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--INSTRUMENTS--
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Two Pieces in the Ancient Style
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Quatuor de Clarinettes: 4 clarinettes
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLON
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Vous avez sélectionné:
Two Pieces in the Ancient Style
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Two Pieces in the Ancient Style
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782210…
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - Digital Download SKU: A0.782210 Composed by Paul Dedieu - Peters. Arranged by James Haynor. Contemporary. 20 pages. James Haynor #3516207. Published by James Haynor (A0.782210). Nothing is known about Paul Dedieu-Peters. These two pieces are charming examples of his piano writing arranged here for Clarinet Quartet. Duration: 4:05
$10.00
9.22 €
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Quatuor de Clarinettes: 4 clarinettes
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Paul Dedieu - Peters
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James Haynor
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Two Pieces in the Ancient Style
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James Haynor
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SheetMusicPlus
Brass Quintet - Three Pastoral Sketches
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
25.81 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Mike Lyons
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Brass Quintet - Three Pastoral Sketches
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Lyons Music Services
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SheetMusicPlus
Musical Journey
2 descant recorders - easy to intermediate - Digital Download SKU: S9.Q18621 A m…
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2 descant recorders - easy to intermediate - Digital Download SKU: S9.Q18621 A musical history tour of various stylistic periods. Composed by Karel van Steenhoven. This edition: performance score. Original Music for Recorder. Downloadable, Performance score. Schott Music - Digital #Q18621. Published by Schott Music - Digital (S9.Q18621). Up to now, the Dutch composer and performer Karel van Steenhoven, founder member of the renowned Amsterdam Loeki Stardust Quartet, has mainly written demanding concert literature for the recorder. Now he has added an easy work for beginners to the recorder repertoire: 'A Musical Journey' was composed for two young recorder pupils and leads through different stylistic eras of European music history. Van Steenhoven was inspired by an old tune from Ancient Greek which moves from classical antiquity via the Middle Ages and Baroque era to jazz, swing and modern music in 14 short character pieces. In a playful and humorous way, children are thus introduced to the different styles of music. An excursion of educational value without missing out on fun and pleasure.
$12.99
11.98 €
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Karel van Steenhoven
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Musical Journey
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Schott Music - Digital
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SheetMusicPlus
A Carolan Consort
Composed by Turlough O' Carolan. Arranged by Nancy Hurrell. Baroque Period, Cel…
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Composed by Turlough O' Carolan. Arranged by Nancy Hurrell. Baroque Period, Celtic, St. Patrick's Day. 77 pages. Published by Afghan Press Music for the Harp
Carolan tunes arranged for harp and one or two melody instruments. Full and interesting harp accompaniments that support the melody instruments, making these great for performing. This unique collection is arranged in period style with the harmonies, ornaments and variations as they might have been played in Dublin taverns and Irish country houses around 1800. The original 1796 version of Carolan’s Concerto is included in both solo harp versions as well as concerto form. The range of pieces include ancient modal harp airs (Bridget Cruise, First Air) to the elegant High Baroque (Mrs. Judge) to lively planxties as jigs and hornpipes (Planxty George Brabazons). The arrangements can be heard on Ensemble Musica Humana’s CD: Turlough O’Carolan- A Life in Song, performed on flute, whistle, recorder, uilleann pipes and harp. Flute and recorder parts are by EMH performers Lidia Chang and Laura Osterlund.<br> <br> Harp & Flute, Recorder or Whistle: Carolan’s Concerto, Planxty Burke, Dr. John Stafford (Carolan’s Receipt), Planxty O’Rourke, Bridget Cruise, First Air, Sheebeg and Sheemore, Mrs. Judge, Eleanor Plunkett, Bridget Cruise, Third Air, Fanny Power <br> <br> Flute & Whistle Duo: George Brabazon First & Second Airs, <br> <br> Harp Solos: Hewlett (‘Hulets Health’ from Bunting, 1809), Carolan’s Concerto (from Bunting, 1796)Carolan tunes arranged for harp and one or two melody instruments. Full and interesting harp accompaniments that support the melody instruments, making these great for performing. This unique collection is arranged in period style with the harmonies, ornaments and variations as they might have been played in Dublin taverns and Irish country houses around 1800. The original 1796 version of Carolan’s Concerto is included in both solo harp versions as well as concerto form. The range of pieces include ancient modal harp airs (Bridget Cruise, First Air) to the elegant High Baroque (Mrs. Judge) to lively planxties as jigs and hornpipes (Planxty George Brabazons). The arrangements can be heard on Ensemble Musica Humana’s CD: Turlough O’Carolan- A Life in Song, performed on flute, whistle, recorder, uilleann pipes and harp. Flute and recorder parts are by EMH performers Lidia Chang and Laura Osterlund.<br> <br> Harp & Flute, Recorder or Whistle: Carolan’s Concerto, Planxty Burke, Dr. John Stafford (Carolan’s Receipt), Planxty O’Rourke, Bridget Cruise, First Air, Sheebeg and Sheemore, Mrs. Judge, Eleanor Plunkett, Bridget Cruise, Third Air, Fanny Power <br> <br> Flute & Whistle Duo: George Brabazon First & Second Airs, <br> <br> Harp Solos: Hewlett (‘Hulets Health’ from Bunting, 1809), Carolan’s Concerto (from Bunting, 1796)
$20.00
18.44 €
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Turlough O' Carolan
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Nancy Hurrell
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Carolan
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A Carolan Consort
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Afghan Press Music for the Harp
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SheetMusicPlus
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Two Pieces in the Ancient Style
