages. Aaron Hettinga #6713295. Published by Aaron Hettinga (A0.782102). Edward Taylor Paull (1858-1924) was an American composer of marches and rags who was successful in producing a large number of circus marches in the late 1800’s/early 1900’s.. The Ben Hur Chariot Race March was the first publication he released in 1894. He also arranged Harry J. Lincoln's hit, Midnight Fire Alarm.These arrangements have been prepared for the instrumentation of Alford’s Hungry Five polka band books and serve as a fine addendum to those familiar pieces. While the clarinet parts tend to be the most active, they often feature diatonic scalar patterns that remain accessible to most intermediate-level players. The trombone part here is more active than many other arrangements for this kind of ensemble and could also be handled by Euphonium if desired. Again, it’s mostly short diatonic 16th note bursts. At the risk of sounding sloppy, it may be better to take the tempo a little lesser than a circus march tempo to accommodate. Besides, if playing this piece for Polka dancing, it would be best to take this at a more danceable tempo anyway.This downloadable PDF package contains 2 complete packages of full scores and a sets of parts for Midnight Fire Alarm and Ben Hur Chariot Race March that are ready to go for adding some extra variety to your German Band’s Oktoberfest gig!
$24.99
22.95 €
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Lincoln/Paull
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Aaron Hettinga
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Hungry Five Two-Pack - Two E.T. Paull pieces for "Hungry Five" Band
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Aaron Hettinga
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SheetMusicPlus
Two Is Better Than One
Piano, Voix et Guitare
By Taylor Swift, Boys Like Girls, and Boys Like Girls featuring Taylor Swift. For piano, v…
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By Taylor Swift, Boys Like Girls, and Boys Like Girls featuring Taylor Swift. For piano, voice, and guitar (chords only). Country; Pop. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voix et Guitare
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Taylor Swift, Boys Like Girls, and Boys Like Girls featuring Taylor Swift
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Pop
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Two Is Better Than One
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Martin Johnson: Two Is Better Than One for voice, piano and guitar
Piano, Voix et Guitare
Instantly printable sheet music by Boys Like Girls featuring Taylor Swift for voice, piano…
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Instantly printable sheet music by Boys Like Girls featuring Taylor Swift for voice, piano or guitar of MEDIUM skill level. / country,pop
$5.97
5.48 €
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Piano, Voix et Guitare
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Martin Johnson
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Virtualsheetmusic
Psalm 134
Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download S…
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Brass Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1081137 Composed by Loys Bourgeois. Arranged by Des McNutty. Baroque,Christmas,Praise & Worship,Renaissance,Traditional. Score and parts. 21 pages. Des Press #685273. Published by Des Press (A0.1081137). Lip-slurs: Not every brass player's idea of fun but an essential facet of technique. In this treatment of Psalm 134, all instruments, except the bass trombone, play their entire part in one position or valve combination with a lot of slurs. Attention must be paid to rhythmic accuracy, both at the beginning of notes and their precise ending. For the best effect, a full tenuto is observed, sustaining each note until it either stops or clicks to the next. Not as easy as it looks! The instruments played can be varied; • Voice 1: Trumpet/cornet/flugelhorn in B♠pressing 1-3; or low F-trumpet open. • Voice 2: Trumpet/cornet/flugelhorn in B♠or bugle or clarion. • Voice 3: Alto trombone (4th pos.); an E♠horn, pressing 1 & 2; or natural trumpet in C. • Voice 4: Tenor trombone in 6th pos. or French horn (open in F) or a baritone/euphonium pressing 1-3. • Voice 5: Tenor trombone in 1st pos. or baritone/euphonium open. • Voice 6: Ideally Bass trombone but fits on tuba, tenor trombone/euphonium etc. A standard brass quintet plus one guest could distribute the parts thusly: • Voices 1 & 2: Two trumpets. • Voice 3: Guest on alto trombone, E♠horn or natural trumpet in C. • Voice 4: Horn open in F as 1st trombone. • Voice 5: Trombone as 2nd trombone • Voice 6: Tuba Some tune-up/ ensemble tuning exercises are included. This setting is a mixture of styles described as contre-pointillist; counterpoint in a natural pointillism where the Cantus Firmus and other lines weave between overlapping harmonic series; and diatonic clusters, which at best will remind listeners of a carillon of church bells. Loys Bourgeois' melody for Psalm 134, better known to Anglophones as The Old Hundredth, was added to the Genevan Psalter in 1551. Leading reformist Calvin had commissioned vernacular (spoken language of the people; in this case, French) settings of Psalm melodies for Protestants to sing and the Genevan Psalter was first published in 1539. Subsequent editions added further melodies but some were still used for more than one Psalm. The lesser-known Lausanne Psalter was the first to give each Psalm its own melody. Psalm 134 is associated with Michaelmas (29th September) and Christmas festivities. Enjoy!
$12.99
11.93 €
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Loys Bourgeois
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Des McNutty
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Psalm 134
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Des Press
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SheetMusicPlus
Empire Of Angels - Trailer
Orgue
Organ - Level 3 - Digital Download SKU: A0.1277905 Composed by Thomas Bergersen. Ar…
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Organ - Level 3 - Digital Download SKU: A0.1277905 Composed by Thomas Bergersen. Arranged by beloncfy. Film/TV,Instructional,New Age. Score. 4 pages. Beloncfy #869606. Published by beloncfy (A0.1277905). Instrument: Yamaha PSR SX900 Presenting the essential cinematic music arrangement designed for your arranger keyboard, ideal for captivating performances.It has been optimized for use with the Yamaha PSR SX900 ensure exceptional outcomes. While I haven't conducted tests on other Yamaha models of arranger keyboards, their full compatibility might not be guaranteed. Please use the Foxit PDF reader to extract the registration and styles data files. https://www.foxit.com/ Inside the PDF, you'll find two separate collections of registration and style data. Select the one that best matches your intended purpose. Empire Of Angels - Internal Memory Unpack the file onto a USB device, and then transfer it to your arranger keyboard's internal memory. This will allow you to play the song without needing the USB device plugged in. Empire Of Angels - USB1 This version offers portability, enabling you to directly load the file from your USB flash memory. Simply extract the file onto your USB device, plug it into your arranger keyboard, and you'll be all set to begin. Important note for non PSR SX900 owner:If you do not own the PSR SX900, you must convert the registration data using the Yamaha Registration Manager (YRM). The registration data might not be 100% compatible with your keyboard even after conversion.Download Link: https://psrtutorial.com/util/best.htmlThe following lists the styles and variations corresponding to the registration:1 - Empire Of Engels 1 - Â variation 4 Â 2 - Empire Of Engels 1 - Â variation 33 - Empire Of Engels 1 - Â variation 24 - Empire Of Engels 1 - Â variation 15 - Empire Of Engels 2 - Â variation 16 - Empire Of Engels 2 - Â variation 27 - Empire Of Engels 2 - Â variation 38 - Empire Of Engels 2 - Â Ending 1 Change Logs - 8th Dec 2023- Adding effect to make it cinematic percussion alike, it is better than the old version shown in my Youtube channel.- Styles performance optimization, smoother playback without slowing down the rhythm sometimes due to overloaded the keyboard.- Ending revised, now is closer to the original version.- Adding Genos support due to customer feedback that the registration data will prompt errors on Genos, however a manual selection on styles and variation is required.Â
$9.99
9.17 €
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Orgue
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Thomas Bergersen
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beloncfy
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Empire Of Angels - Trailer
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beloncfy
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.66 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.26 €
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Alto, Piano
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Traditional Scottish
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James M
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The Water is Wide for Viola & Piano
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jmsgu3
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SheetMusicPlus
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