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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Two Lines
Non classifié
323
Piano & claviers
Piano seul
84
Piano grosses notes
33
Piano, Voix
25
Orgue
21
Piano Facile
21
Piano, Voix et Guitare
19
2 Pianos, 4 mains
10
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
3
Instruments en Do
2
Accompagnement Piano
2
Accordéon
1
Piano (partie séparée)
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
28
Basse electrique
7
2 Guitares (duo)
7
Guitare
6
2 Mandolines (duo)
4
3 Guitares (trio)
2
Guitare (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
2 Dulcimers (duo)
1
Dulcimer
1
4 Guitares (Quatuor)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
74
Chorale 2 parties
58
Chorale 3 parties
33
Chorale Unison
19
Chorale TTBB
10
Chorale SSAA
6
Voix Soprano, Piano
3
Voix duo, Piano
1
Voix haute
1
Voix Alto, Piano
1
Voix Baryton, Piano
1
+ 6 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
49
2 Saxophones (duo)
14
2 Clarinettes (duo)
13
Flûte traversière et Piano
11
Saxophone (partie séparée)
10
3 Clarinettes (trio)
10
Flûte, Hautbois, Clarinette (trio)
6
Trio de Flûtes: 3 flûtes
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Saxophones: 4 saxophones
5
Hautbois, Piano (duo)
4
2 Hautbois (duo)
4
3 Flûtes à bec (trio)
4
Saxophone Alto et Piano
4
Ensemble de saxophones
4
2 Flûte à bec (duo)
4
Quatuor de Flûtes à bec
3
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Flûte, Clarinette (duo)
2
Saxophone Tenor et Piano
2
Hautbois, Basson (duo)
2
Saxophone et Harpe
2
Ensemble de Flûtes
2
Hautbois, Violoncelle
2
Flûte à Bec
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Quintette de Saxophone: 5 saxophones
2
Clarinette et Piano
2
Clarinette, Guitare (duo)
1
Clarinette, Violoncelle (duo)
1
Hautbois, Harpe
1
Hautbois
1
Flûte, Violon, Piano
1
Clarinette, Trombone (duo)
1
Flûte et Guitare
1
Saxophone Soprano et Piano
1
5 Flûtes à bec
1
Flute (partie séparée)
1
Cor anglais, Piano
1
2 Clarinettes, Basson
1
2 Cors Anglais Et Pianoforte
1
Flûte, Clarinette et Basson
1
Clarinette, Harpe (duo)
1
Ensemble de Clarinettes
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
26
Trombone (partie séparée)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette (partie séparée)
6
Trombone et Piano
4
Trompette, Piano
4
Euphonium, Piano (duo)
3
2 Cors (duo)
3
2 Trompettes (duo)
3
2 Trombones (duo)
3
Trompette
3
Cor (partie séparée)
2
Cor et Piano
2
Quatuor de Cuivres
2
Tuba
2
Trompette, Basson (duo)
2
Trompette, Trombone (duo)
1
Tuba (partie séparée)
1
Trombone
1
3 Euphoniums
1
2 Euphoniums (duo)
1
Cor anglais, Piano
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
Trompette, Violoncelle (duo)
1
Cor
1
3 Trombones (trio)
1
Cor et Harpe
1
+ 23 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
31
Trio à Cordes: 2 violons, violoncelle
18
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violon et Piano
12
2 Violoncelles (duo)
12
2 Harpes (duo)
11
Harpe
11
2 Violons (duo)
10
Violon, Violoncelle (duo)
9
Alto, Piano
7
2 Altos (duo)
7
Violon
6
Violoncelle, Piano
4
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
3
Contrebasse (partie séparée)
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Alto seul
2
Violoncelle
2
4 Violoncelles
2
Violon, Clarinette, Piano (trio)
2
Violon (partie séparée)
1
Alto et Harpe
1
4 Contrebasses
1
Contre Basse
1
2 Contrebasses (duo)
1
Harpe, Violon (duo)
1
Alto (partie séparée)
1
Harpe, Violoncelle (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
36
Ensemble Jazz
28
Ensemble de cuivres
27
Cloches
26
Orchestre
10
Orchestre à Cordes
8
Orchestre de chambre
6
Fanfare
4
Ensemble de Percussions
4
Xylophone, Piano
2
Batterie
2
Batterie (partie séparée)
1
Marimba
1
2 Xylophones
1
2 Marimbas
1
Percussion (partie séparée)
1
Jazz combo
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vendeurs (tous)
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Note4Piano
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Vous avez sélectionné:
Two Lines
Partitions à imprimer
1 481 partitions trouvées
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1476
Two Lines
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2 Flûte à bec (duo)
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INTERMÉDIAIRE
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Gavin Bryars
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Two Lines
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Schott Music - Digital
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SheetMusicPlus
Tenor recorder and bass recorder - intermediate - SKU: S9.Q19062 For tenor and bass recorder. Composed by Gavin Bryars. This edition: Sheet music...
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Tenor recorder and bass recorder - intermediate - SKU: S9.Q19062 For tenor and bass recorder. Composed by Gavin Bryars. This edition: Sheet music. Downloadable. Duration 4 minutes. Schott Music - Digital #Q19062. Published by Schott Music - Digital (S9.Q19062). 'Two Lines' was written at the request of Peter Bowman and Kathryn Bennets for a piece to celebrate 20 years of their performing together. It is a response to Bach's Two-part Inventions and, like the Bach, is suitable for concert performance or as part of a programme of two-part inventions. As Bach said in his preface to the first edition of his work the aim is '... above all to cultivate a cantabile style of playing and to gain from the beginning a strong foretaste of composition.'Two Lines a été écrit à la demande de Kathryn Bennetts et Peter Bowman pour célébrer leurs 20 ans de collaboration. Il s’agit ici d’une réponse aux Inventions à deux voix de Bach et, comme celles de Bach, la pièce peut s’exécuter en concert ou faire partie d’un programme d’Inventions à deux voix.
$9.99
The Human Seasons from Two Keats Choruses (Downloadable)
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Chorale SATB
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Joshua Fishbein
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The Human Seasons from Two Kea
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8086-E Composed by Joshua Fishbein. 19 pages. E. C. Schirmer Music Company - Di...
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SATB choir (choir divisi) unaccompanied - Moderately Difficult - SKU: MQ.8086-E Composed by Joshua Fishbein. 19 pages. E. C. Schirmer Music Company - Digital #8086-E. Published by E. C. Schirmer Music Company - Digital (MQ.8086-E). English.John Keats's poem is colorfully painted with dense harmonies, imitative counterpoint, and repeated ostinatos, to evoke spring, summer, autumn, and winter. Like bookends, the opening two lines are repeated at the closing, with the ensemble ending softly together on a complex pentatonic sonority. May be performed jointly as Two Keats Choruses with The Poetry of Earth (8087).
$3.15
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publica...
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Guitar (jazz and contemporary) - Intermediate - SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
CRADLE SONG (Two-Part Treble Choir)
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Chorale 2 parties
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INTERMÉDIAIRE
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Francis Osentowski
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CRADLE SONG
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Francis Osentowski
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SheetMusicPlus
Choral Choir (2-Part) - Level 3 - SKU: A0.953846 Composed by Francis Osentowski. Christmas,Contemporary,Sacred. Octavo. 4 pages. Francis Osentowski #596...
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Choral Choir (2-Part) - Level 3 - SKU: A0.953846 Composed by Francis Osentowski. Christmas,Contemporary,Sacred. Octavo. 4 pages. Francis Osentowski #5969. Published by Francis Osentowski (A0.953846). Cradle Song (Two-Part Choir) is a brand new composition that’s perfect for the Christmas season. It was inspired by a text from the great 18th century English hymn writer Isaac Watts. In addition to 700 hymns, Watts wrote Joy to the World and is considered the father of the English hymn. In my piece I used a few of Watts' most attractive lines including, Heavenly blessings without number, gently falling on thy head, and omitted those referring to Horned oxen, cursed sinners and burning flames. Cradle Song incorporates lush modern keyboard harmonies in attractive piano interludes. Pianists may recognize subtle references to Chopin’s famous Prelude in D-flat, the Raindrop Prelude. To me, raindrops falling helped paint an emotional picture of heavenly blessings gently falling on the Christ child. Comfortable vocal ranges and many unison lines make the two-part treble version sing-able by young choirs and even two soloists. Cradle Song is available in multiple formats including SATB, SAB, in addition to this Two-Part Treble for small choirs.
$2.99
Your Holiness
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Musique Sacrée
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Kathleen Fowle
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Kathleen Fowle
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Kathleen Fowle
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Your Holiness
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Two by Two Express
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.851571 By Kathleen Fowle. By Kathleen Fowle. Arranged by Kathleen Fowle. Praise & Worship,Sacred. Lead Sheet / Fake Boo...
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C Instrument - Level 2 - SKU: A0.851571 By Kathleen Fowle. By Kathleen Fowle. Arranged by Kathleen Fowle. Praise & Worship,Sacred. Lead Sheet / Fake Book. 5 pages. Two by Two Express #3087629. Published by Two by Two Express (A0.851571). YOUR HOLINESS - Solo - Composed by Kathleen Fowle. Â Solo with Piano. Great for worship or special liturgies. Â This song is suitable for Holy Communion, for group prayer, worship or personal use. Â Published by Two by Two Express. (admin via ASCAP).
$3.50
Two Songs for Solo Trumpet
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Trompette
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AVANCÉ
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Blues
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Jazz
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Alan Matheson
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Two Songs for Solo Trumpet
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Gordon Cherry
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Che...
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Trumpet Solo - Level 5 - SKU: A0.1047904 Composed by Alan Matheson. Blues,Jazz. Individual part. 5 pages. Gordon Cherry #652349. Published by Gordon Cherry (A0.1047904). Two Songs for Solo Trumpet by Alan Matheson are tributes to great jazz artists who are inspirations to him; Bix Beiderbecke and Woody Shaw. Here is a summary of the composer's own words about these two outstanding movements: The first song For Bix Beiderbecke is a blues-based, elegiac salute to one of the first lyrical jazz brass players who also created a unique musical language in his short life by combining his love of jazz (especially that of Louis Armstrong) with his interest in the music of the Impressionists such as Debussy and Ravel. The second song For Woody Shaw pays a tribute to one of the masters of modern-jazz playing. In his compositions and improvisations, Shaw was very fond of using large intervals (such as minor and major 7ths) along with melodic lines based on the perfect 4th. I have included this sound in the melodic lines of this movement along with some hybrid scales to reflect Woody Shaw's harmonic adventurousness. These two songs total about 5 minutes in length and are appropriate for advanced performers.
$17.50
50 Menuets (1728) for Two Violins or Mandolins; or Oboe, Recorder or Flute with Mandolin or Violin
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Methodes
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Georg Philipp Telemann
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John Goodin
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50 Menuets
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Rosie and Earl Music
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SheetMusicPlus
Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - SKU: A0.917070 Composed by Georg Philipp Telemann. Arranged by Joh...
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Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - SKU: A0.917070 Composed by Georg Philipp Telemann. Arranged by John Goodin. Instructional. Score and parts. 52 pages. Rosie and Earl Music #4347897. Published by Rosie and Earl Music (A0.917070). G.P. Telemann was one of the most prolific composers in history. According to Steven Zohn in his Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works (Oxford University Press, 2008) the menuets in this collection were first published by the composer in Hamburg in 1728 under the title Sept fois sept et un menuet (Seven times Seven plus One Menuets), and most likely were issued to subscribers in groups of seven throughout the year. While only a combined score with melody lines in the treble clef and figured bass has survived, an advertisement from the time suggests that either part may have been available on its own. These arrangements have been created by raising the bass line into the treble clef, creating a part playable by mandolin, violin or any other instrument capable of reaching the G below middle C. I was able to preserve the shape of the bass lines in most cases although I did sometimes have to ignore octave leaps and, in two or three spots (with great reluctance), I was forced to change a note.These duos are both educational and fun. They are suitable for both private enjoyment and public performance and make excellent teaching tools.
$15.00
Two Gaillardes - Tielman Susato - Dansereye 1551
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Tielman Susato
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Alastair Lodge
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Two Gaillardes - Tielman Susat
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1454137 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033311. Pub...
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Level 2 - SKU: A0.1454137 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033311. Published by Wold Meridian (A0.1454137). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=udSSCPtTmDAAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=K6aTL0evXgYLine 3 is featured at https://www.youtube.com/watch?v=1H1RPHfDAFsLine 4 is featured at https://www.youtube.com/watch?v=uNETgZeCwZA
$2.50
Two English Tunes at a German Court (Packington's Pound),(Wilson's or Wolsey's Wilde)
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Michael Praetorius
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Alastair Lodge
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Two English Tunes at a German
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1035448....
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Level 2 - SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1035448. Published by Wold Meridian (A0.1456368). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=oq5VMhNHhJEAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=0kDO3BCPd_ILine 3 is featured at https://www.youtube.com/watch?v=OAVg0dhvmi4Line 4 is featured at https://www.youtube.com/watch?v=H0DsSVonKYs
$2.50
Two Almandes - Claude Gervaise - Troisieme Livre de Danceries 1556
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Claude Gervaise
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Alastair Lodge
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Two Almandes - Claude Gervaise
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1437421 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1017542. Pu...
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Level 2 - SKU: A0.1437421 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1017542. Published by Wold Meridian (A0.1437421). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=FWD5COs6I1YAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=T-cbWrJVP-8Line 3 is featured at https://www.youtube.com/watch?v=YIdSRRTQS0MLine 4 is featured at https://www.youtube.com/watch?v=1KBeAu9Jdv4
$2.50
Two Bransles de Bourgogne and one Bransle de Champaigne - Claude Gervaise - 1556/1555
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Claude Gervaise
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Alastair Lodge
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Two Bransles de Bourgogne and
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Wold Meridian
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SheetMusicPlus
Level 2 - SKU: A0.1442658 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #1022644. Pub...
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Level 2 - SKU: A0.1442658 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #1022644. Published by Wold Meridian (A0.1442658). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=klD8-PR_EUUAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=niwkktHVbL4Line 3 is featured at https://www.youtube.com/watch?v=Te8sPxvkd8QLine 4 is featured at https://www.youtube.com/watch?v=NKfYti7yEUE
$2.50
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Jazz
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Corey Christiansen
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Essential Jazz Lines: In the S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book...
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Saxophone (alto) - Intermediate - SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99
Lines and Spaces on Treble and Bass Clefs
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Piano Facile
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DÉBUTANT
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Methodes
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Cody Weinmann
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Lines and Spaces on Treble and
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Cody Weinmann
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.835146 Composed by Cody Weinmann. Instructional. Score. 2 pages. Cody Weinmann #5774123. Published by Cody Weinmann (A0.8...
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Easy Piano - Level 1 - SKU: A0.835146 Composed by Cody Weinmann. Instructional. Score. 2 pages. Cody Weinmann #5774123. Published by Cody Weinmann (A0.835146). This sheet or two is for those who are having trouble with note or sight reading. It lists all the treble and bass clef lines and spaces in sequential order going up and down the staff. It also features the lines and spaces of treble and bass clef broken down for easy reference. It is recommended to use this side by side with sheet music. It is perfect for those who are beginners or mid-level beginners who are having trouble with note recognition.
$1.99
Divertimento for Two Oboes and Two Bassoons (Grade 2.5 Medium Easy)
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L
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Divertimento for Two Oboes and
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LCH Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1160603 Composed by L.C. Harnsberger. Chamber,Classical,Contest,Festival. 16 pages. ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - SKU: A0.1160603 Composed by L.C. Harnsberger. Chamber,Classical,Contest,Festival. 16 pages. LCH Music #760898. Published by LCH Music (A0.1160603). This two-movement piece in the classical style for two oboes and two bassoons is perfectly crafted for young instrumentalists. The first movement is a somber funeral march in C minor that shows off the lyrical playing of the quartet. The second movement, an upbeat rondo in 6/8 time that passes melodic lines around to each player, is sure to be an audience pleaser. Divertimento for Two Oboes and Two Bassoons is perfect for recitals, solo-and-ensemble festivals, concerts, and special events.Duration = 4:25.
$12.99
Five Foot Two, Eyes of Blue
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Instruments en Do
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Jazz
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Henderson, Lewis, and YOUNG
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Mark W
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Five Foot Two, Eyes of Blue
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Mark Wayne Music, LLC
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SheetMusicPlus
C Instrument - SKU: A0.808516 Composed by Henderson, Lewis, and YOUNG. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Mu...
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C Instrument - SKU: A0.808516 Composed by Henderson, Lewis, and YOUNG. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #6211393. Published by Mark Wayne Music, LLC (A0.808516). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.
$1.99
Ubi Caritas (Two-part)
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Chorale 3 parties
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Victor C Johnson
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Ubi Caritas
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part Mixed Chorus - SKU: C7.CGE64 Composed by Victor C Johnson. General. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE64. Published by C...
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Three-part Mixed Chorus - SKU: C7.CGE64 Composed by Victor C Johnson. General. Sing! Octavo. 8 pages. Chorister's Guild - Digital #CGE64. Published by Chorister's Guild - Digital (C7.CGE64). UPC: 749193021316.A beautiful, tender setting of the traditional Latin text that features delicate melodic lines and a fluid accompaniment. The contrasting middle section provides interest and movement, and the echoed phrases, independent vocal lines and limited ranges allow for it to be easily mastered for concert or festival. A pronunciation guide and translation are included.
$1.95
Bach: 15 Two-Part Inventions for Clarinet & Bass Clarinet
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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J
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James M
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Bass Clarinet
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Bach: 15 Two-Part Inventions f
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jmsgu3
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.550551 Composed by J. S. Bach, 1685-1750. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Stand...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.550551 Composed by J. S. Bach, 1685-1750. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. 2 scores. 66 pages. Jmsgu3 #4729583. Published by jmsgu3 (A0.550551). The 15 Two-Part Inventions BWV 772-786, arranged for Clarinet & Bass Clarinet. The historical context of Bach's 15 Two-Part Inventions is rooted in their didactic purpose and significance in developing keyboard technique and musical expression. Composed around 1720, these pieces were part of Bach's Klavierbüchlein, a collection of 62 short works for keyboard compiled for his nine-year-old son, Wilhelm Friedemann Bach. The Inventions were designed as exercises to teach two-part playing, familiarize students with musical ideas, and provide a taste of composition. They were structured with care, with the first three based on scales, the following three on broken chords, and a combination of both in the final piece, almost resembling a fugue in form. Bach's Inventions are experiments on musical ideas and a new way of combining lines, reflecting his didactic aim and providing a clear path for students to learn to play cleanly in two parts and acquire a strong foretaste of composition.  The Inventions' musical elements, composition, and piano technique can be effectively learned and expressed through different instruments. The adaptability of Bach's Two-Part Inventions to various instruments allows for a broader exploration of musical ideas and will enable instrumentalists to develop their technical and expressive abilities.
$38.95
Bach: Fifteen Two-Part Inventions for Alto & Baritone Sax
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Classique
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Johann Sebastian Bach
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James M
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Baritone Sax
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Bach: Fifteen Two-Part Inventi
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.550555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. 67 pag...
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Woodwind Ensemble - Level 3 - SKU: A0.550555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. 67 pages. Jmsgu3 #4735777. Published by jmsgu3 (A0.550555). The 15 Two-Part Inventions BWV 772-786, arranged for Alto & Baritone Sax. The historical context of Bach's 15 Two-Part Inventions is rooted in their didactic purpose and significance in developing keyboard technique and musical expression. Composed around 1720, these pieces were part of Bach's Klavierbüchlein, a collection of 62 short works for keyboard compiled for his nine-year-old son, Wilhelm Friedemann Bach. The Inventions were designed as exercises to teach two-part playing, familiarize students with musical ideas, and provide a taste of composition. They were structured with care, with the first three based on scales, the following three on broken chords, and a combination of both in the final piece, almost resembling a fugue in form. Bach's Inventions are experiments on musical ideas and a new way of combining lines, reflecting his didactic aim and providing a clear path for students to learn to play cleanly in two parts and acquire a strong foretaste of composition. The inventions' musical elements, composition, and piano technique can be effectively learned and expressed through different instruments. The adaptability of Bach's Two-Part Inventions to various instruments allows for a broader exploration of musical ideas and will enable instrumentalists to develop their technical and expressive abilities.
$38.95
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane ...
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Small Ensemble Bass Guitar,Violin - Level 4 - SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
Lines from a Wanderer
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Voix Baryton, Piano
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John Casken
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Lines from a Wanderer
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Schott Music - Digital
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SheetMusicPlus
Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 m...
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Baritone voice and piano - SKU: S9.Q47100 For baritone and piano. Composed by John Casken. This edition: Sheet music. Downloadable. Duration 22 minutes. Schott Music - Digital #Q47100. Published by Schott Music - Digital (S9.Q47100). English.John Casken's 2009 setting of the Robert Browning poem 'Night and Morning' for tenor and piano was the starting point for a new song cycle, Lines from a Wanderer, exploring man’s desire to travel, to escape and be alone. This search for inner peace is contrasted with a deep nostalgia for places and people left behind in settings of two poems from W.B. Yeats, 'The Lake Isle of Innisfree' and 'The Song of Wandering Aengus', as well as Thomas Hardy's 'The Discovery' and Robert Browning's 'The Italian in England'.
$15.99
Two Scenes from The Rubáiyát of Omar Khayyám (Trio for Bb Clarinet, Violin and Piano)
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Violon, Clarinette, Piano (trio)
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AVANCÉ
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Adam Lenhart
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Two Scenes from The Rubá
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Adam Lenhart
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SheetMusicPlus
B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenha...
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B-Flat Clarinet,Piano,Violin - Level 5 - SKU: A0.1208741 Composed by Adam Lenhart. Chamber,Classical,Contemporary,Contest,Festival. 33 pages. Adam Lenhart #806841. Published by Adam Lenhart (A0.1208741). Introduction to The Rubáiyát of Omar KhayyámThe Rubaiyat of Omar Khayyam is a Persian poetry collection first put together in 1460 in Shiraz.  It consists of quatrains, four-line poems, with a set of unconventional themes.  The poetry is irreligious and questions the afterlife and God's providence.  It shows keen awareness of the shortness of life and the finality of death. It advises therefore that every fleeting moment of every day should be savored, with wine, lovers and song. The combination of a serious philosophy of life and a carefree attitude has made the poetry popular for centuries.  In 1859, Edward FitzGerald brought out a loose English translation that took the world by storm.  It became the most beloved and widely known poem in the English language for decades until its popularity finally faded in the late twentieth century. Although they were attributed to the great mathematician and astronomer, Omar Khayyam (d. 1131), the poems were by many anonymous hands, and he was just a frame author, akin to Scheherezade in the Arabian Nights.- Dr. Juan Cole, Richard P. Mitchell Collegiate Professor of History at the University of MichiganAbout the CompositionTwo Scenes from The Rubáiyát of Omar Khayyám explores and embodies two of the main themes that carry throughout the quatrains of the poem collection. In FitzGerald's translation, the quatrains follow a day to night cycle. The two movements reflect this by starting off with an abrupt wake up section and ending the piece with a nocturne.  The first movement, Wine, celebrates the camaraderie, joy and chaos that comes through the physical joy of being with friends. The clarinet, violin and piano interact in a conversational way, talking, laughing, and insulting one another in their own independent lines.The second movement is entitled Intimacy and explores the emotional joy of connecting with one another. The movement is set in a waltz style dance and draws influence from Chopin, Liszt and other romantic era composers. This is juxtaposed by youthful and energetic phrases so that the piece embodies all forms of love: young love, years of marriage and even friendship. Each movement has a sense of urgency and density which is present in the rubá'iyát as well, expressing to the reader that our time on Earth is so short and to make the most of each day.---------------------------Adam Lenhart (b. 2002) is a University of Michigan student of music theory, composition, voice and organ from Ottawa Lake, Michigan. As a theorist, his areas of study vary widely, including 18th century counterpoint, the early American Sacred Harp tradition, and impressionism. As a composer, his music draws inspiration from nature, mathematics and poetry. In 2020 he was awarded the Michigan Music Education Association’s Young Composers of Michigan award, as well as first prize in the University of Toledo Young Composers competition. Lenhart has also participated in numerous ensembles across Michigan, including the MYAF All-State Choir, Tecumseh Pops Orchestra, University of Michigan Men’s Glee Club and the SMTD University Choir. He thoroughly enjoys collaboration with other composers, performers, poets and visual artists. Some of his recent projects include collaborations with individuals from the University of Michigan Chamber Music, History, and Poetry departments.
$14.99
More Holiness Give Me ( two-part + piano )
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Chorale 3 parties
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DÉBUTANT
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Musique Sacrée
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Philip Paul Bliss
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Clifford W
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s a / t b
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More Holiness Give Me
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Clifford W. King
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SheetMusicPlus
Choral Choir (SSA) - Level 1 - SKU: A0.901112 Composed by Philip Paul Bliss. Arranged by Clifford W. King. Christian,Praise & Worship,Sacred. Octavo. 9 ...
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Choral Choir (SSA) - Level 1 - SKU: A0.901112 Composed by Philip Paul Bliss. Arranged by Clifford W. King. Christian,Praise & Worship,Sacred. Octavo. 9 pages. Clifford W. King #6493893. Published by Clifford W. King (A0.901112). ( two-part ( or s a / t b + piano ). Sacred, Christian Also available in SATB and vocal duet.This is a graceful and very accessible arrangement of the much-loved hymn. The flowing piano introduction leads into a beautiful TB duet. Unexpected harmonies lend themselves to the beautiful lyrics. SA voicing is presented a cappella at times but usually supported by fullness in the accompaniment and with optional notes for a cappella support. Options for solos. Perfect for church choirs.duration: 4:30www.cliffordwking.com
$1.99
"De la Sierra Morena" - Two Versions of a 17th-Century Baroque Song - José Marín - Score Only
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Arturo Escorza
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Arturo Escorza
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"De la Sierra Morena"
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Arturo Escorza
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SheetMusicPlus
SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Escorza #1052224. ...
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SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Escorza #1052224. Published by Arturo Escorza (A0.1474647). This sheet music features two versions of a 17th-century song composed by the renowned Spanish composer José Marín (1618-1699). Marín, a tenor of the Royal Chapel of King Philip IV, had a tumultuous life that took him to Rome, the New World, and eventually into a ten-year exile. He was praised as the best musician in Madrid and was known both within and outside Spain for his exceptional skill in composition and performance.Interestingly, the famous Mexican song Cielito Lindo shares a small connection with this piece, at least in the opening lines of both the Mexican and the 17th-century Spanish songs: De la Sierra Morena.... This sheet music includes two versions of Marín's song, one from the Libro de tonos de José Miguel de Guerra (also known as Codice Guerra) and the other from the National Library of Spain. The composition is for voice and continuo, encompassing 5 pages.
$10.00
Centre - Two Cellos.
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2 Violoncelles (duo)
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AVANCÉ
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Contemporain
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Sophia Mackson
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Centre - Two Cellos.
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Sophia Mackson
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SheetMusicPlus
Cello Duet Cello - Level 5 - SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by So...
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Cello Duet Cello - Level 5 - SKU: A0.1372278 Composed by Sophia Mackson. Classical,Contemporary. Score. 6 pages. Sophia Mackson #956559. Published by Sophia Mackson (A0.1372278). This work was originally written for two violas. The composer has now arranged it for two cellos.This work features soaring melodic lines and fast demisemiquaver passages. It is an ideal work for advanced players to use in their repetoire or in a concert program.A foreword by the composer:“First and foremost, this work is dedicated to Kristen Scott. It stands as a reminder of a lifelong friendship, and how strong that friendship is. Thank you for supporting me and being so wonderful.This work I began writing in May of this year, and initially it was just an improvisation for one viola. I had then realised after trying to write for Solo Viola how difficult it was, since it is such a unique instrument. I wanted to make the most of the technical and musical capabilities of the instrument, so I added another Viola. With that addition, each motif seemed to make more sense and the music just flowed. Centre is based on the concept of centring oneself, but also the beauty in being surrounded by motion; by seeing things happening around you and being able to observe. Just being allowed to exist, in a way.I’ve always been inspired by Australian composers, especially since I have been lucky enough to be surrounded by their music at different points in my life. My teacher Patricia Pollett, has been actively involved in advocating for Australian composition for the viola, including commissions, recording and performances. So, being able to take my work to our lessons was hugely thought provoking and inspiring. The insights she gave helped to access more depth and meaning within the work.â€.
$10.00
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